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ON FREE VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING WEDNESDAY, MARCH 10rTu, 1915 
AND CONTINUING UNTIL THE DATE OF SALE 


| TEEVE 
RARE AND COSTLY ART PROPERTY 


BELONGING TO 


MR. HENRY SYMONS 


EXPERT OF LONDON 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
AT TWO O’CLOCK 


ON MONDAY, MARCH 15tTn, AND FIVE FOLLOWING AFTERNOONS 
AND ON THE EVENINGS OF MONDAY, TUESDAY, WEDNESDAY, 
THURSDAY anpb FRIDAY, MARCH 15tu, 16TH, 17TH, 18TH anv 19TH, 
AT 8 O’CLOCK 


AT THE AMERICAN ZART GALLERIES 


MADISON SQUARE SOUTH 
NEW YORK 


ILLUSTRATED CATALOGUE 


OF THE 


REMARKABLE AND EXTENSIVE 
COLLECTION 


OF 


RARE AND COSTLY ART PROPERTY 


BELONGING TO 


MR. HENRY SYMONS 


EXPERT OF LONDON 


AND TO BE SOLD FOR HIS ACCOUNT 


Peau NRESTRICTED PUBLIC SALE 
ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET, OF 


“THE AMERICAN ART ASSOCIATION, MANAGERS 
MADISON SQUARE SOUTH, NEW YORK 
1915 


' 


THE AMERICAN ART A 
DESIGNS ITS CATALOGUES 
ALL DETAILS OF ILLUS 

TEXT AND TYPOG: 


PREFATORY NOTE 


Mr. Symons is known throughout England not only as one of the most 
reliable authorities upon English, Continental and Oriental porcelain of the 
eighteenth century, but also as a discriminating collector of old English and 
French furniture, early bronzes and objects of art in general. 

His collection of old English porcelains and potteries can be with difficulty 
paralleled outside of some of the great English museums. 

It consists of examples from all the most highly regarded factories, such 
as that of Bristol, Plymouth, Bow, Chelsea, Worcester, Derby, Pinxton, Swan- 
sea, Nantgarw, Longton Hall and Spode. Included among these will be found 
a most important collection of rare square and crescent marked Worcester, 
among which is an especially noteworthy garniture of three blue ground vases. 
There are also a number of fine early Chelsea, Bow and Derby vases, and an 
exceptional variety of other decorative pieces. Of. especial interest is the col- 
lection of nearly three hundred pieces of Bow, Bristol, Chelsea, Chelsea-Derby, 
Derby and Longton Hall statuettes, which includes an unusually rare set of 
Bristol figures of the “Four Continents” and a number of Chelsea figures mod- 
eled by Roubiliac and Bacon, as well as an interesting group of Derby biscuit 
figures modeled by Spengler and Stephan. 

The collection of Wedgwood is especially rich in crystalline and basaltes 
vases of the Wedgwood & Bentley period, and is distinguished by the posses- 
sion of a Portland vase which has been positively identified by the leading 
Wedgwood authorities as being one of the famous “Fifty.” 

The English potteries include salt glaze, early English Delft and the 
Lady Anna Chandos-Pole Collection of old Leeds ware. 

Among the English furniture in oak are Court Cupboards and dower 
chests, high-backed chairs, settees, and a very exceptional Day bed signed by 
its maker. The mahogany is rich in examples of Chippendale, by whom there 
are three exceptional armchairs, and a very fine fourpost bedstead. ‘There are 
some fine Sheraton tables and escritoire bookcases. The satinwood includes 
Sheraton bookcases, a dressing table with original fittings, and inlaid and 
painted writing tables. There are, too, some pieces of the Queen Anne period, 
including the celebrated Rushout Lacquer Cabinet and Stand. There are a 
very fine pair of Adam torchéres and a Hepplewhite screen in the Chinese taste, 
an Adam chandelier of cut glass, knife urns and a number of important mir- 


rors by Chippendale and his contemporaries. The French furniture includes 
a fine upright escritoire signed by P. Roussel, a Louis Seize Sedan chair deco- 
rated with Vernis Martin panels and in absolutely original condition, and a 
most exceptional carved applewood marriage-chest of the early sixteenth 
century. | 
The gathering of clocks is an extraordinarily rich one. Among those 
of the Louis XVI period are one surmounted by a marble figure sculptured 
by Falconet, a “Reading and Writing” clock and an “Elephant” clock. In 
addition to these is a marvelous collection of over thirty clocks made by Eng- 
lish makers of the eighteenth century in ormolu cases decorated with enamels, 
and with panels of surprisingly ingenious moving subjects. Some of these 
clocks, which were originally made for presentation to Chinese princes and 
mandarins, have made the journey to the Orient and found their way back to 
Europe. There are a number of English clocks of the eighteenth century, in- 
cluding a lacquered bracket clock by Tomlinson, a tall Queen Anne lacquered 
clock by George Tyler, several brass lantern clocks, one of them fitted with 
chimes, and the famous Orrery of “honest” George Graham, a leading Eng- 
lish clockmaker of the eighteenth century. 

The collection of bronzes covers a wide range, extending from the six- 
teenth to the nineteenth centuries. Of the period of the Italian Renaissance 
are a figure of the infant Hercules Strangling a Serpent, and a fine door 
knocker. ‘The French bronzes include examples of the schools of Pigalle and 


Clodion, as well as of the Empire period, while of the modern bronzes the most — 


important is a magnificent portrait bust, by Rodin, of the English poet and 
friend of Stevenson, the late W. E. Henley. This is the original from which 
was taken the marble replica now in Saint Paul’s Cathedral. 

The textiles consist of fine tapestries, among them a large panel of Brus- 
sels tapestry after a design by Van de Velde the elder, and a remarkable col- 
lection of petit point consisting of many individual panels, one suite of six 
chairs, another of two settees, two armchairs, and several single chairs, in old 
walnut and oak frames. 

The extensive collection of objects of art is headed by what is probably 
the finest Italian Renaissance cabinet of the School of Cellini ever brought to 
this country. It is of carved steel, damascened with gold, in a series of sub- 
jects taken from Tasso’s great poem, “Jerusalem Delivered.” 

There is a suit of sixteenth century German armor, as also a few choice 
sixteenth and seventeenth century Limoges enamels (some in their original 
frames), sixteenth and seventeenth century boxwood and ivory carvings, en- 
graved and mounted crystals of the same period including a gold and enamel 
mounted tazza, some good miniatures of the sixteenth and seventeenth and 
eighteenth centuries, Battersea enamels, including one of the most important 


a ee ee 7 {a 


vases ever produced, and a number of boxes mounted in gold with miniature 
paintings. | 

Of especial interest will be found the celebrated Buccleuch collection of 
glass of over two hundred pieces. Included in this are examples of early 
Venetian and seventeenth century German engraved, cut and enameled glass. 
The collection was formed by the late Duke of Buccleuch and Queensberry, 
and it would be difficult to exaggerate its importance in view of the many 
years devoted by the Duke to its acquisition and the unvarying fine quality 
of the pieces so acquired. 
A word may be said as to the famous collections which are represented 
in this gathering. ‘They include those of the Dowager Duchess of Newcastle, 
The Dowager Marchioness of Conyngham, Lady Anna Chandos-Pole, Lord 
Joicey of Greg-y-nog Castle, The Earl of Northesk, Lady Menzies of Castle 
Menzies, Lieut. Col. H. B. Hughes, Sir William Bass, Capt. Ernle Warriner, 
T. H. Faudel-Phillips, Capt. M. H. Grant, “Linesman” Alfred Trapnell, L. 
M. Solon and many others. 


= Horace TownseEnp. 
New York, March Ist, 1915. 


for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 7 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

%. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of 
any lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold ‘tas is” and without recourse. , 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. . 


2 


SPECIAL NOTICE. 
Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph or telephone, will be faith- 
fully attended to without charge or commission. Any purchase so 
made will be subject to the above Conditions of Sale, which cannot 
in any manner be modified. The Association, however, in the event of 
making a purchase of a lot consisting of one or more books for a pur- 
chaser who has not, through himself or his agent, been present at 
the exhibition or sale, will permit such lot to be returned within ten 
days from the date of sale, and the purchase money will be returned, if 
the lot in any material manner differs from its catalogue description. 
Orders for execution by the Association should be written and 
given with such plainness as to leave no room for misunderstanding. 
Not only should the lot number be given, but also the title, and bids 
should be stated to be so much for the lot, and when the lot consists 
of one or more volumes of books or objects of art, the bid per volume 
or piece should also be stated. If the one transmitting the order is 
unknown to the Association, a deposit should be sent or reference sub- 
mitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale, or any session thereof, 

will be furnished by the Association at a reasonable charge. 

AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 

New York City. 


ORDER OF SALE 


BEGINNING EACH AFTERNOON AT 2.00 O'CLOCK 
AND EVENING AT 8.00 O'CLOCK 


MONDAY AFTERNOON, MARCH 15, 1915 
CATALOGUE Nos. 1 to 275 


Old English Potteries, Including Staffordshire, Leeds and Luster Wares 
and Rare Ralph Wood Figures. 


MONDAY EVENING, MARCH 15, 1915 
CATALOGUE Nos. 276 to 450A 


The Duke of Buccleuch’s Famous Collection of XVI and XVII Centuries 
Engraved and Enameled Glass. 


TUESDAY AFTERNOON, MARCH 16, 1915 
CATALOGUE Nos. 451 to 728 


Fine Examples of Old Crescent-marked Worcester and Chelsea Porcelains. 


TUESDAY EVENING, MARCH 16, 1915 
CATALOGUE Nos. 724 to 874 


Old Italian, French and German Ivory and Wood Carvings of the XV, 
XVI, XVII and XVIII Centuries. 


WEDNESDAY AFTERNOON, MARCH 17, 1915 
CATALOGUE Nos. 875 to 1163 


A very Remarkable Collection of Old Worcester Porcelain of the Dr. 
Wall, “Square-marked” and Later Periods. | 


WEDNESDAY EVENING, MARCH 17, 1915 
CATALOGUE Nos. 1165 to 1808 


Interesting Early Italian, French and German Carvings in Ivory. 


THURSDAY AFTERNOON, MARCH 18, 1915 
CATALOGUE Nos. 1309 to 1589 
Rare Old English, French and Italian Jewelry and Interesting Trinkets. 


THURSDAY EVENING, MARCH 18, 1915 
CATALOGUE Nos. 1590 to 1696 


A very Remarkable Collection of Italian and French Bronzes of the XVI, 
XVII and XVIII Centuries, and other Interesting Objects. 


FRIDAY AFTERNOON, MARCH 19, 1915 
CATALOGUE Nos. 1697 to 18838 
Furniture, Works of Art and Embroideries. 


FRIDAY EVENING, MARCH 19, 1915 
CATALOGUE Nos. 1884 to 1983 


Interesting Pictures by, and Attributed to, Masters of the XVI, XVII 
and XVIII Centuries Schools of Painting. 


SATURDAY AFTERNOON, MARCH 20, 1915 
CATALOGUE Nos. 1984 to 2189 


=, ie We; : 
Tapestries, Clocks, Statuary and Furniture. 


AN IMPORTANT ANNOUNCEMENT 


Subsequent to the time when Mr. Symons completed arrangements with 
the Association for the public sale of his property which had been brought 
by him from London to be here sold owing to conditions occasioned by the 
war, he has had sent to this country, and added to his property to be offered 
for sale, a number of items of extraordinary importance and value. 

To prevent the possibility of too great a sacrifice of these unusual pieces, 
—which are less than fifty in number and the majority of which are included 
in the last session of the sale—Mr. Symons has requested of the Association, 
and it has granted him, the privilege of placing on them a reasonable wpset 
price, and such reserves will be announced at the time when each of such objects 
is offered. 

With the exception of the few items upon which such upset prices may 
be placed, the collection will be sold in strict conformity with the Association’s 
customary agreement, which provides for an unrestricted and unlimited public 
sale. 

AMERICAN ART ASSOCIATION. 
March 8, 1915. 


FIRST SESSION 


MONDAY AFTERNOON, MARCH 15, 1915 


AT THE AMERICAN ART GALLERIES 
‘BEGINNING AT 2.00 o’cLocK 


Which includes Catalogue Nos. 1 to 275 


OLD ENGLISH POTTERIES 


Including Staffordshire, Leeds and Luster Wares, and Rare 
Ralph Wood Figures 


The noteworthy favor bestowed in recent years upon English Porcelains has embraced 
also those products of the English potters which so distinguished the late Eighteenth century. 
Such especial value, for instance, attaches to fine examples of old Leeds ware, that it is 
increasingly difficult to procure examples of undoubted authenticity. Even less frequently 
are those admirable figures by Ralph Wood which, in their modeling, rival the statuettes of 
Dresden and Chelsea, offered to the contemporary collector. 


1—Six otp LEEpDs AND STAFFORDSHIRE Ware Cream Ewers 


Of various shapes, and styles of decoration. 


2—Oxup LreEps Warr Puate 
Decorated with a reeded border in black—center occupied by an oval 
medallion containing a black transfer-printed portrait of a man in wig. 


3—TuHREE oLtD LeEeps PLaTeEs 
(A) Cream-colored glaze, decorated in sepia on cream-colored ground 
and also decorated in transfer with square rigged ship in full sail and 


floral sprays. 


(B) Decorated with oval medallion of allegorical subject with inscrip- 
tion “Let wisdom unite us” and with trophies of game birds and 


butterflies. 
(C) Decorated with a convivial subject of Topers seated around a table 
and with floral sprays. 


First Session, Monday Afternoon 


4—Oxp Lrreps Porrery PLATE 
About 1775. Cream-colored glaze with pierced border. Center occupied 
by circular medallion surrounded by deep border of flutings and occupied 
by a painting, in colors, of a man in eighteenth century costume, seated, 
and with a dog at his side. 


914 inches. 


5—Pair or STAFFORDSHIRE Bow1s 
Cream-colored glaze. Basket shape, with pierced borders. The lower | 
portions of interlaced basket work. Scrolled ear handles. Circular 

pierced bases. 
Height, 4 inches. 


6—Parr oF op LerEps Sauce Boats 


Cream ware, with fluted looped handles and circular bases. Deco- 
rated with Greek honeysuckle and:scroll decorations in relief and painted 
in black and red. 

Height, 6 inches; length, 9 inches. 


7—Oup Lreps CorrreE-PorT 


Cream ware. Barrel-shaped body, with fluted curved and acanthus-leaf 
spout and fluted looped handle terminating in Bacchic heads. Flat 
cover, with painted finial. Body is decorated with reeded bands and 
with very elaborately painted figures of Amphitrite drawn by dolphins 
in a chariot formed of a seashell, and of Venus drawn by peacocks in 
a classical chariot. The lid is decorated with painted butterflies. 
Height, 7%, inches. 
8—Two Pieces or AcatrE Ware 
Pitcher with a barrel-shaped body and flat looped handle, and a coupe- 
shaped bowl. The bodies are decorated with colored agate-ware glaze 
and with bands of blue glaze having a leaf pattern in white reserve. 
Height of pitcher, 5%, inches. 
Diameter of bowl, 534 inches. 
9—TuHReE Pieces or Leeps AcatE WaRrE 


Teapot, pear-shape, curved spout, flat looped handle and domed cover. 
Sucrier, with straight sides, raised ring handles and flat cover. Tea- 
poy, with cylindrical body and small domed cover. Decorated with 
bands of colored agate, of blue glaze, and of a checker design i in dark 
brown. Set consists of teapot and cover, sucrier and cover, and teapoy 
and cover. (Slight repairs.) 


First Session, Monday Afternoon 


10—Pair or EicHTrentH Century Frencu Fruit Disues anp Sranps 
Basket-shaped dishes, with sides of pierced and interlaced basket work 
and looped handles. Cream-colored glaze decorated in blue. Stand 
with pierced and interlaced basket work borders, decorated in blue. The 
center occupied with conventional floral sprays painted in blue. Imn- 


pressed mark: “R.L.” 


Basket, 3 inches; diameter of stand, 91/, inches. 


11—Co.ttection or Etcur STarrorpsHIRE AND LrEeps Ware PITCHERS 
Some with covers, of various shapes and sizes. All invested with a plain 
white and cream glaze. 


12—O.up Swansea Potrrery SupreR SET 
Consisting of one circular center dish, with domed cover having a looped 
branch finial and circular foot, and four side dishes without covers. 
Decorated, on a cream-colored ground, with a border of rose leaf and 
scroll design, painted in sepia with lined and dotted borders. Mark: 
“Swansea” p. Sepia. 
NOTE: Examples of Swansea pottery are of exceptional rarity. 
Height of center dish, 7 inches; diameter, 111 inches. 


13—Oxp Lrerps Warr Cruet STAND 
Circular shape, with circular stem and foot and upright twisted carry- 
ing handle. Side pierced in a pattern of heart-shaped and oval medal- 
hons. ‘Top, with five receptacles for bottles, fitted with condiment 
bottles of a Leeds-like ware. 


From Lady Anna Chandos-Pole’s Collection. 


Height, 114, inches; diameter, 8 inches. 


14—Oup Lerzps Cruet StTanp 
Cylindrical body, with pierced and raised sides. Decorated with inter- 
laced scrollings and acanthus leaves and leaf festoons. Baluster-shaped 
carrying handle. Top pierced for the reception of five bottles. 


Height, 6% inches; diameter, 61/ inches. 


15—O.xp Leeps Dessert DisH anp STAND 
Dish of basket form with pierced sides of basket work. Looped handles. 
Stand with pierced border and basket pattern center. 
Height of dish, 2 inches; length of stand, 81/4 inches. 


First Session, Monday Afternoon 


16—Two otp Leepvs Warr AND STAFFORDSHIRE ‘TEAPOTS 
One with straight body and domed cover, the other with a pear-shaped 
body and curved spout with pierced straining nozzle. Invested with 


cream-colored and white glazes. 
Height, 61, inches and 41% inches. 


17—Parr or STAFFORDSHIRE Dessert DisHks AND STANDS 
Cream ware. Boat-shaped, with pierced borders of interlaced basket- 
work decoration. Oval stand, with pierced borders, flutings, and center 
medallions of interlaced basket-work. 
Height of baskets, 41/, inches; length of stand, 91, inches. 


18—Sert or Four STAFFORDSHIRE DessERtT DISHES 


Boat-shaped, with looped scroll handles. Lower portions of pierced 


basket-work. Impressed mark: “St. Anthony’s.” 
41/, by 81%, inches. 


19—Oup Lereps Cruret Sranp 


Of a pierced and scrolled pattern, with cylindrical carrying handle and 


two pear-shaped condiment bottles with stoppers. 
Height, 8 inches. 


20—Oxp Lereps Soup Turren anp Cover 
Oval shape, with oval stand and twisted rope handles. Domed and 
shaped cover, with finial and handle of twisted rope design. Decorated 
with raised borders of honeysuckle scrollings and with raised flowers 
and sprays of foliage. Mark: Impressed number. 
From Lady Anna Chandos-Pole’s Collection. 


Height, 101%, inches; length, 1514 inches. 


21—Four Pieces or ony LeEps Wark 


Pear-shaped teapot with curved spout and a twisted and loop handle 
terminating in raised leaf forms. Cream ewer, pear-shape, with scal- 
loped rim. Teapoy, with cylindrical body and domed cover. Coupe- 
shaped waste bowl. Decorated as to the bodies with a slate-blue glaz- 


ing and bands of checker pattern in dark brown and white reserve and 


with bands of white reserve. Spout, handles and finials in white reserve. 


First Session, Monday Afternoon 


22—O.p Lrreps TrEaproy 
Rectangular form with cylindrical neck. Decorated on all four sides with 
figures of women and children in relief and colored in blue, yellow and 
brown, and with borders of leaf rosettes and scroll design in blue. 
Height, 4 inches. 


23-——Pam or op Leeps Lamps 
Cream ware. Seated figures of lambs. 
From Lady Anna Chandos-Pole’s Collection. 
; Height, 31/, inches; length, 44 inches. 


24—Pair oF op Lrrps Trapoys 
Upright form, with cylindrical necks. Decorated, in colored enamels, 
with borders of sprays of flowers in imitation of the so-called Lowes- 


toft manner. ~ 
Al, by 5 inches. 


25—Set oF Four Encuisu EicHTEENTH CENTURY SERPENT PIPEs 
(A) Staffordshire. Decorated in blue and black on white ground and 
with double bowls. 
(B) Staffordshire. Decorated in red and black dots. 
(C) Of unusual form, probably by Ralph Wood. Decorated with blue 
leaves and yellow dots. Bowl with acanthus leaves in relief. 
(D) Of cream-colored Leeds ware, with molded scales. The bowl deco- 
rated with thistles in relief. 


26—Patr or orp Lreeps SuHorr CANDLESTICKS 
Fluted square columnar stems on square bases. Decorated with oval 
medallions, scroll ornamentation and a band of scroll design. The 
square sockets decorated on all four sides with a scroll and floral de- 
sign in relief. 


From Lady Anna Chandos-Pole’s Collection. 
Height, 5 inches. 


27—Oup Leeps InxstTanp 
Cream ware. Rectangular form, with shaped sides and pinnacle ends. 
Decorated in a pierced design and with acanthus-leaf decoration in relief. 
From Lady Anna Chandos-Pole’s Collection. 
Height, 5 inches; length, 714 inches; width, 51/, inches. 


First Session, Monday Afternoon 


28—Two oLp STAFFORDSHIRE CANDLESTICKS 
(A) Cream ware. Formed as a fluted and acanthus leaf decorated col- 
umn on circular base, with band of Greek scroll ornamentation. 
(B) Cream ware. Formed as an acanthus leaf decorated and fluted 
column on circular base with band of leaf decoration. Impressed mark: 


“TLakim & Poole.” 3 
Height, 10 inches. 


29—Onp LrEeps Sauce Boat with CovER AND STAND 

Boat-shaped on hexagonal pierced stand, 
with domed cover pierced in a design of 
quatrefoils and crescents and with garlands 
of husk pattern in relief. Finial formed 
as a melon, stem and leaves. Shaped stand, 
with border of quatrefoils, crescents and 
scrolls with festoons of husk pattern in re- 
lief. 

From Lady Anna Chandos-Pole’s Collec- 


tion. 
Height, 81 “inches. 


30—Pair oF oLp LEEps VASES AND CovERs 


Urn-shaped, with domed and pierced cov- 
ers terminating in acorn finials. Bodies of 
vases and covers decorated with floral fes- 
toons and masks, in relief and showing traces of oil gilding. 

Height, 7 inches. 


31—Oup LreEps Ware JARDINIERE 


Cream-colored glaze. Square form, with curved outspreading sides, 
having handles, formed as snakes and festoons of husk pattern in relief, 
and square base with acanthus leaf border in relief. The relief deco- 
ration is painted in green and on all four sides are floral sprays painted 


im green and outlined in black. 
Height, 814 inches. 


32—THREE OLD STAFFORDSHIRE CANDLESTICKS 


Formed as fluted Doric columns decorated with a leaf ornamentation. 
On square fluted bases. 
Height, 7, inches. 


First Session, Monday Afternoon 


33—TDTwo Pair oF oLD STAFFORDSHIRE CANDLESTICKS 


Formed as fluted Doric columns and decorated with a leaf design. On 


square fluted bases. 
Height, 101%, inches. 


34—Oxp Lrreps Ware VASE 


Formed as the figure of a woman, her apron full of flowers, standing 
by the side of a pedestal with a mask from which issues a stream of water. 
She supports a shaped vase with acanthus-leaf decoration. 


From Lady Anna Chandos-Pole’s Collection. 
Height, 7% inches. 


35—EIGHTEENTH CENTURY STAFFORDSHIRE VASE 
Cream ware. Urn-shaped, with rims and handles decorated with fes- 
tons of drapery and with fluted lower portion. On circular base. 


Height, 7°, inches. 


36—O.p Lrrps Ecce Disx 
Shaped in the form of a duck seated upon her nest, which rests upon a 
large vine leaf, the stem forming the handle. The nest forms a bowl 
for the eggs and the duck a removable cover. 


Height, 514 inches; length, 101%, inches. 


37—Oup TurNeER Dessert SERVICE 


Cream ware, with pierced edges and basket-work borders and centers. 
Decorated, in sepia, with floral sprays and borders of leaf decoration. 
Set consists of two fruit baskets and stands; two bowls with handles and 
stands, one with cover; nine plates; three small platters. Mark: 


TURNER. (Slight repairs to some plates. ) 
20 pieces. 


388—Oxp LrEps VASE AND CovER 


Ovolo-shape, with shaped domed cover terminating in cauliflower finial. 
Body decorated with grotesque masks and floral festoons in relief. 


Height, 1414 inches. 


First Session, Monday Afternoon 


No. 39 


39—Pair oF oLD LEEDS CANDLESTICKS 


Square tapering sticks on shaped octagonal bases and carrying urn- , 
shaped candle nozzles. Decorated, in the style of the Adam Brothers, . 
with oval medallions and husk pattern pendants. (Repaired.) 


From Lady Anna Chandos-Pole’s Collection. 
Height, 121%, inches. 


40—Pair or otp LeEps Dessert DisHeEs | 
Oval form, with shell, scroll and pierced work borders and reeded fiutings. 
From Lady Anna Chandos-Pole’s Collection. 
Length, 12 inches; width, 10 inches. 


41—Oup Lerps Styte Porrery Lieurur STAND 


Formed, in three portions, as a mound. Molded in the form of rocks 
and moss. Surmounting this stand is a liquor receptacle formed as 
a wine cask having as a handle a youthful Bacchante, wreathed and 
girdled with grapes and vine leaves. Upon the rocks stand twelve fig- 
ures of youthful Bacchantes wreathed and girdled with grapes and vine 
leaves and holding in their outstretched arms removable miniature beak- 
ers with looped handles. The whole is invested with a’ cream-colored 
glaze. 

Height, 20 inches. 


First Session, Monday Afternoon 


42—Oxp Lerps Warr Teapot 
Straight fluted sides, twisted rope handles having floreated terminations, 
fluted domed cover with raised floral finial and curved fluted spout. 


From Lady Anna Chandos-Pole’s Collection. 
Height, 5 inches. 


43—Oup STAFFORDSHIRE Sitver Luster Mue 
1810. Boat-shaped body, with band of fruits and leaves in relief and 
rope borders. Scrolled flat handle. Invested with silver luster. 
; Height, 41, inches. 


44—PatR OF OLD STAFFORDSHIRE LustER BrEAKERS 
1815. Conical shape. Lower portions decorated with bands of white re- 
serve occupied with paintings of flowers in colors. Copper luster. 
: ; eshte inches. 


45—PatR OF OLD STAFFORDSHIRE LustTER Cups 
1810. Egg-cup shape. Lower portions reeded; upper portions occupied 
with broad bands of purple luster, having a pattern of leaves and scrolls 


in white reserve. Copper luster. 
Height, 41, inches. 


46—Parir oF STAFFORDSHIRE Luster Curs 
Egg-cup shape. Lower portions reeded; upper portions occupied with 
bands of white reserve, painted with roses, grapes and scrolls in colors 


and purple luster. Copper luster. 
Height, 41%, inches. 


47—Two op SrarrorpsHirE Luster Cups 
1810. Egg-cup shape. Lower portion reeded; upper portions occupied 
with two bands of purple luster and with a fruit and leaf pattern in 


white reserve. (One faulty.) 
Height, 4%, inches. 


48—TuHREE OLD STAFFORDSHIRE Luster Cups 
Two with straight sides, the other coupe-shaped. On baluster stems 


and circular bases. Invested with silver luster. 
41/, and 5 inches. 


First Session, Monday Afternoon 


49-——O.p SrarrorpsHirRE Bove Por anp Cover anp LrEeps FLowER-pot 
Bough pot of semi-cylindrical shape with removable cover, having three 
piercings for flowers, with spreading and shaped necks, standing on 
three paw feet and invested with a plain white glaze. (Slightly cracked. ) 
Flower-pot of cylindrical shape, invested with a cream-colored glaze. 

Heights, 64% and 7 inches. 


50—Oxip Spopr Miniature DINNER SERVICE | 
White glaze ground, decorated with a printed decoration in blue and 


white of a willow pattern design. | 
46 pieces. 


51—OLp SrarrorDsHIRE AGATE-WARE BowL 
Coupe-shaped bowl, decorated with a marbled design in colored glazes 
and with a border of white reserve having a checker pattern in dark 


brown. 
Height, 3 inches; diameter, 71 inches. 


52—EIGHTEENTH CENTURY STAFFORDSHIRE Mue 


Beaker shape, decorated with two satyr-heads. Scalloped rim, deco- 
rated with a dip coloring of blue glaze. Circular base with band of 


incised zigzag ornamentation. 
Height, 5 inches. 


53—Oxup Lrrps Netson Mue 


Cylindrical form, with looped handle. Decorated with a transfer print 
in black of Nelson, with date of birth and death, and with motto, “Eng- 


land expects every man to do his duty.” 
Height, 41, inches, 
(Illustrated) 3 


54—Oup Sroprt Portrery Pircurer anp Cover 


Squat-shaped body, with cylindrical neck and looped acanthus-leaf 
handles, acanthus-leaf spout, and cover with flat button finial. Body 
of white stoneware, decorated with a sporting subject in relief in the 
style of Turner. Rim, cover and portion of handle glazed in dark 
brown. Mark: Spode. 
Height, 51% wches. 


First Session, Monday Afternoon 


54A—Oxp Spopvre Porcenain VasE 
Urn-shaped, with double scrolled handles. Decorated, on a Bleu-de- 
Rois ground, with a relief pattern, in white reserve heightened with 
gold, of chrysanthemum and prunus blossoms. The scrolled and fluted 
handles are decorated in matt gold. Mark: “Spode” p. in red. 
Height, 614, inches. 


55—Oup STAFFoRDSHIRE LustER PircHER 
Pear-shaped body, with scrolled looped handle and curved spout. The 
lower portion reeded, the upper, with a band of purple luster, has a 


rose-leaf pattern in white reserve. (Cracked. ) 
Height, 514 inches. 


56—Oxtp SrarrorpsHire Luster Weinetron PITcHER 
Pear-shaped body, with looped and acanthus-leaf handle. Ornamented, 
as to the body with polychrome and relief decorations of bands of grape 
and ivy leaves and ears of barley, and with a bust portrait of Wellington 
with the title Earl Wellington, and, as to the neck, with a design of 
festoons in purple, black and yellow and with lines of silver luster. 


Height, 41, inches. 


57—Oup STAFFORDSHIRE LusTER PITCHER 


Pear-shaped body, with looped and scrolled handle. Decorated with 
bands and floral sprays in silver luster and with transfer portraits, 
printed in carmine, of the Duke of York and Mrs. Clark. 

. Height, 91 inches. 


58—Pair oF OLD STAFFORDSHIRE Luster Mues 
Shaped as trunks of oak trees with rustic handles. Decorated with a 
raised pattern, colored in green and red, of oak leaves and acorns. 


Around the rim and base are lines of silver luster. 
Height, 44, inches. 


59—Oup SrarrorpsHIRE LustTER PITCHER 
Pear-shaped body, with flat looped handle and curved spout. Deco- 
rated with a raised pattern of bunches of grapes and vine leaves colored 
in green and purple and with a line of silver luster around the rim. 
Height, 434 inches. 


First Session, Monday Afternoon 


60—Oxp SrarrorpsHirE Luster Mitx PiTcHEer 
Pear-shaped body, with flat looped handle and curved spout. The body 
is decorated in black, with transfer prints of a negro with broken chains 
and the inscription “Am not I a man and a brother?” and a verse 
entitled “The Negro’s Complaint.” Around the rim is a broad band of 


purple luster. 
Height, 414, inches. 


61—O.up SrarrorpsHireE Luster Mask Muce 
Shaped as the branch of a tree with looped flat handle. Body is deco- 
rated with splashes of green, purple and red and an all-over diapered 
pattern in red and with a modeled Satyr’s mask crowned with leaves and 
flowers and colored. Around the rim and base are lines of purple luster. 
Height, 414, inches. 


62—Oup SrarrorpsHirE Luster Cream Ewer 


Pear-shaped body, with flat looped handle and curved spout. The lower — 
portion is occupied with paintings of the “Bird Nestes” and a view 
of a farmhouse and other buildings; the upper portic 1,. with a broad 
band of copper luster. Base and interior of rim dec rated with lizes 
of purple luster. 


Height, 31, inches. 


ee ee 


638—OLp SrarrorDsHIRE Luster Wewtincron PrrcH2r 


Pear-shaped body, with looped and acanthus leaf handle and curved 
spout. Decorated with a pattern in colored rel’>f of strawberry fruit 
and leaves and stalks of wheat, and with a b .d around the neck of 
festoons of drapery. The front of the pitcher is occupied with a por- 
trait, in colored relief, of the Duke of Wellizgton with the inscription 
“Karl Wellington.” Lines of silver luster complete the decoration. — 


Heignt, 5%, inches. 


64—Oxp SrarrorpsHire Luster PIrcHER 


Pear-shaped body, with looped handle and curved spout. Decorated, 
on a white ground, with two oval panels bordered with lines of silver 
luster and cocina with transfer prints, in sepia, of “The Sailor and 
the Squire.” Around the rim is a band of looped ornamentation in red 
and lines of silver luster. 

Height, 6 inches. 


First Session, Monday Afternoon 


65—Oup STAFFORDSHIRE LustEeR PITCHER 


Pear-shaped body, with flat looped handle and curved spout. Decorated 
with a raised pattern of bunches of grapes and vine leaves colored in 
green and purple, and with a line of silver luster around the rim. 
Height, 4%/, inches. 
66—OLpD STAFFORDSHIRE Luster PrrcHER 
Pear-shaped body. Decorated with oval panels surrounded by bands of 


silver luster and occupied with transfer prints, in purple, of a river 
scene with a bridge and church in the background and a man fishing in 
the foreground. 
Height, 51, inches. 
67—OtLp STarrorpsHIRE Luster PircHER 


Pear-shaped body, flat scroll handle and curved spout. Decorated with 
transfer prints, in black and colored, of the Farmers’? Arms with the 
motto “Trust in God,” and on the other side with a panel surrounded 
by a border of agricultural implements and containing a verse of “Speed 
the Plow.” Around the neck and rim are bands of silver luster. 


Height, 5%, inches. 


“°§8—OxLp Sta; corpsHIRE Luster PitcHER 
Pear-shaped body, with looped handle and acanthus leaf spout. Deco- 
rated, on a buff-colored ground, with oval panels surrounded by lines 
of silver luster and occupied with transfer prints of a Country Mansion 
with a flock of sheep in the background. Around the rim are lines of 
silver luster. _ 


69—Oxp Srarrorps. RE Luster Mitx PitcHER 
Decorated on a cream ground in red, with transfer of symbolic figures 
of Faith and Hop# surrounded by branches of pointed-leaf decoration 
in silver luster. ATound the rim are lines of silver luster. 
Height, 4%, inches. 
70—Oup SrarrorpDsHIrRE ELSON PITCHER 


Pear-shaped body, looped handle and curved spout. Decorated, on a 
light buff ground, with transfer prints of a portrait of Lord Nelson sur- 
rounded by the inscription, “England expects every man to do his duty,” 
with a view of the ship 7%¢ Victory, and with the name of Lord Nelson 
and his titles. These are surrounded by naval trophies and by a floral 
and scroll pattern. Around the rim are naval and military trophies. 


First Session, Monday Afternoon 


Y1—TureE oLp STAFFORDSHIRE WELLINGTON PITCHERS 
Shaped bodies, with looped flat handles. Decorated, in colored relief, 
with bust portraits of General Hill and the Duke of Wellington, with 


military flags and bands of silver luster. 
Height, 6144 and 51, inches. 


72—O.p STAFFORDSHIRE NELSON PITCHER 
Pear-shaped body with cylindrical neck, pointed spout and looped han- 
dle. Decorated, with raised busts of Admiral Nelson and Captain Berry — 
flanked by three masted ships painted in brown, yellow, blue and green. 
Around the rim is the inscription: “Admiral Nelson and Captain Berry.” 
Height, 61/, inches. 


NOTE: This rare pitcher is in exceptional condition. 


738—O.p Lrrps Brrr Mue 
Straight sides with looped handle. Decorated with transfer printed 
subject of the Farmers’ Arms with motto, “God is our Trust.” 
Height, 6 inches. 


74—Oxup STAFFORDSHIRE Luster PircHEeR 


Pear-shaped, with scroll handle and curved spout. Decorated, on a 
white ground, with a pattern of flowers, scrolls and leaves in purple 
luster with leaves in green and with a band around the neck of the 
quatrefoiled and dotted pattern in purple luster. Around the rim are 
broad bands of purple luster. 

Height, 534 inches. 


75—Oup STarrorpDsHIRE Luster Prrcuer 


Shaped as a tree trunk with flat looped handle and decorated, in painted 


relief, with a Satyr’s mask. Around the rim and base areclmestoeeeiluee 
luster. 


Height, 534 inches. 


46—OLpD SrarrorpsHiEe WeLLineron ALE Muc 
Straight sides and looped handle. Decorated, on a cream-colored 
ground, with a colored transfer print of a portrait of the Duke of Wel- 
lington, with figures of Peace and Britannia and military trophies as 
supporters. Above is the inscription “The Duke of Wellington.” 


Height, 534, inches. 


First Session, Monday Afternoon 


77—OLp StrarrorpsHirE Luster PircHer 
Pear-shaped body, with fluted scroll looped handle. Decorated with 
bands of silver luster, with a portrait of a Parliamentary candidate 


and with a patriotic inscription. 
Height, 514 inches, 


78—OLp STAFFORDSHIRE “DrAr anp Dump” Mue 
Cylindrical form with looped handle. Decorated in blue and white with 
pictorial representations of the deaf and dumb alphabet. 
Height, 2%/, inches. 


79—Oxip LrEps Masonic PircHEr 
Baluster-shaped, with looped handle. Decorated, in carmine, with trans- 
fer printed subjects: on one side musical instruments, and on the other 
the Free Masons’ Arms, below which is a verse ending with **The Heart 
~ of the Mason.” 
Height, 61 inches. 


80—Onxp STAFFORDSHIRE PITCHER 


Pear-shaped, with looped handle. Decorated in colors with a printed 
subject of the Farmers’ Arms, an octagonal medallion containing a bas- 
ket of flowers and a scrolled panel containing a verse ending “‘Long life 


and success to the Farmer.”’ 
Height, 61. inches. 


81—Oup StTarrorpsHIRE NApoLEoNic PITCHER 


Pear-shaped body, with looped handle. Decorated with transfer prints 
of Napoleonic caricatures: ‘The Stoppage of the Stride of the Globe” 


and “The Bone of Contention.” 
Height, 7 inches. 
(Illustrated) 


82—O.p STAFFORDSHIRE NAPOLEONIC PITCHER 


Pear-shaped body. Fluted loop handle. Decorated, on a white ground, 
with bands of silver luster and with colored transfer prints of Napo- 
leonic caricatures: ‘Boney Tired of Wars,” and “Murat reviewing the 


Grand Army.” 
Height, 7% inches. 


(Illustrated) 


18 ‘ON ; &S ‘ON 
c8 “ON I8 ON -- 68 “ON 68 “ON 98 “ON 


| 


First Session, Monday Afternoon 


88—Oxrp SunpERLAND Pircuer 
Pear-shaped body and looped handle. Decorated with bands of purple 


and copper luster, with printed decorations in colors and with an oc- 


tagonal medallion containing a basket of flowers. 
Height, 71, imches. 
(Illustrated) 


84—Oxp STAFFORDSHIRE Crus ALE Mua 


Straight sides, with looped handle; decorated with a transfer printed 
subject of members of a Club seated around a table listening to an 


address. | 
Height, 81, inches. 


85—O.p Liverroot Netson Jue 
Printed, in transfer, in sepia. On one side a figure of “Britannia Mourn- 
ing Nelson” and in front a square-rigged ship with motto, “Success to 


the Wooden Walls of Old England.” 
Height, 1014 inches. 
(Illustrated) 


86—OLp Liverroot “PEAcE anp PLENTY” PITCHER 
Cream ware. Decorated, in transfer, in sepia. On obverse side an in- 
scription, “Peace, Plenty and Independence” surrounded by sixteen stars 
with the names of the United States and surmounted by the American 
Eagle; on the reverse side, figures of Washington, Franklin and Jeffer- 
son with the inscription, “Union to the people of America.” 


Height, 11 inches. 
(Illustrated) 


87—EIGHTEENTH CENTURY GLAZED AGATE-WARE Cat 


Seated cat admirably modeled. Decorated, with an irregular glazing, in 
brown, cream color and blue. 


Height, 5 inches. 
| (Illustrated) 


: 88—Sattr Graze TEapor 
Pear-shaped with curved spout, rounded looped handle, and domed 
cover, with a disk finial. Invested with a cream-colored salt glaze. (Re- 


paired.) 
Height, 31, inches. 


First Session, Monday Afternoon 


89—Enocn Woop Pottery PiIrcHER : 

Vase-shaped, with cylindrical neck, the han- 
dle formed as upper portion of man’s fig- 
ure. The body decorated with four masks 
in relief surrounded by ears of wheat: the 
neck with festoons of grapes and vine 
leaves; the lower portion, with acanthus 
leaves in relief. Circular base with a border 


of acanthus leaves. 
Height, 12 inches. 


90—EIcHTEENTH CENTURY STAFFORDSHIRE 
Tony Jue 

Seated figure of Toby Philpot, holding a 

pitcher of beer on his knee. Decorated in 


brown, blue, purple and green glazings. 
(Repaired. ) 


Height, 934 inches. 


91—EicuTEentH Century RatpH Woop Tony Jue 
Seated figure of Toby Philpot, holding a pitcher 
of beer on his knee. Decorated in gray, yellow 


and green glazings. 
Height, 934 inches. 


92—Oup Lowerstrorr Porcetain Tory Jue 


Soft paste. Seated figure of Toby Philpot with 
a pitcher of ale on his knees. Painted in blue 
and white, with a characteristic Lowestoft deco- 
ration. 

Height, 11 inches. 


938—EicHTEENTH Century Sait Guazep Mue 
Cylindrical body, with looped handle. Decorated 
on a white ground with bands of reeded ornamen- 
tation with a design of fruits and flowers in 
scratch work colored in blue and with a raised 
oval medallion containing the initials G. R. surmounted by a crown. 


Height, 314 inches. 


a, &, 
eo is 
Beats 


No. 91 


| 
' 
| 
! 


First Session, Monday Afternoon 


94—EIcHTEENTH CENTURY SatT GuazEep Dousite TEapoy 
Rectangular form, with two cylindrical necks. Decorated with a raised 
diaper pattern of dots and eight-pointed stars. Invested with a white 
salt glaze. ; 
Height, 4 inches. 
95—Two oxtp EneuisH Perper Boxes 
One baluster-shaped, the other vase-shaped, with domed and _ pierced 
tops, decorated with bands of underglaze blue. 
Heights, 5 and 4 ieches. 


96—Two oup Ene ish Firower Baskets 
One, shaped as a circular basket, with straight sides decorated with 
raised acanthus leaves and a honeysuckle border with a bale handle and 
pierced cover, decorated with raised floral sprays. ‘The other, in Queen’s 
ware, formed as two conjoined baskets with single looped handle. One 
marked: wEDGWoop. 


97—OxLp Wutetpon TorroisE-sHELL Mue 
1760. Straight curved sides and annular base; looped handle. In- 
vested with a fine tortoise-shell glaze. 
Height, 4 inches, 
98—OLtp Wuietpon AcaTrEe-ware Bown 
1760. On an annular base and entirely decorated with an agate-ware 
design on a cream-colored ground. 


Height, 214 inches; diameter, 514, inches. 


99—OLp WHiELpon AGATE-WARE SAUCE-BOAT 
1760. Boat-shaped, with scalloped rim and looped flat handle. Stand- 
ing on three mask and paw feet and entirely decorated with an agate- 
ware design on a cream-colored ground. (Lip cracked.) 
Height, 31, inches; length, 7 inches. 


100—OLp WuieLpon AGATE-waRE TEAPOT 
1755. Globular body, with flat cover and ball finial, looped handle, 
curved spout and three shell and paw feet. Entirely decorated with 
an agate-ware design on a cream-colored ground. (Repaired.) 


Height, 4 inches. 


First Session, Monday Afternoon 


101—Oxp Wuietpon Torroise-sHeLL TEAPOT | 
1760. Globular body, with domed cover, rustic handle and curved spout, 
standing on three mask and paw feet. Decorated, in relief, with a pat- 
tern of grapes and vine leaves. Invested with a fine tortoise-shell glaze. 


Slight ired. 
(Slightly repaired. ) Height, 51, inches. 


102—Ser or EicHTeen oxvp Liverroot Detrr TILes 
1775. Square tiles, decorated in black with transfer prints of portraits 
of celebrated actors and actresses in character, taken from “Bell’s 
British Theatre’? and surrounded by ornamental borders of dramatic 
and musical trophies. Above each is printed the name of the performer 
and beneath the name of the character. In two black wood frames. * 


From the celebrated R. Soden-Smith Collection. 


Size of each tile, 4°, inches square. 


103—Oxrp Astaury Warr Trapor 
1750. Fine red terra-cotta. Baluster-shaped, with curved spout and 
looped handle and cover with rustic finial. Decorated in relief with 


floral sprays and dragon forms. 
Height, 5%, inches. 


104—Parr or Astrpury Ware VAsEs 


1750. Fine red terra-cotta. Pear-shaped, with cylindrical rims and 
domed covers, ending in lotus flower finials and decorated with scrolled 
peony plant and bamboo and prunus blossoms, and with bands of painted 
Chinese Mandarin ornamentation. 

Height, 8 inches. 


105—TuHREE OLD SrarrorpsHIRE Cows 
(4) Black mottled cow with milker formed as milk jug. (Repaired. ) 
(B) Red mottled cow with milker formed as milk jug. 


(C) Purpled mottled cow on colored base. 
5, 6 and 314 inches. 


106—Pair or orp Srarrorpsuire STATUETTES 
(4A) Figure of a sportsman on oval base. 
(B) Figure of a monkey in eighteenth century costume seated and play- 
ing a musicial instrument, with an owl at his side. Both painted in poly- 
chrome. 
Height, 51, inches. 


First Session, Monday Afternoon 


107—OLp SrarrorpsHirE CasTLe 
Formed as a square tower having battlements and standing upon a rocky 
base. 
Height, 51%, inches; length, 7 inches. 


108—Oxup Enocn Woop Sratrverre 


_ Figure of old man, in eighteenth century costume, resting upon a crutch 


and walking-stick. On shaped rustic base. 
Height, 7 inches. 


109—Ox.p Enocu Woop Srtarverre 
Figure of old woman in eighteenth century costume, of looped mantle 
and black hat, with basket on arm and walking stick. On square base. 
| Height, 8 inches. 


110—Two otp Enocu Woop SrarvEttes 
Figures of old man, resting upon stick, and old woman bearing a basket. 
Both in eighteenth century costume. On square bases. Both lettered: 
“Age.” 
Height, 7°, “inches. 
(Illustrated) 


I1l—Oitp RatpH Woop StaTvuEtre 
Watteau subject of a young man, in eighteenth century costume of blue 
waistcoat, black coat and yellow breeches. On rustic base and square 


blue painted pedestal. 
Height, 11 inches. 


112—O.p STaFFORDSHIRE STATUETTE 
Subject of the “Agony in the Garden.” Figure of Christ kneeling. On 
square base, and four claw feet with inscription: “Let this cup pass from 


me.”’ 


SD. ches: 


1183—Oup Woop anp CaLpweELL Luster STATUETTE 
Figure of Britannia seated with lon beside her, and her hand resting 
upon a shield. On shaped rustic base. Decorated in silver luster and 
colors. Impressed mark: ‘“‘Wood & Caldwell, Burslem.” 
Height, 101%, inches. 


First Session, Monday Afternoon 


114—Enocu Woop Puover’s Eee SERVER 
Shaped in the form of a Plover sitting upon her nest. The removable 
body forms the lid. Painted in natural colors. 
Height, 43/4, inches; length, 7 inches. 


115—Oxip Enocu Woop Ficure 
Figure formed as that of a sleeping baby in basket-work cradle on 
rockers. The cradle in yellow, with blue lining. Child in red robe 
dotted with floral sprays. Face, arms and feet in natural coloring. 
Height, 5 inches; length, 9¥% inches. 


116—Oxnp STAFFORDSHIRE STATUETTE 


Figure of Elijah seated upon a rock and being fed by a raven. On square 


base. 
Height, 10 inches. 


117—Oxup Ratex Woop “Vicar anp Mosers” Group | 
Figure of Vicar being supported home in a convivial condition by the 
Parish Clerk, who carries a lantern. On oblong and molded pedestal- 
shaped base, with an oval medallion inscribed: **The Vicar and Moses.” 


Height, 114% inches. 
(Illustrated) 


118—Oxtp Rate Woop StatvettrEe 


Full-length figure of Franklin. On molded pedestal, inscribed “Dr. 
Franklin.” Franklin is represented in a square coat of blue with buff 
breeches patterned with floral sprays, and with a white mantle lined 


with purple velvet thrown over his shoulders. He holds an open book 
in his left hand. 


Height, 131% inches. 
(Illustrated) 


119—Ox.p Ratru Woop Sratrvettre 


Full length figure of Franklin. On molded pedestal inscribed “Dr. 
Franklin” and holding an open book in his hand. 
Height, 14 inches. 


SIT “ON 


OIL “ON 


First Session, Monday Afternoon 


120—Oxp Ratepn Woop STATUETTE 
Full-length figure of Shylock in violet-colored tunic, blue trousers and 
voluminous red cloak, holding in one hand his bond. On black molded 


pedestal with marbled base. 
. Height, 131, inches. 


(Illustrated) 


121—Oxp SrarrorpsHIRE Luster VASE | 
Cantharus-shaped, with two looped upstanding handles. Entirely in- 
vested, on a chocolate-colored ground, with silver luster. On square 


ebonized wood base. 
Height, 13% inches. 


AN EXTRAORDINARY GATHERING OF EARLY WEDGWOOD, 
JASPER, BASALTES AND CRYSTALLINE WARES ) 


Including Vases, Tea-equipages, Plaques, Busts and one of the “First 
Fifty”? Portland Vases 


The colored jasper vases and other wares of Josiah Wedgwood have for long years 
found place among the discriminating collector’s most prized acquisitions. Only in recent 
years, however, has equal attention been bestowed upon the crystalline and pebble wares 
which he and his partner Bentley carried to so unrivaled a pitch of perfection. To-day 
the finer specimens of these wares, are sought after with such eagerness that they come 
upon the market but seldom. . : 


122—Pair or oLp Wepewoop & Bent iey Basattres Porrrarr MEDALLIONS 

Oval-shaped. Relief portraits of David Garrick and Sir Isaac Newton. 
Mark: Wedgwood & Bentley. 

43/, inches. 


123—-Oxp Basattres Trapor 


1785. Shaped body, with looped handles and swan finial on lid. Deco- 


rated with figures of singing and dancing nymphs and bands of acan- 
thus-leaf decoration. 


Height, 7 inches. 


124—-OLp Wepewoop Basaurrs VAsE 


Pear-shaped body, with curved rim. Decorated, in relief, with handles 
formed as Satyrs’ heads and with festoons of grapes and vine leaves. 
Mark: Wedgwood. 

Height, 8 inches. 


First Session, Monday Afternoon 


125—Oxtp Wepewoop AcatTE CaNnpDLESTICK 


Shaped as an Ionic column on a square base. Decorated with agate- 
ware marbling painted in colors. Capital and base in cream color show- 
ing traces of oil gilding. 

Height, 10 inches. 


126—Oxp Neate Vase 
1780. Urn-shaped body of blue granite-ware, decorated with cream- 
ware bands of raised laurel and acanthus leaf pattern. The handles 
formed as winged female heads. On square basaltes base. 
Height, 51%, inches. 


127—Oup Wepewoop & BENTLEY CRYSTALLINE VASE witH HANDLES 


1780. Pear-shaped, with cylindrical neck. Body of marbled decoration, 
with upstanding handles in cream-ware. On square white jasper base. 


Mark: Wedgwood & Bentley. 
Height, 9 inches. 


128—O.p PatmMER CrysTALLINE VASE 
1775. Blue pebble and cream-ware. Pear-shaped body, and cylindrical 
neck. With acanthus-leaf bands, festoons of husk pattern projecting 
handles formed as rams’ heads and oval medallion with the head of Min- 


erva. On square base. Mark: “*H. Palmer, Hanley.” 
Height, 8%, inches. 


129—Oup Patmer PEBBLE-WARE VASE 
Urn-shaped, with reversible cover formed as a candle socket. Decorated 
with bands of acanthus leaf and Greek wave ornamentation. Project- 
ing handles, formed as grotesque masks, and festoons of husk pattern. 
On square basaltes base. 
Height, 91, inches. 


1380—Pair or orp Wepcewoop & BENTLEY CrysTALLINE VaAsEs witTH CovERS 

1775. Urn-shaped, with loaped mask handles, and covers with ball fin- 

ials. Decorated with brown, yellow and green marblings. On square 
basaltes bases. Mark: wepGwoop & BENTLEY—on circular bat. 

Height, 9 inches. 


First Session, Monday Afternoon 


131—Parr or oLtp Wepewoop QuEEN’s Ware PastTILLE BURNERS 


1805. Tripod shape, with pierced covers, having a honeysuckle decora- 
tion. Bodies decorated with festoons of foliage and supported by three 
dolphins. On triangular bases. Decorated in green, black and gold. 
Mark: Josiah Wegdwood, Feb. 2nd, 1805. 

Height, 5 inches. 


NOTE: This mark appears only upon a very few pieces of this precise character. It is sup- 


posed to refer to the renewal of the partnership between Josiah Wedgwood, Jr., and 
his brother, John. 


182—Setr or THREE otp RaupH Woop OBE tIsks 


1785. Obelisks of colored granite-ware’ design standing upon square 
pedestals glazed in blue and white and decorated with acanthus-leaf 


moldings and oval medallions containing subjects of Hercules and Classi- 
cal figures. 


Heights, 15 and 10 inches, 


133 


Oxtp Patmer PEBBLE-WARE VASE 


1780. Urn-shaped. Pebble-ware body, with cream-colored neck and 
upstanding handles. Decorated with pendant laurel-leaf garlands, oval 
medallion with Minerva head and circular rosette. Square basaltes 
base. Mark: H. Palmer, Hanley. 

Height, 934 inches. 


LET “ON 96T “ON LET “ON 


First Session, Monday Afternoon 


1384—Oxp Parmer PEBBLE-wWARE VASE 
1775. Urn-shaped with pebble-ware body, cream-colored neck and up- 
standing handles. Decorated with laurel leaf garlands and an oval me- 


dallion of Hercules. Square basaltes base. 
Height, 10 inches. 


135—Pair or orp Wepewoop & BENTLEY CRYSTALLINE VASES | 
1770. Pear-shaped, with green marbled bodies and cream-ware handles 
formed as Satyrs’ head with curved horns, on square basaltes base. 


Mark: wEepGwoop & BENTLEY—on circular bat. 
Height, 101, inches. 


1386—Oxip Wepewoop & BenTLEY CrysTALLINE VASE 
1775. Urn-shaped, with handles formed as Satyr-heads with horns, 
small domed cover, with ball finial and square base. Body of vase of 
pebble-ware, with relief medallion of “Cupid shaping his Bow.” The 
handles and medallion are in cream-ware showing traces of oil gilding. 


Mark: wrepGwoop & -BENTLEY—on circular bat. 
Height, 121%, inches. 
(Illustrated) 


187—Parr or oLtp Wepewoop & Benriey CrysTALLINE VaAsks- 


1770. Urn-shaped bodies with raised garlands of laurel leaves, handles 
formed as Satyr-heads with curved horns, reversible domed covers form- 
ing candle nozzles and square bases. ‘The bodies are in serpentine, the 
handles and relief decorations in cream-ware and the bases in basaltes. 
Mark: wepewoop & BENTLEY—on circular bat. 


(Illustrated) 


138—Oup Patmer PrEBBiEe-warE Vase WITH COVER 


1780. Urn-shaped. Cover with laurel-leaf ornamentation and with 

acorn-shaped finial. Voluted handles. Decorated with hanging gar- 

lands in relief and with oval medallions of Apollo and Marsyas. On 

square black basaltes base. Raised-work body of vase of granite-ware 

decoration, with raised portion in cream color showing traces of oil 
gilding. Mark: + almer 
tanley. 

Height, 1014 inches. 


First Session, Monday Afternoon 


1389—Pair or orp WeEpewoop & Bentiey CrystTaLuine Ewers 
1775. Pear-shaped bodies, with shaped rims, upstanding handles formed 
as serpents and necks decorated with masks in relief. On square granite- 
ware bases, with bands of strapwork ornamentation. The bodies are 
decorated with green granite pebbling, the masks are oil-gilded. Mark: 


Wedgwood & Bentley. 
Height, 211, inches. 


140—Oxtp Wepewoop Cream-ware Bue Por 
1785. Urn-shaped fluted body, with bands of checkered pattern deco- 
rated and modeled with festoons of drapery. Pierced and fluted cover, 
with domed top and ball finial. Decorated in slate blue and cream- 


colored ground. Mark: weEpGwoop. 
Height, 181%, inches. 


First Session, Monday Afternoon 


141—Pair oF otp Werpcewoop & BENTLEY CRYSTALLINE VASES 


1770. Pear-shaped bodies, with looped handles terminating in masks. 
Cylindrical necks, covers with ball finials, and square basaltes bases. 
The pebble-ware bodies are decorated in relief with figures of Apollo, 
Venus and Cupid in cream-ware, which, with the cream-ware handles, 
show traces of oil gilding. Mark: wEpcwoop & BENTLEY—on circular 
bat. 

Height, 15 inches. 


142—O.tp Wepewoop Dessert SERVICE 


1785. Pearl-ware, shaped as Nautilus and other shells and decorated 
with a mottled decoration of purple and vari-colored lusters. Service 


consists of eleven plates, one high compotier, two low compotiers, sauce 
bowl and three platters. 


18 pieces. 


First Session, Monday Afternoon 


1483—Oxp Wepewoop & Benriey CrysTaLiine VaAsE 
1775. Urn-shaped body. Granite-ware, with upright scrolled handles. 
Band of laurel-leaf ornamentation, hanging festoons of drapery, domed 
cover with ball finial and oval medallion containing subject of “A Sacri- 
fice’; all in cream-color showing traces of oil-gilding. Mark: wene- 


WOOD & BENTLEY—on circular bat. 
; Height, 23 inches. 


144—Oip Wepewoop & Benriey CrysTaLtiine VasE witH HANDLES AND 
CovER 

1775. Urn-shaped. Granite-ware body, with upright scrolled handles, 

band of laurel-leaf decoration, hanging festoons of drapery and oval 

medallion containing subject of “Diomedes and the Pallium,” all in 

cream-color showing traces of oil gilding. On square base. Mark: 

WEDGWOOD & BENTLEY—on circular bat. Height, 28 inches. 


First Session, Monday Afternoon 


145—Oxup Saton Vase, witH Cover 
Dark blue and white jasper urn-shaped body with scrolled handles en- 
twined with serpents, pierced cover with disk-shaped finial, fluted stem 
and square base. Decorated in relief with subjects of Mars drawn by a 
ram, Venus drawn by a bull and attended by Cupids, Amphitrite drawn 
by dolphins, and Juno drawn by an eagle with festoons of grapes and 
vine leaves and acanthus-leaf floral ornamentation. The curved neck is 
decorated with arabesques and winged lions, the foot with a band of 
grape and vine-leaf ornamentation and the square base with cornucopie 
filled with flowers, floral festoons and rosettes. 3 

Height, 27 inches. 


NOTE: This vase, in view of its immense size and the character of its decoration, was evi- 
dently made to order for some noble patron of the potter who, in all probability, was 
Daniel Steel of Burslem. 


(Illustrated) 


146—Pair oF oLp Werpewoop BasaLtres VASES AND PEDESTALS 


1790. Oviform shaped bodies with upstanding loop handles, flat covers 
with pierced baluster finials and circular feet. Decorated with figures 
of the six Muses modeled by Flaxman, with bands of waved and honey- 
suckle patterning and with an acanthus leaf ornamentation. ‘The lid 
with a band of honeysuckle pattern and radiating acanthus leaves. 
On contemporary tapering composition pedestals with figures of danc- 
ing Nymphs in high relief, and circular molded bases. 


Height, 21 inches. 


147—Oup Wepewoop GARNITURE 


1787. Red and black terra-cotta. Oval shape, with curved necks and 
projecting handles on square bases. Decorated, as to the bodies, in 
black and red with figures of the Muses, bands of honeysuckle, egg and 
dart, twisted ribbon and Greek fret ornamentation, festoons of grapes 
and vine leaves, and military and musical trophies. Mark: wepewoop. — 
From the Tangye Collection, with Mr. Tangye’s seal. 
3 pieces. 
Height of center vase, 14 inches; two side vases, 10 inches. 


145 


No. 


First Session, Monday Afternoon 


148—O1p Wepewoop Basattres Lamp 
1790. Fluted bowl with band of scrolled ornament on tripod support 
of three winged Grecian female sphinxes, fluted domed cover terminating 
in lotus-leaf finial supported by three “Seated Widow” figures. Around 
the flat rim of the bowl are three wick nozzles with sconces formed as 
shells. On molded triangular base. Slight repair. Mark: wepewoop. 
Height, 11 inches. 
149—Oxp Wepewoop Basatres Lamp 
1795. Exactly similar to the foregoing except that the tripod support 
is formed as three-winged Chimere. 
Height, 10 inches. 
150—Tur Wepewoop PortLanp VAsE | 


1789-1798. Blue-black and white jasper. Reproduction of the famous 
Portland or Barberini vase. One of the so-called “First Fifty.” The 
white reliefs carefully worked over and remodeled as to some details be- 


fore firing. 
Height, 10 inches. 


Inseparably connected with the name of Josiah Wedgwood are his reproductions, in 
his celebrated jasper-body, of the Portland or Barberini Vase. 

The original vase is of very dark blue glass, originally entirely covered with a 
layer of opaque white glass, which was cut away by the artist to produce the design 
in a cameo effect. ‘That Wedgwood should have succeeded in so closely translating 
the light and color effects of this glass cameo into so foreign a language as his jasper- 
body is proof not only of the efficient aid rendered to him by his modelers, but also 
of his own supreme skill as a potter. 

That every collector of Wedgwood should burn with desire to possess, not only a 
Portland Vase, but one of the far-famed “First Fifty,’ is therefore but natural. 
Modern, and comparatively modern, copies have become familiar by constant repe- 
tition, but it is only rarely that the collector is privileged even to see an eighteenth 
century example. The fact is, that during Wedgwood’s own lifetime no more than 
twenty copies were actually produced, the remaining thirty coming into existence when 
Josiah, Jr., controlled the Wedgwood destinies. 

However, during the five years that elasped between the master’s death and 
the end of the century, the, standard of workmanship was in no degree lowered, and 
any vase therefore that was made before the year 1800 may be confidently acclaimed 
as one of the “First Fifty.” P 

It hardly needs either the eye or the sense of touch of an expert to distinguish be- 
tween one of these and the later productions. There is a satin-like—rather than a 
velvety—surface, a subtle refinement in the modeling of the raised surface, which only 
those craftsmen who had worked for long years under “Old Josiah’s” own supervision 
were able to accomplish. : 

it is by this internal evidence that the present example declares itself as one of 
the “First Fifty.” Its pedigree, though short, is convincing, for it came to its present 
owner, at first hand, from a descendant of an English country gentleman who purchased 
it in the closing years of the eighteenth century. It has been submitted to recognized 
authorities on “Old Wedgwood” both here and in London, and the verdict has in every 
case been passed without a moment’s hesitation: “This is, without question, one of the 
original first fifty copies.” 


(Illustrated) 


No. 150 


First Session, Monday Afternoon 


151—Oxip Wepewoop & Bentitey VASE 


1775. Tri-colored jasper. Urn-shaped, with tall domed cover terminat- 
ing in ball finial. Decorated, on a pale-green ground, with panels formed 
by acanthus leaf and honeysuckle borders and occupied by subjects of 
“Nymphs Sacrificing,” by bands of laurel and acanthus-leaf ornamenta- 
tion, and by a checkered pattern of green, white and yellow.’ Mark: 
WEDGWOOD & BENTLEY—on a circular bat. 


Height, 131, inches. 


152—Pair or orp Wepewoop Basaurres Por-pourrt VAsEs 
1800. Cantharus shaped with outstanding looped handles, domed 
pierced covers with pointed finials and circular bases. Decorated in 
colored enamels with sprays of peonies and chrysanthemums treated in 


an Oriental manner, and with lines of red around the rims. 


Height, 181, inches. 


first Session, Monday Afternoon 


153—Pair or o1p Wepewoop Serpent Vases 
1785. Urn-shaped, with cylindrical neck and handles, entwined with 
serpents. Decorated with subjects of “An Offering to Peace,” and the 
“Elder Sister,” modeled by Lady Templetown. Square base with honey- 
suckle ornamentation. Mark: wEepewoop. 
Height, 14 inches. 
154—Pair or otp Neate & Co. Vases wirH Covers 
1800. Dark blue and white jasper. Conical-shaped bodies, with scrolled 
acanthus-leaf upright handles and domed covers ending in ball finials. 
On square base. Decorated in relief with subjects of ‘*Phoebus Driving 
| the Chariot of the Sun,” with bands of Greek fret pattern, interlaced 
| circles, rosettes, acanthus leaves and husk pattern ornamentation. 
: Height, 131%, inches. 


155—Oxtp Wepewoop VasE 
1790. Amphora-shape, on square base. Blue and white jasper, deco- 
rated with subject of a “Bachanalian Triumph” modeled by Flaxman 
and with bands of acanthus scroll, laurel and honeysuckle decoration. 


Mark: wrEpGwoop. 
Height, 14% inches. 


First Session, Monday Afternoon 


156—Pair oF oLp Wepewoop VASES 


1785. Blue and white jasper. Pear-shaped, with Satyr-head handles. 
Decorated with the figures of the Nine Muses modeled by Flaxman, and 
with acanthus-leaf and honeysuckle ornamentation. On square base. 
Mark: wEepewoon. | 
Height, 11 inches. 
157—Oxp Wepewoop TETE-A-TETE TEA-SET 


1790. Blue and white jasper. Consisting of teapot, cream ewer, sugar 
bowl, two cups and saucers and tray, decorated in panels formed by an 
acanthus-leaf ornamentation and with subjects of “A Sacrifice,” ‘Cupid 
with a Mask,” etc. Tray decorated with a border and center of lotus, 
honeysuckle and laurel-leaf ornamentation, Mark: wEepewoon. 
8 pieces. 
158—Oxp Apams BuivuE anp Wuire Sitver Mounrep PircHer - 


1790. Pear-shaped body, decorated in white jasper with finials formed of 
Corinthian columns and arches, and occupied by figures of Abundantia, 
Ceres and Flora and Nymphs sacrificing, and with bands of acanthus- 
leaf and ivy-leaf decoration. Looped flat handle; silver rim with 
Birmingham hall mark. Sheffield-plated hinged lid. Mark: Adams. 
Height, 10% inches. 


First Session, Monday Afternoon 


159—Oxp Wepewoop TrEaprot, Correre-pot AND Sucar Basin 

1785. Black and white jasper. Straight-sided teapot and sugar basin, 
and pear-shaped coifee-pot. | Covers ending in acorn-shaped finials. 
Decorated with oval medallions containing subjects of “Jupiter and 
Saturn as Time,” floral and scroll ornamentations and with bands of - 
laurel-leaf and scroll decoration. ‘The lids are ornamented in a pat- 
tern of oak leaves and acorns. Mark: wepewoop. 

Heights, respectively, 8°4, 51% and 51%, inches. 


160—Oxp Wepewoop Basatres Spuinx 
1800. Couchant figure of Grecian Sphinx. On rectangular molded base. 
Height, 9 inches; length, 1214, inches. 


: 
; 


161—Pair oF orp Wepewoop Basatres CaNnDLESTICKS 
1780. Subject of Tritans bearing cornucopie. On contemporary white 


marble bases. 
Height, 12 inches. 


162—O.tp Wepewoop & BENTLEY Basautres VASE 


1775. Urn-shaped, with projecting handles formed as female heads, 
fluted neck. Decorated with festoons of husk pattern and with a circular 
medallion of “A Sacrifice.” Mark Wedgwood & Bentley—in circle. 


Height, 10 inches. 


First Session, Monday Afternoon 


XY XK Z ft 


Taina 


163—Oup Apams VASE 


1790. Pear-shaped, with curved neck, beaded rim and projecting han- 
dles. On square base. Decorated with subject of “The Meeting of 


Priam and Achilles,” and with acanthus, honeysuckle and lotus leaf orna- 
mentation. 


Height, 11% inches. 


164—Parr or otp Werpewoop VaAsEs 


1787. Blue and white jasper. Pear-shaped, with curved necks and 
handles formed as Satyrs’ heads with curving horns. Decorated with 
subjects of an “Offering to Peace” and “Charlotte at the Tomb of 
Werther,” modeled by Lady Templetown, and with bands of acanthus 


and honeysuckle and pointed lotus leaves. Square bases. Mark: wepe- 
Woop. 


. 


Height, 10% inches. . 


aes ge : { 


First Session, Monday Afternoon 


165—Outp Wepewoop Basautres Bust 


1785. Head of Zingares. On shaped pedestal decorated with band of 


Greek fret pattern. 
Height, 15 inches. 


166—O.tp Wepewoop Basautes Bust 
1780. Bust portrait of Matthew Locke. On circular base. Mark: | 


WEDGW OOD. 
Height, 12 inches. 


167—Pair or. oLp Ripceway Vases anp Covers 
1815. Red terra-cotta, painted in blue and white. Urn-shaped. Domed 
covers, terminating in acorn finials. Decorated in white relief with rams’ 
heads and festoons of drapery with figure subjects of the Wedgwood 
school, and with painted leaves, rosettes and band of guilloche orna- 


mentation. 
Height, 1034, inches. 


First Session, Monday Afternoon 


168—O.ip Wepewoop BasaLtTes STATUETTE 
1775. Standing figure of Voltaire holding a 
book in his right hand. On shaped base. 


Mark: wWEDGWOOD. 
Height, 12 inches. 


169—Pair or oLp Wepewoop Basattes VASES 
1790. Pear-shaped, with shallow fluted necks. 
Domed covers with ball finials and handles 
formed as masks and serpents. On square 
bases. Decorated in relief with subjects of 
“Venus and Cupid” and “Cupid and Nymph.” 
Height, 14 inches, 


170—Oxtp Wepewoop PEDESTAL 
1815. Dark blue and white jasper. Drum- 
shaped pedestal on circular base, decorated 
with festoons of grapes and vine leaves and 
7 leopards’ heads and with bands of honey- 
No. 168 suckle and laurel-leaf ornamentation. Mark: 
WEDGWOOD. 


Height, 9% inches. 


171—Pair oF oLtp WeEpcwoop STATUETTES 


1800. White jasper, invested with a slight smear glaze. Reclining 
figures of nymphs representing Summer and Autumn: Summer with flow- 
ers and quiver, and Autumn with grapes and overturned Grecian vase. 
On oval bases. Mark: wepewoop. 

Length, 10 inches; height, 10 inches. 


172—Oxp Wepewoop VaseE 
1785. Dark blue and white jasper. Trumpet-shaped, on circular base. 
Decorated with panels formed by acanthus and honeysuckle borders and 
occupied by figures of “Victory,” “Abundantia,” “Nymphs Sacrificing,”: 
etc., and with bands of grapes and ivy-leaf, ribbon, acanthus and laurel 
decoration. Mark: wepewoop. 
Height, 81, inches. 


First Session, Monday Afternoon 


173—Pair oF oLD WeEpGwoop JARDINIERES 


1790. Blue and white jasper. Rectangular-shaped, on bracketed feet. 
Arched and recessed sides framed with palm-trees and occupied by 
figures of Cupids. Mark: wEepewoop. 


174—A Coxzection or Tasste Examen “Gems” 

A series of 169 examples of reproductions by James Tassie of antique 
gems. Divided into two portions, one of ninety-three examples of the “Il- 
lustrious Greeks” series, the other of seventy-six examples of the “Roman 
Emperors” series. ‘These reproductions, in Tassie’s famous ‘“‘paste,” of 
antique gems are contained in the original boxes covered with marbled 
paper, in which they were sent out by Tassie, the lids having a pen-and- 
ink chart giving the name of each subject. The “gems” are bordered 
with rings of cardboard and with what Tassie’s catalogue terms “neat 
gilt borders.” So far as is known this is the only collection of these 
sought-after reproductions from the antique which has been preserved 
exactly as it came from James Tassie’s hands. 


175—Oxp Turner STone-warE Beer PiTrcHEerR 
Pear-shaped body, with cylindrical neck, straight loop handle and fluted 
lower portion. The body decorated with figures of an Archery Contest. 
The neck and upper part of handle are glazed in brown. Sheffield plated 


rim. Mark: rurner. (Cracked.) 
Height, 91% inches. 


First Session, Monday Afternoon 


176—O.Lp Apams STonNE-warE BEER JuG | : 
Pear-shaped body, with looped acanthus-leaf handle and fluted lower 
portion. The body decorated with a subject of greyhounds coursing a 
hare with sportsmen looking on. The neck and the upper portion of 
handles are glazed brown. Mounted with a silver rim with Exeter Hall 
Mark and two Kings’ Heads, but no date letter. Mark: apams. 
Height, 10% inches. | 


177—Parr oF oLp Werpewoop Luster CANDLESTICKS 


1785. Vase-shaped cut glass candle sockets hung with cut glass drops, 
stands of blue and white jasper drums containing oval panels of figure 
subjects of a “Sacrifice” ‘‘Baptism of Achilles,” etc. Mounts of beaded 


and burnished ormolu. 
Height, 11 inches. 


178—Oup Apam Luster CANDELABRUM 


1780. Center tapering standard of cut glass with canopy top hung with 
drops and surmounted by a cut glass star and three branching arms of 
cut glass terminating in cut glass candle sockets hung with cut glass 
drops. Very finely chased ormolu mountings with blue and white jasper 
Adam drum, decorated with a subject of the “Baptism of Achilles” and 
with bands of interlaced ring ornamentation. 

Height, 2714 inches. 


179—Parr oF otp Neate & Co. CANDELABRA 


1785. Vase-shaped sticks of cut glass with shaped sconces hung with 
cut glass drops and cut glass candle sockets. Tapering bases of blue and 
white jasper (by Neale & Co.), decorated with oval panels of classical 
figure subjects surrounded by festoons of drapery. Polished ormolu 
mounts of molded cornices and bases and ball feet. 

Height, 1314, inches. 


180—Patr oF oLp STEEL CANDLESTICKS 


1798. Bell shaped blue and white Jasper bases with acanthus leaf oval 
medallions, grape and vine leaf and floral scroll decorations. One base. 
is decorated with figures of Ceres drawn in a chariot by oxen, and of 
Amphitrite drawn by dolphins. Mounted with candle-sockets of elab- 
orately chased and fluted ormolu. 

Height, 15 inches. 


First Session, Monday Afternoon 


181—Oup Turner Lievueur Fountain 


White stone ware. Formed as a barrel, with staves indicated by incised 
lines and with four reeded hoops. Decorated in relief with figures of 
“Abundantia” “Aurora” and “Amphitrite” in the Wedgwood manner, 
of Mrs. Siddons, and with bands of grape and vine leaf ornamentation. 
Fitted with brass tap and earthenware spigot. On turned wooden stand. 


Height, 91%, inches. 


182—Oup Turner Liqueur Founratn 


Of cream colored stone ware. Formed as a barrel, the staves indicated 
by incised lines and four reeded hoops. Fitted with brass cock and 


earthenware spigot. On circular turned wood stand. 
Height, 1014, inches. 


1883—Onp Wepcwoop /DovuBLeE Crocus Por 


1795. Blue and white jasper. Formed as rectangular tapering pedestal 
on an arched base with two cup-shaped receptacles for bulbs. Decorated 
with an oval medallion occupied by subject of “Cupid Sacrificing” and 
with musical trophies and laurel wreaths. Mark: wepewooo. 

Height, 7 inches. 


184—Pair or Tassie Enamet MeEpALuiions 
1780. Irregular oval shape, modeled in very high relief. One with 
Julius Cesar seated with a Victory at his side, the other with protrait 
heads of the Emperor Constantine and the Empress Helena. 

NOTE: These enamels were probably made to order by James Tassie from the original 


Roman marble reliefs. In original. boxes, 6x5 inches. From the Lumsden Propert 
Collection. 


185—O1ip Wepewoop VasE with Cover anp HanpLes 
1795. Pear-shaped, with cylindrical neck. Handles formed as leopard’s 
masks with plaited locks of hair. Domed cover with ball finial and 
square base. Decorated with subjects of “Nymphs Sacrificing” and 
“Cupid,” and with lotus-leaf and honeysuckle ornamentation. Mark: 
WEDGWOOD. 


Height, 11 inches. 
186—Cxrip Wepewoop Burp Por 


1780. Blue and white jasper. Vase-shaped, with pierced cover. Deco- 
rated with acanthus-leaf and lily pattern. Mark: wEepewoon. 
Height, 61% inches. 


First Session, Monday A fternoon 


187—O.tp Wepewoop Bown 
1800. Blue and white jasper. Decorated with figures of the “Dancing 
Hours” and with laurel leaf and acanthus and ornamentation. Mark: 
WEDGWOOD. 


From the George Wills Collection. : 
Height, 41, inches. 


188—Oxnp Wepcwoop T&Tr-A-TETE TEA AND COFFEE SERVICE 


1785. Light green and white jasper. Straight-sided teapot, baluster- 
shaped coffee-pot and cream ewer, with reeded and acanthus-leaf spouts 
and looped handles, coupe-shaped cup without handle. The lower por- 
tions in each case are decorated with shallow flutings of alternate white 
and green and with acanthus-leaf borderings in white. ‘The bodies are 
decorated with subjects of ‘The Bourbonnais Shepherd,” ‘Maria and 
Her Dog,” “Charlotte at the Tomb of Werther” and “The Elder Sister,” 
modeled by Lady. Templetown. The set consists of teapot, coffee-pot, 
cream ewer, cup and saucer. Mark: wEepewoon. 
From the Tangye Collection. 

5 pieces. 

189—O.p Apams VasE wirh Hanpies 


1785. Pear-shaped, with voluted handles; on square base. Decorated 
with acanthus, laurel-leaf, honeysuckle and lotus-leaf ornamentation. 


Height, 8%, inches. 


First Session, Monday Afternoon 


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190—Pair oF oLp WeEpcGwoop TasnLE ORNAMENTS 


- 1790. Bamboo ware, with decorations in white relief. Formed as or- 
namental sponge-cakes and intended as table ornaments. Decorated in 
white on a bamboo-colored ground with bands:of vine-leaf and inter- 
laced ornamentation and musical trophies. Mark: wepewoop. 

NOTE: These dishes, representing baked cakes, were made by Wedgwood in times of scarcity 


to avoid the necessity of using flour, In July, 1800, the consumption of flour for display 
was prohibited in the Royal Household. 


191—Wrepewoop T&TE-A-TETE TEA SERVICE 


1845. Blue and white jasper, with bands of acanthus scrolls, oval medal- 
lion with figure subjects and bands of acanthus leaf and laurel-leaf 
ornamentation. Service consists of teapot, cream ewer, sugar bowl, 
waste bowl, two cups and saucers and oval tray. Mark: wepewoon. 


10 pieces. 


192—OLtp Wepewoop TEArpoy AND CovER 


1800. Tri-colored jasper. Cylindrical form, with fluted domed cover, 
decorated on a white ground with subject of “Cupids Playing,” in green 
and with rosettes of lilac. Mark: wrpewoop. 


Height, 51 inches. 


First Session, Monday Afternoon 


1983—Oxip Apams Cream Ewer Aanp COVER 
1785. Black and white jasper. Baluster-shaped, with looped handle. 
and cover ending in ball finial. Decorated in white on black with figures 
of Cupids playing and singing, and with bands of acanthus and lotus 


leaf and interlaced ornamentation. 
Height, 51%, inches. 


194—_OLtp WepGwoop T&Tre-A-TETE TEA-TRAY 2 
1787. Lilac and white jasper, decorated with ribbon and ivy leaf. 
The center is decorated with a lotus-leaf medallion. Mark: wepeawoop. 


Trays of this color are very uncommon. . 
12%, by 934 inches. 


195—Oxip Wepewoop & Bentitey BamBoo Ware TEA-sERVICE 

1787. Bamboo ware, with fluted saucers, cups and covers, the finials 
shaped as branches of bamboo. Decorated with reliefs of “Playing 
Cupids,”’ modeled by Flaxman, and with bands of Greek honeysuckle 
painted in red enamel. Service consists of teapot, cream ewer, sugar 
basin, butter bowl, waste bowl, tray, five cups and five saucers. (Slight 
repair to cream ewer. ) 

16 pieces. 


196—OxLp Wepewoor Bamsoo Ware Tra-sERVICE 
1800. Octagonal-shaped teapot and sugar basin. Straight-sided cups 
and bowls. Decorated on a bamboo-colored ground with bands of raised 
grape and vine leaf decoration in chocolate color. Service consists of 
teapot and stand, sucrier, three large cups, five small cups, four large 
saucers, four plates, and three cake plates. (Some pieces faulty.) 
Mark: wepewoon. 


22 pieces. . 


197—O.p Wepewoop Correr-por , 
1800. Pear-shaped, with domed cover, curved spout and looped flat 
handle. Of red terra-cotta, decorated with sprays of peony, chrysan- . 
themum and plumas blossoms, painted in colored enamels in the Ori- 
ental manner. Mark: wEpewoobp. 


Height, 7 inches. 


First Session, Monday Afternoon 


198—Oxip Wepewoop Trea anv Correr-port AND STAND 
1790. Fine red terra-cotta. Squat-shaped, with rustic handle and spout, 
and high cylindrical neck containing strainers for making coffee. Lid 
with rustic finial. Cylindrical stand, with pierced sides and opening 
for receptacle of spirit burner. Decorated in relief with design of 


bamboo stems and prunus blossoms. 
Height, 10 inches. 


200—Orip Wepewoop Tére-A-rerTe CHocoLatTE SET 
1795. Tri-colored jasper. Decorated, on a dark blue ground, with a 
chequered pattern of blue and white containing blue and gold rosettes, 
and with upright bands of laurel and berry pattern. Set consists of 
chocolate pot, cream ewer, sugar bowl, cup and saucer and circular tray. 


Mark: wepGwoop, 
6 pieces. 


201—Oxip Wepewoop JARDINIERE 
1787. Olive green and white jasper. Rectangular-shaped, on bracketed 
feet and with shaped rim, and decorated with palm trees and figures of 
cupids in high relief. Mark: wepewoopn. 


202—Pair OF OLD STEEL VASES 
1812. Blue and white jasper. Pear-shaped, with looped handles. Deco- 
rated with subjects of “Cupid breaking his Bow,” and “Cupid as an 


Archer.” 
Height, 7 inches. 


203—Pair or orp Wepewoop & BentTLey CANDLESTICKS 
1775. Blue and white jasper. Formed as figures of Hebe and Ceres 
bearing cornucopiw. On columnar pedestals and square bases. Mark: 


WEDGWOOD & BENTLEY. 
Height, 10% inches. 


204—Otp Wepewoop Prague 
1785. Blue and white jasper. Figure in high relief of ‘Venus instruct- 


ing Cupid.” Slight repair. Mark: wepewoop. 
Height, 121, inches. 


First Session, Monday Afternoon 


217—Oxtp Wepewoop & BEntrLEY PLaevue 


1775. Oval shape. Blue and white jasper. Subject: “The Marriage of 
Cupid and Psyche.” Mark: wepewoop & BENTLEY. 
81, by 1134 inches. 


NOTE: This plaque, adapted by Flaxman from an antique gem in the Duke of Marlborough’s 
Collection, was one of Wedgwood’s most successful subjects. It is rarely met with of 
such a size or in such admirable condition as this. 


218—O.tp Wepewoop PLAaaQuE 
1790. Oval shape. Blue and white jasper, decorated with subject of 
a Nymph Sacrificing. Mark: wEepewoop. 
Il by 85% inches. 
219—Parr or oLD Wepewoop Drums 


1795. Blue and white jasper. Decorated with panels formed by an 
acanthus and honeysuckle ornamentation and occupied by figure of 
“Moses and Peace,” “Lover Sacrificing to Cupid,” “Bona Fortuna,” 
etc., and with bands of laurel leaf ornamentation. Mark: wepewoop. 


on 


Height, 41%, “inches. 


First Session, Monday Afternoon 


220—T'wo orp Wepewoop FLower-pors 
1790. Blue and white jasper. Bowl-shaped. Decorated with acanthus 
and lotus leaf ornamentation. 
From the Tangye Collection. 


Height, 4 inches; diameter, 6%, inches. 


_221—Patr or oLp Wepewoop PEDESTALS 


1786. MRectangular-shaped, with molded cornices and bases. Deco- 
rated with panels of Sacrifices to Flora and Msculapius, and with bands 
of honeysuckle, and acanthus-leaf decoration. Mark: wepewoon. 


Height, 5%, inches. 


222—-Turee EIGHTEENTH CENTURY STAFFORDSHIRE VASES 


Cream-colored glaze. 

(A) Urn-shaped, on circular base; curved cylindrical pierced cover, 
Decorated with bands of reeding painted in blue. 

(B) Urn-shaped, on circular base, with bands of reeded decoration 
painted in light green, and spaces between showing traces of oil gilding. 
(C) Wedgwood urn-shaped, with fluted sides, decorated in greenish blue 
on white with deep bands of festoons of drapery and with band of 
checkered pattern in brown and white. Mark: wEepewoop. 


Respective heights, 9, 7 and 7%, inches. 


228—Oip Wepewoop Friower Vase 
1785. Blue and white jasper, formed as three stems of bamboo, with 
decoration of bamboo leaves in white on a blue ground. Irregular- 


shaped base. Mark: wepewoon. 
Height, 81, inches. 


224—Pair or o1p WerEpewoop STATUETTES 

1800. Dark blue and white jasper. Figures of Ceres and Hebe, holding 
: cornucopie. On columnar and square bases. (Repaired.) 

Height, 9 inches. 

225—Oxup Wepewoop PorrincEeR witH Cover 

1790. Blue and white jasper. Coupe-shape, with flat looped handles. 

Decorated with floral garlands and lotus leaves, and with lotus-leaf 

finial. Mark: wepGwoop. 


From the Tangye Collection. 


Height, 41%, inches; diameter of stand, 7 inches. 


First Session, Monday Afternoon 


226—Oip Wepewoop PLaQuE 
1787. Oval shape. Subject of “Silenus with Nymph and Cupids.” 


Mark: wEpGwoop. 
84%, by T inches. 


(Illustrated) 


227—O.tp Wepewoop PiLaaQuE | 
1785. Oval shape. Blue and white jasper. Subject: “Cupids Playing 
Musical Instruments and Singing.” Mark: wepewoon. | 
51, by 61, inches. 
228—Ortp Neate & Co. Bow. | : 
1785. Blue and white jasper. Decorated with figures of playing cupids, 
birds and a band of interlaced ornamentation and inner deep band of 
basket-work ornamentation modeled in relief. 


Height, 3 inches; diameter, 61% inches. 


229—Ox.p Turner Sucar Basin anp Cover 
1787. Blue and white jasper. Sloping sides. Fluted cover, with 
pointed domed finial. Decorated with subjects of Alexander and with 
bands of interlaced circles, rosettes and lotus leaves. Mark: Turner 
& Co. | 

Height, 41/, inches. 

230—Oxip Turner TrEaror | 


1775. Blue and white jasper. Straight-sided body, with looped acan- 
thus-leaf handle, and fluted and domed cover ending in ball finial. 
Decorated in white on blue with subject of ‘“‘Cupids playing”? and bands 
of acanthus-leaf and beaded decoration. Mark: rurNeEr. ) 

Height, 5%, inches, 


231—PorTIon oF OLD WerpcGwoop TEA-sET 


1790. Blue and white jasper. Teapot, cream ewer and cup and saucer. 
Decorated with figures of “Cupids playing” and with bands of shallow 
flutings. Teapot has a curved molded spout and looped reeded han- 
dle. Mark: wepewoon. 


232—Pair oF oLD WeEpGwoop JARDINIERES 


1795. Blue and white jasper. Straight-sided on circular base, with - 
projecting ear handles. Decorated with festoons of grapes and vine 
leaves. Repaired. Mark: wepewoop. 

Height, 414 inches. 


LVG “ON 966 “ON LVG CON 


First Session, Monday Afternoon 


238—Pair oF oLD Werpcwoop PEDESTALS 


1800. Blue and white jasper. Decorated with floral garlands, rams’ 


haeds and. military trophies. Mark: wepewoop. 
Height, 41 inches. 


234—Patr oF OLD WerpGwoop VASES 


1800. Dark blue and white jasper. Pear-shaped. Decorated with ver- 
tical flutings and upright bands of scroll ornamentation, with horizontal 
bands of lily and acanthus and laurel leaf decoration. Mark: wrepe- 


WOOD. 
Height, 334 inches. 


235—Pair oF oLp Werpcwoop CANDLESTICKS 


1790. Blue and white jasper. Saucer-shaped stand with acanthus and 
honeysuckle decoration; baluster-shaped sticks, having two ee and © 


looped handles. Mark: wepewoop. 
Height, 4 inches. 


236—THREE oLD WeEpGwoop PLAQUES 


1800. Red and black terra-cotta. Oval shape. Two with figures of 
“Bacchanalian Revellers,’ and the third with “Euterpe, one of the 
Muses.” 

Height, 6 by 4& inches. 


237—Parr oF oLtp ApAM FLOWER-POTS 


1795. Red and black terra-cotta. Straight sides, with spreading rims. 
Decorated in black with group of playing cupids and with bands of 


scroll decoration. Handles of dolphins’ heads. 
Height, 334, inches. 


238—Ox.p Wepewoop Inxsranp 


1800. Red terra-cotta. Rectangular shape, containing receptacles 
for pens, ink, pounce and wafers. Decorated in colored enamels with 
Oriental design of flowers. 

Length, 18 inches; width, 51% inches. 


239—OLp Werpewoop CHamBer CANDLESTICK 


1787. Cream-ware. Saucer-shaped stand, cylindrical stem and two ° 
curved and scrolled handles. Decorated with purple luster in a marbled 
pattern. Mark: wepewoon. 

Height, 4 inches. 


First Session, Monday Afternoon 


240—OLp Werpcewoop & BentitEy MEDALLION 


1775. Blue and white jasper. Subject: Portrait of Henry Fourth 


of France. Mark: WEDGWOOD & BENTLEY. 
3144 by 31% inches. 


241—Oxtp Wepewoop & BENTLEY PLAQUE 


1770. Blue and white jasper. Oval shape. Figure of “Youthful Her- 
cules.” Mark: Wedgwood & Bentley. 
Length, 61%, inches. 


242—OLtp Werpcwoop & BENTLEY PLAQUE 


1780. Oval shape. Blue and white jasper. Full-length figure of 


“Hebe, ministering to the Gods.” Mark: wepGwoop & BENTLEY. 
61, by A%Q inches. 


243—O.Lp Wepcwoop & BENTLEY MEDALLION 


Oval shape. Striated blue and white jasper. Decorated with “‘Cupids 
Bearing Boar’s Head.” Mark: weEpewoop & BENTLEY. 


244—OLtp Wepewoop & BentrLEy MEDALLION 


Oval shape. Striated blue and white jasper. Decorated with figures of 
“Cupids with Musical Instruments.” Mark: wepGwoop & BENTLEY. 


First Session, Monday Afternoon 


245—Enocu Woop MEpALLION 
1775. Blue and white jasper. Oval shape. Decorated, on a blue 
glazed ground, with figures of youthful Bacchantes. Mark: ENocH 


WoobD. 
41, by 3°34 inches. 


246—Enocu Woop MEpDALLION 


1775. Blue and white jasper. Oval shape. Decorated, on a blue glazed 
ground, with figure of Venus Anadyomene. Mark: Enoch Wood, 
sculpsit. 

Als, by 3%, inches. 


247—Pair oF o~p Werepewoop MEDALLIONS 


1790. Oval shape. Blue and white jasper. Subject of “Maternity” 
and ‘The Elder Sister,’’ modeled by Lady Templetown. Mark: wrepe- 
Woop. 
4, by 814 inches. 
(Illustrated) 


248—Oxrp Turner MEDALLION 
Blue and white dip jasper. Oval shape. Decorated with portrait of 
Lord Nelson. 


4 inches. 


249—Ortp Wepewoop & BrentriEy MEDALLION 
1775. Blue and white jasper. Portrait of Sully. Mark: wepewoop «& 
BENTLEY. 
37%, by 381,. inches. 


250—Oxrp Apams Drum 


1785. Blue and white jasper. Decorated with subjects of Hercules, 
Venus, Cupid and Nymphs Sacrificing, and with bands of interlaced and 


leaf ornamentation. 
Height, 21, inches. 


251—Oxp Apams Drum 


1785. Blue and white jasper, decorated with Bacchanalian subjects 
and figures of Venus, Cupid and Nymphs Sacrificing, and with bands of 


interlaced and leaf ornamentation. 
Height, 3, inches. 


First Session, Monday Afternoon 


252—Ortp Apvams Drum 
1785. Blue and white jasper, decorated with subjects of Hebe and the 
Eagle, Endymion on Mount Hymettus, and with Cupid with a mask. 
Height, 21, inches, 


258—Oxp Wepcwoop Scent FLAcon 
1800. Blue and white jasper. Shuttle-shaped. Decorated with sub- 


ject “Abundantia.” 
Height, 4 inches. 


254—Oxtp Wepewoop Scent FLAcon 
1800. Blue and white jasper. Shuttle-shaped. Decorated with sub- 


jects of “Cupid and Venus” and “Maternity.” 
Height, 4 inches. 


255—Otp Wepewoop MeEpALLion 
Cream-colored Queen’s ware on gray ground, with raised red and black 


border. Portrait of the Empress Domitia. 
27, by 23% inches. 


256—Otp Wepewoor Mepariion 
1775. Cream-colored Queen’s ware relief on chocolate-colored ground. 


Portrait head of Cesar Augustus. An early trial piece. 
31, by 234 inehes. 


257—Oxp. Wepewoop MEDALLION 
1790. Oval shape. Blue and white jasper. Bust portrait of the Duke 
of York. In chased ormolu frame. Mark: wepcwoop. 


From the Tangye Collection. 
134, by 2% inches. 


258—Oxtp Werpcewoop CreamM-warE Honey-por 
1800. Shaped as a bee-hive with cover terminating in a ball finial. 


Mark: wEDGWwoop. 
Height, 5 inches. 


First Session, Monday Afternoon 


259—O.tp Wepewoop BEAKER . 
1795. Cream-colored jasper. Straight sides, decorated with figures 
of infant Bacchantes, modeled by Lady Diana Beauclerk. Mark: 
WEDGWOOD. 
Height, 414% inches. — 


260—Otp Wepewoon CreamM-warE Crocus VAsE 
‘Decorated on a cream-colored ground with bands of blue decoration 


Shaped and pierced cover. Mark: wepewoon. 
Height, 834 inches. 


261—Partr oF otp ApAms PEDESTALS 
1790. Blue and white jasper. Cylindrical-shaped. Decorated with 
figures of “Nymphs Sacrificing” and with bands of interlaced orna- 
mentation. | 
Height, 3 inches. 


262—Pair oF oLp WepcGwoop PEDESTALS 
1790. Tricolored jasper, decorated in white on blue with panels con- 
taining subjects of Minerva, Roman Warrior, and Nymph Sacrificing, 
etc., and with band of lilac Jasper, with laurel-leaf decoration in white. 
Mark: wEepewoop. 
From the Tangye Collection. ; 
Height, 3 inches. 


263—Pair oF oLp Wepewoop FLower-Pots 
1795. Oviform shape. The bodies entirely decorated with painted 
agate-ware design, with rims of raised checker pattern in white reserve. 
Interiors glazed black. (One slightly repaired.) Mark: wepewoon. 


Height, 51, inches. 


264—Set or Four otp Wrpecwoop FLOWER-POTS 


1795. Oviform shape. The bodies are entirely decorated with painted 
agate-ware design, with rims of raised checker pattern in white reserve. 
Interiors glazed black. Mark: wepewoop. 

Height, 5 inches. 


First Session, Monday Afternoon 


INTERESTING EXAMPLES OF OLD STAFFORDSHIRE AND 
OTHER ENGLISH POTTERIES 


265—SuNDRY OLD STAFFORDSHIRE Miniature Pieces 
Teapot and cover, sucrier with cover and stand, pitcher and basin, 


vegetable dish and cover, soup tureen and cover. Of various shapes, 
and styles of decoration. , 


266—Patr or oLtp Hackwoop Vases 


Of white and blue jasper. Spill shaped, with spreading rims and cir- 
cular bases. Decorated with floral borders and rosettes in blue jasper - 


and with bands of bright blue. Mark: ““H”—impressed. 
shy Height, At/, inches. 


267—Set oF SEVEN STAFFORDSHIRE PLAQUES 


Circular and oval shaped. The five ovals occupied with portraits, the 
two circular with figure subjects. 


268—Davenrvort STATUETTE 
1840. White biscuit-ware and blue and white jasper. Decorated with 
figure of Ceres holding ears of wheat in her hand. Circular blue jasper 
base, decorated with Greek honeysuckle ornamentation. Figure partially 
glazed in white. Evidently a trial or experimental piece. 
Height, 19 inches. 


269—OLp STAFFORDSHIRE 'T'EAPOY 
Circular shape with cylindrical neck and modeled upright Cupid busts 
at angles. The sides decorated with Cupids carrying garlands, birds 
and birds’ nests, with a blue drip border and with the inscription “Ann 


Holmes, 1798.”’ 
Height, 51%, inches. 


270—Oup Jackrietp Mitk Jue 
Baluster-shaped, with loop handle, pointed spout and three claw feet. 
Entirely invested in a mirror-black glaze and with a raised pattern of 


grapes, vine leaves and ‘Tudor roses. 
Height, 6 inches. 


First Session, Monday Afternoon 


271—Oup SrarrorpsHirE TEa-sET oF THREE PIECES 
Of white stone china, decorated with Wedgwood subjects in relief. Acan- 
thus-leaf and rosetted borders, and with lines of dark blue enamel. ‘Tea- 
pot, with shaped body and straight spout and looped handle and domed 
cover; sugar basin, with shaped body with projecting ear handles and 
domed cover; cream ewer, with shaped body and scroll handle. 


272—O.p STAFFORDSHIRE VASE 
Octagonal conical-shaped body, with spreading rim. ‘Two projecting 
handles formed as bodies of birds. Fluted under-portion, circular base 
and domed pierced cover, ending in floral finial. Decorated, on a light 
chocolate-colored ground, with bands of floral borders in dark brown 


and with transfer pictures of domestic subjects. 
Height, 81%, inches. 


273—Pair or KiGHTEENTH CENTURY STAFFORDSHIRE VASES 
Pear-shaped bodies, with curved necks; circular feet, on square marbled 
bases. Decorated with a scroll pattern of white reserve on white, buff 
and green and with oval medallions framed in relief draperies occupied 
with Roman Emperors and Empresses on a dark blue ground. 
Height, 10 inches. 


274—GARNITURE OF THREE OLD RincEway VASES 


Crater-shaped, voluted handles; on circular bases and square pedestals. 
Decorated on a pale blue ground with shaped panels in white reserve, 
enclosed by borders of a bamboo-leaf design painted in dark blue and 
gold, and occupied by well-painted subjects of a country mansion and 
landscapes. At the junction of the handles and the bodies are sprays 
of flowers in white relief with leaves in dark blue and gold, and around 
the pedestals are festoons of five-leaved flowers in white reserve with 
leaves and scrolls in dark blue and gold. 


Center vase, 6 inches; side vases, 414, inches, 


275—Oxp AGATE-wARE VASE 


Beaker-shape, on circular foot with molded rim. Entirely covered with 
a painted agate-ware pattern in brown and yellow. 
Height, 10%, inches. 


SECOND SESSION 


MONDAY EVENING, MARCH 15, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.00 o’cLocK 


Which includes Catalogue Nos. 276 to 450A 


THE DUKE OF BUCCLEUCH’S FAMOUS COLLECTION OF 
SIXTEENTH AND SEVENTEENTH CENTURY 
ENGRAVED AND ENAMELED GLASS 


This collection, which for many years formed one of the glories of Montagu House in 
London, was gathered together by the Fifth Duke of Buccleuch and Queensberry, the grand- 
father of the present Duke. It passed out of the hands of the late Duke (the sixth of that name) 
into those of its present successor some five or six years ago in the course of the negotiations 
concerning the transfer of a collection of another character in which his Grace was interested, 
Formed at a time when artistic glassware of this description was less highly regarded than at 
present, it contains examples, such as the famous Reichs-adler pieces for instance, which could 
nowadays be reduplicated with the greatest difficulty. Itis particularly rich, however, in examples 
of the skill with the wheel and gravers of such artists as Caspar Lehmann and the Schwan- 
harts, who attained their eminence under the patronage of the Emperor Ferdinand III. 


276— EIGHTEENTH CENTURY GERMAN BEAKER 
Octagonal shape. Decorated with cut bandings of a reeded pattern. 
Height, 3°4, inches. 


277—EIcGHTEENTH CENTURY GERMAN ENAMELED GLAsSs 


Straight sides cut in vertical facettings and enameled in colors with the 


figure of a man seated under a tree with a dog at his side. 
Height, 3 inches. 


278—EI1cHTEENTH CENTURY GERMAN ENAMELED GLAss 
Straight sides cut in vertical facettings and enameled in colors with a 
Watteau like subject of a Shepherd piping and a Shepherdess playing 


a triangle. 
Height, 31, inches. 


Second Session, Monday Evening 


279—E1cHTEENTH CENTURY GERMAN BEAKER 
Straight sides. Decorated with a boldly cut diamond patterning. 
Height, 41%, inches. 
280—EicHTEENTH CENTURY GERMAN BEAKER 
Heavy white glass. Curved sides and circular foot. Decorated with 
a pattern of diamond shaped cuttings and oval concavities. 
Height, 4%, inches. 
281—EicHTEENTH CENTURY GERMAN Mue 
Straight sides, with loop handles. Decorated with vertical cuttings and 
with a raised and intaglio engraved pattern of oval raised medallions, 
ears of wheat and bunches of grapes. 
Height, 4 inches. 
282-—SEVENTEENTH CENTURY ANTWERP GLass VASE 


Bowl shaped with high upstanding rim of an interlaced packers of glass 
threads and pruntings. 
Height, 41, inches. 
283—-EIGHTEENTH CENTURY GERMAN WINE GLAss 


Thick white glass. Made in two portions. Quatrefoil shaped bowl, 
cylindrical stem with knop and hollow quatrefoil shaped foot. The 
bowl screws, with a frosted glass screw, into the foot. The bowl foot 
and stem are cut in patterns of horizontal bands and facettings. 
Height, 61, inches. 
284— EIGHTEENTH CENTURY GERMAN GLAss BELL 
Of blown glass. With glass clapper. 
Height, 5 inches. 
285—-EIGHTEENTH CENTURY GERMAN WINE GLAss 


Bell shaped bowl with cylindrical stem and circular foot. The bowl is 
intaglio engraved with the monogram ““T. B. A.” Stem encloses a spiral 
filament of opaque white or “milch” glass. 
Height, 6%, inches. 
286—EIcHTEENTH CENTURY GERMAN WINE GLAss 
Bell shaped bowl with cylindrical stem and circular foot. The bottom 
of the bowl is decorated with a pattern of enclosed air bubbles, the stem 
with a spiral filament of opaque white, or “milch” glass. 
Height, 634 inches. 
287-—EIGHTEENTH CENTURY GERMAN WINE GLAss 
Bell shaped bowl with baluster stem and circular foot. Decorated with 


frosted and cut facettings. Height, 53/, inches. 


Second Session, Monday Evening 


288-——EIGHTEENTH CENTURY GERMAN WINE GLAss } 
Straight sided bowl, baluster stem and circular foot. The bowl and 
stem are cut in patterns of facettings. 
Height, 6%, inches. 
289— EIGHTEENTH CENTURY GERMAN WINE GLAss 
Greenish white glass. Straight sided bowl with molded flutings, hollow 
baluster stem, and circular ribbed foot. | 
3 Height, 7 inches. 
290—E1cHTEENTH CENTURY FRENCH GLAss BEAKER 
Quatrefoil shape with straight sides, decorated in intaglio engraving 
with conventional floral sprays and with a border of scroll ornamentation. 


Height, 2%, inches. 


991— EIGHTEENTH CENTURY GERMAN TOPER’s GLASS 


Straight sides with pointed lower portion. The sides are intaglio engraved 

with panels enclosing subjects of the Pelican feeding her young, a Hen 

with her chickens, a Stork and an inscription in German character. 
Height, 4 inches. 


NOTE: The object of the pointed foot to this glass is to prevent it being laid down until it is 
entirely emptied. 


292-—-KIcgHTEENTH CENTURY GERMAN GLASs BEAKER 
Thick white glass. Bowl with curved sides and circular foot. The 
bowl is decorated with reeded and diamond cuttings and with an oval 
medallion containing the intaglo engraved portrait of a man in uniform. 
Height, 4 inches. 
2938— EIGHTEENTH CENTURY GERMAN Muc 
Greenish white glass. Straight sides and loop handle. Intaglio engraved 
with the subject of a Nymph stealing his bow from a sleeping Cupid. 
Height, 41, inches. 


294-—-SEVENTEENTH CENTURY GERMAN GOBLET AND COVER 
Straight sides, short stem and circular foot. Domed cover with acorn 
finial, of cut and molded glass. The bowl is decorated with three molded 
shell shaped medallions, two of which are gilded, the stem and foot with 
cut facettings. The rim of bowl and portions of the cover and finial 


are gilded. 
Height, 7%, inches. 


Second Session, Monday Evening 


995—ErenreentH Century Brisrot Grass Vase 
Of opaque milk glass. Bottle shaped with cylindrical neck and circular 


base. Decorated with fine vertical flutings. 
Height, 4 inches. 


296—EIGHTEENTH CENTURY Bristow Guass VASE 


Of opaque milk glass. Bottle shaped with cylindrical neck and circular 


base. : 
Height, 414, inches. 


297—HIcHTEENTH CENTURY Brisron Guass Hancinc Wari VASE 
Of opaque milk glass. Formed as a cornucopia with spiral flutings. 
Height, 10 inches. 


298—EIGHTEENTH CENTURY GERMAN GLAss Rouuine PIN 


Of greenish white glass. Blown in a cylindrical form with the ends 


formed by round knobs. 
Height, 14 inches. 


299—-T'wo EIGHTEENTH CENTURY FRENCH GuAss CUPS 


Sloping sides with loop handles of glass. Decorated with gilt borders 


around the rims. : 
Height, 2%, inches. 


300—EIGHTEENTH CENTURY FRENCH GOBLET 


Straight sided bowl with baluster stem and circular foot with scalloped 
edge. The bowl is decorated with a series of cut facettings, the rim 
with a band of gold. 

Height, 6 inches. 


303—Five E1cHTreentH Crentury Frencu Guass Braxkers 


The sides cut with vertical facettings and the rims decorated with bands 
of gold. 
Height, 3 inches. 


304—Nine ErcuTreentn Century Frencu Guass BEAKERS 
The sides cut in vertical facettings and the rims decorated with bands 
of gold. 
Height, 31% inches. 


Second Session, Monday Evening 


305—EIGHTEENTH CENTURY VENETIAN LiquEUR FLAsk 
Of dark ruby glass. Made in the form of a barrel banded with spiral 
and quilled filaments of white glass and decorated with four pruntings, of 
which three have turquoise blue centers. 
i Height, 4 inches. 
306—EI1cHTEENTH CENTURY VENETIAN LiquEuUR FLAsxK 
Of dark ruby glass. Made in the form of a barrel banded with spiral fila- 
ments of white glass. 
Height, 41, inches. 
307—EIGHTEENTH CENTURY VENETIAN LiquEUR FLAsk 
White glass. Made in the form of a barrel with staves indicated by fine 
ribbings and banded with spiral filaments of cobalt blue glass. On a 
base of pinched and quilled glass. 
é sae Height, 5 inches. 
308—E1cHTEENTH CENTURY GERMAN BEAKER 
Of semi-opaque dark ruby glass with curved sides. Decorated with a 
cut and facetted band of Greek key pattern and with a band of Greek 
leaf and berry pattern in gold. Around the rim is a deep border of 
gold extending into the interior. 
Height, 41, inches. 
309—Pair or EicuTrentH Century Frencu Rusy Guass Scent Borrries 
Square shape with cut sides and screw tops of engraved gilt metal. 
Height, 2 inches. 


310—Pair or EicHTreentH Century Frencu Ruspy Guass Scent Botries 
Square shape with cut sides. 
Height, 134 inches. 
311—SEVENTEENTH CENTURY GERMAN RuBy Giass Bown 
The exterior is decorated with raised gadroonings. Mounted on a cir- 
cular base and with pierced handles of gilt metal. The bowl is repaired 
with old rivetings. 
Height, 134 inches; diameter, 31% inches. 
NOTE: This and the following five lots (312 to 316 inclusive) are characteristic examples 


of the work of Johann Kunckel, who rediscovered, in 1679, the art of staining glass of 
a crimson or ruby color by means of gold. 


319—SEVENTEENTH CENTURY GERMAN RuBy GuaAss CouUPE 


Sloping sides without ornamentation. 
Height, 134 inches. 


Second Session, Monday Evening 


313—SEVENTEENTH CENTURY GERMAN RuBy Guass CouPE 


Sloping sides without ornamentation. 
Height, 2% inches. 


314-—-SEVENTEENTH CENTURY GERMAN RuBy GuAss Bown 


Straight sides without ornamentation. 
Height, 1 inch; diameter, 414 inches. 


8315—SEVENTEENTH CENTURY GERMAN Rusy Guass Bown 


Quatrefoil shaped with pinched sides without ornamentation. 


316—Pair or SEVENTEENTH CENTURY RusBy Guass VASES 


Pear shaped. Lower portions decorated with bold gadroonings of ruby 
glass. 
Height, 5 inches. 


317—EIGHTEENTH CENTURY GERMAN RusBy Guass BEAKER. 


Straight sided. Cylindrical shape with curved rim. . 
Height, 3 inches. 


318—EIcHTEENTH CENTURY GERMAN RuBy Guass BEAKER 


Sloping sides cut in vertical facettings and a pattern of oval cut con- 
cavities. 
Height, 3 inches. 


319-—-EIGHTEENTH CENTURY GERMAN RusBy GLuass FLASK 


Pear shaped body with cylindrical neck. Cut in vertical and hexagonal 
shaped facettings. 3 
Height, 7%, inches. — 


320—EIGHTEENTH CEenTURY EncLIsH GLass CANDLESTICK 


Formed as a column on a circular base with scalloped candle socket. Of 
amber colored glass cut in facetted pattern. 
Height, 8 inches. 


321—SEVENTEENTH CEentTURY GERMAN CoLOoRED Guass BorriEe 


Square shape with cylindrical neck mounted with screw cover. Of semi- 
opaque light blue glass. Probably the work of Johann Kunckel. 


Height, 91, inches. 


Second Session, Monday Evening 


322— EIGHTEENTH CENTURY GERMAN GLAss TEAPOT 
Cobalt blue glass. Inverted pear shape with loop handle, curved spout, 
domed cover and ball finial. Decorated in gilt wheel cuttings with groups 
of military trophies surmounted by a royal crown and with medallion 


occupied with the initials “M. K. C.” 
Height, 7%, inches. 


323—EIGHTEENTH CENTURY GERMAN Muc 


Straight sides with reeded loop handle of glass, and a circular projecting 
foot. Decorated with a painting in colored enamels of Elijah being fed 
by the ravens in panel bordered by baluster shaped pillars of blue and 
arched branches of foliage. On the sides are convivial inscriptions in 


German and the date “1745.” 
Height, 5%, inches. 


$24—SEVENTEENTH CenTURY German Lovine Cup anp Cover 
Pear shaped body, straight cylindrical neck, two looped handles, domed 
cover, ball finial and circular foot. Decorated in colored enamels, gold 
and silver with the Royal Arms of Poland, a portrait of King Augustus 
the Strong holding a scepter with the inscription ““Augus. Rex Polonix” 
and with the date “1760.” The silvering which the neck and foot 
are banded with and the handles and finial entirely coated with has become 


tarnished almost black with age. 
Height, 111% inches. 


325—-SEVENTEENTH CENTURY GERMAN Muce 
Of greenish white glass. Shaped sides with heavy loop handle and cir- 
cular foot. Decorated in colored enamels with a portrait of Prince 
Eugene flanked by a group of military trophies and with the double 


headed eagle of Austria. Dated “1697.” 
Height, 6% inches. 


326—Earty EIGHTEENTH CENTURY ENAMELED GLass VASE 
Beaker shaped with domed cover, ball finial and circular foot. Decorated 
in colored enamels with an elaborate painting of a hunting subject of 
a Hare, Fox and Stags being driven by dogs into a net under the direc- 
tion of huntsmen in eighteenth century costume. The cover is decorated 
in colored enamels in a pattern of scrollings. There are inscriptions 
in white “Vivat mein Herr Jager’ and others, and the date ‘1708” 


twice repeated. 
Height, 10 inches. 


Second Session, Monday Evening 


327—SixTEENTH CENTURY GERMAN Pass Glass 
Cylindrical shape, on metal foot with four pruntings of glass at the base. 
Decorated en grisaille and in colored enamels with the figure of a Knight 
holding a banner with armorial bearings. Divided into zones by hori- 
zontal lines with numbers to measure the amount of each draught. 
Height, 18 inches. 


328-——SIXTEENTH CENTURY GERMAN BEAKER 
Cylindrical shape of greenish white glass on a metal foot. Enameled 
in colored enamels with an escutcheon shaped shield of armorial bearings 
in blue, and yellow outlined in brown, and with a band around the rim 
of beadings of colored enamels and gold. Above the armorial shield is 


the date, twice repeated, “1567” in white enamel. 
Height, 111%, inches. 


329—SEVENTEENTH CENTURY GERMAN ““WILLKOMM HumMpPEn” 


Large cylindrically shaped beaker of white glass enameled in colors | 
with the subject of a man in seventeenth century costume asleep on a 
pile of cushions. Another man in similar costume is being wheeled away 
in a Wheelbarrow. On the other side is a soldier holding a halberd seated 
in an arm chair and offering some article to another man who is seated 
at a table writing. On the table are a purse from which issue coins, a 
pitcher and a beaker. There are inscriptions in German in white 
enamel. ‘The neck is bordered with two wavy lines of white and beads 
of blue and gold enamel. Dated 1623 in white enamel. Small hole 


in base. 
Height, 11 inches. 


330—SEVENTEENTH CENTURY GERMAN “WiLLKomMM HumPEN” 


Cylindrical beaker. Enameled in colors with the Reichs-adler or Im- 
perial two-headed crowned eagle heraldically displayed. On its wings, 
as recorded in an inscription, are the arms of the seven Electors and 
forty-eight members of the Heilege Romische Reich or Holy Roman Em- 
pire. Each of these coats of arms is identified by the name of the Elec- 
tor or Member lettered in black on a white label. The eagle bears on 
its breast the Orb of Empire. Around the rim of the beaker is a border 
of powdered gold and colored enamel dots. Slight injury at base. 


Second Session, Monday Evening 


331—SEVENTEENTH CENTURY GERMAN ReIcHs-ADLER BorrLe 
Square shaped bottle. Enameled in colors with the Reichs-adler or 
Imperial two-headed crowned eagle, heraldically displayed. On the wings 
are the arms of the seven Electors and forty-eight members of the Holy 
Roman Empire, and above the inscription ‘“‘Heilege Romische Reich,” 
These wappen or shields of armorial bearings have white labels lettered 
with the names of the Electors and Members. The eagle carries on its 
breast a large crucifix. The back of the bottle is enameled in colors 
with a crowned serpent hanging on a cross and two stems of lily of 
the valley. Around the neck is a band of beadings of white, blue and 


yellow enamel. Dated 1572. 
Height, 131%, inches. 


332—OuLp German Torer’s Grass 
Of greenish glass. Decorated with bands of a pointillé pattern in colored 
enamels and with traces of gilding. At the bottom is an acorn shaped 
knob of glass to prevent the glass being laid down until it was emptied. 
: Height, 4 inches. 


$33—SIXTEENTH CENTURY VENETIAN Guass VASE 
Of fine white and lattimo, or milk, glass. Pear shaped body with cylin- 
drical neck and handles. The body is entirely covered with a vitro di 
trina (lace work) pattern in lattimo glass. The scrolled handles are 
of pinched and quilled filaments of white glass. Around the base of 


the neck is a twisted filament of white glass. 
Height, 41, inches. 


$34— SIXTEENTH CENTURY VENETIAN GLaAss VASE 
Pear shaped body with vertical glass ribbings, decorated with gilding, 
small applied knobs of cobalt blue glass, octagonal shaped neck, decorated 
with threads of cobalt blue glass and upright scroll handles decorated 
with pinched glass filaments. The neck and rim slightly imperfect. 
Height, 71, inches. 


$35—SIXTEENTH CENTURY VENETIAN GLAss 
Of thin white blown glass. Crater shaped bowl, tall twisted stem, 
applied handle of quilled filamented glass and circular foot. At the 
bottom of the bowl is a small fluted sphere of cobalt blue glass. 
Height, 63/4, inches. 


Second Session, Monday Evenng 


336—SIxTEENTH CENTURY VENETIAN WINE GLAss 
Thin white blown glass. Conical bowl, tapering cylindrical stem and 
circular foot. 


337—SEVENTEENTH CENTURY VENETIAN GLAss BEAKER 
Thin white blown glass. Trumpet shaped with the sides blown in a 
pattern of large reticulations. The foot surrounded by a border of — 


quilled glass filament. 
Height, 71% inches. 


338—SIXTEENTH CENTURY VENETIAN WINE GLAss 
Straight sided conical bowl with stem of pinched and quilled cobalt blue 
glass and filaments of white glass enclosing spiral threads. A red ruby 


glass. On metal foot. 
Height, 12 inches. 


339—VENETIAN Guass GOBLET 
Conical bowl and circular foot. Winged stem of pinched and quilled — 
cobalt blue and white glass, some filaments of the white glass containing 


spiral threads or lattimo glass. 
Height, 9 inches. 


340—SIXTEENTH CENTURY VENETIAN GLAss GOBLET 
Conical bowl and circular foot. Winged stem of pinched and quilled 
cobalt blue and white glass with filaments of white glass enclosing spiral 


threads of lattimo and blue glass. 
Height, 11% inches. 


341—-VENETIAN Guass GOBLET 


Conical bowl and circular foot. Winged stem of pinched and quilled glass 
with filaments of white glass enclosing spiral threads of lattimo and 


blue glass. | 
Height, 12%, inches. 


342—SIxTEENTH CEentTURY VENETIAN GLAss GOBLET 
Straight sided bowl and circular foot, winged stem of pinched and quilled 
cobalt blue glass with filaments of white glass enclosing spiral threads 


of lattimo glass. 
Height, 12 inches. 


Second Session, Monday Evening 


343—VENETIAN Giass GOBLET 
Conical bowl and circular foot. Winged stem of pinched and quilled 
glass with filaments of white glass enclosing spiral threads of lattimo 


and blue glass. 
ae Height, 10 inches. 


344—SixTeentH CENTURY VENETIAN Grass GOBLET 
Straight sided bowl and circular foot. Winged stem of pinched and 
quilled glass with filaments of white glass enclosing spiral threads of 


blue and lattimo glass. 
Height, 101% inches. 


345—VENETIAN Grass GOBLET 
Conical bowl and circular foot. Winged stem of pinched and quilled 
glass with filaments of white glass enclosing spiral threads of white, 


red and cobalt blue glass. 
Height, 111% inches. 


346—SIXTEENTH CENTURY VENETIAN GLAss FLOWER VASE 
Of greenish white glass. Heart shaped body with a tube of glass sur- 
rounding a heart shaped opening, a tall cylindrical neck connecting 


the side tubes, and a circular foot. 
Height, 11%, inches. 


347—SIxXTEENTH CENTURY VENETIAN VASE 
Bottle shape of clear white glass decorated with spiral and waving lines 
of lattimo glass and with a pinched filament of cobalt blue glass below 
the rim. The base is decorated with raised leaves and indentations. 
Height, 914 inches. 


348—SIxTEENTH CENTURY VENETIAN VASE 
Bottle shaped. Of clear white glass decorated with spiral and waving 
lines of lattimo (or milk) glass and with a pinched filament of cobalt blue 
glass below the rim. ‘The base is decorated with raised leaves and in- 


dentations. 
Height, 9 inches. 


Second Session, Monday Evening 


349—SIXTEENTH CENTURY VENETIAN Guass EwER 
Pear shaped body, cylindrical neck, pointed spout and looped handle. 
Of clear white glass with spiral and waving lines of lattimo glass. ‘The 
rims are encircled with a pinched filament of cobalt blue glass. 
Height, 8 inches. 


349A—SIXTEENTH CENTURY VENETIAN BowL 
Of clear white glass decorated with ribbed flutings and pruntings of white 


glass powdered with gold. 
Height, 31%, inches; diameter, 9°, inches. 


350—SEVENTEENTH CENTURY GERMAN PUzzLE GLAss 
Plain white glass. Formed in the semblance of a standing cup and 
cover with straight sided bowl, domed cover with pointed finial, bulbous 
-stem and conical foot. The upper portion is in one piece and encloses 
a small sphere of glass acting as an adjustable stopper to the aperture 
at the bottom. Hollow foot and a stem which serves as a drinking glass. 
Height, 121% inches. 


$51— EIGHTEENTH CENTURY GERMAN LIQUEUR GLASS 
Conical shaped bowl with twisted stem. Bowl decorated with intaglio 


engraving of sprays of flowers. 
Height, 334 inches. 


352—EIGHTEENTH CENTURY FRENCH GOBLET 
Straight sided cylindrical bowl. Decorated with a deep band of intaglio 


engraved scroll ornamentation. 
Height, 314, inches. 


353—EIGHTEENTH CENTURY GERMAN LiquEUR GLAss 
Straight sided, cylindrical shape. Decorated with intaglio engraved 
medallions, scrollings and interlacements. 


354—OxLp GERMAN ToPEr’s Guass 
Straight sides and pointed foot. Cut sides decorated with an intaglio 
engraved design of arabesques and scrolls enclosing a subject of two 
arms issuing from clouds, one of them holding a goblet and the other 
pointing to the inscription “Rivis Aliet.”” The lower part of the bowl 


and the foot are cut in facettings. 
Height, 41, inches. 


> 


Second Session, Monday Evening 


355—E1cutTrentu Century Frencn Guass Vase 
Of very thin white blown glass. In the form of a Greek vase with pear 
shaped body, cylindrical neck and circular foot. The body of the vase 
is intaglio engraved with figures in the Etruscan manner and with a band 


of Greek honeysuckle decoration. (Stem repaired.) 
Height, 7, inches. 


356—EicuTeentH Century German Sranpinc Cup anp Cover 
Bell shaped bow! with domed cover and circular foot. Intaglio engraved 
in a pattern of scrollings, floral festoons and fruits. The foot is mounted 


with a scalloped rim of silver. 
Height, 51%, inches. 


357—EIcHTEeNTH CENTURY German WINE Gtass 
Thistle shaped bowl with a baluster stem and circular foot. Decorated 
with an intaglio engraved pattern of scrollings. The lower portion of 


the bowl and stem are cut in facettings. 
Height, 534 inches. 


358—EIGHTEENTH CENTURY GERMAN WINE GLAss 
Straight sided bowl with baluster stem and circular foot. Around the 
rim is an intaglio engraved pattern of roses and chrysanthemum medal- 


lions. 
Height, 63/4, inches. 


359--EIGHTEENTH CENTURY GERMAN WINE GLAss 
Straight sides, with baluster stem and circular foot. The bowl is 
decorated with vertical facettings alternately cut in a checkered pattern 


and frosted. 
Height, 61%, inches. 


360—EIGHTEENTH CENTURY GERMAN WINE GLAss 
Thistle shaped bowl with baluster stem and circular foot. The upper 
part of the bowl intaglio engraved in a pattern of scrollings, the lower 


part and the stem cut in facettings. 
Height, 6 inches. 


Second Session, Monday Evening 


361—E1cuTeEentH CENTURY GERMAN WINE GLASs | 
Octagonal shaped bowl with baluster stem and gilt metal foot. The bowl 

is intaglio engraved with arabesque scrollings surrounding two panels, 

one occupied with two hearts and two clasped hands issuing from clouds, 

the other with two hands, one holding a vase, issuing from clouds. The 

panels are surrounded by inscriptions in German. Stem cut in facettings. 

Height, 6 inches. 


362—E1cHTrentH Century German WINE GLAss 
Bell shaped bowl, with baluster stem and circular foot. The bowl is 
decorated with frosted cuttings and an intaglio engraved band of scroll 


decoration. 
Height, 5% inches. 


363——EIcHTEENTH CENTURY GERMAN GLAss STANDING CuP AND COVER 


Thistle shaped bowl, baluster stem, and circular foot. Decorated with 
intaglio engraved scroll ornamentation and cut stars and facettings. 


Stem and finial with cut facettings. 
Height, 91% inches. 


$64—EIGHTEENTH CENTURY GERMAN GOBLET 


Straight sides with a baluster stem and circular foot. The bowl is 
decorated with an intaglio engraved Coat of Arms. ‘The lower part of 


the bowl and stem are cut with facettings. 
Height, 744, inches. 


365—EIGHTEENTH CENTURY GERMAN WINE GLAss 
Greenish white glass. Straight sided bowl with baluster stem and cir- 
cular foot. The bowl is decorated with intagho engraved symbolic 
subjects of “’The Pelican in her Piety,” a Phoenix, a rayed Sun and 
two mottoes, “Ex Pura Charitate” and “Revertor abortum,” surmounted 
by a Ducal Coronet. The lower part of the stem is cut with facettings. 


Height, 7, inches. 


366—EIGHTEENTH CENTURY GERMAN WINE GLASS 


Straight sided bowl with twisted stem and circular foot. ‘The bowl 
is decorated with an intaglio engraved medallion of armorial bearings . 
supported by rampant lions, with an ermine mantling and the mono- 
gram “KE. M.” surmounted by a Coronet. The stem encloses a spiral 
filament of green glass. 

Height, 61, inches. 


Second Session, Monday Evening 


367—EIGHTEENTH CENTURY GERMAN WINE GLASS 
Greenish white glass. Thistle shaped bowl, with baluster stem and cir- 
cular foot. The bowl is decorated with an intaglio engraved portrait of 
Frederick the Great surrounded by scrollings and military trophies, and 
with the double “F” monogram. Stem cut in facettings. Portion of 


foot missing. 
Height, 734 inches. 


. 868—SEVENTEENTH CENTURY GERMAN GOBLET 


Straight sided bowl, baluster stem and circular foot. The bowl is cut 
in a pattern of hexagonal faces alternately plain and occupied with 
intaglio engraved figures of buildings, birds and floral sprays. The 


stem is cut in hexagonal facettings. 
Height, 7%, inches. 


369—SEVENTEENTH CENTURY GERMAN STANDING CUP AND COVER 


Straight sided bowl, with twisted baluster stem, domed cover and cir- 
cular foot. ‘The bowl is decorated with an oval medallion in two layers 
of glass containing a figure of Cupid with two hearts and ornamental 
scrollings. ‘This medallion is surrounded by intaglio engraved acanthus 
leaf scrollings and floral sprays. The cover is decorated with a raised 


fluted medallion of molded glass. 
Height, 10 inches. 


370—EIGHTEENTH CENTURY GERMAN GOBLET 
Straight tapering sides, baluster stem and circular foot. Decorated 
with intaglio engraved leaves and scrollings enclosing an oval medallion 
formed by two layers of glass bordered with gold and occupied by a 
gilt intaglio engraving of the Austrian Two Headed Crowned Eagle 
with a shield displayed, and the inscription “Charles VI.” 
Height, 714 inches. 


NOTE: This glass is interesting not only for its exquisite workmanship but also as being an 
example of the method employed in the seventeenth century for preserving the gilding 
on glass. 


371— EIGHTEENTH CENTURY GERMAN STANDING CuP AND COVER 
Straight sided bowl, baluster stem, domed cover, double ball finial and 
circular foot. The bowl is decorated with an oval panel containing 
a portrait of the Austrian Emperor, Charles the Sixth. The lower part 


of the bowl, stem and finial cut with facettings. 
Height, 1114 inches. 


Second Session, Monday Evening 


372— EIGHTEENTH CENTURY GERMAN WINE GLAss 
Curved sides, cylindrical stem with bubbled knop and circular foot. 
The bowl is decorated with an intaglio engraved subject of the 
trunk of a tree with branches, leaves and fruit formed by cut circular 
concavities. 
Height, 8 inches. 
373— EIGHTEENTH CEentTuRY German Tat Gtass 
Fluted bowl, baluster stem and circular foot. Decorated in intaglio 
engraving with a winged eagle holding a medallion portrait of Charles 
VI., an oval escutcheon occupied with the Arms of Austria, and labels 
of German inscriptions. 


Height, 834 inches. ° 


374—EIGHTEENTH CENTURY GERMAN GOBLET 
Straight sided bowl, baluster stem and circular foot. ‘The bowl decorated 
with cut stars and oval concavities, and the stem encloses a large bubble. 
Height, 914, inches. 


375—EIGHTEENTH CENTURY GERMAN STANDING Cup AND COVER 


Straight sided bowl, baluster stem, domed cover and circular foot. The 
bowl is decorated with an intaglio engraved oval medallion occupied 
with an Imperial Two Headed Eagle surrounded by the Seals and 
Arms of various States with the inscription “A jove et imperio factis 
votisque petitus” and the date “1711.” The stem is cut in facettings 
and the stem and finial enclose twisted filaments of ruby and gold glass. 


Height, 113% inches. 


376—EIcHTEENTH CENTURY GERMAN STANDING CUP AND COVER 
Straight sided bowl with baluster stem, domed cover and circular foot. 
The bowl is intaglio engraved with an arabesque pattern and an escutcheon 
shaped medallion containing the subject of a Boar Hunt. The stem 


and finial enclose a spiral filament of ruby glass. 
Height, 111% inches. 


3¢77—E1GHTEENTH CenTURY GERMAN WINE GLAss | 
Straight sides, triple-knopped stem and circular foot. The bowl is 
decorated with an intaglio engraved Coat of Arms with lion supporters, 
the lower portion with a band of cut flutings. The stem and bottom 


of bowl enclose bubbles of glass. 
Height, 814, inches. 


Second Session, Monday Evening 


378—EIGHTEENTH CENTURY GERMAN GOBLET 


Straight sides with baluster stem and circular foot. The bowl is cut 
in vertical facettings, and the stem with trefoiled facettings enclosing 
a spiral filament of ruby glass. 
. Height, 8 inches. 


379—-SEVENTEENTH CENTURY GERMAN GLAss GOBLET 


Thistle shaped bowl with seven bubbles at the bottom, curved sides, 
baluster shaped stem and cut foot. Stem and lower part of the bowl 
cut in bold facettings. Bowl decorated in intaglio engraving with 
figures of the four seasons. 

Height, 91, inches. 


380—EIGHTEENTH CENTURY GERMAN STANDING CuP AND CoveR 


Straight sided bowl, baluster stem, domed cover and baluster finial. 
The bowl has intaglio engraved decoration on the one side of a ‘‘Boar 
Hunt” and a huntsman on horseback firing a pistol at the boar which 
is attacked by dogs, and on the other of a German country mansion. 
The lower part of the bowl and stem are decorated with cut facettings 
and the under side of foot with cut concavities. ~ 

Height, 1234 inches. 


381— EIGHTEENTH CENTURY GERMAN STANDING CuP AND COVER 


Thistle shaped bowl, twisted baluster stem, domed cover and circular 
foot. Decorated with intaglio engraving of the Royal Arms of England, 
Holland and Austria, surmounted by a Royal Crown and surrounded 
by military trophies and scrollings. The stem and finial enclose twisted 
threads of ruby color and gold glass. 

Height, 121% inches. 


3882—FIGHTEENTH CENTURY GERMAN BEAKER 


White glass. Barrel shape, banded with glass ribbings. Decorated with 
sunken roundels or “thumb holes.” 
Height, 51, inches. 


883—EIcGHTEENTH CENTURY GERMAN BEAKER 


Curved sides. Decorated with a subject of two men drinking at a table 
and with a convivial inscription. Around the rim is a broad band of 
gilding, the foot is cut in facettings and the under side is engraved with 
the name of Asseburg. 

Height, 41% inches. 


Second Session, Monday Evening 


384—EIGHTEENTH CENTURY GERMAN BEAKER 

Straight sides decorated with an intaglio engraved subject of the Baptism — 

of Christ by Saint John the Baptist and by an oval panel containing a 
figure of Saint Anne instructing the youthful Christ. Dated 1775. 

Height, 4, inches. 


385— EIGHTEENTH CENTURY GERMAN BEAKER 


Greenish white glass. Decorated with an intaglio engraved panel of 


two children bathing and a floral pattern. 
. Height, 41% inches. 


886—EIGHTEENTH CENTURY GERMAN BEAKER 


Thick white glass. Facetted sides decorated with cut oval concavities 
and intaglio engraved patterns of floral medallions and wiih the initial 


SENS 22 
Height, 41%, inches. 


387—EIGHTEENTH CENTURY GERMAN BEAKER 


Of white glass. Facetted sides, decorated with cut oval concavities and 


with intaglio engraved scrollings of flowers and leaves. 
Height, 434 inches. 


388—SrventeentH Century German Braker 
White glass. Decorated with intaglio engraved medallions of half 
length figures of Saints whose names are inscribed on the surrounding 


borders. 
Height, 5 inches. 


NOTE: A very early specimen of the seventeenth century German engraving. Probably by 
George Schwanhart. 


389— EIGHTEENTH CENTURY GERMAN BEAKER 


White glass. Curved sides decorated on one side with intaglio engraved 
armorial bearings surmounted by a Coronet, on the other with the mono- 
Crdiie Cina es cs - 

Height, 534 inches.. 


390—SEVENTEENTH CENTURY GERMAN BEAKER 
Straight sides. Decorated with intaglio engraved arched panels of hunt- 
ing subjects, flanked by columns wreathed with grapes and vine leaves. — 
Height, 5 inches. 


Second Session, Monday Evening 


391—SEVENTEENTH CENTURY GERMAN BEAKER 
Thick white glass. Decorated with intaglio engraved figures of Amorini 
playing musical instruments and dancing. Engraved by George Schwan- 


hart. 
Height, 434 inches. 


NOTE: A typical example of the work of one of the earliest German glass engravers. 


392—EIcgHTEENTH CENTURY GERMAN BEAKER 


Of white glass. Decorated with cut oval concavities, medallions with 


square centers and intaglio engraved leaf forms. 
Height, 6 inches. 


393—HKiGHTEENTH CENTURY FRENCH Gass BEAKER 
Thick greenish glass. Decorated with an intaglio engraved scroll and 
floral pattern, with a circular medallion with a figure of a Cupid holding 
one heart in his hand and two other hearts at his feet, and with the motto 


“Un seul me suffit.” 
Height, 61, inches. 


394— EIGHTEENTH CENTURY GERMAN BEAKER 
White glass. Decorated with intaglio engraved panels, one containing 
a biblical subject, the other a medallion of cut concavities. The panels 


are separated by strawberry flowers and leaves. 
Height, 5%, inches. 


395—EIcHTeentH Century German Braker 
Of white glass. Straight sides. Decorated with molded vertical ribbings 


and oval concavities. 
Height, 6%, inches. 


396-—-SEVENTEENTH CENTURY GERMAN BEAKER 
Straight sides decorated with three panels occupied with a Scorpion, a 
Bird in a cage and a Warrior, and with an inscription in German char- 


acters. 
Height, 6 inches. 


397—FE1cHTEENTH CENTURY GERMAN BEAKER 
Of white glass. Decorated with the figure of a soldier on horseback 


firing a pistol. 
Height, 7 inches. 


Second Session, Monday Evening 


397A—JacosirE Guass GOBLET 
Straight-sided bowl with baluster stem. Engraved in intaglio with a 
portrait of the Young Pretender, the inscription “Charles ye Great 
Britannia’s Prince,” and with the intertwined rose, thistle and shamrock. 
| Height, 7 inches. 


NOTE: These Jacobite glasses were made for the members of the Jacobean party and, for 
their rarity, are held to-day in very high esteem. 


398—EIGHTEENTH CENTURY GERMAN BEAKER 


Of white glass. Decorated with a pattern of cut concavities and intaglio 
engraved pattern of scrollings. 
Height, 7 inches. 


399—EIcHTEENTH CENTURY GERMAN DECANTER : 
Square body, with cylindrical neck, looped glass handle. Decorated 
with a pattern of cut diamond shapes and concavities. 
Height, 101%, inches. 
400—Pair or KicGHTEENTH CENTURY GERMAN FLAGONS 
Flat pilgrim bottle shape, with cylindrical necks, loop handles and 
stoppers of blown glass. Decorated with a cut facetted pattern en- 
closing a circular medallion which in the case of one flagon is occupied 
with an applied disc of ruby glass with gilt intaglio engraved Cupids. 
Heights, 13 inches. 
401—SEVENTEENTH CENTURY GERMAN FLAGON 
Pilgrim bottle shape with cylindrical neck, oval foot and screw stopper. 
Decorated with pointed leaf medallions formed of incised lines and cut | 
circular concavities on a frosted ground. 
Height, 131% inches. 
402——-SEVENTEENTH CENTURY ANTWERP GuaAss PITCHER 


White blown glass. Pear-shaped body, cylindrical neck and looped glass 
handles. The body is decorated with a reticulated pattern of fine rib- 
bings of glass. 
Height, 7 inches. 
403—E1GHTEENTH CENTURY GERMAN PITCHER | 


Globular body with straight cylindrical neck and loop handle. Decorated 
with an intaglo engraved panel occupied with the figure of a soldier on 
horseback and surmounted by the initials “I. N. S. M.” and floral sprays. 


Height, 8 inches. 


Second Session, Monday Evening 


404—SEVENTEENTH CENTURY VENETIAN GuLAss PITCHER AND COVER 
Of “Crackle” or frosted white glass. Pear-shaped body with high cylin- 
drical neck, loop handle and domed cover. Decorated with an applied 
reticulated pattern of glass filaments and outstanding thorns of glass. 

Finial with an applied ornamentation of pinched glass filaments. 
Height, 101%, inches. 


405—SEVENTEENTH CENTURY GERMAN FLAsk 
Pear-shaped body with cylindrical neck and ee glass handle. Deco- 
rated with an intaglio engraved subject of an imperial two-headed eagle 
surrounded by palm branches and the inscription “Es lebe der Kayser.” 
Height, 101% inches. 


406—EIGHTEENTH CENTURY GERMAN STANDING CuP AND COVER 
Thistle-shaped bowl, baluster stem, domed cover and circular foot. The 
bowl is decorated with an intaglio engraving of a lady in Eighteenth 
Century costume and floral sprays. The stem and finial enclose spiral 


filaments of ruby glass. 
Height, 10 inches. 


407—SEVENTEENTH CENTURY GERMAN STANDING CuP AND CoveEeR 
Straight-sided bowl, baluster stem, domed cover and circular foot of 
gilt metal. The bowl is decorated, in intaglio engraving, on one side 
with an oval panel of a Deer Hunt, the huntsman on horseback with 
uplifted spear and, on the other, with a shaped escutcheon enclosing the 
figure of a squirrel. Both panels are surrounded by an arabesque pattern- 
ing of acanthus scrolls and festoons of fruits and flowers. Stem and 


finial with cut facettings. 
Height, 91, inches. 


408—E1cHTEENTH CENTURY SMALL GERMAN STANDING CuP AND CovER 
Straight-sided bowl, baluster stem, domed cover and circular foot. The 
bowl is intaglio engraved with an inscription in German, and a plumed 

hat, the cover and foot in a pattern of scrollings and floral festoons. 
Height, 9 inches. 


Second Session, Monday Evening 


409—EIGHTEENTH CENTURY SMALL GERMAN GuAss STANDING Cup AND COVER 


Straight-sided bowl, baluster stem, domed cover and circular foot. Bowl 
with cut facetted sides and intaglio engraved bands of scrollings. Stem 
and finial with cut facettings enclose spiral ornamentations of ruby and 


gold glass. 
Height, 934, inches. 


410—EIcHTEENTH CENTURY GERMAN STANDING CuP AND COVER 
White glass. Straight sides, baluster stem, circular foot and domed 
cover with pointed finial. The bowl is decorated with an intaglio en- 
graved arabesque pattern of acanthus leaves, interlacements and baskets 
of fruits, the lower portion with cut heart shaped facettings. The 
facetted Os and finial enclose twisted filaments of ruby glass. 
Height, 914 inches. 


GERMAN STANDING CuP AND COVER 


Straight-sided bowl, baluster stem, domed cover and acorn finial. ‘The 
bowl is cut with longitudinal facettings and intaglio engraved with 
the Imperial Austrian Coat of Arms supported by two rampant lions, 
mantled with draperies and surmounted by an Imperial Crown, and sur- 
rounded by an elaborate rococo bordering of scrolls and floral sprays. 
The lower portion of the bowl and stem, cover and finial are cut in 
facettings with intaglio engraved scrollings. The under side of the foot 
is cut in oval concavities. 

Height, 101, inches. 


412—SEVENTEENTH CENTURY GERMAN STANDING CuP AND Cover 
Straight-sided bowl, with double knopped stem, domed cover, and circular 
foot. The bowl is intaglio engraved with a pattern of scrollings and 
groups of flowers, the cover with intaglio engraved design of floral Sy 


toons. Stem and knops with cut facettings. 
Height, 101% inches. 


413—EIGHTEENTH CENTURY GERMAN STanpDING Cur AND COVER 


Straight-sided bowl, baluster stem, domed cover and circular foot. The 
bowl has cut sides decorated with an intaglio engraved oval medallion 
surrounded by scrolls and figures of bears smoking pipes and enclosing 
a portrait of the Austrian Emperor, Charles the Sixth. The stem and 
finial are cut in facettings and enclose twisted filaments of ruby and gold 
glass. 

Height, 10 inches. 


Second Session, Monday Evening 


414—KIGHTEENTH CENTURY GERMAN STanpING Cup AND Cover 
Straight-sided bowl, baluster stem, low domed cover and circular metal 
foot. The sides of the bowl are cut and intaglio engraved with a panel, 
surrounded by an elaborate arabesque border and enclosing a shield of 
armorial bearings and the initials “B. S. V. R.,”’ below it being the date 
“1735” and around it an inscription in German. The cover is cut 
with facettings and has a circular medallion of glass applied over a 


scrolled ornamentation in silver leaf and colors. 
- Height, 10 inches. 


415—E1cHTEENTH CENTURY GERMAN GLaAss STANDING CUP AND CovER 
Thistle-shaped bowl, baluster stem, domed cover and circular foot. The 
bowl is intaglio engraved with a subject of Cupid picking flowers in 
a garden and with an inscription in German. ‘The lower part of the 


bowl, the stem, cover and finial are cut in facettings. 
Height, 10 inches. 


416—EI1cHTreENTH CENTURY GERMAN STanpinc Cup AND CovER 
Straight-sided bowl, baluster stem, domed cover and circular foot. Bowl 
and stem decorated with elaborately cut facettings, the cover with a band 


of intaglio engraved acanthus scrollings. 
Height, 11144 inches. 


417—EIcHTEENTH CENTURY GERMAN STANDING CuP AND COVER 
Straight-sided bowl, baluster stem, domed cover and circular foot. Deco- 
rated with cut facettings and oval concavities. Stem and finial enclose 


leaf-like ornamentations of ruby and gold glass. 
Height, 111%, inches. 


418—SEVENTEENTH CENTURY GERMAN GuLAss STANDING CuP AND CoveR 


White “Crackle” glass. Straight sides, hollow baluster stem, circular 
foot, and domed cover with a crown-shaped finial of quilled filaments of 
glass. The bowl is decorated with intaglio engraved festoons of flowers. 


Height, 12 inches. 


Second Session, Monday Evening 


419—SrEvENTEENTH CENTURY GERMAN GLASS STANDING CUP AND COVER 


Straight-sided bowl, baluster stem, domed cover and circular foot. The 
bowl is decorated with an intaglio engraved panel, enclosed by rococo 
scrollings on which are perched two birds and a wolf pursued by a flying 
hawk and occupied with an inscription in German stating that this glass 
was made by the donor for his wife. The cover is engraved with a Latin 
inscription, “Da pacem domino in diebus’ (Give peace in our time, O 
Lord), and the date *1683.” 

Height, 12%, inches. 


420—EIGHTEENTH CENTURY GERMAN STANDING CuP AND COVER 


Straight sides, baluster stem, domed cover and circular foot. The bowl 
and cover are decorated by quatrefoils formed of cut concavities bord- 
ered by intaglio engraved bands. The stem and finial enclose spiral 
filaments of ruby glass. 

Height, 11 inches. 


421—FEIGHTEENTH CENTURY GERMAN GLAss STANDING CuP AND CovER 


Straight-sided bowl with longitudinal facettings, baluster stem, domed 
cover and circular foot. The bowl is intaglio engraved with the subject 
of a Boar Hunt, the huntsmen, on horseback, advancing on the boar, 
which is attacked by dogs; in the distance a subject of a stag hunt with 
huntsman and dogs. The stem and finial with cut facettings. 


Height, 11 inches. 


422—KIGHTEENTH CENTURY GERMAN STANDING CuP AND COVER: 


Straight-sided bowl, with twisted baluster stem, domed cover and circular 
foot. The bowl is intaglio engraved with shield-shaped panels sur- 
rounded by elaborate scrollings and enclosing figures of Cupids. The 
stem encloses filaments of ruby and gold glass and the finial is cut with 
facettings. 

Height, 12 inches. 


423—SEVENTEENTH CENTURY GERMAN STANDING CuP Aanp CoveER 
Straight-sided bowl, baluster-shaped stem, circular foot and domed 
cover with pointed finial. Bowl cut in twisted flutings. The cover in 


twisted gadroons and the under side of foot in a pattern of oval leaves 
and stems. 


Height, 12 inches. 


Second Session, Monday Evening 


424—KIiGHTEENTH CENTURY GERMAN STANDING CuP AND COVER 


Straight sides, cylindrical stem with knop, domed cover and circular 
base. The cup is decorated with a broad band of diamonded flutings and 
a band of leaf-shaped concavities. (Slightly cracked and chipped.) 


Height, 131%, inches. 


425—EIGHTEENTH CENTURY GERMAN STANDING Cup AND Cover 


Straight-sided bowl, with baluster stem, domed cover and circular foot. 
The bowl is decorated with an intaglio engraved shield of Armorial Bear- 
ings and an inscription in German. The cover with intaglio engraved 
military trophies and flags. Stem and finial with cut facettings. 


Height, 121% inches. 


496—SEVENTEENTH CENTURY GERMAN STANDING CUP AND COVER 


Straight-sided bowl, baluster stem, high domed cover and circular foot. 

Bowl intaglio engraved with an arabesque pattern of scrolls, strap work, 

garlands of fruit, with the figure of Diana on one side and an armorial 

_ bearing on the other. The lower part of the bowl, stem, cover and finial 

decorated with cut facettings; the stem with a band of oval concavities. 
(Slight repair to stem.) 

Height, 12 inches. 


427—SEVENTEENTH CENTURY GERMAN GLAss GOBLET 


Thistle-shaped bowl with seven bubbles at the bottom, curved sides, bal- 
uster-shaped stem and cut foot. Stem and lower part of the bowl cut in 
bold facettings. The bowl is engraved in intaglio with armorial bearings. 
and the names of the Von Sickinger family. 

Height, 8 inches. 


428—E1cHTEENTH CENTURY GERMAN STANDING Cup AND COVER 
Straight-sided bowl, with baluster stem, domed cover and circular foot. 
The sides are cut in a pattern of pointed oval concavities, the stem with 
bands of small circular concavities, and the cover and finial with facet- 
tings. 
Height, 121%, inches, 


Second Session, Monday Evening 


429—--KIGHTEENTH CENTURY GERMAN GOBLET 


Straight-sided bowl with baluster stem and circular foot. The bowl is 
decorated with intaglio engraved scrollings and with an oblong panel 
occupied by a portrait of Queen Maria Theresa surrounded by an in- 


scription in German. The stem is cut with facettings. 
Height, 91, inches. 


430—EIGHTEENTH CENTURY GERMAN GLAsSs STANDING CuP AND COVER 


Straight-sided bowl, baluster stem, domed cover and circular foot. The 
bowl has cut sides and is decorated with an escutcheon-shaped shield of 
armorial bearings surmounted by a Royal Crown. ‘The stem, cover and 
finial are cut with facettings, and the finial encloses a DEAT aR BEERS orna- 


mentation of ruby and gold glass. 
Height, 12 inches. 


431—SEVENTEENTH CENTURY GERMAN STANDING CuP AND COVER 


Straight-sided bowl, molded baluster stem, domed cover, with cut finial. 
and circular foot. Decorated with figures of two Saints with Armorial 


Bearing and the inscription ‘“‘Maria von Bassenheim Abbess.” 
Height, 14 inches. 


432—-EIGHTEENTH CENTURY GERMAN GOBLET 


Of white glass. Straight sides, baluster stem, and circular foot. Deco- 
rated with cut facettings and intaglio engraved in a rococo pattern of 
acanthus scrolls, festoons of grape and vine leaves, baskets of fruit and 
with figure subjects of “Cupid Sharpening His Arrow” and “Abundantia 
Attended by Cupids.” 

Height, 8 inches. 


433 


EIGHTEENTH CENTURY GERMAN GLAss STANDING CuP AND Cover 


Straight-sided bowl, baluster stem, flat domed cover and circular foot. 
The bowl is decorated with cut facettings- and, on one side, with an 
intaglio engraved two-headed eagle with the Austrian Coat of Arms sur- 
mounted by an Imperial Crown, and, on the other, with an oval medallion 


portrait of Queen Maria Theresa, with the inscription “Vivat Maria.” 
(Foot cracked.) 


Height, 121% inches. 


Second Session, Monday Evening 


434—SEVENTEENTH CENTURY GERMAN STANDING Cup AND CovER 
Of white “Crackle” glass. Curved bowl, baluster-shaped stem and cir- 
cular base. Stem and lower part of bowl enclosing bubbles. The bowl 
is decorated in intaglio engraving with a subject of Neptune and Juno 
and Mermen. Domed cover with pointed finial. The foot is decorated 


with rococo scrollings. 
Height, 91 inches. 


435— EIGHTEENTH CENTURY GERMAN STANDING CuP AND COVER 
Straight-sided bowl, baluster stem, domed cover and circular foot. The 
bowl is decorated with an intaglio engraved Coat of Arms surrounded by 
a scrolled mantling and surmounted by a figure of the Virgin, and on the 
other side with an inscription in German “In honor of Benedict Von Der 


Eytt.” Stem and finial are cut with facettings. 
; Height, 15 inches. 


435A —KEIGHTEENTH CentTURY GERMAN GLAss StTanpInc Cup AND Cover 
Straight sides, domed cover and ball finial. The sides are decorated with 
intaglo engraved figures emblematic of the Four Quarters of the Globe. 


(Foot cracked.) 
Height, 12 inches. 


436—SEVENTEENTH CENTURY GERMAN GLass STANDING Cup AND CovER 
Straight-sided bowl, baluster stem, domed cover with pointed finial and 
circular foot. The bowl is decorated with intaglio engraved armorial 
bearings surmounted by a sword and Bishop’s mitre and the inscription 
“Vivat Frid. Christin. Ep. Prin.”’ (Long live Frederick Christian, Bishop 
and Prince). On the other side is a circular medallion of cut facettings 


flanked by intaglio engraved military trophies. 
Height, 12% inches. 


_ 437--E1cHTEENTH CENTURY GERMAN STANDING CuP AND COVER 

Straight-sided bowl, baluster stem, domed cover and circular foot. ‘The 
bowl is intaglio engraved on one side with a medallion and bordered by 
branches of palm leaves surmounted by a crown and enclosing a portrait 
of the Austrian Emperor Charles the Sixth, and on the other with a 
medallion occupied by a two-headed Imperial Eagle. Stem cut with 


facettings. 
Height, 141/, inches. 


Second Session, Monday Evening 


438—-EIGHTEENTH CENTURY GERMAN STANDING CuP 


Straight-sided bowl, baluster stem and circular metal foot. The bowl 
is intaglio engraved in a landscape subject of a building with towers, in 


front of which is a sheet of water with men in boats. 
Height, 13 inches. 


439—EIGHTEENTH CENTURY GERMAN STANDING CUP AND COVER 
White “Crackle” glass. Straight-sided bowl, with baluster stem, domed 
cover and circular foot. The bowl is decorated with an intaglio engraved 
escutcheon occupied with armorial bearings. ‘The stem and finial are cut 
with small circular concavities. 
Height, 14%, inches. 


440—SEVENTEENTH CENTURY GERMAN STANDING CuP AND COVER 


Of white “Crackle” glass. Straight-sided bowl cut with longitudinal 
facettings, baluster-shaped stem and domed cover with baluster finial. 
Cut in a pattern of pointed leaves and facettings and decorated with 
intaglio engraving of branches of flowers tied with ribbons, and with 
floral sprays. 

Height, 15 inches. 


441—SEVENTEENTH CENTURY GERMAN STANDING CuP AND COvER 


White “Crackle” glass. Straight-sided bowl, baluster stem and circular 
foot covered with pointed finial. Decorated in intaglio engraving with a 
series of oval panels containing subjects of musicians, men playing 
billiards and water birds, with bands of scrollings and flowers and with an 
inscription. 3 
Height, 161% inches. 


442—SEVENTEENTH CENTURY GERMAN STANDING Cup AND COovER 


Thistle-shaped bowl, baluster stem, circular foot and domed cover with 
pear-shaped finial. The bowl is decorated in intaglio engraving with an 
unfinished design of a mythological subject and with an oval medallion 
surrounded by an elaborate border of flowers and scrolls and occupied 
by a figure of a lion. Above on a label is the motto “Quis hune impune- 
lacessit.” The stem and finial are cut in a facetted pattern. 


Height, 17 inches. 


Second Session, Monday Evening 


443—SEVENTEENTH CENTURY GERMAN LARGE GLAss STANDING Cup AND COVER 


Straight-sided bowl, baluster stem, domed cover and circular foot. The 
bowl is decorated with a band of circular concavities and an intaglio 
engraved bordering of garlands of fruits and flowers and a strap work. 
Around the middle of the bowl is a band of circular cut facettings. 


Height, 18 inches. 


444—--KIGHTEENTH CENTURY DoUBLE STANDING Cup AND COVER 


Formed as two cups. Bowl with straight sides, domed cover and vase- 
shaped finial, short stem and circular foot. From the top of the cover 
springs a second cup with a cover having raised flutings of molded glass. 
Decorated in intaglio engraving, as to the lower portion, with a pattern 
of husk garlands from which depend armorial shields and clusters of 
fruits and flowers. As to the upper portion with a double-headed crowned 
eagle holding a sword and sceptre and with a group of military trophies. 

Height, 18%/, inches. 


445—SEVENTEENTH CENTURY GERMAN GOBLET 


White “Crackle” glass. Fluted bowl, baluster stem and circular foot. 
The bowl is decorated with outstanding loops of filamented glass, the 


lower portion with flutings. 
Height, 1114, inches. 


446—SEVENTEENTH CENTURY ANTWERP GLAss STANDING Ort Lamp 


Formed as a twisted pillar of white glass containing a spiral ornamenta- 
tion of milch glass, supporting a cylindrical oil container, into which fits 
a subsidiary cylindrical oil receptacle with a small aperture at the bottom, 
a domed top and a finial of quilled cobalt-blue glass surmounted by a 
bird of white and cobalt-blue glass. From the outer oil container pro- 
trudes a curved and pointed wick-nozzle. 

Height, 19, inches. 


NOTE: This very interesting specimen of early Flemish glass may be attributed to Antwerp, 
where, under the guidance of a Venetian named Scarpaggiato, the seventeenth century 
glass makers. made a passable imitation of the much more delicate Venetian glass. 


Second Session, Monday Evening 


44°7—-SEVENTEENTH CENTURY GERMAN PuzzLE Cup 
Of plain white glass. Straight-sided bowl, baluster-shaped stem, deco- 
rated with bands of pinched glass. From the center of the bowl rises a 
column of glass on which revolves an ornamental figure consisting of six 
figures of deer, three of them stags with branching antlers which meet to 
form a triple arching. The finial is formed as a seated figure. Portion 


of the revolving ornament is missing. 
Height, 16% inches. 


448—-F1GHTEENTH CENTURY GERMAN Bowt 
Of white glass. Coupe shaped. Decorated with a pattern of cut 


facettings and intaglio engraved stars. 
Diameter, 71, inches. 


449——SEVENTEENTH CENTURY ANTWERP Guass DiIsH 
White glass. Circular shape with rim of an open work design of pinched 
and quilled filaments of white glass enclosing a flat berry prunting. 
(Cracked. ) 


Diameter, 101% inches. 


450—EIGHTEENTH CENTURY GERMAN DiIsH 
Circular shape. The center occupied by a medallion of star pattern 
formed by concavities cut on the reverse side; reverse side of the rim is 
decorated with an intaglio engraved pattern of acanthus leaf scrolls and 


groups of fruits and leaves. 
Diameter, 10 inches. 


450A —EIcHTEENTH CrentTURY GERMAN GLass Tazza 
Circular flat top with upstanding rim, baluster stem and circular foot. 
Decorated with an intaglio engraved pattern of acanthus leaf scrollings. 


Height, 4 inches; diameter, 61, inches. 


THIRD SESSION 


TUESDAY AFTERNOON, MARCH 16, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING aT 2.00 o’cLOocK 


Which includes Catalogue Nos. 451 to 723 


FINE EXAMPLES OF OLD CRESCENT-MARKED 
WORCESTER AND CHELSEA PORCELAINS 


Among the makers of those English porcelains whose technical excellence so distinguished 
the latter half of the Eighteenth Century some few factories attained artistic pre-eminence. 
Among these are to be included the makers of Worcester, of Chelsea, Bow, Bristol, Derby 
and Chelsea-Derby. As a consequence, fine examples of their productions have been so eagerly 
sought after that to-day they are rarely procurable save when the gathering of some noted col- 
lector is dispersed. So keen is the competition at these times that the most extravagant sums 
are offered for pieces of exceptional merit. 


451—Co.ueEcTIon oF Four otp WorcEsTER AND CHELSEA CREAM Ewers 


Of various shapes, sizes, decorations and marks. 


452—Co.LLECTION OF FIVE o~tp WorcESTER AND CHELSEA CREAM Ewers 


Of various shapes, sizes, decorations and marks. 


. 
4583—CoLLECTION OF FIVE oLD WorRCESTER AND CHELSEA CREAM Ewers 


Of various shapes, sizes, decorations and marks. 


454—Outp CHELSEA Sauce Boat 


Boat-shaped, with scroll and acanthus-leaf handle, on oval base. Deco- 
rated on a ground of embossed wicker-work design with shaped panels 
surrounded by rococo borders of scrolls and shells and occupied by 
paintings of exotic birds in colors. The rim and base are decorated 


in purple and gold. 
Height, 4 inches; length, 8 inches. 


Third Session, Tuesday Afternoon 


455—Pair oF oLD SALoPiAN PorcEeLAIn Bow1s 
Coupe-shaped, decorated in transfer blue with sprays of flowers and 


broad bands of blue and scalloped borders. 


Height, 217, inches; diameter, 41/, inches. 


456—Pair oF oLtp Mason IRon-STONE VASES 


Cylindrical-shaped, with curved necks. Decorated with alternate verti- 
cal bands of gilt scrollings and Chinese floral medallions on blue grounds, 
with patterns, in the Oriental manner, of branches of chrysanthemums 
and hawthorn blossoms on white grounds all painted in gold and colors. 


Height, 11 inches. 


457—Oup CHELSEA Dersy CAakE BASKET 


Circular shape, with scalloped top with bale handles formed as moss ~ 
leaves and moss-rose buds, with typical Chelsea decoration of raised 
branches of moss-roses with buds and leaves painted in natural colors 
and with butterflies painted in bright colors. Around the rim and foot 
are bands of gilding. | 


Height, 91%, inches; diameter, 51, inches. 


458—Oup CHELSEA Derpy INKsTAND 


Formed as a shaped tray, with scroll and acanthus-leaf handles and 
four ball feet. Down the center runs a longitudinal pen tray, in front 
are two circular inkwells with removable ink-bottles and at the back 
two reversible taper stands and wafer receptacle. Decorated, on a tur- 
quoise ground, with a panel of white reserve, with scrolls and flowers 
naturalistically treated and with a scroll border in white reserve occu- 
pied with scrollmgs and lines in pink and gilt and with floral sprays 
in colors. y 
Length, 11%, inches. 


459—Ontp WorcESTER JARDINIERE 


Straight sides and false ring handles. Decorated with acanthus scrolls 
and honeysuckle ornamentations in purple, green and red heightened 
with gold, and with oval medallion bordered in gold, and occupied with 


a silhouette portrait of George Third, with the inscription, “A token 
from Margate.” 


Height, 54, by 7 inches. 


Third Session, Tuesday Afternoon 


460—TuHREE oLtp WorcrEstER PORCELAIN JARDINIERES 


Bucket shaped. Decorated, on a canary-colored ground, with spade- 
shaped panels of white reserve occupied with baskets of roses and 


other flowers naturalistically painted. 
Heights, 6 inches and 5%, inches. 


461—Patr oF o~tp WorcrkstER PorcreLaAIn Crocus VAsEs 


Cylindrical-shaped, with removable covers for the reception of bulbs. 
The fronts fluted and decorated on a purple ground with rectangular 
panels of white reserve bordered with gold, and occupied with paint- 
ings of groups of roses and other flowers. (Repaired.) 

Height, 51% inches; width, 8 inches. 


462—-OLp WorcEsTER PoRCELAIN Crocus VASE 


Cylindrical-shaped, with removable cover for the reception of bulbs and 
four ball feet. Body decorated with borders of myrtle leaf and pointed- 
leaf pattern, with rectangular panel occupied with subject of Venus 
and Cupid in colors and two side panels occupied by trophies of Cupid’s 
quiver and two pierced hearts suspended by ribbons. 

| Height, 71, inches; width, 81% inches. 


462A—Partr or oLp WorcrstER PoRCELAIN JARDINIERES 


Bucket shaped with ring handles. Decorated with two deep bands of 
rose color, with a broad band of oak leaf and acorn pattern in gold and 
with rectangular panels of English landscape paintings. Gilt lines 


around the rims and bases. 
Height, 5 inches. 


463—Oxup WorcrstTER PorcEeELAIN Crocus VASE 


Cylindrical-shaped, with removable cover for reception of bulbs and sup- 
ported on three ball feet. Decorated with borders in relief and with 
bands and borders of Greek fret pattern and myrtle leaf. Upright 
bands of husk design and lotus flowers in gold on a white ground and 
a rectangular sunken panel, painted in sepia, with the subject of a 
“Stag in a Forest,” with oval panels of landscapes painted in sepia and 


with broad bands of canary yellow. 
Height, 81%, inches; width, 9 inches. 


Third Session, Tuesday Afternoon 


463A—Oxtp Worcester PorcEeLaIn JARDINIERE 
Bucket shaped, with ring handles. Decorated, on a white ground, with 
festoons of husk pattern in gold and red, with a border of Greek key 
pattern in red and gold and with an octagonal shaped panel contain- 
ing a silhouette portrait in black. Inscribed “A token from Chelten- 


ham.” 
Height, 6 inches. 


464—Oxup Crescent Marxep Worcester Mvuc 
Straight sides; looped handle; decorated in transfer blue with sprays of 
roses and chrysanthemums. Mark: Crescent in blue. 
Height, 31, inches. 
465—Oxip Crescent Marked WorceEsTER CHRISTENING Mue 
Straight, curved sides, with two bands transfer printed in blue with Ori- 
ental checker and trefoil pattern. Mark: Crescent in blue. 
Height, 2% inches. 


466—Oxp CrescENT Marxep WorcerstTER SAUCE-BOAT AND Bown 


Decorated on a white ground in transfer blue with sprays of flowers 


in a rosetted border. 
Height of bowl, 2 inches; diameter, 414, inches. 
Height of sauce-boat, 334 inches; length, 61 inches. 


467—Onxip WorcEsTER PorRCELAIN BEAKER 


Trumpet-shaped, decorated in blue underglaze on white with a painting 


of a Chinese willow tree and acanthus blossom. 
Height, 51% inches. 


468—Onp Crescent Markep WorceEstTER TEAPOT 


Pear-shaped body, looped handle and domed cover with pointed finial. 
Body decorated with a pattern in relief of concentric curves and with _ 
a transfer blue printed pattern of floral sprays. Mark: Crescent in blue. 


Height, 5 inches. 


469—Oxp Crescent Marken Worcester PorcenaIn TEAPOT 


Barrel-shaped body, with curved spout, looped handle and flat cover 
with flower finial. Body is decorated in relief with a Chinese subject 
of men fishing from a boat, a spray of peony blossoms and an Oriental 
scroll border, and with blue transfer printed floral sprays and a scrolled 


and floral border. Mark: Crescent, in blue. 
Height, 414, inches. 


Third Session, Tuesday Afiericon 


470—Two oup Crescent Marxkep Worcester Mvues 


Straight sides, with looped molded handles. Decorated on a white 
ground with transfer prints in blue of an Oriental subject of a young 
woman fishing. Mark: Solid Crescent, in blue. 

Height, 9%, ‘inches. 


471—Oup CrescENT Marxkep Worcester Corrrere Por 


Pear-shaped body, straight neck, scroll handle and greybeard spout. 
Body in a raised lettuce leaf pattern, with flowers, fruits and butter- 
flies transfer printed in blue. Mark: Open Crescent in blue. 


Height, 1114 inches. 


472—-OLp CrEscENT Markep Worcester Corrree Por 


Baluster-shape, with curved spout, looped flat handle and cover with 
disk finial. Decorated with transfer prints in blue of Oriental subjects 
of fishermen. Mark: Solid Crescent, in blue. 

Height, 8%, inches. 


473—ELEVEN WorcEsTER PorRCELAIN PLATES 


Fluted and scalloped edges. Decorated on a white ground with trans- 
fer prints in characteristic Worcester dark blue, and groups of roses 
and other flowers and leaves and with a lambrequin border. The spaces 
occupied with scale diapered patterns of scrollings in white reserve on 


solid blue ground. Mark: Solid Crescent in blue. 


Diameter, 7 inches. 


474—Ortp Worcester PorceLaAIn DEssERT SERVICE 


Decorated, on a white ground, with large paintings of individual flowers 
and borders of salmon-color with a further decoration of leaves in gray 
gold lines and a gold rope border. Signed at the back of each piece 
with the name of the flower represented. Service consists of three berry 
dishes and sixteen plates. (Three plates slightly faulty. ) 


19 pieces. 


Third Session, Tuesday Afternoon 


475—Dr. Watt Periop Worcester DEssERT SERVICE 
Oval compotier on oval foot. Dishes and plates with fluted and scalloped 
edges. The centers are occupied by floral sprays in gold surrounded by 
scalloped borders of turquoise-blue with gilt shells, the rims have borders 
of turquoise-blue with an inner ornamentation of gilt scrolls. The service 
consists of one compotier, four oval and three square dishes and ten 


plates. 
18 pieces. 


476—CreEscENT Markep CHAMBERLAIN’S WorcESTER DEssERT SERVICE 


Plates and dishes of fluted design with scalloped edges. Basket with 
sides pierced in an interlaced and scalloped design. Decorated on a 
white ground with an all-over pattern of Oriental flowers in underglaze 
blue outlined and heightened in gold and of Oriental leaves and blossom 
in red, green and yellow heightened with gold, surrounded by a border of 
checker design in black on a green ground alternating with bands of 
gros-bleu decorated with a trefoil design in red outlined in gold. Pierced 
sides of the basket are painted in apple-green with raised cinquefoil ro- 
settes of white, edged with blue, and with gold centers. The service con- 
sists of one fruit basket, four plates, three small plates, four circular 
dishes. Mark: Crescent and “Chamberlain’s,” in blue. 


12 pieces. 


476A—Oup Worcester TEAPOT ; 
Globular shape, with looped handle and domed cover with pointed finial. 
Decorated with the so-called “Queen Charlotte pattern.” (Repaired. ) 
Height, 514 inches. 


NOTE: This teapot, which belongs to the Dr. Wall period, probably marks the first intro- 
duction of this pattern. 


477—Oup Crescent Marxkep Worcester TEAPOT 


Pear-shaped body, with looped handle, domed cover and pointed finial. 
Decorated on a white ground with an all-over pattern of Oriental flowers 
in underglaze blue and red heightened with gold. Mark: Solid Crescent, 
in blue. 

Height, 7, inches, 


Third Session, Tuesday Afternoon 


478—Oup CHELSEA PorceLaIn VAsE 


Square baluster shape, with spreading neck and square rim with a 
raised band of lotus leaf ornamentation. On square molded base. Deco- 
rated on a turquoise-blue ground with sunken panels occupied by paint- 
ings of exotic birds and floral and leaf sprays naturalistically treated. 
Base and rim decorated with lines of gilding. (Repaired. ) 


Height, 121, inches. 


479—Oxp CHELSEA PorRCELAIN CuP 


Coupe-shape, with rustic handle and three scroll feet. Decorated on a 
raised white wicker-work ground with sprays of flowers and leaves pro- 
ceeding from the base of the handle and painted in colored enamels. 
Around the interior of the rim is a floral and leaf border in the Oriental 
style, painted in colored enamels. ' 
Height, 1% inches. 
NOTE: This cup is a copy of a Chinese Sacramental Cup. 


480—Partr oF oLpD Worcester PorceLain Ewers anv Basins 
Octagonal shape. The pitchers with high necks and scroll looped han- 
dles. Decorated on a gros-blew ground with shaped panels of white re- 
serve bordered with gilt scrollings and occupied with floral sprays. 


Height, 234 inches. 


481—Oup SropE Miniature TEApPotT 


Squat pear-shape, with domed cover having a rose as finial, rustic han- 
dle and curved spout. Decorated on a purple ground with a wreathing 
of raised and painted flowers, leaves and shells. Mark: Spode, in script, 
painted in black. 

Height, 2%, wicehes. 


482—O.p CHELSEA PorcELAIN VaAsE OF FLOWERS 
Oviform shaped vase. Decorated, on a white ground, with a paint- 
ing of AXsop’s fable of the “Fox and the Grapes” and filled with a 
group of raised and painted flowers. | 
Height, 51%, inches. 


Third Session, Tuesday Afternoon 


483—Oxip CuetsrEa PorceLaIn CrEAM Ewer 
Pear-shaped body, with rustic handle terminating in raised and painted 
oak leaves, supported on kneeling figures of two goats. In front is a 
raised and painted group of flowers on which is a carefully modeled bee. 
Further decorated with sprays of flowers and gilding. 
Height, 43 inches. 
NOTE: This is the very celebrated “Goat and Bee Jug.” 


484—Otp CHELSEA DerBy PorRCcELAIN CANDLESTICK 


Circular base, with gold flutings and scalloped edge. Candle socket of 
‘classic design with a raised decoration of lotus leaves and a twisted 
branch which forms handle with rosetted thumbpiece. Decorated with a 
border of gros-bleuw outlined with gold scrolls, with raised acanthus 
leaves painted in dark blue and gold, and floral sprays painted in colors. 


Mark: Combined Anchor and D., in gold. 
Height, 3%, inches. 


485—Onp CHELSEA PorCELAIN SWEETMEAT DiIsH 


Circular form with projecting and scroll handles, scalloped rim and 
four scroll and shell feet. Decorated with panels of exotic birds 
and with green and blue scrollings. (Cracked.) Mark: Anchor in green. 

Height, 2°, inches; diameter, 51% inches. 


NOTE: This is the only known instance of the Anchor mark being painted in green. 


486—Oxtp Worcester PEN Tray 


Oblong shape, on four ball feet. Decorated with the Worcester “Kylin” 
pattern consisting of shaped panels of white reserve on a dotted green 
ground, occupied with figures of Kylins and Chinese utensils and sur- 
rounded by gilded branchings and border of Chinese honeycomb pattern 
and of panels of white reserve occupied by flower forms in red and green. 


The rim and ball feet are gilded. 
Height, 214, inches; length, 9 inches. 


487—O.p SropE Cup anp SAUCER 


Scalloped rim and handle formed as a butterfly with folded wings. 
Decorated on a green ground with groups and wreaths of roses and 
other flowers painted in natural colors. The interior of the rim, the 
handle and stem of cup are gilded. 

Height, 4 inches. 


Third Session, Tuesday Afternoon 


488—Pair OF OLD CHELSEA PorcELAIN Pot-PpouRRI VASEs | 
Pointed pear-shape, with removable covers, with raised mayflower deco- 
ration. ‘The covers with four cylindrical shaped spaces, occupied with 
piercings and finials shaped as raised flowers and leaves. 


Height, 41, inches. 


489—Pair OF OLD CHELSEA PorcELAIN Pot-pouRRI VasEs 
Pointed pear-shape, with removable covers, with raised mayflower deco- 
ration. ‘The covers with four circular shaped spaces, occupied with 


piercings and finials shaped as raised flowers and leaves. 
Height, 6 inches. 


490—Patr oF oLp CHELSEA FLowrerR BASKETS 
Shaped as oval wicker baskets, with a border of raised and colored 
flowers around the rims and with interior decoration of fruits and butter- 


flies painted in a naturalistic manner. 
Height, 2 inches; length, 414 inches. 


491—Oxp Loneton Hatt Vase ‘ 
Of rococo design. Pear-shaped body, with one voluted and shell handle. 
Wreaths of raised and painted flowers and escutcheon-shaped panels 
occupied with paintings of tropical birds and butterflies. The scrolls 


are painted in green and gold. 
Height, 914 inches. 


492—Srr or THREE oLp WorcEsTER PorcELAIN SPILL VaAsEs 
Trumpet-shaped. Decorated on a sage-blue ground with scrolled and 
honeysuckle pattern and a pointed-leaf border, with octagonal panels, 
having a purple ground and bordered with gold, occupied with groups 
of roses and passion flowers and other blossoms naturalistically painted. 


Heights, 51%, inches and 4 inches. 


493—Patr oF OLD CHELSEA Dersy Vases 
Pear-shaped bodies, with high curved necks and circular bases. Deco- 
rated with an all-over “mayflower” pattern in turquoise-blue and yellow 
with raised figures of yellow-painted birds and branches of leaves and 


blessoms. (One imperfect.) 
Height, 7 inches. 


Third Session, Tuesday Afternoon 


493A—Patr oF OLD PINxTON JARDINIERES 


Bucket shaped with projecting dolphin handles and three claw feet. 
Decorated, on a mat chocolate colored ground, with a honeysuckle and 
scroll decoration in yellow and with two spade-shaped panels of Eng- 
lish landscapes. Guilt handles. 

Height, 5°, inches. 


494—Patr oF OLD SPoDE VASES AND STANDS 


Cantharus-shaped, with curved sides, circular bases and octagonal 
stands. Decorated with a ground of marbling in purple, with octagonal 
bands of white reserve occupied by paintings of Cupid with Bacchic 
Thyrsus driving a chariot drawn by lions and a goat, and of Diana 
driving a chariot drawn by two goats. Interiors decorated on a mar- 
bled ground in red. (One imperfect.) Marks. Factory numbers and 
names of subjects in puce. 

Height, 61, inches. 

494A—Partr oF oLD WorcESTER JARDINIERES 


Bucket shaped, with projecting ring handles. Decorated with hori- 
zontal bands of purple and with oval panels of landscape paintings 
in sepia. Guilt handles. 
Height, 5 “inches. 


 495—Oup CHeEetseA Ecce SERVER 


Shaped as the figure of a partridge sitting on a nest with modeled twigs, 
leaves and ears of wheat. The removable cover consists of the body 
of the bird painted in natural colors and the bowl of the nest painted 
in green, red, blue and brown. ; 
54, by 6%, inches. 


496—Oxup CHELSEA PorcELAIN TEAPOT 


Melon-shaped body, with wide shallow flutings, looped handle, curved 
spout and pointed finial. Decorated with festoons of flowers and leaves 
in green, outlined with black, and with floral sprays painted in colors. 
(Cracked. ) 
Height, 6 inches. 
497—Otp CHELSEA PorcELAIN VasE 


Pear-shaped, with cylindrical neck and circular base. Decorated, on a 
white ground, with a group of flowers and floral sprays naturalistically — 
painted. Gold lines around the neck and base. Mark: Anchor, in red. 


Height, 614, inches. 


Third Session, Tuesday Afternoon 


498—Oup Cuetsea PorcenaAIn VasE wirn HANDLES 


Pear-shape, curved rim and scroll loop handles. Decorated, on a tur- 
quoise-blue ground, with shaped panels bordered with gilt scrolls and 
occupied with paintings of exotic birds and butterflies. 

. Height, 81%, inches. 


499—Oxip WorcrstER PorceLAIn Dessert SERVICE 


Oval shell-shaped and square dishes with shaped edges. Decorated, on 
a white ground with the characteristic Worcester “Japan” pattern in 
gold and colors. Service consists of two ice cgolers, one deep dish, two 
platters, two square berry dishes, four fruit dishes, two tureens with 
covers and stands, seventeen small plates and two large plates. (Nine 
pieces slightly repaired.) 

32 pieces. 


500—Oxip CHAMBERLAIN’s WorcESTER PorCELAIN INKSTAND 


Rococo design of shells and pierced and acanthus scrolls, having in front 
a pen tray behind which are receptacles for pens and an ink-well and 
wafer box of cylindrical form, with flat lds having modeled roses as 
finials. Above is a figure of a cupid making entries in a book. Decorated 
on plain green and purple grounds, with elaborate gilt scrollings, groups 
of roses and floral sprays painted in a naturalistic manner. 


Height, 5144, inches; length, 101%, inches. 


501—Oup CueEtsEa Porcentain Vase, CovER AND STAND 


Cantharus-shaped vase with domed cover and quatrefoil-shaped stand. 
Decorated with an allover pattern of raised branches of oak and leaves. 
The cover has a finial formed as a branch of oak, with leaves and acorns. 
The leaves are outlined in apple-green with purple veinings. Slight 


repair to stand. 
Height, 8°4 inches. 


502—Oxnp CHELSEA PoRCELAIN STATUETTE: “SSHAKESPEARE” 


Dressed in seventeenth century costume of white heightened with gilding. 
He rests his elbow upon a pile of books resting on a shaped pedestal 
from which depend a scroll inscribed with the quotation from The 
Tempest: “The cloud capt towers,” etc. On a rococo scrolled and 
shell base painted in green with gilt scrollings. Modeled after the monu- 


ment by Kent in Westminster Abbey. 
| Height, 121% inches. 


Third Session, Tuesday Afternoon 


503—Two CHELSEA PorcELAIN Birps . 


Painted in natural colors and perched upon trunks of trees with raised 


and painted flowers and leaves. 
Height, 234 inches, 


504—Two oLtp CHELSEA PorcELAIN Birps 


Figures of modeled birds seated upon tree trunks with rocky bases. One 
base is decorated with raised and painted bunches of grapes and vine 
leaves, the other with raised flowers and leaves, in plain white glaze, with 
gilding. 

Height, 21/4 inches. 


A MOST EXCEPTIONAL GATHERING OF OLD CHELSEA 
STATUETTES OF THE BEST PERIOD 


For so many years have old ‘‘ Chelsea China Figures’’ been regarded as the most desirable 
examples of English porcelains to acquire that to-day they are generally looked upon as the 
rare prizes of the collector’s life-time. By many they are considered as preferable, in the 
freedom of their modeling and their characteristically English coloring, to the perhaps more 
technically perfect Meissen productions with which they were contemporaneous. However this 
may be, they have a very distinct attraction of their own, which perhaps accounts for the almost 
extravagant value placed upon them by their admirers. 


505—Oup CuHeEtsEA PorcEeLaAiIn Birp 


Figure of a bird with white body and black and yellow wings and tail, 
supported by the trunk of a tree. Painted in natural colors. 
Height, 31%, inches. 


506—O.up CHELSEA PorcELAIN MINIATURE STATUETTE 


Figure of Minerva, in blue helmet, resting her hand upon her shield, and 


supported by trophies of arms. On rustic base, with raised and painted 
flowers. 
Height, 354 inches. 


507—Oup CHELSEA PorcELAIN Dog 


Figure of a pug dog seated. Painted in fawn color, with a white and 
gold collar and black muzzle. On oval scroll and shell base of green and 
blue, with gilt scrollings. (Slight repair.) 

Height, 2°, inches. 


Third Session, Tuesday Afternoon 


508—Oup CuHeEetseA PorcELAIN Cat 


Figure of a cat naturalistically painted in tortoise-shell and plain 
white glaze. Seated on an oval base, painted with sprays of flowers. 


(Repaired. ) | 
Height, 21%, inches. 


509—Pair oF oLp CHELSEA PorcEeLatn Docs 
Figures of two spaniels couchant. Painted in white with brown mark- 
ings, on oval bases with raised and painted flowers and leaves. 
Height, 31% inches. 


510—Ouxp Cuetsea Porcertatn Doe 
Figure of a pug dog with a red collar, fawn-colored markings, and black 
muzzle. On a rectangular base. 
| Height, 3%. inches, 


511—Oup CHELsEA PoRCELAIN STATUETTE 
Figure of a man in farmer’s costume of blue coat, pink waistcoat, green 
breeches and broad-brimmed hat, fondling a dog and supported by a 


tree trunk with raised and painted leaves. 
Height, 3 inches. 


512—O.up CuetsEa Porcetain Scent FLacon 
Shaped as a flask and mounted in gold and silver. The neck painted 
with floral sprays. Chased gold and silver stopper with flower finial. 
Height, 3 inches. 


518—Oxup CHELsEA PorceLaIn Scent FLAcon 
Formed as the figure of a boy in a striped pink coat and knee-breeches. 
Mounted in ormolu with a porcelain cover formed as a dog’s head. 
Height, 2% inches. 


514—Oxup CHELSEA PorRCELAIN SCENT FLACON 


Formed as the figure of a boy with pink coat and yellow knee-breeches. 
playing with a goat and supported by a trunk of a tree with raised and 
painted bunches of grapes and vine leaves. Mounted in silver, with 
a band of cut garnets around the rim, and with a hinged repoussé silver 


cover. 
Height, 3 inches. 


Third Session, Tuesday Afternoon 


515—Oxtp CHELSEA PorcELAIN Scent Fiacon 


Formed as a head of asparagus. Painted in green and purple and 


mounted in gold with an engraved hinged lid. 
Height, 33% inches. 


516—Oxp Derrsy Stratvette: “THe Pet Doe” 


Seated figure of a young man in eighteenth century costume, violet- 
colored coat, red and blue striped vest and knee-breeches and curled 
tied wig teaching his pet dog, which sits on its hind legs. Rustic base, 


with raised and painted flowers. 
Height, 5 inches. 


517—Oup Dersy STaTuettTe: “THE GARDENER” 


Figure of a young woman in eighteenth century costume, rose-colored 


bodice and white skirt painted with floral sprays. She holds up with 
one hand her apron full of flowers and rests the other on a watering 
pot which stands upon a pedestal with a lion’s mask from which issues 


a stream of water. 
Height, 7 inches. 


518—Set or Six oLp CHELSEA STATUETTES 


Figures of cupids crowned with flowers and holding baskets of flowers 
supported by tree trunks with raised and painted flowers and leaves. 
Circular rustic bases, with raised and painted flowers and leaves. 


From the collection of the Marquis de Motta. 
Height, 414 inches. 


519—Patr oF oLtp Derpy Srarvetres: “THe Musicians” 


Figures in eighteenth century costume of a boy playing a harp and a 
girl a guitar. The boy is dressed in a dark blue coat and orange-col- 
ored breeches, and the girl in a dark blue bodice, blue skirt decorated 
with roundels and sprays in gold, and yellow apron. Both are sup- 
ported by tree trunks. On circular scrolled bases with gilt scrollings. 


Height, 41%, inches. 


Third Session, Puesday Afternoon 


520—Oup CHELSEA PorCELAIN STATUETTE: “THE TytrHe Pic” Group 


A parson in black robe, and a farmer and his wife. The farmer with 
a green square coat and breeches, holding a lamb in his arms, the 
wife with a green dress, white cloak, green apron, and red hat, holding 
a baby in her arms and at her feet a basket of eggs. The group is sup- 
ported by a tree trunk with boscage of modeled and painted flowers 
and leaves. On shaped base with modeled and painted flowers and leaves. 


Height, 6 inches. 
NOTE: This group is a Chelsea rendering of a popular Staffordshire factory group. 


521—Oup CHELSEA STATUETTE 


Nude figure with wreath of raised and painted flowers, having at her 
side a wicker-work basket full of raised and painted flowers on scrolled 
support. Rococo, scroll and openwork base, painted in green and pur- 


ple. Modeled by Roubiliac. 
. Height, 91, inches. 


522—Oup CHELSEA PoRCELAIN STATUETTE: “THE CooK’’ 


Figure of a child in a rose-colored coat, turquoise-colored cap and 
white apron, holding in his hands a dish with pastry. Supported by a 
tree trunk with raised and painted flowers and leaves. On scroll base 
with gilt scrollings. 

Height, 434 inches. 


§23—Oxp CHELSEA PoRCELAIN STATUETTE: “FAME” 


Represented as an angel in a white robe, having conventional floral 
scrollings of red, blue and gold leaves, with a rose-colored scarf, and 
blowing a trumpet. Supported, by cloud forms, on a rococo scroll and 
shell base painted in rose-color, with green and gilt scrollings. 


Height, 121%, inches. 


524—Oxnp CHELSEA PorcELAIN STATUETTE: “MILTON’’ 


Figure of Milton holding his cloak in both hands, and at his side a 
circular pedestal with the subject of “Adam and Eve being expelled 
from the Garden.” Dressed in a jerkin decorated with floral sprays 
in red and gold, a yellow mantle lined with purple, green breeches and 


a black hat. 
Height, 1114 inches. 


Third Session, Tuesday Afternoon 


525—Parr oF OLD CANDLESTICK STATUETTES 
Figures of Cupids crowned with flowers and with flowing scarves, pat- 
terned with floral sprays and lined with purple, seated on trunks of 
trees, with branches of raised and painted flower and leaf boscage sup- 
porting acanthus-leaf modeled candle sockets. On a rococo scroll and 
shell base colored in green with gilt scrollings. 
Height, 6%, inches. 


526—Pair oF oLp PorRcELAIN CHELSEA STATUETTES 


Consisting of tree trunks and intertwined branches with raised and 
painted flowers and leaves on which are perched two birds painted in 
yellow with feather markings of brown. Below, seated on their hind 
legs, are dogs looking up at the birds. On scroll and shell bases painted 


in green with gilt scrolls. ; 
Height, 7 inches. 


527—Ox.p CHELSEA PoRCELAIN STATUETTE 


Figure of a ram with horns standing with a reclining lamb. Supported 
by a tree trunk with raised and painted flowers and leaves. On ir- 
regular rustic base, with raised and painted flowers and leaves. 


Height, 6% inches. 


528—Patir oF OLD CHELSEA PoRCELAIN STATUETTES: “SUMMER AND WINTER’. 


Summer, as the figure of a young girl in a white robe, dotted with floral 
sprays in gold, holding in her right arm a sheaf of wheat. Supported 
by a tree trunk with raised and painted flowers and leaves. Winter as 
a young boy in eighteenth century costume, dotted with floral sprays in 
gold, leaning one hand upon a trunk of a tree with raised and painted 
leaves and holding on his right shoulder a bundle of faggots. On rococo 


scrolled and openwork bases with gilt ornamentation. 
Height, 814 inches. 


529—Oxp CHELSEA PorCELAIN STATUETTE: “THe Musician” 


Figure of a young woman in eighteenth century costume of a yellow 
bodice, laced with gold, pink over-skirt, white petticoat decorated with 
floral sprays in gold and colors and in her hair, a plume of feathers. 
She holds in one hand a triangle which she strikes with the other. Sup- 
ported by a tree trunk and branches and raised and painted flowers and 
leaves. On a scroll and shell base, painted in blue with gilt scrollings 
and decorated with raised and painted flowers and leaves. 

Height, ™/, inches. 


Third Session, Tuesday Afternoon 


5381—Oup CHELSEA PoRCELAIN STATUETTE: “FRENCH SHEPHERDESS” 


Figure of a young woman in a blue bodice and purple flowered skirt, en- 
twining the neck of her pet lamb with flowers. Supported by a tree 
trunk with raised and painted leaves. On circular scrolled base, painted 
with flowers and gilt lines. 

Height, 51% inches. 


582—Pair or CHELSEA PoRCELAIN VASES 


Urn-shaped with fluted necks and domed and fluted covers. The necks 
are decorated with raised lions’ masks in white and festoons of laurel 
leaves in gold and with spiral flutings of blue bordered with gold, the 
bodies with raised festoons of draperies in white reserve. The bases 
are in white decorated with gold lines. One base repaired. 


Height, 91%, inches. 


583—Oxup Bow PorcELAIN STATUETTE 


Figure of a young woman in red jacket lined with gold, closely buttoned 
vest and flowered skirt with a checker pattern of dots. She holds a 
flower in her left hand and rests her right hand upon her hip. At her 
side is a spaniel seated upon its hind legs in a begging attitude. Sup- 
ported by a trunk of a tree with branches. On square base with raised 
scrollings painted in purple. 

Height, 6%, inches. 


5384Oxnp Dersy Stratuvettre: “THe Hunter” 


Figure of a young man in eighteenth century costume of a green jacket, 
white vest with floral sprays, purple knee-breeches, high black hat and 
black boots with brown tops. He rests one hand upon a gun and holds 
in the other a dead bird. At his feet is a spaniel. Supported by a tree 
trunk with raised and painted leaves. On a rococo scrolled and shell 
base, painted in purple with gilt scrollings. 

Height, 6%, inches. 


535—Outp CHELSEA PoRCELAIN STATUETTE: “JUNO”’ 


Figure of Juno. In flowing robes of white painted with floral sprays, 
yellow mantle, flowing head-dress and veil of dark blue. Crowned and 
holding a scepter in the right hand. At her side is a peacock with a 
spreading tail painted in red, green and blue enamel. On a square base. 
Mark: Scratched number. 

Height, 61% inches. 


Third Session, Tuesday Afternoon 


- 586—Ox.p CHELSEA PorcELAIN STATUETTE: “FRENCH SHEPHERDESS” 


Figure of a shepherdess in eighteenth century costume of pink bodice 
with green over-skirt and yellow petticoat decorated with quatrefoils 
of white reserve occupied with floral sprays. She holds in one hand her ~ 
apron filled with fruits, and in the other a wicker-work basket of eggs. 
Supported by a tree trunk and branch, with raised and painted flowers 


and leaves. On scrolled base with gilt scrollings. 
Height, 7%, inches. 


587—Outp CHELSEA PorcELAIN STATUETTE: “THE Piping SHEPHERD” 


Figure of a young man in a pink coat, flowered vest, light yellow knee- 
breeches and black hat. He plays a pipe with one hand while with the 
other he strikes a tambourine suspended over his left shoulder. Sup- 
ported by a tree trunk with raised and painted flowers and leaves. On 
a scroll and shell base, painted with blue scrolls. Mark: Scratched 


numbers. 
Height, 7 inches. 


538—Parr oF oLD WorcESTER PORCELAIN Crocus Ports 


Shaped commodes, as with curved sides. Decorated with a pattern of 
panels occupied with sprays of cornflowers separated by diamond-shaped 
panels of roses and leaves, and with a square panel of a basket of flow- 


ers naturalistically painted. 
Height, 61, inches; length, 81%, inches. 


5389—Oup CHELSEA PorRCcELAIN GCANDLESTICK 


Formed as an infant Bacchanal. Seated and wreathed with grapes and 
vine leaves holding a bunch of grapes in one hand and a cup in the 
other. He supports a candle socket of pierced leaf design painted in 
green and gold. On a circular scroll and shell base, painted with green, 
yellow and black, and decorated with painted floral sprays. 

Height, 9 inches. 


: 
540—Patr oF OLD CHELSEA PorRCELAIN VASES 
; 


In a rococo design of a flat pear-shape, with spreading, pierced rims 
and scroll and shell handles. On scroll and shell bases. Decorated 
with festoons of raised and painted flowers, with paintings of butter- 


flies and insects and with gilt scrolls. (One repaired.) 
Height, 717, inches. 


Third Session, Tuesday Afternoon 


541—Oxip CHELSEA PorRCELAIN PITCHER 


Pear-shaped, with pointed spout and loop scroll handle. Decorated 
with exotic birds and foliage. 
Height, 81 inches, 
542—-O.p CHELSEA PorcELAIN VASE 
Pear-shaped and rococo design, with elaborately scrolled handles and 
- shell base. Decorated in turquoise-blue and gold and with shaped panels 
of white reserve occupied with paintings of exotic birds and groups of 
flowers painted in a naturalistic manner. 
Height, 11 inches. 
543—Oup CHELSEA PorRCcELAIN VASE 


Ovolo-shape, with rococo decoration of scroll and shell work. Painted 
in green, with gilt scrollings and sprays of raised and colored flowers 
and leaves and with bands of exotic birds painted in colors. The necks 
have pierced shaped panels of raised “‘mayflower”’ decoration. The cir- 
cular bases are decorated with wreaths of raised and painted flowers and 
leaves. Mark: Anchor in gold. (Shght crack on rim.) 

Height, 81% inches. 

544—Pair oF OLD CHELSEA PorceLAIn Fruir Baskets 


Oval shaped with pierced sides of wicker work design having raised 
and painted rosettes at the intersections and turquoise wicker-work 
handles with raised and painted flowers and leaves at their junctions 
with the bodies. The interiors are occupied with paintings of cherries, 
leaves, and butterflies all in natural colors. 

Height, 31%, inches; length, 814 inches. 


545—Parr oF OLD CHELSEA PorcELAIN PITCHERS 


Pear-shaped bodies, with cylindrical and fluted rims, spouts formed as 
bearded masks and scroll and loop handles. Decorated with bands, 
sprays and wreaths of flowers painted in a naturalistic manner and with 
a gilt acanthus-leaf ornamentation. (One slightly cracked.) 


Height, 834 inches. 
546—GARNITURE OF THREE OLD CHELSEA PorcELAIN VASES 


Oviform shaped, with looped acanthus leaf handles and circular spread- 
ing bases. Decorated, on a turquoise-blue ground, with a raised pattern 
of branches and buds and with groups of raised mayflowers in white 
reserve with old centers. The handles are decorated with gilt scrollings 


and the bases with gold lines. (Slight repairs.) 
Heights, 8 and 714, inches. 


Third Session, Tuesday Afternoon | 


547—Parr oF oLp CHELSEA PorcELAIN Haneine FLower VASES 


Formed as cornucopie. The bodies have twisted flutings decorated 
with sprays of flowers and butterflies painted in natural colors. The 
molded rims have a band of raised and painted floral and leaf decoration. 

Height, 11 inches. 


548—Onp CHELSEA PORCELAIN GARNITURE OF THREE VASES 


The center vase is ovolo-shape, with high domed cover having a modeled 
figure of a bird as finial. The two side vases are spill-shape, with low 
domed covers and modeled figures of birds as finials. The handles are 
formed as female masks crowned with wreaths of raised and painted 
flowers, the circular bases are fluted and dotted with raised and painted 
“mayflowers” and above them are bands of raised and painted shell 
ornamentation. The fluted bodies are decorated with branches of raised 
and painted flowers, painted butterflies and insects, and with pierced 
bands and borders of wicker-work interlacements having raised and 
painted “‘mayflowers” at the intersections. The covers are decorated 
with branches of raised and painted flowers and leaves and with dia- 
mond-shaped panels of a pierced wicker-work pattern, with blue and 
rose-colored roundels at the intersections. The bird finials are painted 
in yellow and black. 


From the collection of W. A. Fletcher, Sundorne Castle, Shrewsbury. 


Height of center vase, 11 inches; of side vases, 9 inches. 


(Illustrated) 


549—Patr oF OLD CHELSEA PorcELAIN VASES 


Pear-shaped bodies, with rococo openwork scrollings, domed covers of 
similar design with raised leaves and flowers and with circular bases. 
Decorated, with shaped panels occupied by elaborate paintings of groups 
of flowers naturalistically treated and with scrollings and lines of gold. 
(Cracked. ) j 

Height, 9 inches. 


550—Oxup CHELSEA PorRCELAIN VASE 


Pear-shape, with curved rim and scroll looped handle. Decorated, on a 
turquoise ground, with shaped panels bordered with gilt scrolls and oc- 


cupied by paintings of exotic birds and butterflies. 
Height, 81/, inches. 


No. 548 


Third Session, Tuesday Afternoon 


551—Patir oF oLp Derspy PorcEeLAIN STATUETTES: “THE WeusH Tattor AND 


WIFE” 


Both are riding upon goats and grasping the horns with one hand. The 
tailor, in a brown full square coat with black hat, carries upon his 
back two kids and, in his girdle, the instruments of his trade. His goat 
carries in her mouth the tailor’s iron. The wife is dressed in a dark 
purple jacket and flowered skirt, holds on one arm a baby and carries 
a basket on her back in which are two children. Hung around the neck 
of her goat is a basket of provisions, bottles and a knife. Both figures 
are supported by trunks of trees, with raised and painted flowers and 
leaves. On rococo bases of scroll and shell design, with gilt scrolls. 
Mark: Scratched numbers. 

Height, 914, inches. 


552—Oxp CHELtsEA PorceLtaIn Cruet STanp AND BorriLeEs 


Pierced cruet stand of wood with ivory balusters, and a carrying handle 
of silver. The bottle-shaped casters are of porcelain mounted with 
chased and pierced silver, and decorated with floral sprays painted in 
colors on a white ground and with gold scrolled panels inscribed with 
the names of the condiments. The silver rims bear the Birmingham 
hall mark. (One cruet without cover.) 

Height, 11 inches. 


Third Session, Tuesday Afternoon 


55383—Oxtp WorceEstER PorcenAIn “RopNEY”’ JuG 


Fluted pear-shape with curved neck, with scroll flat looped handle and 
spout formed as the head of Admiral Rodney in a three-cornered hat. 
Decorated, around the rim, with a band of raised and painted acanthus- 
leaf decoration, and on the body and neck with groups of flowers and 
floral sprays painted in a naturalistic manner. 

These much sought after “Rodney” jugs, as English collectors term 
them, were made by the factories both of Worcester and Derby to com- 
memorate the victory in the West Indies on April 12, 1782, of the 
popular hero Admiral Rodney. 


554—O.p CHELSEA PorcELAIN STATUETTE: “THE GARDENERS” 


: 

| 

: Figures of a youth and a maiden in eighteenth century costumes. The 

: youth holds in his lap a mask and leans one arm upon a spade and raises 

: the other with a protecting gesture upward. ‘The maiden, with rose- 

: colored bodice and white under-skirt, stands holding on one arm a basket 
of flowers from which she is taking blossoms and leaves. Both figures 
are supported by a tree trunk with raised and painted leaves. On ir- 
regular rocky base, with raised fruits and painted flowers. Mark: 


Scratched numbers. 
Height, 5%, inches. 


555—Two otp CHELSEA PorRcELAIN CANDLESTICKS 


Formed as seated boys in eighteenth century costume, of green coats 
lined with red, and rose-colored flowered vests and yellow knee-breeches. 
At their sides are seated dogs, while the backgrounds are of raised and 
painted flowers and leaf boscage, projecting branches of which support 
pierced and modeled acanthus-leaf candle sockets. On pierced scroll 
and shell bases painted in green with lines and scrollings in gold. 


Height, 6%, inches. 


556—Oup Cuetsea Porcentain Posset Cup and STAND 
Two handled cup with domed cover, rose finial, and circular stand. The 
cup has looped rustic handles terminating in raised flowers and leaves 
and is decorated with a painted English view, the cover and stand with 
flowers and butterflies. Mark: Anchor in red. 


Height, 51% inches; diameter of stand, 71% inches. 


Third Session, Tuesday Afternoon 


557—Oxp CHELSEA PoRCELAIN STATUETTE: “Cupip AND TIME” 


Time as an old man with wings, in a mantle of white painted with fica 
sprays, is seated on a cut-stone pedestal and holds with both arms a 
struggling Cupid. At his feet are a scythe, an hour-glass and a ter- 
restrial globe. On a scroll base, with modeled crown, scepter and human 
skull. Painted in blue and red, with gold dots and scrolls. 


Height, 8 inches. 
558— SET oF THREE PINXTON JARDINIERES 


Bucket shaped, with lion head and ring handles. Decorated, on a white 
ground, with groups of flowers naturalistically painted, with a laurel 
leaf border in gold, and with gold lines around the rims and stands. 
(One stand repaired. ) . 
Heights, 5%, and 5 inches. 
559—Pair oF OLD CHELSEA STATUETTES 
Figures of man and woman in eighteenth century costume. The man 
in a coat lined with rose-color, flowered waistcoat, knee-breeches and 
tie wig. The woman in a loose white jacket, trimmed with rose-color 
and green, and a flowered skirt bordered with rose-color, with flouncings 
of green. The figures hold in their laps molded shells painted with floral 
sprays formed as receptacles for bonbons. On rustic bases, with raised 
and painted leaves and flowers. (One of the figures repaired. ) 
| Height, 6%, “inches. 
560—Pair oF oLtp Bow Porceiatn Vases 
Ovolo-shaped, with domed covers having handles formed as female masks 
and domed covers with figures of birds as finials. On circular fluted 
bases. The fluted bodies are decorated with branches of raised and 
painted flowers, painted butterflies and bands of pierced interlacements. 
The covers are decorated in a similar fashion. 
Height, 11144 inches. 


561—Pair oF oLp CHELSEA’ PorcELAIN STATUETTES: “ArT AND CoMMERCE”’ 


“Art” is represented as figures of two Cupids with a classical architec- 
tural subject between them which they are measuring, the one with a 
pair of callipers, the other with a rule. “Commerce” is shown as figures 
of two Cupids with a bale of merchandise between them, one is counting 
money into a purse, the other reckoning upon a tablet. On octagonal 
scrolled bases with masks at the angles and raised wreaths of laurel 
leaves. 

Height, 7 inches. 


Third Session, Tuesday Afternoon 


562—Oup CHELSEA PorRCELAIN STATUETTE 


Figure of a youth in eighteenth century costume, of white jacket and 
knee-breeches, dotted with floral sprays, yellow cloak with floral sprays 
in black and lined with green, and turned-up hat with black plumes. 
He holds in one hand a basket of fruit and at his feet is seated a dog. 
Supported by a trunk of a tree, with raised and painted flowers and 
leaves. On a scrolled base, painted in green with scrollings and dots of 


purple and gold. 
Height, 10 inches. 


563—Pair oF OLD CHELSEA PorRCELAIN STATUETTES: “AFRICA AND AMERICA”’ 


“Africa” as a young negress holding in one hand a cornucopia full of 
flowers and with a lion at her feet. America as the figure of a young 
Indian girl, girdled with feather and with a feather head-dress, has, at 
her side, a quiver full of arrows and, at her feet, an alligator. Sup- 
ported by trunks of trees, with raised and painted flowers and leaves. 
On rustic bases with raised and painted flowers and leaves. (Repaired.) 


Height, 9 inches. 


564—Oxp CuHELsEA PorceLAIn StTarueTre: “THE FIsHERMEN” 
A group of two Cupids under a branching tree, with raised and painted 
leaves. One Cupid holds in his hand a wicker-work fishing-basket from 
which the other takes a fish. On a rocky base, with painted flowers and 


streams of water. Scratched initials M. B. 
Height, 91, inches. 


565—Oup CHELSEA PorceLAIN STATUETTE: CERES 

Figure of Ceres in a flowing white robe decorated with floral sprays, a 
mantle of blue lined with crimson and a head-dress of flowers and ears 
of wheat. In her right hand she holds a spray of flowers and with the 
left takes an ear of wheat from a sheaf of wheat and flowers. On scroll 
and shell base, painted in green with gilt scrollings and with raised and 
painted ears of wheat and flowers. 

Height, 914, inches. 


566—Oxp Cueitsea PorceLaAIn STATUETTE: “Europa” 
Europa, in a white robe decorated with painted floral sprays, and with 
a flying scarf of rose-color, is seated on a bull with gilded horns around 
whose head she is entwining a wreath of flowers. On scroll base, deco- 
rated with gilt dots and scrolls. 


Height, 914 inches. 


Third Session, Tuesday Afternoon 


567—O.p CuHEeLtsEA PorcreLain Group 
Four standing cupids, supported by a tall tree trunk decorated with 
raised and painted leaves. The Cupids are in various positions, one 
of them bending his bow, another preparing to blow a horn and are 
accompanied by two dogs. On scrolled bases, with raised and painted 


flowers. Mark: Scratched numbers, with initials J. N. | 
Height, 8%, inches, 


568—Oxp CHEeLsEA PorceLain STaTruETTE: Porrrarr oF JOHN WILKES 
Figure of John Wilkes, a Radical politician of the 
eighteenth century, standing in an oratorical at- 
titude. He is dressed in a costume of green and 
gold laced coat, white shirt with falling collar, red 
breeches, rose-colored cloak and white tie wig. He 
leans one arm upon a pedestal upon which is a roll 
of manuscript, and holds a book in one hand and 
a cap of Liberty in the other. On a rococo scrolled 
base decorated with gilt scrollings. Modeled by 


Bacon. 
Height, 1114 inches. - 


569—Onxp CHELSEA PoRCELAIN STATUETTE: “NEPTUNE” 


A crowned figure of Neptune in a red robe deco- 

No. 568 rated with medallions of white reserve occupied by 

gold stars and lined with yellow stands with raised 

right arm. Supported by an elaborately painted dolphin. High conical - 

base, decorated with raised and painted shells and seaweed and a stream 
of water. 

Height, 1014 inches. 


Re : 
570—Oxp Cuetsea Porcentain STATUETTE: ‘Tre Birps’ Nesters” 


Four Cupids grouped around a tree trunk with raised leaves, birds and 
birds’ nests, toward which one of them is climbing. Two of the other 
cupids at the base of the tree are taking birds from a nest and placing 
them in a wicker-work cage. On a rocky base with raised leaves ; modeled 
and painted birds and bird cages. Mark: Scratched numbers and in- 
itial B. 

Height, 10 inches. 


Third Session, Twesday Afternoon 


571—Oup CHELSEA PoRCELAIN STATUETTE: “JUSTICE” 


Female figure with closed eyes, in a 
purple robe patterned with large flori- 
ated medallions and a green cloak. In 
one hand she holds a pair of scales 
and in the other a sword hilt. On 
scroll and shell base painted in green 
and gilt. Modeled by Bacon. 


Height, 131% inches. 


572—Parr oF oupd CHELSEA PORCELAIN 
STATUETTES AND PEDESTALS: ““Hy- 
GEIA AND AUSCULAPIUS”’ 


| i 


Hygeia in a classical robe holds in one 
hand a serpent and in the other a 
sacrificial bowl. Atsculapius stands, 
partially draped with a classical tunic 
and mantle, leaning upon a tree trunk 
and holding in his hand a roll of manu- 
script. The pedestals are of a shaped 
design in the Adam style, with mod- 
eled rams’ heads and festoons of leaves. 
Plain white glaze, heightened with gild- 


ing. 
Height, 1514 inches. 


573—Oxp CHELSEA PoRCELAIN STATUETTE: 
No. 571 “SLEEPING SHEPHERDESS”’ 


Figure of a shepherdess in rose-col- 
ored bodice and underskirt, red stomacher laced in white, sleeping in a 
sitting posture with her head on her arm and at her side an upturned 
hat filled with flowers. Her lap is filled with flowers and in her left hand 
she holds a bunch of flowers. At her side is a seated lamb. She is seated 
against a rocky pedestal crowned with a square pedestal and classic urn. 
One side of the pedestal has a modeled figure of a dolphin from whose 
mouth issues a stream of water. At the back are branches of trees. On 
an irregular base with raised and painted flowers and leaves. Mark: 
Scratched numbers. 


Height, 9°34 inches. 


Third Session, Tuesday Afternoon 


574—Pair oF CHELSEA PORCELAIN “DwaRFs” 


Grotesque figures clothed in yellow costumes, flowered and painted in 
a pattern of vari-colored diamonds. They wear exaggerated broad- 
brimmed and steeple-crowned hats. On rustic bases colored in green. 


Heights, 6 and 61% inches. 


575—Parr oF op CuHetseA PorceLarn STATUETTES: “SHAKESPEARE & 
Miron” 

Dressed in seventeenth century costumes of white heightened with gild- 
ing and draped with white cloaks lined with rose-color. Shakespeare 
rests his elbow upon a pile of books on a shaped pedestal from which 
depends a scroll inscribed with the quotation from The Tempest: “The 
cloud capt towers,” etc. Milton has at his side a circular pedestal with 
a subject in relief of Adam and Eve expelled from the Garden of Eden. 
He rests his elbow upon a pile of books with a scroll inscribed with the 
quotation from Paradise Lost: “Heavens on Heavens,” ete. On ro- 
coco scrolled and shell bases, colored in green with gilt scrollings. The 
figure of Shakespeare is modeled after the monument by Kent in West- 

minster Abbey. 
Height, 1114 inches. 


Third Session, Tuesday Afternoon 


5'76—Pair oF CHEtsEA PorcELAIN STATUETTES: “THE Harvesters” 


Youth and maiden in eighteenth century costume. The latter rests 
one arm upon the trunk of a tree with raised flowers and leaves, and 
holds up with the other arm her over-skirt. Youth supported by a 
tree trunk with modeled and painted flowers from which hangs a cider 
barrel suspended by a strap and over his shoulder is a scythe. In plain 


_ white glaze. 
Height, 7 inches. 


577—Pair oF OLD CHELSEA PORCELAIN CANDLESTICKS 


Formed as boscages with raised and painted leaves and flowers and 
with the modeled and painted figures of woodpeckers and canaries 
painted in natural colors. These support pierced and modeled candle 
sconces and sockets of acanthus leaf design painted in green and pur- 
ple heightened with gold. On scrolled bases painted in green with gold 


scrollings. 
Height, 91% inches. 


578—Pair OF OLD CHELSEA PoRCELAIN STATUETTES: “CuPID AND Hyceta”’ 


Figures of Cupid with his quiver and Hygeia with a serpent. Supported 
by square pedestals surmounted by classical urns with festoon orna- 
mentation in white heightened with gilding in relief. On rocky bases, 
with raised and painted leaves, seaweed and shells. Mark: Scratched 


numbers. 
Height, 8 inches. 


579—Pair OF OLD COALBROOKDALE PORCELAIN VASES 


Oviform shape with pierced rims, scroll loop handles and scroll quatretoil | 
feet. Decorated on a robin’s-egg-blue ground with a heart-shaped panel. 
of brilliantly painted flowers and with raised scrollings and large raised 
and painted flowers and leaves. ‘The pierced rims with gilt lines and 


honeysuckle ornamentation. 
Height, 14 inches. 


580—Ouxp CHELSEA PorRCELAIN STATUETTE: “Mars” 


Figure of Mars, with crested and plumed helmet painted in purple, 
corselet with embossed scroll pattern and rose-color, and white mantle 
lined with yellow. The base is painted in green and yellow, with rose- 


colored scrolls. 
Height, 131, inches. 


Third Session, Tuesday Afternoon 


581—Parr or oLtp CHELseA PorceLAIN STATUETTES: “THE CouRTIERS” 


Man and woman in eighteenth century costume. "The man, in a green 
jerkin with floral sprays in white reserve heightened with gold, white 
knee breeches with painted floral sprays, rose-colored cloak and yellow 
tri-cornered hat holds in his left hand a bunch of flowers and is sup- 
ported by a scrolled pedestal and tree trunk with raised and painted 
flowers and leaves. ‘The woman, in a green bodice, with floral sprays 
in white reserve heightened with gold, and a white skirt with floral 
sprays and yellow flouncings and in a yellow cloak lined with ermine, 
carries an oval medallion over her shoulder hanging on a ribbon and is 
supported by a tree trunk with raised and painted flowers and leaves. 
On circular scrolled bases painted in green, yellow and rose-color, with 


gold dots and scrolls. Modeled by Roubiliac. (Repaired. ) 
Height, 12 inches. 


68 “ON 


Third Session, Tuesday Afternoon 


582—Set or Four oip CHELSEA STATUETTES: “Four QUARTERS OF THE 
GLOBE” 


Four children representing the four Continents: Europe, with regal 
crown and holding a club, has at her feet trophies of a Bishop’s Mitre, 
a Helmet and Cornucopia; Asia, crowned with flowers, with a robe orna- 
mented with floral sprays, and holding in one hand a bunch of grapes 
and vine leaves, is supported by a kneeling camel; Africa, as a young 
negress in a blue and rose-colored robe with head-dress of an elephant’s 
head, holds in one hand a scorpion and in the other a cornucopia with 
flowers, and is supported by a lion and a tree trunk with raised and 
painted leaves; America, with a wreath of leaves and a feather girdle, 
carries a quiver full of roses and is supported by an alligator and by a 
tree trunk with raised and painted flowers and leaves. On rococo 
scrolled and openwork bases painted in green, with gold scrollings and 
shaped escutcheons with the names of the respective continents in black 


script letters. 
Height, 91, inches. 
(Illustrated) : 


583—Pair oF ApAmM VASES 
Of the period and in the style of the Brothers Adam. Scagliola com- 
position and carved wood. Urn-shaped vases of fine scaghola marble 
composition on square bases. Pineapple finials, ram’s-head mask handles, 
floral festoons and acanthus leaf decoration in carved and gilt wood. 
Height, 22 inches. 


584—Oxup CHELSEA PorcELAIN VasE 

Pear-shaped, with looped and beaded handles, curved neck, fluted stem, 
circular foot and square base. Decorated as to the lower portion and 
neck with modeled acanthus leaves painted in gros-blew and gilt, and 
with a raised band around the upper portion of honeysuckle and scroll 
design painted in gros-blew and gilt. The body is invested with a plain 
white glaze, decorated with oval panels bordered with gilt lines and occu- 
pied with subjects of a “Nymph Sacrificing” and a bust portrait of a 
woman in eighteenth century costume with white head-dress and pearl 
necklace. The stem and base are decorated with lines of gros-blew and 
gold. Mark: Scratched numbers. 

Height, 9 inches. 


Third Session, Tuesday Afternoon 


585—Oup CHetseA PorceLAIN CANDLESTICK STATUETTE 


Figure of a youth in eighteenth century costume, white coat, yellow knee 
breeches, black hat with purple plumes, having at his side a basket of 
flowers. Supported by a branch of a tree with raised and painted 


flowers and leaves terminating in a candle socket, of painted leaf de- 


sign. On rococo scrolled and openwork base painted in green with 


floral sprays and scrollings in gold. 


Height, 101%, inches. 


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586—Oxp CHELSEA PoRCELAIN STATUETTE: “Mars’’ 


Figure of Mars in dress of Roman warrior with purple white plumed 
helmet. Corselet decorated with a scale pattern in gold, green buskins, 
red sandals and green cloak lined with rose color. Supported by 
military trophies of cannon-balls and an escutcheon shaped shield. On 
a rococo and shell base painted in green with gilt acanthus leaf scrollings. 


Height, 131%, inches. 


Third Session, Tuesday Afternoon 


587—Oxtp CHEtseA PorceLaIn STATUETTE: “MINERVA” paar 
Figure of Minerva in lilac-colored corselet, with peacock-feather imbri- 
cations, a white skirt with floral sprays of elaborate design painted in 
gold and colors, a pale yellow robe lined with red and a green cloak 
lined with rose-color. She is supported by the trunk of a tree with 
branches of raised flowers and leaves and rests her arm upon a shield. 
At her feet is a pile of books surmounted by an owl. Scroll and shell — 
base painted in green and rose-color, with scrollings and dashes of gold. 
Height, 1444 inches. 4 
(Illustrated) S 


588—Onup CHELSEA PorRCELAIN STATUETTE: ““FALSTAFF” 


Figure of the actor James Quin as Falstaff. In pink coat with flowered 
under-jerkin, green breeches, boots with buff tops and hat with rose- 
colored plumes. Standing and supported by a tree trunk. In his girdle 
is stuck a tavern bill beginning with the item “Sack.” On scroll base 
painted in green with gold scrollings and acanthus leaves. 
Height, 13 inches. 
NOTE: According to Professor Church, the inclusion of “Sack” in the tavern bill denotes this 
| figure as belonging to a very early Chelsea period. 


(Illustrated) 


589—Oup CHELSEA STATUETTE: ““BRITANNIA”’ 


Britannia shown as a figure of Minerva. With rose-colored and red 
helmet having white plumes, green cloak lined with rose-color and 
white-flowered robe. She holds by her side a shield. At her feet are 
military trophies, including a gun, cannon-balls and a hand-grenade. 
On a scroll and shell base painted in green with red scrollings. 
Height, 1234 inches, 
(Illustrated) 


590—Pair oF STATUETTES 
“Cephalus and Procris” and “Rinaldo and Armida.” In one Procris, 
in a classic robe of white awakens the sleeping Cephalus who reclines on 
a rocky bank with the implements of the chase beside him. In the other 
Rinaldo in pseudo-medieval costume stabs Armida in the breast. 


Height, 61/, inches. 


Third Session, Tuesday Afternoon 


591—O.p Derrsy Porceiain VASE 
Urn-shaped, with cylindrical neck, looped 
handles formed as serpents, circular foot 
and square base. The body is entirely oc- 
cupied with a very elaborate painting of a 
rocky landscape with a stream and bridge, 
foliage and a gypsy encampment. The neck 
is decorated with a honeysuckle design in 
gold and turquoise dotted ground, with a 
honeysuckle pattern border, and with a 
band of Greek fret ornamentation in black 
and red. The base is decorated in gold and 
white. Mark: D. and crown, in red. 
Height, 1314, inches. 


592—Ou.p Dersy Porcexain VasE 
Urn-shaped, with cylindrical spreading 
neck, two looped and shaped handles, cir- 
cular foot and square base. The body deco- 
rated, on a gold ground, with flowers and 
roses, probably painted by Billingsley; the 
upper part with bands of grapes and bands 
of gilt scrollings; the neck with a honey- 
suckle pattern in gold, and the base with 
geen gilt leaves on a white ground. (Handles 
shightly repaired.) Mark: D. and Crown. 
Height, 101%, inches. 


5938—Ser or THREE OLD Crown DeErBY STATUETTES 


Figures of Monkey musicians seated, consisting of the Leader of the 
Orchestra, the Harpist and the Clarinettist, dressed in colored coats 
with white ruffs. On shaped bases of green and gold lines. 
Height, 4 inches. 
594—Buioor Dersy STATUETTE 


Figure of Milton holding a manuscript in his left hand and resting his 
arm on a pile of books resting on a shaped pedestal. Octagonal base. 
In white, decorated with edgings of color and gilt. Mark: Bloor, Derby, 
in red. (One hand repaired. ) 

Height, 7 inches. 


Third Session, Tuesday Afternoon 


595—Oup Dersy Porcenain Vase anp STAND 
Cylindrical shape, with wide spreading rim, with looped scroll handles 
and cylindrical stand. Decorated on a bleu-du-roi ground with a scroll 
and honeysuckle pattern in gold and with a large oval medallion occu- 
pied by a miniature painting of Cupid. (Stand slightly cracked.) 
Height, 7/, inches. 


596—Oxp Drersy PorcenaiIn Mue 


Shaped as a Bacchic head with looped handle. Painted in natural colors. 


Mark: D. and Crown, in puce. 
Height, 31, inches. 


597—O.p Dersy Biscuir Nicutr Lamp 


Stand for night light formed as the removable pointed roofed Porch 


of a Castle. On rustic base with raised foliage. 
Height, 7 inches. 


598—Oup Dery Biscurir STaTuETTE: “CuPprip”’ 


Figure of Cupid seated in a chair of Empire Pe holding a rose in 


one hand and a book in the other. 
Height, 51. inches. 


599—Oxp Dersy Biscurr Starvuerre: “Mrs. BarBavuip” 
Portrait of Mrs. Barbauld (the celebrated authoress), dressed in late 
eighteenth century costume, with lace collar and cap, seated in an arm- 


chair. On shaped and scroll base. 
Height, 6% inches. 


600—Oxp Dersy Biscuir STATUETTE 
Figure of Cupid, with a dog, under a trunk of a tree with foliage. On 
rustic base. Mark: D. crossed batons and Crown, impressed. 
Height, 51/, inches. 


601—O.p Dersy Biscuir STaruETTE 
Figure of a cow and calf under a tree trunk with fohage. On a circular 
rustic base. 


602—O1tp Dersy Biscuit STATUETTE: ‘SNELSON” 


Bust of Nelson, with empty sleeve. On circular pedestal. 
Height, 4 inches. 


Third Session, Tuesday Afternoon 
603—Oxp Dersy Biscuir STaTuETTE: ‘‘WINTER” 


Symbolic figure of Winter represented as a young boy carrying a bundle 
of fagots on his shoulder. Mark: Crown D., impressed. 


Height, 61, inches. 


604—Onp RocxtrcHam Biscuit STATUETTE 


Figure of Cupid surrounded by roses sleeping on a settee which has 
scrolled and acanthus-leaf frame. On a rectangular base with scrolled 


and pierced feet and acanthus-leaf decoration. 
. Height, 4 inches; length, 7 inches. 


605—Pair or orp Dersy Biscurr Sratuerres: “GALLANTRY”’ 
Figures of standing youth and sitting maiden in eighteenth century 
costume. On shaped scroll and molded base. Mark impressed. 
Height, 7 inches, 


606—Oxp Dersy Biscuit STATUETTE: ‘“SNELSON” 


Bust of Nelson on a cylindrical ebonized stand. 
Height of bust, 514 inches. 


607—Pair oF oLtp Derpy Biscurir STATUETTES 


Subjects, boy and girl playing the horn and guitar. On rustic stand. 


Mark: D, crossed batons and Crown, impressed. : | 
Height, 61% inches. 


608—Onup Derby Biscuir STATUETTE 


Figure of a boy in eighteenth century costume, carrying a hare in a 


basket. On circular rustic base. 
Height, 714, inches. 


609—Pair or orp Dersy Biscuir Srarurrres 
Bacchus and Ariadne on circular bases. Mark: Numbers, impressed. 
Height, 91, inches. 


610—Oup Dersy Biscurr Srarvurttre: “BELISARIUS AND HIS DAUGHTER” 


Belisarius as an old man in Oriental costume, being led by his daughter 
who is in eighteenth century costume. On a circular rustic base. Mark: 


D, crossed batons and Crown, impressed. 
Height, 101, inches. 


I19 “ON 


Third Session, Tuesday Afternoon 


611—Oup Dersy Biscuit Statverte: “THE Distressep Cuprp” 
Cupid captured by nymphs, one of whom is breaking his bow, and bound 
to the trunk of a tree. Mark: D, crossed batons and Crown with number. 
Modeled by Spengler after a design by Angelica Kauffmann. 
| Height, 121, inches. 
(Illustrated) 


612—Oxp Dersy Biscuir Statuerre: ““THE AWAKENING OF CUPID” 
Cupid asleep under a tree with foliage surprised and awakened by two 
nymphs. On rockwork base, with molded flowers. Mark: Impressed 
number. 
Modeled by Spengler after a design by Angelica Kauffmann. 
- Height, 1214, inches. 
(Illustrated) 


613—Oup Dersy Biscuir STATUETTE 


Cupid, captured by nymphs, is by them bound to the trunk of a tree with 


branches and raised leaves and flowers. 
Modeled by Spengler after a design by Angelica Kauffmann. 


Height, 161%, inches. 
(Illustrated) | 


614—Oxup Derspy PorcELAIN STATUETTE 


Figure of a cupid in nun’s costume carrying on his back a sheaf of 
wheat which forms a receptacle for spills. The figure is in biscuit, the 
robe is glazed in dark blue. On circular stand, with lines of white re- 
serve and gold. Mark: D, crossed batons and Crown, in red. 


Height, 7 inches. 


615—Pair oF o~tp Derspy Porcreniatn VASES 


Cantharus shaped on square bases. Decorated, on an apple-green 
ground, with bands of gold and white reserve and with octagonal panels 
occupied with paintings of “Corra Lynn on the Clyde” and “Loch 
Achray, Perthshire.” 

Height, 10 inches. 


Third Session, Tuesday Afternoon 


616—Set or THREE OLD Derpy PorceLAIn VASES 


Elongated pear-shape, with molded and curved necks, scrolled and beaded 
handles with acanthus leaf terminations and circular bases. Decorated, 
on an apple-green ground, with spade shaped panels of groups of Roses, 
Sweet Williams, Fuchsias, Tulips and other English garden flowers 
naturalistically painted. The handles are burnished gilt. Around the 
foot are raised beads in white and around the bases and rims bands of 
burnished gold. (Slight repairs.) 

Heights, 241, and 201% inches. 


NOTE: These vases are one of the most noted productions of the Derby factory and are 
known to collectors as “Long Tom” vases. 


617—Pair oF otp CHELSEA PorceLaAIN STATUETTES: “SHEPHERD AND SHEP- 
HERDESS”’ Z 

Shepherd in a flowered coat lined with rose-color, rose-colored breeches 

and white cloak and straw hat. He holds in one arm a basket of fruits, 

one of which he holds extended in his right hand. At his feet is seated 

a dog. Shepherdess in a flowered bodice, over-skirt and petticoat of 
rose-color, a straw hat and yellow scarf. At her feet is seated a lamb. 
Supported by tree trunks with raised and painted leaves. On shaped and 
scroll bases painted in green and decorated with gilt dots and scrollings. 
Height, 10%, inches. 


618—Barr, Fricur ann Barr Worcester Dessert SERVICE 


Decorated, on a white ground, with an Oriental pattern having centers 
of chrysanthemum flowers surrounded by quatrefoiled panels of white 
reserve occupied with mythical monsters, vases and plants in colors and 
grounds of seaweed scrolls in gold, and of apple-green dotted with black. 
Borders of a honeycomb decoration in white on green with panels of 
white reserve occupied by flowers and leaves in red and green. The 
service consists of 1 boat-shaped deep dish, 4 fruit dishes, 4 berry dishes, 
4 square dishes, 2 tureens with covers and stands, and 22 plates. 

37 pieces. 


619—Portion or o~1p WorcrstTER TEA SERVICE 
Of the same pattern as the foregoing. ‘The service consists of sucrier 
and cream ewer, | waste bowl, 2 large saucers, 18 cups and saucers and 
1 two-handled tray. 


24 pieces. 


Third Session, Tuesday Afternoon 


620—Mason’s Iron StronE Cuina DeEssErRT SERVICE 


Decorated, on a white ground, with oval panels occupied with Chinese 
figure subjects alternating with panels of apple green occupied with 
a chrysanthemum and scroll ornamentation in blue. Service consists 
of 4 shell-shaped berry dishes, 1 oblong berry dish, 2 platters, 2 tureens 
with cover and stands, and 17 plates. Mark: Iron Stone China and ~ 
Crown in color. 26 pieces. 4 


621—O.p Iron StonE CuHinA DEssErtT SERVICE 


Decorated, on a white ground with a willow pattern design in under- 
glaze blue, heightened with over-glaze red and gold decoration. Service 
consists of 1 compotier, 4 berry dishes, 2 fruit dishes and 14 plates. 


21 pieces. 


CHINESE LOWESTOFT CHINA OF EXCEPTIONAL 
RARITY AND BEAUTY 


For many years the so-called Lowestoft porcelain of a hard paste body and decorated in the 
Oriental manner was held to be of English manufacture. It has now been conclusively settled 
that all this ware was made in China during the later Ch’ien-lung period, now known in many 
cases to order and always for direct importation into Europe. It is this fact that accounts for the 
armorial bearings and European flowers which so often form a part of the decoration. There 
was, however, a factory at Lowestoft in the eighteenth century. which produced a soft paste 
porcelain, decorated in blue. 


622—CuinEsE Lowestorr PLATE 


Circular shape with curved and scalloped edge. Decorated on a white 
ground in colored enamels heightened with gilding. ‘The center is occu- 
pied by a Chinese figure subject of a Goddess seated in her triumphant 
car surrounded by her attendants who are carrying lanterns. There is 
an inner border of European character painted in red and gold and an 
outer border of shaped panels of white reserve and occupied with floral 
scrolls in colored enamels. Height, 111, inches. 


623—Pair or Cutnese Lowrstorr Deep DisHes 
Circular with scalloped edges. The centers are occupied with shaped 
escutcheons of armorial bearings mantled with gilt scrollings and with 
European roses. There is an inner rim of a Chinese diapered pattern 
in blue under-glaze and a deep outer border of butterflies and a diapered 
pattern in blue under-glaze. All painted in colored enamels and gold. 


Diameter, 81%, inches. 


Third Session, Tuesday Afternoon 


624—CuinesE Lowestorr Scent Friacon 
Flat bottle-shaped, with handles formed as female masks, fluted rim 
and base. Decorated with paintings of groups of flowers and leaves 
in colored enamels. Mounted in ormolu, with domed and screw cover 
and scalloped base. Height, 5 inches. 


625—Cuinesze Lowestorr Bown ann Sranp 
Decorated on a ground of fine white glaze with sprays of flowers and 
leaves painted in colored enamels and with a border of European char- 
acter painted in red and gold. Height, 21% inches; diameter, 3% inches. 
Diameter of stand, 4144 inches. 
626—CuinEsE Lowestorr TEarot 
Pear-shaped body, flat cover with finial formed as a fruit, loop handles 
and curved spout. Decorated on a ground diapered in purple with 
shaped panels of Chinese domestic figure subjects in colored enamels. 
Height, 4 inches. 


627—CuinEsE Lowestorr Miniature TEA SERVICE 
Decorated, on a ground of fine white glaze, with sprays of flowers and 
leaves painted in colored enamels and with a border of European char- 
acter painted in red and gold. The set consists of teapot, cream ewer, 
sugar bowl, four cups and two saucers. 9 pieces. 


628—Cuinest LowrEstorr SAUCE-TUREEN 
Boat-shaped, with twisted and reeded handle terminating in raised floral 
medallions. Decorated with a border of floral festoons in the Adam 
style, and floral sprays in colored enamels and gold. Handle oil-gilt 
with oil gilding. Height, 31%, inches; length, 71/ inches. 


629—Cuinese Lowestorr TEApoy anp STAND 
Circular shaped with domed top cylindrical neck, and shaped stand. 
Decorated, on a white ground, with sprays of flowers in blue enamel 
heightened with gold. Height, 51/, inches. 


630—Cuinses Lowrstorr Mue 
Cylindrical body, with twisted and looped handle. Decorated on a white 
ground with sprays of flowers and two conjoined armorial shields man- 
tled with floral wreaths in colored enamels and gold. One of the shields 
is occupied with armorial bearings, the other with the monogram, W.S. 
Height, 434 inches. 


Third Session, Tuesday Afternoon 


631—CuineEse Lowestorr Muce 
Straight sides; looped handles. Decorated, with gold and colored 
enamels on a white ground, with a European chain and quatrefoil bor- 
der, and with oval medallions surrounded by wreaths and sprays of 
flowers and occupied with monograms in gold outlined with sepia. 
Above is an Armorial crest (On a wreath of the colors, an ear of wheat, 


Or): 
Height, 4%, inches, 


632—CuinesE Lowestorr Muc 
Straight sides, with looped and dragon handle. Decorated on a ground 
of white glaze with shaped panels bordered with a design in underglaze 
blue, and occupied with a Chinese landscape, and groups of flowers in 
colored enamels heightened with gold. Smaller shaped panels are occu- 
pied by landscapes painted in sepia. : 


633—SeEtT oF THREE CHINESE LowestorT VasEs 
Two ovolo-shape and one spill-shape. Decorated on a fine white glaze 
ground with a scroll and diaper pattern in underglaze blue, with panels 
of white reserve occupied by paintings of Chinese domestic figure sub- 
jects and European roses and leaves in colored enamels. 
Height, 51, inches. 


634—Parr or CuinesE Lowestorr “Manparin” Vases 
Pear-shaped, with curved rims. Decorated on a diapered ground of 
underglaze blue, with a raised pattern of branches of hawthorn flowers 
and leaves and flying birds in white, and with shaped panels of Chinese 
domestic figure subjects in colored enamels heightened with gold. 
Height, 6 inches. 


635—CuineEseE Lowestorr TrEapror 
Pear-shaped body, domed lid with raised flower and leaf finial, scrolled 
loop handle and curved spout. Decorated, on a gold diapered ground, 
with shaped panels of Chinese domestic figure subjects and of birds 
and leaves in colored enamels and with floral sprays in sanguine. Handle 


and spout slightly gilded. 
Height, 7 inches. 


Third Session, Tuesday Afternoon 


6386—CuinesE Lowestorr Traror 
Globular body, square looped handle, domed cover with raised leaf 
finial and curved spout. Decorated, on a white ground, with a shaped 
rosette with radiating leaves alternately red and green flanked with 
scrolls and heightened linked rings in colored enamels heightened with 
gilding. The handle and spout are decorated with floral sprays and 
scrolls in red. The cover has a scroll border in red. 
Height, 71/, inches. 
637—CuinEsE Lowestorr Muce 
Shaped as a section of a stalk of bamboo with looped bamboo handles. 
Decorated with groups and sprays of roses and branches of bamboo 


in colored enamels heightened with gold. 
Height, 5 inches. 


638—CurinesE Lowestorr VasE 
Pear-shaped body, with cylindrical neck. Decorated on a white ground 
with a deep lambrequin border of floral sprays and leaves in blue under- 
glaze, and with panels of Chinese figure subjects painted in colored 
enamels with tall trees in blue underglaze heightened by gilding. 
Height, 91, inches. 
639—CuineEsE Lowestorr VasE 
Bottle-shape, with cylindrical neck. Decorated, on a ground of Chinese 
diapered pattern in red, gold, purple and black, with panels bordered 
by gilt scrollings, and occupied with Chinese domestic figure subjects 
and birds seated on boughs of trees painted in colored enamels and with 
rocks and foliage painted in sanguine. 
Height, 1114 inches. 
640—Curnese Lowestrorr VasE 
Pear-shaped body, curved neck, domed cover with kylin finial. Deco- 
rated, on a white ground, with baskets of flowers and floral sprays in 
colored enamels and with a border of scrolls and diapers in purple 


and red. Kylin finial is in red, black and gold. 
Height, 1014 inches. 


641—Pair or op Cuinese Lowestorr Vases 
Rectangular shape with high curved necks, square rims and bases. Deco- 
rated, on a ground of raised shark’s-skin pattern, with raised and painted 
floral sprays, scrolls and rosettes and with six sunken panels of Chinese 
domestic figure subjects modeled in low relief and painted in colored 
enamels heightened with gold. The handles in red with gilt scrollings. 
Height, 8 inches. 


Third Session, Tuesday Afternoon 


642—CutnesE Lowestrorr VASE AND COVER 


643— 


Ovolo shape, with domed cover. Decorated on a white ground with 
raised and painted vertical bands of groups of vine leaves with borders 
around the rims and bases of the same character, and with modeled 
figures of squirrels painted in red. Panels of white reserve occupied with 
vases of flowers painted in colored enamels heightened with gold. 


Height, 12 inches. 


CuinEsE LoweEstort VaAsE 

Hexagonal pear-shaped body, with high, rimless neck. Decorated with 
borders of scrolls and flowers in underglaze blue, inclosing oblong panels, 
those of the body decorated with paintings of Chinese domestic subjects 
in colored enamels, and those of the neck with Chinese landscapes painted 


in sanguine. (The neck repaired.) 
Height, 11 inches. 


644—Pair oF CHINESE Lowestorr Turnip STANDS 


Diamond-shaped, with curved sides, scrolled handles and pierced remoy- 
able covers with looped handles. Decorated, on a ground of a Chinese 
diaper pattern, in red, black and gold, with shaped panels bordered with 
gold scrolls outlined in black. The larger panels are occupied with 
Chinese domestic figure subjects, the smaller panels with birds perched 
on branches. The covers are decorated with sprays of European roses 
in colored enamels. The body handles are oil-gilt. (Slight repairs.) | 


Height, 814 inches. 


645—Paimr or CuHInNEsE Lowestrorr VASsEs 


Rectangular-shaped, with curved necks and looped kylin handles. Square 
rims and bases and slightly domed covers with finials. Decorated on 
a ground of raised shark’s-skin pattern, with raised and painted floral 
sprays, scrolls and rosettes, and with six sunken panels of Chinese do- 
mestic figure subjects modeled in low relief and painted in colored 
enamels heightened with gilding. The covers are decorated with raised 
gilt scrolls and rosettes and with shaped panels of landscape subjects 
in sanguine. The handles are in red and gold. 

Height, 12°, inches. 


Third Session, Tuesday Afternoon 


646—Patr or CHINESE Lowrstorr CANDLESTICKS 


Pillar-shaped stems, with vase-shaped nozzles and quatrefoiled bases. 
Decorated with bands of ruby color, bordered with a trefoiled. scroll 
ornamentation in gold outlined in brown, with diapered borders in red 
and blue and with the crest of a rampant lion holding in his paws a 


floriated cross. 
Height, 101, inches. 


647—Pair oF CHINESE LoweEstorr “SMANDARIN” VASES 


Rectangular pear-shaped, with curved necks and dragon handles. Deco- 
rated on a solid red ground with scrolls, leaf forms and sprays of flowers 
and bamboo, and with shaped panels of white reserve with subjects of 
Chinese landscapes and floral sprays in colored enamels. The interiors 
are invested with a tortoise-shell glaze. 


Height, 12 inches. 


648—Ser or THuree CuinesE Lowestorr VAsEs 


Flat bottle-shape, with shaped bases and rims. Decorated with bor- 
ders of scroll and floral pattern in underglaze blue and panels of Chinese 
domestic subjects and landscapes in colored enamels heightened with 
gold. The molded sides are decorated with floral sprays in colored 


enamels and with shaped panels of Chinese landscapes. 
Height, 1114 inches. 


Third Session, Tuesday Afternoon 


649—Pair or Curnese Lowestorr Bovucu-Prors 
Shaped as Louis XV. commodes with 
pierced tops. Decorated with scrollings 
at the angles in gold, outlined in black, 
and red enamel. The false drawer fronts 
have raised gilded handles and lock escut- 
cheons painted in blue outlined in gold. 
There are escutcheon-shaped gilt bordered 
panels at the side occupied with landscape 
paintings in sanguine. The pierced tops 
are decorated with rosettes in red enamel 
and with raised and painted roses and leaves. 

Height, 5 inches; length, 814 inches, 


NOTE: These very unusual and interesting bough-pots were evidently made to special order 
in China for the French market. 


650—Pair or CuinreseE Lowestrorr VASEs 


Bottle-shape, with quatrefoiled domed covers with kylin finials, ah 
Dragon handles. Decorated, on a white ground with oval and oblong 
panels of flowers and floral sprays in colored enamels. .The ground is 
further decorated with floral sprays painted in colored enamels. ‘The 


finials show traces of oil gilding. The handles are in white. 
Height, 141, inches. 


651—Pair or CuinesE Lowestorr “MANnpDARIN” VASES 


Hexagonal shape, with curved necks, spreading rims and hexagonal 
bases. Inner bodies, of straight hexagonal shape, are surrounded by 
shaped outer bodies pierced in a honeycomb pattern and decorated with 
raised and painted vases of flowers, panels of Chinese subjects and floral 
sprays. The sloping shoulders are decorated with floral quatrefoils in 
red and purple. There are also vertical and horizontal bands of raised 
floral ornamentation in colored enamels. ‘The bases are decorated with 


sprays of flowers in colored enamels. 
Height, 12 inches. 


652—GaARNITURE OF Five CuHtnEseE LoweEstorr VASES t 


Three ovolo-shaped, with domed covers and two spill-shaped. All deco- 
rated, on a white ground, vertical and horizontal bands of raised and 
painted grapes and vine leaves, with raised figures of red painted squir- 
rels and with vases of roses and floral sprays in colored enamels and 


gold. 
Height (3), 121% inches; (2), 10 inches. 


Third Session, Tuesday Afternoon 


6538—Pair or CHINESE Lowrstorr MANpDARIN VASES 


Square pear-shaped, with projecting flat kylin handles, curved rims, 
spreading bases and domed covers with kylin finials. Decorated on a 
ground of a Chinese diapered pattern in red, black and gold, with shaped 
panels of white reserve. Six of these panels are occupied with paint- 
ings of Chinese domestic figure subjects in colored enamels and height- 
ened with gold; four with subjects of Chinese landscapes painted in san- 
guine, and ten with flowers and birds in colors heightened with gold. 
The covers are decorated with four shaped panels of floral sprays and 
birds. The handles are painted in gold, with gilt scrollings, lines and 


roundels. The kylins are painted in red, green and gold. 
Height, 131%, inches. 


Third Session, Tuesday Afternoon 


654—CuINEsE Lowrstorr VASE | 
Pear-shape, with spreading neck and loop handles formed as elephant 
heads with tusks and trunks. Decorated, on a ground of fine white 
glaze, with shaped panels surrounded by gilt scrollings outlined in 
sepia and by a diapered pattern in oil gilding. The larger panels are 
occupied by Chinese domestic figure subjects; the smaller ones by Chi- 
nese landscapes with sheep and deer in the foreground, by floral sprays 
in colored enamels and by landscapes painted in sanguine. (Neck re- 


paired. ) 
Height, 17 inches. 
(Illustrated) 


655—Pair or CurnesE Lowestorr PITcHERS AND COVERS 


Pear-shaped, with cylindrical necks, loop handles and domed covers with 
lotus finials. Decorated, on a white ground, with shaped panels bor- 
dered by gilt scrollings outlined in sepia. The large panels are occu- 
pied by elaborate paintings of Chinese domestic and military subjects 
in colored enamels heightened with gold; the smaller ones by European 
flowers; branches of foliage and birds. The panels on the covers have 
Chinese figure subjects, branches of trees and birds. The ground shows 


traces of oil gilding. . 
Height, 151% inches. 
(Illustrated) 


656—CuHINESE LoweEstort TuREEN 


Circular form, with upstanding loop handles; and domed cover, with 
plum finial. Decorated, on a ground of fine white glaze, with a border 
of butterfly pattern diapered spaces, European roses, and floral sprays 
in colored enamels. Finial is gilded with painted leaves; the handle in 
red, with gold-dotted rosettes. | 

Height, 94, inches. 


657—CurneEsE Lowestorr Puncun Bown 


Decorated by a Chinese artist, with shaped escutcheons occupied with 
a Coat of Arms adapted from political caricatures of the period. 


eco “ON 


gg9 “ON 


Third Session, Tuesday Afternoon 


658—Oxtp Cuinese Lowestrorr TRay 
Circular shape with cylindrical sides and hollowed out handles. Deco- 
rated, on a white ground, with groups of European roses and other flow- 
ers, with floral sprays and with a band of gilt. The handles are orna- 
mented with scrollings and floral sprays in colored enamels. 
Length, 181% inches; width, 1414, inches. 


659—Cuinese Lowestorr Puncuw Bown 
The exterior is decorated with armorial bearing mantled with acanthus 


scrollings and with sprays of peony blossoms and leaves painted in © 


colored enamels. The interior with a trefoiled border in gold and with 


Chinese figure subjects in colored enamels. 
Height, 5 inches; diameter, 11 inches. 


660—CurineEsE Lowrstorr DINNER SERVICE | 
Decorated, on a white ground, with colored enamels, sepia and gold. 
The centers are occupied with shields containing armorial bearings 
mantled with wreaths of European roses and other flowers, and sur- 
mounted by a crest. (On a wreath of the colors a demi-lion rampant 
or, holding in the dexter paw a branch of laurel.) There are inner 
and outer borders of chain and quatrefoil pattern in gold outlined in 
sepia, while the rims are occupied with sprays of European roses in 
sepia and heightened with gold. The set consists of two oblong platters, 
one plate, one soup plate, nine bowls and three stands, three teacups 
without handles and five saucers and three gravy boats. (Some pieces 


cracked. ) 
27 pieces. 


661—Cuinese Lowesrorr Dinner SERVICE 

Decorated, on a white ground, with branches of peonies in colored 
enamels and with flying birds and acanthus-leaf and meander borders 
of European character, in gold outlined in red. The tureens have han- 
dles formed as dogs’ heads and finials shaped as seated dogs with col- 
lars. The service consists of two tureens with stands and covers, two 
sauce-boats, five circular dishes, four large plates, eleven soup plates 
and fifty-eight small plates. (Finial of one tureen repaired.) 

86 pieces. 


a Ke =" gate s 
aM with. «2 <<. & % 


Third Session, Tuesday Afternoon 


662—CuineEset Lowrstorr VasrE anp Cover 


Oviform shape, with fluted body, domed and fluted cover and lion finial. 
Decorated, on a ground of greenish white, with a deep scroll and floral 
lambrequin border design, shaped panels, on a diapered red ground, of 
Chinese landscapes, floral sprays of European roses, and Chinese flowers. 
All in colored enamels; and there are borders of red rosettes on a green 
ground hatched and scrolled of scrolls of red on white and of scrolls and 
dots of blue on white, and of rosettes and dots of blue on red. The cover 
has a deep lambrequin border of the same character as that of the 
body, with floral sprays in colors, and the finial is solidly gilt. (Cover, 
repaired. ) Height, 361, inches 


NOTE: This remarkable specimen of late eighteenth century Chinese porcelain was for many 
years classed as being of Chinese paste decorated at Lowestoft. It formed part of the 
collection of King George IV and by some means came, during last century, into the 
possession of the Marchioness of Conygham. From her collection it came directly to 
the present owner. 


Third Session, Tuesday Afternoon 


663—Oxip Encuisn Sorr Paste Lowestorr PLATE 
Octagonal shape with flat rim. Decorated with circular and fan-shaped 
panels of Chinese landscapes, men in boats fishing, rock forms, pagodas 
and foliage and with floral sprays in underglaze blue. The exterior 
of the rim is painted with scrollings in under-glazed blue and with a 


mark of pseudo-Chinese character. 
Diameter, 71/, inches. 


664—Oxp Encuisn Lowrestorr Sorr Paste Mue 
Straight sides and circular base with reeded and looped handle. Deco- 
rated, on a white ground, with a painting in blue of Chinese landscapes 
with pagodas and men fishing from a boat, rock forms, tree trunks and 
foliage, and with a border of a checkered pattern interrupted by panels 


of floral sprays. 
Height, 414 inches. 


OLD WORCESTER AND OTHER PORCELAINS, INCLUDING 
A NOTEWORTHY COLLECTION OF OLD SPODE 


666—Oxp WorcerstrerR PorceLAIn Dessert SERVICE 


Decorated with a Worcester “Japan” pattern of peony blossoms and 
leaves in underglaze blue, gros bleu, red, green and gold and with deep 
borders of scallops, interrupted by sprays of peony blossoms and leaves, 
and occupied alternately with grounds of dark blue with puce scrolls 
and leaf forms in puce, and with white grounds having a dotted and leaf 
pattern in red, green and gros-bleu. The service consists of twenty 
plates, four square, four oblong and four leaf-shaped dishes, sauce 
tureen and cover and one boat shaped compotier with two handles. 

34 pieces. 


667—Oxp Worcester PorceLaIn Dessert SERVICE 


Fluted design, with deeply scalloped rims. Decorated with broad bor- 
ders of bleu-du-roi, scroll and leaf decoration in gold and floral sprays 
painted in natural colors. Service consists of one compotier, eight 
fruit dishes, two sauce-boats with covers and stands, four platters and 
sixteen plates. 

31 pieces. 


Third Session, Tuesday Afternoon 


668—THREE OLD SpopE PorcEeLarn VasEs 
Cantharus-shaped, with upright looped handles and circular feet. Deco- 
rated, on a white ground, with the Oriental “Chintz” pattern in gold 
and colors. Mark: Spode, in red. (Slight repair.) 
Height, 81%, and 6% inches. 
669—Pair oF OLD SpPopE VAsEs 
Pear-shaped, on circular feet. Decorated with upright panels alter- 
nately red and green occupied with peonies and prunus blossoms in the 
Oriental manner. 
Height, 9 inches. 
670—Oxtp Spropr Cup anp STAND 
Cylindrical-shaped cup, with two handles, and circular stand. Deco- 
rated with a marbled pattern in purple and vari-colored luster with 
bands of Adam style, ornamentation, circular medallions of flowers and 
floral sprays. Mark: Spode, in red. 


Height of cup, 3% inches; diameter of stand, 8 inches. 


670A—O.Lp SpopvEe Porceiain InxksTanp 
Rectangular shape, with a sunken receptacle for pens in front and 
two ink-wells with domed covers. Decorated on a white ground in 


gold and colors. Mark: Spode. 
Height, 314 inches; length, 8 inches. 


671—OLp SropvE PorceLain Scent Borrie 
Shaped as two conjoined bottles, on ball feet with ball stoppers. Deco- 
rated, in colors, on a gold-dotted brown ground with a scroll and floral 
pattern. 
Height, 2%, inches. 
671A—O.Lp Spope Porcerain PERFUME SPRINKLER 
Shaped as a watering pot. Cylindrical body, with looped handle. Dec- 
orated on a white ground with an Oriental pattern in colors and gold. 
Spout and handle in solid burnished gold. Mark: Spode. (Slightly re- 


paired. ) 
Height, 2%, inches. 


672—O.p SpopE PERFUME SPRINKLER 
Shaped as a teapot, with pear-shaped body and looped handle. Deco- 
rated on a dark blue ground with gold lines and sprays of flowers 


naturalistically treated. 
Height, 1%, inches. 


Third Session, Tuesday Afternoon 


_673—OLxp Spope Porcerarn Vase : 
Trumpet-shaped with scalloped edge. Decorated, on a white ground, 


with raised and painted flowers and with a gilt shell pattern. 
Height, 5 inches. 


674—OLp Spopr VasE 
Pear-shaped with spreading neck, scrolled and fluted handles and circu- 
lar foot. Decorated, on a white ground, with an Oriental pattern of 
peony blossoms and leaves in dark blue, red and gold. Handles deco- 
rated in gold on a dark blue ground. Mark: Spode, in red. 
Height, 6 inches. 


675—Oxup SropE PorcELAIN EGG-sTAND 


Trefoil-shape, supported by three claw feet, with handle formed as hen 
sitting on her nest. Fitted with five eggcups, salt cellar and pepper 
cruets. In white, with a pattern of acanthus leaves, in gold. Mark: 


Spode. 
Height, 7 inches. 


676—TIwo oup SpropE Spitut VASES 


Cylindrical-shaped, with spreading rims. Decorated, on a white ground, 
with an Oriental pattern of peony blossoms, a deep band of scroll and 
blossom decoration, and bands of white reserve with Chinese emblems. 


Mark: Factory number in red. 
Heights, 5 and 4%, inches. 


677—Oup SrpopE PorRCcCELAIN VASE 


Pear-shaped, with cylindrical neck and spreading rim. Decorated, on 
a white ground, with groups of exotic birds in the Chelsea manner and 
with bands of raised beaded ornamentation in white on gold. 

Height, 6 inches, 


678—Patr oF oLp SpopE PorcELAIN VASEs 


Urn-shaped, with projecting rams’ head Hantioa: Decorated on a white 
ground with an Oriental “Chintz”? pattern in gold and colors and with 
raised beaded borders on the rims and feet. (One repaired.) Mark: 
Spode, in red, with factory number. 

Height, 7 inches. 


Third Session, Tuesday Afternoon 


679—Oxp Spope Porcerain Vase 
Pear-shaped body, with cylindrical neck. Decorated with bands of flow- 
ers in natural colors and with a rococo pattern of scrolls and diapers 


in gold. Mark: Spode, in red. 
Height, 6 inches. 


680—Setr or THREE OLD SpopE FLOWER-Ppots AND STANDS 
Coupe-shaped flower-pots, with cylindrical pierced stands. Decorated 
with naturalistically painted flowers, and with bands of gold inter- 


lacements. Mark: Spode, in sepia. 
Heights, 41/, and 4 inches. 


681—OLp Sropr Porcerain Miniature Taper Houper 
Shaped as a Chamber candlestick. Decorated, an a bleu-de-roi ground, 
with a raised pattern of hawthorn blossoms and leaves. Handle of bur- 
nished gilding. Mark: Spode, in red. 


Height, 2 inches; diameter, 4 inches. 


682—Ser or THREE OLD SpopE PorceLaIn Spitt Vases 
Cylindrical-shaped, with scalloped rims. Decorated on brown and yellow 
grounds with floral sprays in natural colors. Mark: Spode, in red. 
Height, 214 inches. 


683—Pair oF OLD SpopE Miniature Pot-pourri Vases 
Cylindrical-shaped, with upstanding rims, handles and domed and 
pierced covers. Decorated, on a burnished gold ground, with roses and 
other flowers naturalistically treated in the Billingsley manner. Mark: 


Spode, in red. (Slight repairs to one cover.) 
Height, 2°, inches. 


684—Pair or otp Worcester PorceLAIn Boven Pors 
Semicircular shapes with projecting ring handles and pierced cover. 
Decorated, on a ground of white glaze, with paintings of English land- 


scapes in colors. 
Height, 43, inches. 


685—Parr or Pixnxton JARDINIERES 


Bucket shaped. Decorated, on a white ground, with paintings of Eng- 
lish landscapes in colors, and with lines of gold around the rims and 


bases. 
Height, 41% inches. 


Third Session, Tuesday Afternoon 


686—Setr or THreE o1p SpopE PorceLain Vases 
Pear-shaped, with cylindrical necks. Decorated on a white ground with 
an Oriental “Chintz” pattern. (One slightly repaired.) Mark: Factory 


number in red. 
Heights, 81% and 6 inches. 


687—Set or THREE OLD SPODE PorceLarn Vases 


Pear-shaped bodies, with cylindrical necks, upright handles and Paine 
feet. Decorated with the Oriental “Chintz” pattern in gold and colors. 


Mark: Spode, p. in red. (One vase repaired. ) 
Heights, 81, and 61% inches. 


 688—Pair oF oLpD SpopE PorcELAIN VASES 


Pear-shaped bodies, with high cylindrical necks, looped handles and 
square bases. Decorated, on a blue ground, with a scroll pattern and 
bands of flowers. Handles and bases decorated with mat gilding. 


Height, 1014 inches. 


689—Oxp SropE PorcELAIN VASE 


Urn-shaped, with spreading rim and Dolphin handles and circular foot. 
Decorated, on a Chelsea ruby ground, with raised gilt birds and foliage 
and with a border of grapes and vine leaves. The handles are mat 
gilded. (Slight crack.) Mark: Spode, in red. 

Height, 7 inches. 


690—Oxtp WorcrEstTER PorcELAIN INKSTAND 


Rectangular shape, on four bracketed feet, with three cylindrical re- 
ceptacles for ink and sand and a longitudinal pen holder with a shaped 
cover, the handle formed as a figure of Cupid. At the back are two 
spherical-shaped pen-holders and a handle formed as a dolphin. Deco- 
rated, on a gold ground, with an all-over design of flowers naturalistically 


painted and acanthus leaves in white. 
Height, 41%, inches; length, 8 inches. 


691—Oxp SropE PorcrenaIn VASE 


Cylindrical shape; spreading rim and circular foot. Decorated, on a 
white ground, with group of flowers and a band of honeysuckle pattern 
in gold. Mark: Spode, in red. 

Height, 71, inches. 


a 
a 


Third Session, Tuesday Afternoon 


692—O.p Sroprt Miniature Tra SERVICE 


On a shaped tray, with projecting shell handles. Decorated with roses 


painted in the Billingsley manner and with gilt leaves. 
6 pieces. 


693—OLp Sprope Miniature Tra SERVICE 
On a shaped tray with projecting shell handles. Decorated, on a white 
- ground, with groups of roses in natural colors and floral sprays in gold. 
Mark: Factory number in gold. 


6 pieces. 


694—Sret or THREE OLD SpopE Porcexarn Vases 
Trumpet-shaped, on four scrolled feet. Decorated, on a white ground, 
with raised flowers and birds brilliantly colored, and with a gilt shell 
design. (Slight repairs.) Mark: Spode, in gold. 
| Height, 614 and 5 inches. 


695—OxLp SpopvE Bow. | 
Coupe-shape, on circular foot. Decorated, on a white ground, with 
transfer prints in purple of pastoral subjects and with a gilt scrolled 
border around the interior and exterior rims. Mark: Spode, in red. 


Height, 3 inches; diameter, 6%, inches. 


696—OLp SropE PorceLatn PomapdE Box 
Circular shape, with decoration of exotic birds and fruit on a mat — 
olive-green ground decorated with gold, and bands of beaded orna- 


mentation in white. 
Diameter, 31% inches, 


697—Oxp SpopE Porcetain Spitt Vase 
Cylindrical shape, with spreading neck. Decorated on a gold ground 


with naturalistically painted flowers. (Repaired.) 
Height, 4 inches. 


698—Pair or Mason Iron Srone Fiower Pors 
Hexagonal shape with curved sloping sides, flat shaped rims and spread- 
ing pierced bases. Decorated with an allover Worcester Japan pattern 
of peony blossoms and scrolls in gold and red on a rich blue ground and 
with shaped panels of white reserve occupied by paintings of bamboo 
stems and birds painted in the Oriental manner in red and gold. 
Height, 8 inches. 


Third Session, Tuesday Afternoon 


699—Oxp Pinxton Porceiain DEssEeRT SERVICE 
Decorated with finely painted sprays of flowers on a white ground, with 
a pattern of grapes and vine leaves and with gold borders. ‘The service 
consists of one compotier, two fruit dishes with pierced sides and stands, 
two sauce-boats with covers and stands, three fruit dishes and twelve 


plates. 
20 pieces. 


700—Ortp WorcestER PorcELaIn VASE 
Straight, incurved sides and circular base. Decorated, on a white 
ground, with a scroll pattern of acanthus leaves and diamond-shaped 
medallions and with octagonal panels occupied with paintings of a 


“Roman Warrior” and “A Nymph Sacrificing.” 
Height, 5 inches. 


701—Pair oF OLD CHELSEA PORCELAIN CANDLESTICKS 


Formed as tree trunks with roots and branches which form handles and 
terminate in candle sockets of acanthus leaf design, having sconces of 
raised and painted leaves. At the foot of the tree in one case sits 
a dog with a collar and in the other a sheep. On rustic bases. Painted in 


natural colors. : 
Heights, 51, inches. 


702—Pair oF OLD CHELSEA STATUETTES ON PepeEsTALs: “THE Musicians” 


Figures of boys in eighteenth century costumes of rose colored coats 
lined with blue and waistcoats and knee breeches decorated with floral 
sprays, both playing musical instruments. On scrolled bases with raised 
and painted flowers and leaves and gilt scrollings. ‘The pedestals, of 
shaped design with voluted handles and molded bases, are painted with 


bands of flowers naturalistically treated. 
Heights of Figures, 534 inches. 
Heights of Pedestals, 3%, inches. 


708—Oup CHELSEA PorCcELAIN STATUETTE: “NEPTUNE”’ 


Figure of Neptune as a nude bearded man, crowned with a flying robe of 
pink which is decorated with floral sprays and lined with green. Sup- 
ported by a dolphin painted in green, red and pink. On a very elaborate 
base of rococo scrolls with a pierced band of rocaille design of marine 


shells and sea-weed. The scrollings in green and gold. 
Height, 8 inches. 


Third Session, Tuesday Afternoon 


704—Pair oF OLD SpopE PorceLain VASES 
Urn-shaped, with cylindrical necks, spreading rims, upright eagle han- 
dles, circular feet and square bases. Decorated, on a white ground, with 
a pattern of peonies and leaves, long-tailed birds in the Oriental style 
and with broad stripes of bleu-du-rot diapered in gold. Feet and stems 
of bleu-du-roi, patterned in gold. 
Height, 17 inches. 


Third Session, Tuesday Afternoon 


705—Pair oF OLD SpopE PorcreLarn Vases 
Pear-shaped bodies, with cylindrical necks, wide-spreading rims, circular 
bases and upright handles. Decorated on a burnished gold ground in 
a very elaborate all-over pattern of roses and other flowers painted in 


the Billingsley manner. Handles of burnished gold. Mark: Spode, in 
red. 


Height, 1214, inches. 


NOTE: Spode vases of this size and character of decoration are so exceptional that it would 
be difficult to duplicate these two examples. 


707—Oxp CHELSEA PorcELAIN STATUETTE 


Green bodice, purple cloak, red skirt decorated with floral medallions. 


Height, 1114 inches. 


Third Session, Tuesday Afternoon 


708—Patir oF CHELSEA JARDINIERES 


Straight sides with projecting handles of scrolls and shells. Decorated 
with an Adam design of urns draped with flowers, and butterflies, with 
a border around the rim of classic scrolls in black on a purple ground 
and festoons of husk pattern in green with red berries and medallions 
in purple. Gold lines around the rims and bases. Mark: Anchor, in 


gold. 
Height, 6°, inches. 


709—Two outp CHELSEA PoRCELAIN VASES 


Oviform shape. The bodies entirely covered with a decoration of raised 
May flowers painted in turquoise blue with gold centers, and with 
raised sprays of berries and leaves painted in red and green. Around 
the bases are bands of a looped decoration in gold and gold lines. 


Heights, 71%, and 7 inches. 


710—Oup CHELSEA PorcELAIN WatcH STAND 


Shaped as a rococo tall clock case with circular opening for watch, 
on four voluted and acanthus leaf feet and surmounted by an acanthus 
leaf finial supported by two figures of Puttini holding flowers. Deco- 
rated with groups of flowers and floral sprays naturalistically painted, 
and with a shaped panel of exotic birds. Repaired. 

Height, 101%, inches. 


-710A—O.up CuHeEtsEA PorceLain VasE 
Oviform shaped with cylindrical neck, curved rim and shaped circular 
base. Decorated, on a white ground, with paintings of roses and floral 
sprays naturalistically treated. Repaired. 
Height, 101, inches. 


711—I'wo Earrty SeuARE-MARKED WorcEsSTER Cups AND SAUCERS 


Cups without handles. Decorated on a scale-blue ground with shaped 
panels of white reserve bordered with scrolls and occupied by paintings 
of exotic birds. The centers of saucers are occupied by medallions, 
butterflies and insects. Mark: Square Mark in blue. 


Third Session, Tuesday Afternoon 


711 A—Portion or Mintature CHiInEsE Lowesrorr TEA SERVICE 


Decorated, on a white ground, with floral sprays in colored enamels 
and with gilt borders. The service consists of cream ewer, waste bowl 
shaped platter and six cups. 


712—Oxtp Worcester PorceLAIn Dessert SERVICE 


Decorated, on a white ground, with a Worcester “Japan” pattern of 
peony blossoms, buds, and birds painted in gros-bleu, red, yellow and 
gold. The service consists of seventeen plates, four oval, four square 
and three leaf shaped fruit dishes, one compotier, two sauce tureens, 


covers and stands. 
33 pieces. 


718—Oup Derspy PorcreLaAIn TEA AND CoFFEE SERVICE 


Decorated with a “Chintz” pattern of peony blossoms and leaves and 
with gilt-scrolled panels of gros-blew occupied by prunus blossoms in 
white reserve. The service consists of ten coffee cups, ten tea cups, ten 
saucers, two cake plates, waste bowl and small platter. Mark: D, 
crossed Batons and Crown, in red. 

34 pieces. 


714—Oxup WorceEsTER PorcreLAIN TEA AND CoFFEE SERVICE 


Cups and saucers with scalloped edges. Squat shaped teapot, with 
acanthus leaf loop handle, curved spout ending with dragon’s head, 
domed cover with raised flower finial and three shell feet. Decorated 
on broad bands of apple green ground with shaped and gold bordered. 
panels occupied by sprays of roses and other flowers naturalistically 
painted, with roses in white reserve and with leaves and stalks in gold. 
The service consists of twelve tea cups, twelve coffee cups, twelve saucers, 
teapot, sucrier, cream ewer, waste bowl and cake plate. 

* - 41 pieces. 


715—Oup Sroprt Porcetain TEA AND CoFFEE SERVICE 


Decorated, on a white ground, with transfer prints in sepia of English 
domestic figure subjects in the manner of Wheatley. Each piece is 
decorated with a different subject. The service consists of twelve cof- 
fee cups, fifteen tea cups, fifteen saucers, sucrier with cover, cream ewer. 


Third Session, Tuesday Afternoon 


716—Oxup Worcester Porcetain TEA anp Correr SERVICE 
Decorated, on a white ground, with a broad band of salmon color deco- 
rated with flower medallions in white reserve with red and gold centers, 
with gilt scrolls and bands of gilding. The service consists of cream 
ewer, sucrier, waste bowl, ten coffee cups, nine tea cups, nine saucers 


and two cake plates. 
33 pieces. 


717—Ouxp Dersy Porceiar Dessert SERVICE 
Decorated with cornflowers, floral sprays and borders of cornflowers 
and leaves between two dotted bands of gilding. Mark: D, Crossed 
Batons and Crown in puce. Service consists of twenty-three plates, 
two ice coolers, two sauce boats and stands, four small oval fruit dishes, 
two large fruit dishes, four square fruit dishes, two leaf shaped fruit 
dishes and one compote. 


718—O.xp Swansrea Porcetain DEsseERT SERVICE 
Decorated with sprays of cornflowers, moss, roses and buds and with 
borders of cornflowers and gold floral sprays between two bands of gold 
patterning. Mark: Numbers impressed. The service consists of twenty- 
one plates, two sauce boats and stands, two ice coolers, one compotier, 
four oval fruit dishes, three round fruit dishes and three square fruit 


dishes. 
38 pieces. 


719—Outp Apams CaNDELABRUM 
Tapering standard of cut glass, with canopied top hung with cut drops 
and surmounted by a cut star, and with three branching arms of cut 
glass, terminating in glass candle sockets hung with cut drops. Finely 
chased ormolu mountings and pedestal of a blue and white jasper drum 
by Adams decorated with subject of “The Baptism of Achilles,” and 


with bands of interlaced ring ornamentation. 


Height, 271, inches. 


Third Session, Tuesday Afternoon 


720—Pair or oLrp NEALE CANDELABRA 
1785. Vase shaped sticks of cut glass with star shaped sconces hung with 
cut glass drops, and with cut glass sockets. Pyramidal shaped pedestals 
of blue and white jasper. Decorated with oval panels of classical figure 
subjects surrounded by festoons of drapery. Polished ormolu mountings, 
of molded cornice and bases and four ball feet. Probably by Neale 


and Co. 
Height, 1314, inches. 


721—Oup Dersy Porcetarin DINNER SERVICE 
Decorated on a white ground in red, gold and blue with an Oriental 
pattern of peony and prunus blossoms, with elaborate lambrequin bor- 
ders of a diapered pattern in gray and brown with scrolls of white reserve 
on a red ground and with borders of blue having a zig-zag pattern in 
gold. The service consists of one hundred and forty-nine large dinner 
plates, eight medium plates, twenty-eight small plates, thirty-one soup 
plates, thirty-one small soup plates, fourteen platters, three trays, six- 
teen berry dishes, six fruit dishes, one ice cooler, four compotiers, one 
tureen, four gravy boats and two. stands, two dishes. Mark: D and 
Crossed Batons in puce and red. | 


From the collection of the Rt. Hon. Lord Joicey, Greg-y-nog, Glamor- 


ganshire. 3 
298 pieces. 


722—STAFFORDSHIRE LustEeR TEA SERVICE 


Decorated, on a white ground, with transfer-prints in mulberry color 
of Landscapes and English Country Houses and with lines and borders | 
of silver luster. Cups with looped handles. Boat-shaped teapot, cream 


ewer and sucrier and coupe-shaped waste bowl. 
53 pieces. 


723—Oxp Worcester PorceLAIn TEA AND CoFrreEe SERVICE 


Decorated with peony flowers and leaves, rock forms and butterflies 
painted in red, gros-bleu and gold. Service consists of eighteen tea cups, 
eighteen coffee cups, seventeen saucers, teapot and cover, and sucrier. 


55 pieces. 


FOURTH SESSION 


TUESDAY EVENING, MARCH 16, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.00 oO’cLOCK 


Which includes Catalogue Nos. 724 to 874 


OLD ITALIAN, FRENCH AND GERMAN IVORY AND WOOD 
CARVINGS OF THE XV, XVI, XVII AND XVIII 
CENTURIES 


In all the countries of Europe, artificers from the Fifteenth to the Eighteenth centuries were 
wont to deliver their message of art in carvings of ivory and pearwood as well as by means of 
paint and canvas. These carvings, generally of a small size, seldom fail to attract the attention 
of the real connoisseur. 


724—SIxTEENTH CentTuRY FLEemisH Carvep Oax Ficure 
Figure of a Saint dressed in Nun’s garb supporting on her right arm 
the figure of a crowned Virgin holding the Infant Christ on her knee. 
Height, 28 inches. 


725— FIFTEENTH CENTURY ByzANTINE Cross 
Lignum-vitae. The front decorated with a pattern of crosses in circles 
and interlaced ornamentation, the sides with inscriptions of the names of 
saints in silver, the front with pointillé decoration of metal studs. 
Height, 13 inches. 


726—SEVENTEENTH CENTURY SpanisH DeEvoTionaL MEDALLION 
Oval form of wood with serrated edges. Containing a representation of 
the crucifix with the holy women and carvings of mother-of-pearl and 


ebony. 
TY, by 61% inches. 


Fourth Session, Tuesday Evening. 


727—SIxTEENTH CENTURY ITALIAN RELIQUARY 


Pear wood. Formed as a crucifix with the Madonna at the foot of the 
cross and God the Father in Glory above it. Mounted in silver with 
“T. N. R. I.” inscription in gold on a silver label. Back of cross hollowed 
out with sliding covers to form reliquary. 
Length, 11%, inches. 
728—SIxTEENTH CenTuRY Frencu RELIQUARY 


Boxwood. Formed as crucifix having at the foot the Virgin Mary, God 
the Father and the Holy Spirit represented as a dove. Back of crucifix 
hollowed out with sliding covers to form reliquary. 
Length, 101, inches. 
729—SEVENTEENTH CENTURY SPANISH CARVING 


Boxwood figure of the Madonna holding infant Christ. On wooden 
pedestal of later date. 
Height of carving, 33/4 inches. 
730—SEVENTEENTH Century ITatian CaArvING 


Pear wood. Crucifix, with rusticated cross, flanked by two kneeling 
figures of a bishop and a female saint in seventeenth century costume. 
On a shaped and molded contemporary base of ebonized wood. 
Height, 10 inches. 
731—Pair oF SEVENTEENTH CentTurY ITALIAN STATUETTES 


Pear wood figures of the Madonna holding the Child and Hope with the 


Anchor. Contemporary gilding. On square bases. 
Height, 11 inches. 


7382—SIXTEENTH CENTURY SPANISH CARVING 
Pear wood. Figure of a female saint holding a book. | 
Height, 61, inches. 
733—SIXTEENTH CENTURY GERMAN CRUCIFIX 


Carved pear-wood figure on a plain wooden Cross, of later date. 
Height, 12 inches. 
7384— SEVENTEENTH CentTurY Iranian -CruciFix 
Figure of carved pear wood, Cross of inlaid ebony and molded base. 
of walnut. 7 
Height, 22 inches. 
735— SEVENTEENTH CENTURY GERMAN CRUCIFIX 
Figure of carved pear wood, Cross of walnut with pear-wood tablet, and 


pedestal base of walnut on four ball feet. 
Height, 24 inches. 


Fourth Session, Tuesday Evening 


736—SEVENTEENTH CENTURY ITALIAN CRrRUCIFIX 


Figure of carved pear wood. Cross of inlaid ebony, and shaped base of 


ebony inlaid with panels of tortoise-shell lines of ivory. 
Height, 30 inches. 


737—SixTEENtTH Century Iran Ivory Carvine | 
Standing figure of Saint Catherine holding a sword with her wheel at 
her side. On square base covered with old crimson velvet. 
Height, 11 inches. 
738—SEVENTEENTH CrentTuRY DutcH STaTUETTE 
| Carved in pear wood. Subject of a grotesque dwarf in early sixteenth 


century costume. On octagonal base. 
. Height, 81, inches. 


739—Par oF EIGHTEENTH CENTURY GERMAN STATUETTES 
Of carved pear wood. Figures of Peasant women, one holding a bag in 
her hand, the other with a bag thrown over her shoulder. 


Heights, 121% inches. 
740—SEVENTEENTH CENTURY Boxwoop STATUETTE 


Carved figure of a Saint holding under her arm a book. Painted, gilt 
and studded with real turquoises, amethysts and garnets. The book 
is hollowed out for the reception of the relic. On octagonal molded base. 


Height, 14 inches. 


CARVED ROCK CRYSTALS AND A COLLECTION OF 
INTERESTING IVORY CARVINGS OF THE 
XVI AND XVII CENTURIES 


741—Seventeentn Century Travian Rocx Crysran Carvine 
Bust of a Doge with long hair and pointed beard in a 
Doge’s cap. On circular pedestal. All in carved and en- 


graved rock crystal. 
Height, 434 inches. 


742—SEVENTEENTH CENTURY FRENCH CRYSTAL AND SILVER- 
GILT TAazzaA 


Flat fluted bowl of baluster shape, stem of rock crystal 

oe! with intaglio engraved scrollings, circular foot with a 

band of cut crystal flutings and chased and engraved silver rim. 
Height, 41, inches. 


Fourth Session, Tuesday Evening 


743—Garnirure oF THREE SEVENTEENTH CENTURY GERMAN Rock CrystTan 
VasES 

Pear-shaped bodies of cut rock crystal. The center vase has a bowl 
supported by three ostriches on a cut crystal sphere, scrolled handles 
shaped as female terms, neck and rim of silver enameled and set 
a jour, with cut crystals. The circular base is decorated in colored 
enamels. The side vases have scrolled handles formed as enameled female 
terms, the stems are formed as enameled Puttini on cut crystal dolphins 
and the circular feet are enameled with a design of flowers. 


Heights, 71% inches and 7 inches. 


744—SpanisH SEVENTEENTH CENTURY Ivory CaRvVING 
Figure of the Madonna with infant Christ supported by cherubim. 
Length, 2 inches. 


745—SEVENTEENTH CENTURY FRENCH Ivory CaRVING 


Miniature powder horn mounted in silver and formed in the figure of a 
Lady of the Court holding in one hand a heart-shaped escutcheon with 
monogram W. A. F. On the back a figure of a mermaid holding a fish 


in one hand and in the other a beaver by a leash. 
3 inches. 


Fourth Session, Tuesday Evening 


746—SIXTEENTH CENTURY GERMAN Carvep Ivory PowpEr Horn 


Tip of an elephant’s tusk carved with a deer’s head and antlers, elephants’ 
heads and animals. 
4 inches. 


747—EIcHTEENTH CenTURY FrRENcH Ivory Tospacco GRaTER 
_ Of ivory with detachable cover. Cover carved in relief with a figure of a 
young woman carrying a basket of fruit and with shell ornamentation. 


Length, 61% inches. 


748—SEVENTEENTH CENTURY FRENCH Ivory CARVING 


Portion of a tobacco grater. Decorated with a panel occupied by figure 
of a man in peasant costume and with a decoration of floral festoons, 


shells and basket of fruits. 
Length, 71%, inches. 


T49—SEVENTEENTH CENTURY FRENCH Ivory Carvine 
Portion of a tobacco grater. Subject of a young woman in contem- 


porary costume having her fortune told by an old gypsy woman. Deco- 
ration of cornucopie of fruits and flowers. 


_ Length, 8 inches. 
750—SEVENTEENTH CENTURY FRENCH Ivory CARVING 


Portion of a tobacco grater. Subject of a Flemish peasant holding a 
goblet of wine. 


751—SEVENTEENTH CENTURY FRENCH Ivory CarvING 


Portion of a tobacco grater. Decorated with the figure of a wandering 
snake charmer. 
Length, 7 inches. 


752—EIGHTEENTH CENTURY FRENCH CARVED Ivory PANEL 


Octagonal shape carved with subject of Venus and Cupid and surrounded 


by a border of bead, spindle and acanthus leaf decoration. 
, 3Y, by 21% inches. 


753—EIGHTEENTH CENTURY FRENCH Ivory Box 


Lid carved with a subject of two seated figures in the Watteau manner. 


Silver hinge. 
31, by 214 inches. 


Fourth Session, Tuesday Evening 


754—SIxTEENTH CENTURY CarvED Ivory PLaaQuE 

Octagonal shape having on one side a low relief carving of Europa and 

Nymphs in a rocky landscape, and on the reverse, a painting in oil of a 
Nymph bathing. 

Al, by 3 inches. 


755—Pair or EIGHTEENTH CENTURY BuRMESE Ivory CaRrvVINGs 
Upright figures of Burmese King and Queen in native costume. On 
cylindrical black wood pedestals. 
Length, 4 inches. 


756—SIXTEENTH CENTURY GERMAN PownpeErR FLASK 


Portion of a stag’s horn elaborately carved with figure subjects includ- 
ing the martyrdom of Saint Sebastian. Mounted in silver repoussé and ~ 
engraved. Mounting of later date with a catch top and two rings for 
suspension. 


757—SEVENTEENTH CrEenTuURY ITatian CruciFix 
Carved pear-wood figure, Cross of inlaid ebony with pear-wood label and 
metal scroll and cross bones. _On molded semi-octagonal pedestal 
base of tortoise-shell with quilled moldings of ebony. 
Height, 261, inches. 


758—Pair or Ivory PLAQuEs 


Carved with portrait heads of Van Dyke and others. In molded marble 


frames. 
Height, 41, inches; length, 4 inches. 


7T59—SEVENTEENTH CENTURY GERMAN Ivory Carvine 
Rectangular panel carved in recess in high relief with the figure of infant 
John the Baptist adoring the infant Christ. Landscape background and 
two cherubim in a cloud. 
53% by 4 inches. 
760—SIXTEENTH CENTURY SpanisH Ivory Carvine 
Figure of Sait Michael in a classical costume standing upon a dragon 
set with inlaid crystals and with trace of coloring. | 
61, inches. 
761—SEVENTEENTH CENTURY SpanisH Ivory Carvine 


Figure of the infant Saint John. Hair shows traces of paint and col- 
oring. One arm missing. 
Height, 314 inches. 


Fourth Session, Tuesday Evening 


762—FirTEENtTH CENTURY ITatian CARVING 


Figure of Saint John in flowing mantle. 
31, inches. 


763—SIXTEENTH CENTURY Iratian Ivory Carvine 
Portion of a crucifix. 
Al, inches. 
164—SEVENTEENTH CENTURY SpanisH Ivory Carvine 
The Immaculate Conception. Figure of the Madonna with clasped hands 
standing upon a crescent. On circular ebony pedestal base. 


(Illustrated) 3%, inches. 


765—SEVENTEENTH Century [rattan Ivory Carvine 
Figure of a Saint in monk’s robes with cowl thrown back. On contem- 
porary wooden base of ogee form. 


( Illustrated) Length, 5 inches. 


766—SEVENTEENTH CENTURY GERMAN Ivory CarRVING 


Figure of an Ecclesiastic holding in one hand a bell and in the other an 
open book. 
Length, 41% inches. 
767—SIxTEENTH CENTURY FRENCH Ivory Carvine 
Figure of a female Saint, in nun’s costume, with clasped hands. 
Length, 4/4, inches. 


768—SIXTEENTH CENTURY GERMAN Ivory CaRviING 

Subject of the Flight into Egypt, the Madonna with the Infant in her 

arms sitting upon an ass. 

33, inches. 

769—SIxTEENTH CENTURY SpanisH Ivory Carvine 

Figure of a Saint with clasped hands. Shows traces of coloring and 

gilding. Cylindrical pedestal base of black wood. 
Height, 61, inches. 
770—SixteentH Century Traian Ivory Carvine 

Full length standing figure of Mary Magdalen holding a vase of unguent. 

On semicircular base. 


From the Andrews Collection. 
(Illustrated) 


No. 764 


No. 770 
No. 771 


No. 765 


No. 773 


No. 775 


Fourth Session, Tuesday Evening 


771— FIFTEENTH Century Ivory Carvine 


Figure of the Madonna holding in one arm the infant Christ who holds 


in his hands an orb. 
Length, 61, inches. 


(Illustrated) 


772—SIXTEENTH CENTURY ITALIAN Ivory CarRvVING 


Figure of a Saint in monk’s robes holding a Bible. 
Length, 6 inches. 


773—SEVENTEENTH CENTURY SpaAnisH Ivory Carvine 
Subject of the Immaculate Conception. The Virgin standing upon a 
crescent with cloud forms and cherubim. Shows traces of coloring. 


Contemporary carved ebony base. 
Length, 74 inches. 


(Illustrated) 


774—SEVENTEENTH CENTURY F'LEMISH Ivory CARVING 


Figure of Christ. Portion of a crucifix. 
814 inches. 


775— SEVENTEENTH CENTURY SPANISH CARVING 
Figure of the Immaculate Conception. The Virgin standing with 
clasped hands upon a snake entwined crescent supported by cherubim. 


Traces of coloring. Shaped and molded pedestal. 


7 inches. 


(Illustrated) 


776—TIwo SIxTEENTH CENTURY ITALIAN Ivory CarvIiINGs 
Portions of crucifixes. One, a Figure without arms. The other in per- 


fect condition. Mounted in velvet covered panel. 
73, by 434 inches. 


777—FirreEENtH CEentTuRY FLEmisH Ivory Carvine 


Ivory figure of Christ on a crucifix. Length, 18 inches. 


778—SIx EIN WEN TIT Century Carvep Ivory AprostTLeE SPoons 
Egg-shaped bowls. Handles formed as figures of Apostles with their 


emblems. 
Length, 514 inches. 


Fourth Session, Tuesday Evening 


779—SIXTEENTH CENTURY GERMAN CarveD Ivory TriprycH 
In three leaves, the two side leaves closing to cover the middle portion. 
Pointed tops ending with Gothic finial. On ivory base of Gothic quatre- 
foils carved in low relief with arched panels enclosing figures of Saints 
en silhouette and engraved. Above in a carved quatrefoil panel is a 
figure of Christ in glory. Wrought iron strap hinges and lock escutcheon. 
Height, 10 inches; length, 834 inches. 


Y80—SEVENTEENTH CENTURY ITALIAN CRUCIFIX 


Carved ivory figure on a cross of ebonized wood inlaid with tortoise-shell. 
On shaped and molded base of walnut inlaid with tortoise-shell. 


Height, 20 inches. 


%81—SeEtT or SEVEN SIXTEENTH CENTURY GERMAN Ivory CARVINGS 


Rectangular, diamond shape, oval and circular pierced and carved ivory 
medallions with subjects of the Madonna and Child, Christ washing the 
feet of Huis disciples, Christ holding an ear of wheat, etc. Mounted 
on an ebonized obelisk standing on a rectangular base. 


Height of obelisk, 7144 inches. 


782—-EIGHTEENTH CENTURY GERMAN TEA Cappy 


Shaped and molded form. Of burr walnut wood decorated with inlaid 
and etched ivory in a design of figures in eighteenth century costume 
standing upon architectural pedestals and surrounded by a scroll design 
with festoons of drapery. Removable lid with disc finial. 

Height, 6°, inches. 


e 


783—SEVENTEENTH CENTURY ITALIAN PLAQUE 


Of liignum-vite. Flanked by Ionic columns with ivory capitals supporting 
ivory spheres with ivory bases. Decorated with etched figures of female 
winged Terms. The plaque proper contains an arched recess with a 
figure of a bishop. The spandrels above are occupied by figures of 
angels with trumpets and the pilasters at the sides with pendent groups 
of flowers and leaves falling from satyr masks. All this decoration is 
in inlaid and etched ivory. 
Height, 10 inches; width, 1034 inches. 


Fourth Session, Tuesday Evening 


784—SEVENTEENTH CENTURY SPANISH CARVING 


Figure of a Saint with head and legs of ivory and hands of wood. On 
semicircular base. 


785—Two SEVENTEENTH CENTURY SpanisH Ivory CarviNncs 
_ Pear wood figures of Saints dressed in monk’s robes and in one case 
holding a Bible. Head, hands and feet of ivory. On shaped and molded 


octagonal base. 
Height, 1534 inches. 


786—SEVENTEENTH CENTURY GERMAN STATUETTE 
Carved wood figure of a female in man’s costume of jerkin and tights 
with cloak thrown over her left arm. Figure of carved wood with head 
and bust of carved ivory. On square molded pedestal base. 
Height, 1514 inches. 


787—SEVENTEENTH Century Iranian Ivory Cannon 
Cannon of ivory, the barrel carved with quatrefoil medallions in relief 
and two couchant lions at the trunnions, the mouth with a band of 
lozenge ornamentation and the breech as an elephant’s head. On ebony 


carriage. ; 
Length of cannon, 51% inches. 


788—SEVENTEENTH CentTuRY Iratian Ivory Carvine 
Figure of a youthful Hercules draped with a lion’s skin fighting with a 


lioness whose cub he holds in his hand. 
Height, 9 inches. 


789—FirTEENTH CENTURY Coptic StranpInc Cup anp Cover 
Of ivory formed in a design of a spirally ornamented sphere on conical. 
base with hexagonal stem and knob of spiral ornamentation decorated 
with carved figures of serpents, lizards and human figures. The whole 
surmounted by a kneeling female figure holding a child in her arms. 
Faces of the figures are of a strongly marked African character. 


| Height, 13 inches. 


Fourth Session, Tuesday Evening 


790—SEVENTEENTH CENTURY GERMAN FLAGON AND LID 


Upright cylindrical body formed of a section of an ivory tusk carved 
in a subject of cupids and nymphs. Mounted in silver with elaborately 
repoussé base and rim and with hinged lid repoussé in a design of scrolls 
and flutings and surmounted by a finial of a female figure. Thumb piece 
formed as a gryphon and scrolled looped handle formed as a female 
Term. Ivory carving about 1650. Silver mount of later date. 


Height, 14 inches. 


Z6L ‘ON €6L ‘ON Z6L ‘ON 


Fourth Session, Tuesday Evening 


Y91—SEVENTEENTH CENTURY GERMAN CARVED Woop MEDALLION 
Oval shape of pear wood carved with the figure of Saint Cecilia at the 


organ, attended by angels and cherubim. 
7 by 6 inches. 


792—Pair oF SEVENTEENTH CENTURY ITALIAN CaRVINGS 
Boxwood figures of the Madonna and Saint John. Mounted on con- 


temporary pedestals. 
Heights of figures, 1014 inches. 
(Illustrated) 


793—SEVENTEENTH CENTURY SPANISH Carvine IN Boxwoop 
The Immaculate Conception. ‘The Madonna standing on a crescent 
holding the infant Christ in her arms. Base formed as clouds with 


dragon headed serpent. 
_ Height, 81% inches. 
(Illustrated) 


794—SEVENTEENTH CrEenTURY FRENCH RELIQUARY 


Boxwood formed as crucifix. At the foot of the cross the Madonna and 
above God the Father and the Holy Spirit. Back of cross carved with 
emblems of the Passion and hollowed out to form the reliquary. 


Height, 111% inches. 


RARE AND INTERESTING OBJECTS OF ART AND 
CRAFTSMANSHIP BELONGING TO THE 
XVII AND XVIII CENTURIES 


795—SEVENTEENTH CENTURY GERMAN Boxwoop BENITIER 


Lower portion for the reception of holy water supported by puttini. 
Above the subject of the Annunciation surmounted by God the Father 
and the Holy Spirit from whom descends a ray falling upon the 
Madonna. 

81, inches. 


Fourth Session, Tuesday Evening 


796—EIGHTEENTH CENTURY FRENCH TRAVELING Dressinc CaAsE* 


Cylindrical case of lignum-vite mounted with engraved silver bands and 
fitted with a man’s silver-mounted toilet necessaries. 'The mounts en- 
graved with a crest surmounted by a Ducal Coronet. The lid has an 
inlaid plate of silver engraved with armorial bearings and the motto 


‘Liberté tout entiére.”’ | 
Height, 9 inches; diameter, 334 inches. 


797—EIGHTEENTH CENTURY FRENCH PERFUME HOLDER 


Rectangular frame of ormolu having interlacements of green colored 
ivory and pointillé ivory ornamentations at the angles. The swinging 
handles are of ormolu and the hinged fringing of lambrequins of cut 
crystal mounted in ormolu. Above are three cut glass perfume flasks 
with screw tops of cut glass on which are two circular medallions painted 
in the Watteau manner and mounted in ormulu. 


From Sir Joseph Duveen’s Private Collection. 
Height, 81% inches. 


798—EIGHTEENTH CENTURY SPANISH Razor Cask 


Of tortoise-shell. Upright rectangular form with fluted angles, domed 
cover and square base. Mounted in silver with an escutcheon name 
plate and handle decorated with flat chasing in an interlaced design 
of scrolls and acanthus leaves. ‘‘Hidalgo” engraved on the name plate. 


Height, 9 inches. 


799—SEVENTEENTH CENTURY GERMAN T'AzzZA 


Carved rock crystal bowl on an elaborately repoussé and chased silver- 
gilt stand. Around the bowl are satyr masks draped with grapes 
and vine leaves from which swing floral festoons. Below is a band of 
floral and leaf decoration. The stand consists of four curved supports 
ending in paw and claw feet, and a circular base. Through the bottom 
of the rock crystal bowl projects upward a serpent’s head in silver 
gilt its spiral body depending downwards between the uprights of the 


stand. 
Height, 7 inches. 


i} 
’ 


Fourth Session, Tuesday Evening 


800—OLp: Frencu Sitver Box 
Oval shape. The bottom of box and lid formed by copper plaques re- 
poussé in subjects of the “Rescue of Andromeda by Perseus” and of men 
in seventeenth century costume hunting and fishing. | 


Length, 41, inches; width, 31% inches. 


801—SEVENTEENTH CENTURY FRENCH ToRTOISE-SHELL Box 
Mounted in ormolu. Circular shape. Decorated with an embossed pat- 
tern of scroll and floral design, with three oval medallions, contain- 
ing portraits of Louis XIII. and Anne of Austria, and with a figure of 
Peace. 


Height, 2%% inches; diameter, 414 inches. 


802—EicHTEENTH CENTURY ToBAcco AND TinDER Box 
Oblong shape. Of brass engraved on the lid with the figure of an English 
Beadle and the inscription “A. Bollen, Windsor.” Arranged in com- 
partments for the reception of the flint, tinder and tobacco. 


803—EicHTEENTH CENTURY FRENCH Box 
Octagonal shaped and molded. Of marbled agate mounted in silver. 
The lid has a silver rim, lock and key and pierced and engraved key 
escutcheon. 
Height, 41, inches. 


804—Two EicHTrEENtH CEentURY GERMAN Boxtks 


One of oblong form with rounded ends, with a miniature painting in 
oil of a Teniers Ale House subject. The other of oblong form with 
shaped ends, scrolled thumb piece and silver hinge. 


Lengths, 5% and 61%, inches. 


Fourth Session, Tuesday Eveniny 


805—EIGHTEENTH CENTURY FRENCH Pocket TorLetT SET 


Heart shaped black shagreen case with piqué ornamentation, containing 
six cut ruby glass perfume bottles with silver gilt tops. 


806—Oxp CrystaL Scent Fracon 
Ivory case, carved with figure of Cupid and floral sprays. Bottle of 
cut crystal with silver mountings. In black shagreen case. 


Length, 31, inches. 


807—OLp EneuisH Travertine Writine Ser 
Eighteenth century. Consisting of ink bottle with screw-top wafer 
receptacle and pencil. Sections arranged to screw the one into the 
other. In black shagreen case. 


808—EicHTEENTH CentTuRY “‘PockET COMPANION” 
Small book with engraved views of English mansions at the head of some 
pages. Other pages contain official information and a list of the House 
of Lords and Commons. Dated 1799. In red morocco cover with silver 
clasps. 


809—SEVENTEENTH CENTURY ENcLIsH Horn-Booxk 
Case of stitched leather. Square frame with handle covered with sheet 
of transparent horn. Intended for the reception of a printed “A. B. C.” 
sheet for the use of infant scholars. 


810—Two SEvENTEENTH CENTURY GERMAN ARROW HoLpeErs 
Section of deer’s antler and other horns engraved with sporting subjects 
and diapered patterns with sliding plate at the bottom for the with- 


drawal of the arrow. 
Lengths, 6 inches and 5 inches 


Fourth Session, Tuesday Evening 


811—EicurerentH Century EneciisH Terrestrial GLoBE : 
In hinged shagreen case the interior of which represents a sidereal globe. 
Engraved on copper and colored. Signed, “‘C. Price” on ornamental es- 


cutcheon. 
Diameter, 314 inches. 


812—Four SEVENTEENTH AND EIGHTEENTH CENTURY PrRimiING FLAsks 
One, of the seventeenth century, of steel damascened with brass with a 
spring stopper arrangement and two metal hinge suspension loops, one 
bottle-shaped of black shagreen mounted in silver with bayonet-catch 
stopper, one of horn carved with two figures in eighteenth century cos- 
tume and mounted in chased and engraved silver and one of turned lig- 
num-vitae with chased and engraved silver mount. 


Lengths, 3%, to 6Y, inches. 


813—SEVENTEENTH CentTurRY Iranian Miniature Pistrou 
Of carved coco-bola wood banded with silver and inlaid with silver 
roundels. The match-lock, formed as serpent, and the trigger, are of 
brass with rings for suspension. 


814—SEVENTEENTH CENTURY GERMAN Ink BoTTLE 


Conical shape, of sewn leather with silver mounts of later date. 


21, inches. 


815—EicHTEENtH Crentury Scotcu PowprEer Horn 
Mounted in silver with spring nozzle and hinged lid ornamented with 
a flat chased acanthus scroll design, and rim engraved with thistle and 


leaf border. 


Fourth Session, Tuesday Evening 


816—SEVENTEENTH CENTURY DanisH STANDING Horn 


The horn is engraved with an intertwined dragon-headed serpent and 
a band having the inscription “Voir Sus Vesperam.” The silver mounts 
consist of a band with gauffered and engraved edges, two cylindrical 
feet and a parcel gilt rim. With repoussé subjects of a rampant lion’s 
head, battle axes and double arched canopies occupied by figures of 
Saints. The rim bears the inscription ““Haxon Macnusson Anno 1679.” 
Copenhagen Hall Mark of the seventeenth century. 


817—SEVENTEENTH CENTURY DutcH PowpEeR Horn 
Covered with leather and mounted in silver with spring catch formed 


as a gryphon’s head. The lid engraved with armorial bearings and the 
name “Johan van Goll.” 


Fourth Session, Tuesday Evening 


818—Ei1cHTEENTH CENTURY CoLoniaL PowpEerR Horn 
Mounted in silver with wooden cover having a silver rim and plate en- 
graved “Gift of W. Harffy Esq., Detroit, Oct. 19th, 1789.” Upon a 


silver band is engraved the Indian name ““Tayannega.” 


819—O.Lp ScorcuH Snurr Muy 
Formed as a Ram’s horn mounted in silver with hinged lid. The lid is 
decorated with a repoussé and engraved thistle, and with a label in- 
scribed “John Harrold.” The rim is engraved with two clasped hands 
and two conjoined hearts. 


820—SEVENTEENTH CENTURY NORWEGIAN QUIVER, AND EIGHTEENTH CENTURY 
Powpver F ask 
Arrow holder of horn with rough carving in high relief of a fluted cross. 
Powder flask mounted in brass with a bayonet-catch nozzle and silk 
cord for suspension. 


821—SEVENTEENTH CENTURY DutcH CUP Aanp CovEeR 


Cocoanut carved in checkered pattern with a silver rim cover, flame fin- 


ial, and molded foot. 
Height, 81, inches. 


822—FKicgHTEENTH CENTURY GERMAN FLASK 


Cocoanut carved in the form of a sun fish with metal eyes and nozzle. 
The body is carved with two circular medallions of “Shepherd piping 


to a Shepherdess” and “Troubadors and Ladies.” 
Height, 7 inches. 


823—EIGHTEENTH CENTURY GERMAN VASE 


Cocoanut mounted, in silver, on a tripod stand. Silver straps, engraved 
rim finial shaped as a bouquet of flowers and acanthus leaf base. 


Height, 8%, tnches. 


Fourth Session, Tuesday Evening 


824—FEI1cgHTEENTH CENTURY GERMAN FLAsk 


Cocoanut carved in the form of a sun fish with mother of pearl eyes 
and silver nozzle. Carved with military and musical trophies and an 


all-over pattern of leaves. Silver chain. 
Length, 5 inches. 


825—SEVENTEENTH CENTURY GERMAN VASE 
Beaker shape with domed cover ending in a pine-apple finial, on cir- 
cular base. The silver mounts consist of a molded rim with a band of 


flat chased ornamentation, flat-chased cover with a molded and chased 


finial and a molded and fluted base. 
Height, 61% inches. 


826—SEVENTEENTH CENTURY GERMAN CUP 


Bowl formed of a nut with a scalloped and engraved silver rim. Lobed 
stem and circular base, with engraved border. Maker’s mark I. H. 


Height, 5 inches. 


827—Two EIGHTEENTH CENTURY GERMAN GOBLETS 


Bowls formed of cocoanuts. ‘Turned stems and foot of coco-bola wood. 


Mounted with deep silver rims. 
: Height, 6 inches. 


828—EIGHTEENTH CENTURY ScoTcH GOBLET 
Bowl formed of a carved cocoanut, the stem and foot of coco-bola wood. 


Mounted in silver with figures of thistles. Armorial shield on bowl, 


engraved with the letter M. 
Height, 5 inches. 


829—SEVENTEENTH CENTURY GERMAN GOBLET 


Bowl formed of a nut engraved in pattern of pointed leaves. Mounted 


on a silver stem and circular base and with silver rim. 
Height, 534 inches. 


8380—EIcHTEENTH CENTURY FLASK 


Nut mounted in silver, with cylindrical neck closed by a silver mounted 


cork. Silver base engraved “B. L. 6th Feb.” 
Length, 41/, inches. 


Fourth Session, Tuesday Evening 


831—SEVENTEENTH CENTURY DutTcH PERFUME BoTTLE 
Formed of a small cocoanut, with fluted circular base and cover with 
screw stopper. | 


832—Two EicHTEENtH Century EneiisH BEAKERS 


Of wood mounted in silver. One of coupe form with cover and engraved 4 
silver rim, the other of cylindrical form with molded band and silver ~ 
rim. London hall marks with date letters of the eighteenth century. . 


Heights, 234 and 142 inches. 4 


8383—SEVENTEENTH CENTURY GERMAN CUP 


Bowl of a tropical nut painted with a band of rude ornamentation. — 


“Mounted in silver, with two scrolled ear handles and pierced and en- 


graved circular base. 


834— EIGHTEENTH CENTURY EneLIsH Lac Eace 


Formed as an egg. Decorated with Chinese subjects in raised gold 
lacquer. | 
Height, 31, inches. 


835—SEVENTEENTH CENTURY GERMAN PowpeErR Fuask, AND EIGHTEENTH 
Century Frencu Box 


Powder flask of burr maple mounted in brass and engraved with floral 


designs. Box of tortoise-shell, cylindrical shape mounted in silver. 


Flask length, 51 inches. 
Box height, 43, inches. — 


836—SEVENTEENTH CENTURY SpaNiIsH Inx-sTAND 
Of pear wood. Rectangular casket with four spherical feet having a 
compartment in the center for ink, two drawers for sand and wafers 
and a pen receptacle. Decorated with inlaid and etched panels of St. 
Augustine, a Pope and the symbols of the Four Evangelists. 


Height, 31, inches; length, 9 inches; width, 31, inches. 


Fourth Session, Tuesday Evening 


837—EIGHTEENTH CENTURY FRENCH Lapy’s Worx Box 


Shell shaped box of ebony with a piqué decoration of cut steel studs. 
The lid is formed of an entire mother of pearl shell engraved with the 
design of a peacock. The interior is occupied by a mirror surrounded 
by a border of fleurettes, in colored silks and there is an inner padded 
cover of white satin with appliqué embroidery of flowers in colored 
silks and gauzes. ‘The box contains scissors, thimble, pin-cushion and 
other sewing necessaries in mother of pearl mounted in gold. 


Height, 21/, inches; length, 8 inches; depth, 7 inches. 


838—SEVENTEENTH CENTURY GERMAN CaSKET 
Of tortoise-shell. Coffer-shaped with rounded lid mounted in repoussé 
silver. Hinges of scroll design and key escutcheon as_a double headed 


eagle. Four ball feet. 


839—SIXTEENTH CENTURY GERMAN NavtiLus Cup 
Nautilus shell bowl mounted on a stem and foot of chased and repoussé 
gilt bronze. Baluster-shaped stem and circular domed foot with a pat- 


terning of scallop shells and scrolls. 
Height, 91% inches. 


840—SEVENTEENTH CENTURY GERMAN SILVER-MOUNTED NavutiLus Cup 
Bowl of a nautilus shell, carved with flying storks and scrolls on an 
imbricated ground in the Oriental manner, mounted with a silver rim and 
strappings of a floriated pattern and with a circular foot of repoussé 
and engraved silver. Chased and repoussé cover with finial shaped as 


a standing Cupid. 
Height, 8 inches. 


(Illustrated) 


841—SEVENTEENTH CENTURY GERMAN Box 
Of pear wood. Rectangular shape, edged with ivory and mounted with 
engraved and chased silver lock escutcheon. Shaped strap hinges. 


Height, 314 inches; length, 7°, inches; width, 41. inches. 


Fourth Session, Tuesday Evening 


842—E1cHTEENTH Century EnciisH Box anp Sry Grass 
Box of rectangular shape, of stamped and tooled leather with the arms 
of the London Apothecaries’ Company on the lid. On the sides are 
oval medallions with figures of Justice and a medallion of armorial 
bearings. The spy glass is of ebony and polished shagreen in a black 


shagreen case. 
Height of bow, 41% inches; length, 634 inches. 
Length of spy glass, 2%, inches. 


843—Pair or SIXTEENTH CENTURY ITALIAN COMPASSES 


Of pear wood carved in a zig-zag pattern—with metal points and wooden 


quadrant. 
. Length, 22 inches. 


NOTE: These compasses formerly belonged to the celebrated Italian architect, Vignola 
Giacomo Barozzia. 1507-1573. 


844—EicHTEENTH CENTURY FrRENcH WatTcH STAND 
Of pear wood. Carved with scrolls and a seated figure of a sportsman. 
The receptacle for the watch is surmounted by a reclining figure of a 


nude youth. 
Height, 10 inches. 


845—SEVENTEENTH CrNntTURY ITatiIan Monry CHANGER’s SCALES AND 
WEIcCHTS 

Pear wood box elaborately carved inside and out with panels of floral 

and scroll pattern. Inside is a balance of wrought and chased steel 

with brass pans and receptacles for the brass weights. Wrought steel 


hasp. Dated 1614. 
Length, 5 inches; width, 25% inches. 


846—SEVENTEENTH CENTURY GERMAN PowpER FLask 
Of box wood. Pear shape. Carved with a hunting subject and with 
bands of grapes and vine leaves, hunting trophies and foliage. Acorn 
shaped stopper. 


847—SIXTEENTH CENTURY GERMAN Box 


Of wood. Formed as a couchant lion flanked upon one side by King 
David playing a harp and on the other by Moses holding the Tablets 
of the Law. With hinged lid with mirror. Dated in incised letters, 
1601.” 


No. 848 
No. 850 


847 


No. 


No. 586 


857 


No 


Fourth Session, Tuesday Evening 


848—SEVENTEENTH CENTURY GERMAN Box 
Of pear wood. Boat shape, the lid carved with the figure of a sports- 
man with dog and gun, the inner surface with an archaic figure of a 


Saint holding a chalice. 
Height, 284 inches; width, 31/, inches. 


849—Oxup Encruiso Cur anp Scent Friacon 


One formed of a cocoanut on a wooden stem with silver rim, the other 


of wood in the form of a sun fish. 
Cup, height, 53/4, inches. 
Scent flacon, length, 5 inches. 


850—SIXTEENTH CENTURY GERMAN PERFUME FLASK 


Of box wood. Heart shaped. Carved with acanthus scrolling and 
mounted with two ivory portrait medallions. Closed with carved wooden 
stopper. 


Height, 4 inches. 
851—SEVENTEENTH CENTURY GERMAN SCENT FLACON 


Of wood. Shaped as a sun fish and carved with figures. 
Length, 314, inches. 


852—EI1cHTEENTH CENTURY GERMAN SCENT FLACON 


Of wood. Carved with figures. Silver rim. 
Height, 3 inches. 


853—SEVENTEENTH CENTURY GERMAN PIN-CUSHION | 
Of wood inlaid with ebony, etched ivory and mother of pearl. Arranged 
so as to screw to side of table, and with a cushion of old purple velvet. 
Height, 51% inches. 


854—FirTEentH Century German Box-woop Carvine 
The lower portion of a crucifix carved in a succession of arched panels 
with scenes from the life of Christ and other Scriptural subjects includ- 


ing the suicide of Judas Iscariot. 
Height, 4 inches. 


855—SEVENTEENTH CENTURY SCENT FLACON 
Vase shaped. Of box wood, carved with a pattern of scrolls and acan- 
thus leaves and with two circular medallion portraits of Louis XIII. 
and Anne of Austria. Silver rim with chimera stopper. 


Fourth Session, Tuesday Evening 


856—SixTEENTH Century Jrarian PErFumME Box 
Of box wood carved in the form of a bottle shaped vase with figures 
of Adam and Eve, and the Serpent. Removable stopper, and opening 


at bottom closed by slide. 
Height, 3 inches. 


857—Swiss SEVENTEENTH CENTURY ScENT FLAcoNn 


Of pear wood carved with half length figures of Luther and others. 
The bottom formed of a silver medallion with the Arms of the Swiss 


Cantons. 
Height, 3°4 inches. 


858—EIGHTEENTH CENTURY GERMAN SNUFF Box 


Of box wood, carved in the form of a man-of-war with hinged lid carved 


with a Roman Warrior standing upon an urn. 
Length, 414, inches. 


859— EIGHTEENTH CENTURY GERMAN NUTCRACKER AND WoopEn Box 


The one formed as the bust of a man with cocked hat and flowing hair 
with book, hollowed for the reception of nuts, the other a shuttle shaped 
box, the lid carved with a bow, quiver and arrows. 


Nut Cracker length, 5 inches. 
Bow length, 3 inches. 


860—Earty SIXTEENTH CENTURY ITALIAN Sworp BELT 


Of metal colored and gilt. Formed of elaborately chased rectangular 
medallions linked together with a double catch for the sword. 


Length, 37 inches. 


861—Patir oF SIXTEENTH CENTURY ITALIAN Kynire HanpieEs 


Of box wood carved with figures of Amorini. 
Height, 3°/, inches. 


862—Four SEVENTEENTH CENTURY GERMAN Kwnire Hanp.es 
Of pear wood elaborately carved with classical figures and foliage. 


Height, 344, inches. 


Fourth Session, Tuesday Evening 


863—German Two Proncep Fork 
Handle of carved wood in the form of a deer’s horn capped with silver. 
Silver shank and prongs. 
Length, 171%, inches. 
864—O1p Frencu Knire 
Silver mounted. In shagreen case with hinged lid. 
Length, 51, inches. 
865—SEVENTEENTH Century Irauian Pocket Fork 


Sixteenth century. Two prong fork with steel handle damascened in gold 
and silver. Knife missing. In cuir bouilli case. 


866—OxLp GERMAN Pocket Sprpoon AND Fork 


Shaped handles of steel decorated with gold damascenings. Knife miss- 
ing. In morocco leather case tooled in gold. 


867—OLp Irattan Pocket Knirr, Fork anp Spoon 


Knife and fork of steel with handles ornamented with gold and silver 
damascenings. In cuir bouilli case. 


868—SIXTEENTH CENTURY GERMAN KNIFE AND Fork IN CaAsE 


Handles of carved ivory, representing a man and a woman standing 
with clasped hands and a warrior. Case of cuir bouilli. 


869—SEVENTEENTH CENTURY FRENCH KNIVES AND Fork 


Knife and fork with silver handles in stamped leather case initialed 
W. R. B. Knife with silver handle decorated in an arabesque pattern. 


Length, 7 inches. 


870—SIXTEENTH CENTURY RussIAN SPOON 


Of silver. Circular shaped bowl and flat Sea handle with knob 


finial. Decorated with shaped panels of niello work. 
Length, 8%, inches. 


871—SEVENTEENTH CENTURY BAVARIAN PocKET Spoon Anvd Fork 


Of silver. Oval shaped. The handle terminates in a modeled female bust 
with a sliding piece shaped as a grotesque mask. The top unscrews 
to form steel pick. 


Length, 6% inches. 
g 8 


Fourth Session, Tuesday Evening 


872—EicuTeentu Century Frencn Razor Cask 
Of blue shagreen. Baluster shaped with hinged domed lid and octagonal 
molded base. Mounted in silver, repoussé and chased in a rococo shell 
design, with an engraved rim, swinging handle and silver and blue crystal 
thumb piece. Interior fitted with tortoise-shell handled razors mounted 


in silver and with a silver mounted razor hone. 
Height, 5 inches. 


873—SIXTEENTH CENTURY ITALIAN KNIFE 


Steel plate with carved ivory handle of seated satyr and female. 
Length, 10%, inches. 


874—SIxTEENTH CENTURY GERMAN KNIFE anpD Fork 
Two pronged fork and steel knife handles of carved ivory formed as 
figures of Venus partially draped and Hercules with lion’s skin. In silk 
lined stamped leather case. Showing traces of coloring. 
Length, 614, inches. . 


FIFTH SESSION 


WEDNESDAY AFTERNOON, MARCH 17, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING aT 2.00 o’cLocK 


Which includes Catalogue Nos. 875 to 1163 


A VERY REMARKABLE COLLECTION OF OLD WORCESTER 
PORCELAIN OF THE DR. WALL, “SQUARE-MARKED” 
AND LATER PERIODS 


875—Pair oF OLD Srvres Porcenain Vases 
Empire period. Pear-shaped, with curved necks, spreading rims and 
circular feet. Decorated in gold, over a turquoise-blue ground with 
a pattern of fine flutings, and with bands of elaborate arabesque scroll- 
ings in colors of green and mat gold. 


From the collection of Lord Kenmare. 
Height, 1014, inches. 


876—O.Lp Pinxron Porcevain Vase 
Urn-shaped, with curved neck and square foot. Decorated, on a canary- 
colored ground, with a pointed-leaf ornamentation, with festoons of 
roses painted in sanguine, and with landscape paintings. The base and 


rim are solidly gilt. 
Height, 10 inches. 


877—SeEtT oF THREE OLD Derspy PorcEeLAIN JARDINI®RES 
Commode-shape, with four scrolled feet and acanthus-leaf projecting 
handles. Decorated with upright bands of ornamentation and with 
panels of English rural subjects painted in the Wheatly manner. (One 
slightly faulty.) 


Heights, 414 and 3%, ; lengths, 8 and 6%, inches. 


Fifth Session, Wednesday Afternoon 


878—Ser or THREE oLp Derspy PorceuaIn VASES 


Pear-shaped bodies, curved necks and spreading rims, voluted and acan- 
thus leaf handles, circular feet and square bases. Decorated on a white 
ground with Worcester Japan pattern of shaped panels and gros bleu 
decorated with gilt scrollings of peony flowers and leaves and with 
shaped panels of gros bleu, gilt borders and with handles partially gilt. 


Mark: Script D and Crown in red. 
Heights, 111%, inches and 8% inches. 


879—Oup Dersy PorceLAtIn VASE 


Hexagonal straight-sided body with domed cover, and handles formed as 
dophin heads. Decorated, on a white ground, with groups of flowers 
naturalistically painted, with lines of gilt and gilded handles. (Cover 
faulty.) 

Height, 12 inches. 


880—Patir oF oLp Derspy PorcELAIN VASES 


Cantharus-shaped, with projecting looped lion-head handles, and cir- 
cular feet. The upper portions decorated, on a green ground, with 
shaped panels of butterflies and English landscape subjects with country 
mansions and figures; the lower portions, decorated with scrollings and 
floral sprays of gold on a white ground. -Around the rim is a border 


of egg and dart pattern in gold on a white ground. 
Height, 914, inches. 


881—Onup Dersy PorcevaIn VASE 


Hexagonal straight-sided body, with domed cover, flame finial and dol- 
phin-head handles. Decorated with a Worcester “Japan” pattern in 
underglaze blue, red, green and gold. The handles are painted in choco- 
late color. 

Height, 12%, inches. 


882—Oup Derpy PorcELAIN VASE 


Hexagonal straight-sided body with domed cover, and pointed finial. 
Decorated, on a ground of ‘‘Worcester red,” with gilt scrollings, cinque- 
foil flowers and leaves of white reserve, and with shaped panels of paint- 
ings of Chinese landscapes. 

Height, 1234 inches. 


Fifth Session, Wednesday Afternoon 


883—O.p Dersy Porcetatin Vase 


Urn-shaped, with voluted handles, domed cover, ball finial, and circular 
foot. Decorated with a band of naturalistically painted roses and leaves 
on a black ground and with an all-over pattern of gilded leaves and 


scrolls. Guilt handles and foot. 
Height, 12 inches. 


884— Pair oF OLD DERBY JARDINIERES 
Straight sides with scroll and shell projecting handles. Decorated on 
a white ground with sprays of Billingsley roses in colors and with small 
leaf forms in gold. Gold lines around rims and bases. The handles 
are decorated with gold. Mark: D and Crossed Batons in red. 


Height, 424 inches; diameter, 5 inches. 


885—Pair oF oLD DerBy PorcELAIN JARDINIERES 
Straight sides with scroll and shell projecting handles. Decorated on 
a white ground with sprays of Billingsley roses in colors and with small 
leaf forms in gold. Lines of gold around rim and bases, and handles 
decorated with gold. Mark: D and crossed batons in red. 


Height, 4°4 inches; diameter, 5 inches. 


886—Parr or o~tp Dersy PorRCELAIN JARDINIERES 


Similar to the preceding. 


887—Oxp Duesspury Derspy Dessert SERVICE 


Shaped dishes and plates, with scalloped edges. Decorated with broad 
borders of bleu-du-roi diapered patterns of gold dots and floral sprays. 
Mark: D. crossed batons and Crown. The service consists of two 


fruit dishes and fourteen plates. 
16 pieces. 


888—Parr or CHamBertain’s WorcEsTER PorceLain VaAsEs 
Urn shaped with projecting leopard-head handles. Decorated on a 
gros blew ground with gilt scrollings and with shaped panels of white 
reserve occupied with paintings of English Abbeys. (One cracked.) 
Height, 51%, inches. 


Fifth Session, Wednesday Afternoon 


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39: 
889—Pair oF oLD Dersy PorceLaAIn STATUETTES: “SUMMER AND WINTER ] 


Winter as a boy bearing a bundle of fagots on his shoulder and Summer 
as a girl with a sheaf of wheat and corn flowers. On circular rustic 


bases with gilt bands. Mark: Impressed numbers. 7 
Height, 7, inches. 


890—Pair oF CHAMBERLAIN WoRCESTER VASES 


Spill shape on four ‘claw feet and bases. Decorated on a gros bleu 
ground with bands of scroll and leaf ornamentation in gold and with a 
broad band of white reserve occupied by stalks of roses and other 


flowers, naturalistically painted. 
Height, 41, inches. 


891—Oxup CHAMBERLAIN WorCESTER VASE 


Pear-shaped. Decorated on a gros blew ground with shaped panel sur- 
rounded by gilt scrollings and floral branchings and occupied with a 
group of roses and other flowers, naturalistically painted. 

Height, 71/, inches. 


se 


Fifth Session, Wednesday Afternoon 


892—OLp CHAMBERLAIN WorceEsTER PorceLAIN Muc 


Cylindrical shaped with loop acanthus leaf handles. Decorated with 
two bands of meander and leaf decoration in gold on a gros blew ground 
and with a deep band of stalks of roses and other flowers naturalistically 


painted. 
Height, 3 inches. 


893—Pair oF OLD SwANsEA PorcELAIN VASES 


Cylindrical shape with wide curved rims, handles of eagle heads and 
rings. Decorated on a white ground with gilt scrollings and paintings 
of exotic birds. The rims with a pattern of raised flowers with dotted 


centers. (Repaired.) aes : 
eight, 4 inches. 


894— Pair of CHAMBERLAIN WorCESTER CANDLESTICKS 


Cylindrical stems with circular bases and sconces. Decorated on a 
scale blue ground with shaped panels of white reserve surrounded. by 
gilt scrolls and with groups of flowers and floral sprays naturalistically 


painted. (Sconces repaired.) 
Height, 6 inches. 


895—Set or THREE OLD CHAMBERLAIN WorcESTER VASES 
Cylindrical shape with cylindrical necks and spreading rims. Decorated 
on a gros blew ground with shaped panels of white reserve bordered 
with gilt scrollings and occupied by groups of roses and other flowers 
painted in a naturalistic manner. Around the rims and necks are bands 
of gilt scrollings. 


896—Pair oF OLD CHAMBERLAIN WorcESTER PORCELAIN ORNAMENTS 
Shaped as birds seated upon stumps of trees, with raised flowers and 
foliage. Plain white decorated in gold. Mark: Chamberlain’s “Worces- 
” in red. (Repaired.) 


ter, 


897—Pair oF oLpD WorcerstTEeR PorcELAIN BEAKERS 


Straight sides, decorated with a sprigged pattern of cornflowers and a 
border of cornflowers and leaves in blue, green, yellow and gold. 
Height, 4 inches. 


Fifth Session, Wednesday Afternoon 


898—Ser or THREE oLtp WorceEstTER PorcELAIN VASES 


Spill-shaped, with small loop mask handles. Decorated with a “Japan” 
pattern of peony blossoms and leaves in gros-bleu, green, red and gold, 
and with borders of a roundel pattern in gold on a gros-blew ground. 


Height, 51, and 4%, inches. 


899—Onp CHAMBERLAIN’S WorcESTER PoRCELAIN PITCHER 


Straight body, with twisted flutings, cylindrical neck, pointed spout, and 
acanthus-leaf handle. Decorated as to the body with canary-colored 
panels, enclosing oval medallions of flowers naturalistically painted 
and with vertical bands of black and gold lines; as to the neck, with a 
pointillé pattern of roundels and stars in gold and with a deep border 
of points occupied alternately with pink grounds and floral sprays of 
gold on white. (Repaired. ) 

Height, 7 inches. 


900—OLp CHAMBERLAIN’S WorcEsSTER PoRCELAIN VASE 


Decorated, on a mirror-black ground, with sprays of flowers and leaves 
in gold and with a spade-shaped panel of an English landscape and 
country house. The handles, rim and base decorated with gilding. (Re- 


paired. ) Height, 11 inches. 


901—Patr or otp Dersy Porcetarn Ewrrs 


Egg-shaped bodies with fluted necks, shaped rims, Satyr-mask handles, 
and circular feet. Decorated, on a ground of apple-green, with oval 
panels of paintings of a Saint in meditation and King Lear. Necks, 
rims and feet partially gilt. 

Height, 101%, inches. 


902—O.p Worcester PorceLaIn VASE 


Urn-shaped body, with curved neck; dolphin and shell handles, circular 
foot and square base. Decorated in gold on a ground of mirror-black 
with floral and acanthus-leaf scrolls, laurel leaves and ears of wheat 
and with a shaped panel of flowers naturalistically treated. The handles 
are solidly, the rim and base partially gilt. 

Height, 14144 inches. 


Fifth Session, Wednesday Afternoon 


903—Ser or THREE orp Worcester PorceLaIn Spirit Vases 
Trumpet-shaped, with dolphin head and ring handles, scalloped rims and 


circular feet. Decorated in gold on a white ground with peacocks, 
branches and flowers and dottings of gold butterflies. Rims and feet 


with lines of gold. 
Heights, 6 and 5 inches. 


904—Pair oF oLp Worcester PorceLain BEAKERS 
Straight sides and spreading rims. Decorated on a gold diapered 
ground, with festoons and sprays of roses, and other flowers natural- 


istically painted. 
Height, 3 inches. 


905—SET oF THREE OLD WorcerstTER PorcELAIN Sprtu VAsEs 
Straight sides and spreading rims, on three feet. Decorated on a deep 
gold band with roses and other flowers naturalistically painted and with 
a border of gold interlacements and gold lines. (One cracked.) 
Heighst, 414, and 3% inches. 


906—OLp CHAMBERLAIN’S WorcEsTER PORCELAIN VASE 


Baluster-shaped, with projecting looped and voluted handles and oc- 
tagonal foot. Decorated with a panel paintéd en camaieu with the “Rape 
of Proserpine by Pluto” and with a very elaborate design of spiral 
flutings, festoons, shells and scrolls, and with borders of trefoiled, loz- 
enged and rosetted design in gold on a white ground. Mark: “Chamber- 


bf 


lain’s Worcester,” in gold. 


Height, 71, inches. 


907—OxLp Worcester PorceLain INKsTAND 
Drum-shape, with twisted looped handles, basket-hke receptacles for 
wafers and cylindrical pen-holders. Fitted with three pear-shaped re- 
movable ink-wells. Decorated, on a rose-du-Barry ground, with oval me- 
dallions of exotic birds painted in colors. The upper surface is deco- 
rated with sprays of roses on white. The handles and pen receptacles 


are gilt. 


Height, 4 inches; diameter, 71/, inches. 


Fifth Session, Wednesday Afternoon 


908—OLp SauarE Marxep Worcester PLATE 
Decoration divided into four sections by radiating bands of gros-bleu 
patterned with circular medallions of Oriental figures and gilt scroll 
work. The four fan-shaped panels thus formed are decorated alternately 
with sprays of flowers and with exotic birds. The center, within a bor- 
der of under-glaze blue, is occupied by a spray of flowers in the Oriental 
manner. Mark: Square Mark in blue. 


909—THREE OLD WorcEsTER PorRCELAIN T'WoO-HANDLED Cups’ AND SAUCERS 


Pear-shaped cups, with two scrolled handles. Decorated with festoons 
of flowers and vine leaves in gold and with a serrated gilt border around 


the rim. 
Height of cups, 3 inches; diameter of saucers, 5°4 inches. 


910—Oxp Barr, Fruicut & Barr Worcester Porceitamn INKsTAND 


Semicircular-shaped with incurved handles ornamented with raised shells 


and with looped carrying handles. Circular well for ink. The front is 


decorated with paintings of birds. 
Height, 21%, inches; length, 614 inches. 


ee a ae eee Oe 


911—Oxp Barr, Fricut & Barr Porcenain VAsE 


Urn-shaped, with winged Dragon handles. Decorated on a green scale : 
ground with shaped panels of Oriental mythical monsters and vases of : 
flowers and with an Oriental design of scrolls and medallions. Handles , 
painted in green and yellow. . 
Height, 71/, inches. ‘a 

: 

912—Pair or oLp Crescent Marxep Worcester PorcELaIn PuatTes _ . 


“Queen Charlotte’ pattern of concentric bands of blue with a scroll 
decoration in white reserve outlined in gold, alternating with similar 
bands of white decorated with a scroll pattern in red and purple. 


Diameter, 71/, inches. 


Fifth Session, Wednesday Afternoon 


9138—Oup Furicut, Barr & Barr Worcester Porcetarn Disu 
Shuttle shaped with scalloped edge and circular foot. Decorated as to 
the center with subjects in the Chinese manner of a lady with a parasol 
under a tree and surrounded by a very broad border of bold scrolls in 
blue bordered with gold and a border of scroll and diaper pattern in 
white reserve on a red ground. There is an outer border of gold roundels 
with a blue ground. Mark: F. B. & B. and Crown—impressed. 


914—Parr or otp Fricut, Barr & Barr WorcestER PLATEs 
Decorated with subjects, in the Chinese manner, of a lady with a parasol 
under a tree, surrounded by a very broad border of bold scrolls in blue 
bordered with gold and another border of scroll and diaper pattern in 
white reserve on a red ground. There is an outer border of gold roundels 
on a blue ground. Mark: “Flight, Barr & Barr” in red and F. B. B. 


and Crown impressed. 
Diameter, 81, inches. 


915—Oxp Worcester PorceLain BEAKER 
Straight sides. Decorated with a pointillé pattern of roundels and with 
a border of a lozenge and chain pattern in gold on a bleu-du-rot ground. 
On the body is a gold-bordered medallion occupied with a painting of a 


mountainous landscape in sepia. 
Height, 3%, inches. 


916—Ser or Ten otp Crescent Markep Worcester Cups AND SAUCERS 
“Queen Charlotte” pattern of radiating bands of blue with scrollings 
of white reserve outlined in gold alternating with similar bands of white 
decorated with a scroll pattern in red and purple. Mark: Crescent in 


blue. 


917—Barr, Fricur & Barr Worcester Dessert SERVICE 
“Queen Charlotte” pattern of radiating bands of blue with scrollings in 
white reserve outlined in gold, alternating with similar bands of white 
decorated with scrollings in red and purple. The rims are decorated with 
a scroll and rosette pattern in red on a white ground and with gold 
lines. The service consists of three square and two oval fruit dishes, one 


round fruit dish and fourteen plates. 
20 pieces. 


Fifth Session, Wednesday Afternoon 


918—Ser or THREE OLD WorcEsTER PoRCELAIN VASES 


Urn-shaped with upright handles shaped as winged female terms, circu- 
lar feet and square bases. The bodies are decorated, on a deep maroon 
colored ground, with spade shaped panels of white reserve bordered with 
gold and occupied with paintings of pastoral subjects. The necks and 
feet are decorated on a white ground with floral scrolls. The base and 


handles are gilt. 
Heights, 1014 inches and 8, inches. 


919—Pair oF oLp WorcesTER PorcELAIN VASES 
Pear-shaped with cylindrical necks, spreading rims, upright voluted 
handles, circular feet and square bases. The bodies are decorated with 
acanthus scrolls and pointed leafage and with spade shaped panels bor- 
dered in gold occupied by views of English Country-Mansions and land- 
scapes. The necks and feet are decorated with a scrolled and honey- 
suckle border of gold on a white ground. The bases, handles and rims 


are gilt. 
Height, 12 inches. 


920—Pair oF oLp WorcEsTER PoRCELAIN “Warwick” VASES 


Cantharus shaped with twisted acanthus stem handles, circular feet and 
square bases. Decorated, on a honeycombed ground, with spaces of a 
shagreen pattern in red and gold, with a raised design of classic heads 
and bacchanalian thyrsi resting on a band of draped lion’s skin show- 
ing the paws and head, with a band of grape and vine leaf scrolled deco- 
ration, and with reeded feet and beaded rims, all in mat and burnished 
gilding. 

Height, 101%, inches. 


921—Setr or THREE OLD WorceEstTER PorcELAIN. VASES 


Pear-shaped bodies with looped handles, cylindrical necks, spreading 
rims and circular feet. Bodies decorated, on a lemon colored ground, 
with octagonal, gold bordered panels occupied by baskets of flowers. 
The necks and feet are gilt and ornamented with a band of pearls in 
white on a gold ground. The handles are gilt. (One vase faulty.) 


Heights, 81/, and 7 inches. 


Fifth Session, Wednesday Afternoon : 


922—O_p WorceEsTER Sour Tureen, Cover AND STAND 


Quatrefoil shape with handles formed as shells and artichoke finial and — 
scalloped rim. Decorated with figures of long tailed birds seated upon 
a rock surrounded by branches of flowers and leaves painted in the Ori- 


ental manner. 
Height, 914 inches; length, 1334 inches. 


923—Oxp Furicutr, Barr & Barr Worcester Muc 


Cylindrical body with looped acanthus leaf handle. Decorated, on a 
salmon colored ground, with vertical gilt lines and with an oval panel 
of white reserve occupied by a painting of full blown roses and leaves. 
Mark: Flight, Barr & Barr and Crown, painted in purple and 


scratched B. 
Height, 3° inches. 


924—Parr oF OLD WorcEsTER PorcELAIN VasEs 
Spill shaped. Decorated with shaped panels occupied by Oriental sub- 
jects and vases of flowers and with spaces of green shagreen pattern 
and with bands of rose color and blue. Inside of rims with a band of 
honeycombed decoration in green and red and with panels of peony blos- 
soms in red and green. (Repaired.) 


From the George Wills Collection. 
Height, 6 inches. 


925—O.p Worcester PorceLain FrowEer Por anp StTanp 
Body with curved upright sides, projecting ear handles; circular stand. 
Decorated with a band of roses, with a scrolled leaf pattern in gilt 
on a white ground and with a square panel containing a painting in 
sepia of the “Flight into Egypt” inscribed “St. Matthew, Chap. 2, Verse 


21.” (Handles faulty.) 
Height, 9 inches. 


926—Pair oF oLtp Fruicut & Barr WorRCESTER JARDINIERES AND STANDS 


Bucket shaped with ring handles. Decorated on a canary yellow ground 
with a deep band of a gold ground painted with flowers naturalistically 
treated. Around the stands are oak leaf and meander borders in gold. 
The handles are gilded and there is a gilt line around both rims and bases. 


Mark: Flight & Barr, Worcester, painted in purple. 
Height, 7 inches. 


Fifth Session, Wednesday Afternoon 


927—O.pv WorcestER PorcreLain Juc 
Pear-shaped body, high cylindrical neck and scrolled handle. Decorated 
with a raised pattern of lettuce leaves and incised scrolls, and a paint- 
ing of a landscape with ruins and a river, rococo scrolls and floral 
sprays. 
Height, 101%, inches. 


928—Ser or THree CHamBeriain’s Worcester VAsEs 
Hexagonal pear-shape bodies, one with high domed cover and two with 
spreading rims. Decorated in a Worcester Japan pattern in gros bleu, 
green, red and gold and with gilt borders. (One small vase repaired.) 
Mark: “Chamberlain’s Worcester” painted in red. 


Heights, 12°, inches and 8 inches. 


Fifth Session, Wednesday Afternoon 


929—Patr oF CHAMBERLAIN’s WorcESTER IcE CooLERS AND COVERS 


Warwick vase shape with projecting loop handles of acanthus leaf and 
lion mask design on square bases. Decorated on a ground of deep rose 
with square panels bordered with gold and occupied by paintings of 
Dunraven Castle, Glamorganshire, and Fonthill Abbey, Wiltshire. The 
covers have pine-apple finials. There are gilt bands around the rims 
and bases, and the handles are solidly gilt. 


Height, 121%, inches; diameter, 10 inches. 


930—OxLp Worcester PorcenaAIn TEA SERVICE 


Decorated with fan shaped panels of Chinese vases of flowers with a 
quatrefoiled pattern of dots in black on green and brown and with bor- 
ders of honeysuckle in white and red. The service consists of one tea- 
pot, one stand and cover, one cream ewer, one waste bowl, one cake 
plate, eighteen cups and saucers. (Waste bowl and a few cups cracked.) 


41 pieces. 


931—Oxup Worcester PorceLAIn Dessert SERVICE 


Decorated with an edged bordering of characteristic Worcester apple 
green, with gilt bands and square, circular and _ shuttle-shaped panels 
of white reserve occupied by sprays of roses, morning glories and pop- 
pies naturalistically painted. The service consists of one compotier, 
four fruit dishes, four berry dishes, four cake plates and twelve plates. 


25 pieces. 


932—Oxp Crescent Marken Worcester PLates 
*“@ueen Charlotte” pattern of radiating bands of blue with a scroll deco- 
ration in white reserve outlined in gold, alternating with similar bands of 
white decorated with a scroll pattern in red and purple. 
Diameter, 81%, inches. 
933—O xp Worcester PorceLaIn Cream Ewer 
Pear-shaped body, pointed spout and loop handle. Decorated on a white 
ground with transfer prints in black in the subject of the “Tea Party.” 
Height, 4 inches. 


934—Two otp WorcrEsteER PorcELAIN PLATES 


Decorated with sepia transfer printed subjects of classical ruins, fig- 
ures, festoons and floral sprays. As is usual with transfer prints of this 


period these plates are not marked. 
Diameters, 9 inches. 


Fifth Session, Wednesday Afternoon 


935—Oxup Worcester PorceLain PITCHER 
Pear-shaped with loop handle. Decorated with black transfer printed 
subjects of the “Rural Merrymaking” “The Piping Shepherd” and 
“Colin and Lucinda,” and with festoons of fruits and flowers. 


From the George Wills Collection. 
Height, 12 inches. 


936—OxLp Worcester Porcevar PircHer 


Pear-shaped with loop handle. Decorated with black transfer printed 
subjects of sporting and hunting scenes and with a circular medallion 


bordered in gold with the script monogram R. M. 
Height, 1134 tnches. 


937—OLp Worcester PorcetaIn Mug 


Cylindrical shape with loop handle. Decorated with a sepia transfer 
printed subjects of “ A Visit to the Fortune-teller” and “A Fishing 


Party.” Height, 5 inches. 


Fifth Session, Wednesday Afternoon 


938—Oxp Fuicut, Barr & Barr PorcELAIN VASE 

Pear-shaped with curved and spreading rim, upright, acanthus leaf 
handles, stem with gadrooned knob, square foot and circular base. The 
rim is decorated with a raised Greek tongue-and-leaf patterned border. 
The lower portion of the body has a Greek honeysuckle pattern in relief, 
the rim and foot have bands of gilded quatrefoiled rosettes in oval panels 
of white reserve on a gold scrolled ground. ‘The body, rim, stem and 
base are in canary color, and the body is further decorated with two 
heart shaped panels occupied by exotic birds and landscapes. (Slightly 
repaired.) Mark: “Flight, Barr & Barr,” and Crown. 

Height, 1914, inches. 


NOTE: This vase is undoubtedly one of the most important as to size and subject, ever 
issued from the Worcester factory under the domination of Flight, Barr & Barr. 


Fifth Session, Wednesday Afternoon 


939—Oxp WorcerstTER PorceLtain Mue 


Baluster-shaped with loop handle. Decorated with black transfer printed 


subjects of a ‘Rustic Merry Making,” and the “Dairy Maids.” 
Height, 6 inches. 


940—Dr. Watt PrEeriop Worcester PITcHER 
Baluster-shaped body with pointed spout, loop handle and circular foot. 
Painted, on a white ground, with a Chinese domestic figure subject in 
colors and gold. 
Height, 7 inches. 


941—Fovr Fricut & Barr WorcrsteR PorRCcELAIN CuPS AND SAUCERS 


Fluted and gauffered rims and shaped looped handles. Decorated with 
gilt floral sprays, husk festoons and deep borders of shuttle pattern in 
two shades of blue and with circular medallions with outer borders of 
gold and inner borders of blue and gold dots. Painted with a crest of 
a Rampant Lion within a border of the Royal Garter surmounted by 
a Crown and Lion, which bears the motto “Honi soit qui mal y pense.” 


Height of cups, 3 inches; diameter of saucers, 5%, inches. 


NOTE: Part of the celebrated service made for Prince William Henry (afterwards King 
William IV) when he was created Duke of Clarence in 1789. 


942—Oxup WorceEstTER PorcELAIn PITCHER 
Pear-shaped body with acanthus and lotus leaf decoration in low relief, 
fluted neck, cylindrical mask, spout and loop handle. Decorated with 
decoration in gold on bleu-du-rot grounds. Mark: Solid Crescent 
floral sprays in gold, bleu-du-roi oe and with two bands of floral 


painted in blue. 
Height, 61, inches. 


Oxtp WorcerstER PorcELAIN VASE 


Pear-shaped body with fluted lower portion acanthus leaf handles, domed 
and pierced cover and oval foot. Decorated as to the lower portion of 
body in bleu-du-rai and gold and as to the upper part with an oval 
medallion bordered by branches of foliage in gold and occupied by a 
sepia painting of ‘The Piping Shepherd.” The neck flutings are painted 
in bleu-du-roi alternately with trefoiled ornamentations in gold.’ Mark: 


Solid Crescent and W. painted in blue. 
Height, 7, inches. 


Fifth Session, Wednesday Afternoon 


944—Dr. Watt Periop Worcester Cur AND SAUCER 


Decorated with drapery festoons in peacock blue with a gold fringe. 
The rims with a scalloped band of gold. 


NOTE: This peculiar pattern belongs to the Dr. Wall period and is very rarely met with. 


945—Oxp Worcester PorcenaIn Cure AnD SAUCER 


Fluted rims. Decorated with shaped borders of apple green, gold scrolls 
and sprays of flowers in colors. 


946—Oxp SeuaRE Markep WorceEstTeER PLATTER 


Octagonal shape. Decorated with an Oriental pattern of an exotic bird 
seated upon a rock, and surrounded by branches of flowers and leaves 
and by blue winged butterflies. Mark: Square Mark painted in blue. 
It may be interesting to note that this platter was the only marked piece 


in a large service. 
Length, 9°4, inches. 
Width, 61/, inches. 


947—Pair oF OLD WorcEstTER PLATES 


Decorated with an Oriental pattern of an exotic bird seated upon a 
rock and surrounded by branches of flowers and leaves and by blue 


winged butterflies. (Cracked. ) 


Diameter, 8°, inches. 


948—Two otp Worcester PLarrers 
Octagonal shape. Decorated with an Oriental pattern of an exotic 
bird seated on a rock and surrounded by branches of flowers and leaves 


and by blue winged butterflies. 
Length, 131%, inches. 
Width, 934 inches. 


949—Pair oF oLD WorcerEstTER PorceLaIn Ice CooLers 
Straight sides with projecting cupped handles, domed covers with rustic 
loop handles and circular feet. The bodies are decorated, on a white 
ground, with groups of roses and other flowers naturalistically painted 
and with a band of gros blew patterned with vine leaves in gold and inter- 
rupted by oval panels of paintings of birds. The covers are decorated 


on a gros bleu ground with gold scrolls. 
Height, 11 inches. 


Fifth Session, Wednesday Afternoon 


950—SevarE MarKep oLD WorcESTER PORCELAIN VASE 


Pear-shaped with cylindrical neck. Decorated, on a scale blue ground, 
with shaped panels surrounded by rococo borders of scrolls and shells — 
and occupied by paintings, in colors and gold, of exotic birds, Chinese 
flowers and scrolls. Around the neck is a pattern of scrolls and rosettes 
of white reserve outlined in gold. Mark: Square Mark painted in blue. 
(Slightly repaired. ) | 

Height, 71% inches. 


951—SavuarE Marxkep oLtp WorcEsTER PorcELAIN Bow 
Coupe shaped on annular foot. Decorated, on a scale blue ground, with 
shaped panels of white reserve bordered with gilt scrolls and occupied 
by paintings of exotic birds and butterflies. Mark: Square Mark, 
painted in blue. 


Height, 3 inches; diameter, 61, inches. 


952—SeauaRE Markep oLp Worcester PorcELAIN Bown 


Coupe shaped on annular foot. Decorated, on a scale blue ground, with 
shaped panels of white reserve bordered with gilt scrolls, and occupied 
by festoons of sprays of flowers painted in a naturalistic manner. Mark: 


Square Mark painted in blue. (Slightly cracked. ) 


Height, 31%, inches; diameter, 6% inches. 


953—Pair oF OLD CresceENT Markep WorcrsTER PorcEeELAIn Fruit DisHEs 


Curved rims and scalloped edges. Decorated, on a scale blue ground, 
with panels of white reserve occupied by sprays and festoons of flowers 
naturalistically painted. Mark: Square Mark painted in blue. 


Diameter, 71, inches. 


954—Oxtp Seuare Markep Worcester PorceLaIn PLATE 


Oval shape with fluted rims. Decorated, on a scale blue ground, with 
shaped panels and oval medallions bordered with gilt scrolls and occu- 
pied by groups and sprays of flowers and foliage naturalistically painted. 
Mark: Crescent, painted in blue. 

Height, 11% inches; length, 1014 inches; width, 714 inches. 


(Illustrated) 


No. 956 No. 957 


Fifth Session, Wednesday Afternoon 


955—Pair or oLp SauarE Markep Worcester PorcELAIN PLATES 
Curved rim and scalloped edge. Decorated, on a scale blue ground, with 
panels of white reserve occupied by sprays and festoons of flowers 
naturalistically painted. Mark: Square Mark painted in blue. 


Diameter, 81%, inches. — 


(Illustrated) « 


956—Pair oF OLD SeuaRE Markxep WorcrEstER PorcELAIN PLATES 


Curved rims and scalloped edges. Decorated, on a scale blue ground, 


with panels of white reserve occupied by sprays and festoons of flowers 


naturalistically painted. Mark: Square Mark painted in blue. 


Diameter, 71%, inches. 


(Illustrated) 


957—Parr oF oLD CrEscENT Marxkep WorcrstER PorceLAIn PLATES 


Curved rims with scalloped edges. Decorated, on a scale blue ground, 
with panels of white reserve occupied by figures of exotic birds and but- 
terflies and with a center medallion of white reserve occupied by a group 
of fruit and leaves painted in colors. Mark: Crescent painted in blue. 


Diameter, 71/4, inches. 


(Illustrated) 


958—Oup SevarE Mark Worcester Fruit Disu 


Leaf shape with raised veinings. Decorated with shaped panels of white 
reserve bordered by gilt scrollings and with a circular medallion of 
white reserve occupied with paintings of exotic birds and butterflies. 


. Length, 10 inches; width, 71 inches. 
(Illustrated) 


959—Oxp Crescent Marken Worcester PorceLAIn EcuELLE AND STAND 


Shaped body, two shell handles, domed cover and finial modeled as 
an artichoke. Decorated, on a scale blue ground, with shaped panels 
of white reserve bordered by gold scrollings and occupied by sprays 
and festoons of flowers naturalistically painted. Mark: Crescent Mark 
painted in blue. 


No. 961 


Fifth Session, Wednesday Afternoon 


960—Oxup Worcester PorcELAIN Cup 


Curved and sloping sides with double looped handle. Decorated, on 
a mottled blue ground, with shaped panels of white reserve occupied by 
roses and other flowers naturalistically painted. 


Of the Dr. Wall or early period. 


Height, 21% inches. 


961—Ouxp SevarE Markep Worcester PorcetatIn TEA SERVICE 


Fluted cups and saucers with scalloped rims. Decorated in an elab- 
orate “Chinese” flower pattern of broad radiating bands of bleu-du-roi 
diapered in gold with borders of a Chinese scroll and checker pattern 
and large rosettes of chrysanthemums in white reserve on red ground. 
Fan shaped panels between these are occupied with paintings of Chinese 
flowers painted in red, blue, green and gold. The centers of the plates, 
saucers and teapot stand are occupied by chrysanthemum rosettes of 
white reserve on red grounds surrounded by borders of underglaze blue 
with a scrolled pattern of cinquefoils and leaves of white reserve. The 
service consists of teapot, cover and stand, cream ewer, two cake plates, 

six cups without handles, three cups with handles and six saucers. 
NOTE: A tea service of this period in such perfect condition is very rarely to be met with. 
: : 20 pieces. 


(Illustrated) 


962—OLp Crescent Markep Worcester PorcELAIN GARNITURE 


Two pear-shaped vases, and bottle-shaped vase with cylindrical necks, 
spreading rims and domed covers and pointed finials. Decorated, on 
a ground of gros-blew with shaped panels of white reserve, surrounded 
by rococo borders of scrolls, shells and diapered spaces and occupied 
by garlands and groups of roses naturalistically painted. The cover 
of the center vase is decorated with two oval medallions of white re- 
serve occupied by similar paintings. All three vases have bands of gild- 
ing and borders of interlaced scrolls and dotted work in gold while the 
blue grounds of the bodies are further enriched with sprays of flowers 
and foliage painted in gold. Mark: Open Crescent painted in blue. 


Heights, 131, inches and 91/, inches. 


NOTE: These vases represent the very finest work of the Worcester factory during the Dr. 
Wall period. They are noteworthy, not only for their extremely decorative character, 
the fineness of their paste and the artistic character of their ornamentation, but also 
for their absolutely perfect condition. 


(Illustrated ) 


Fifth Session, Wednesday Afternoon 


963—Two otp WorcEsTER PORCELAIN JARDINIERES 


Straight sides, projecting cupped handles and circular bases. Deco- 
rated, on a ground of gros bleu, with circular medallions of white re- 
serve bordered by a pattern of scrolls and leafage and occupied by 
exotic birds and flowers and foliage and painted English landscapes. 
The foot has a broad band of gilding and the projecting handles are 
entirely gilt. Mark: Indeterminate painted in blue. 


, Height, 61%, inches; diameter, 71, inches. 


NOTE: These jardiniéres while not exactly matching are of the same period and style of 
decoration. 


964—Patr BeautiruL Minron VasEs BY SOLON 


Of graceful amphora shape with two twisted handles at neck which 
terminate in Bacchanalian masks and are gilded and finished in silver 
luster. The bodies of the vases are invested with a blue glaze over which 
is an exquisite embellishment in pate sur pate executed in Solon’s best 
manner, the subjects of which are The Seething Cauldron and the Ex- 
plosion, Cupid outdone. The base and neck are of sage green and or- 
namented with relief scrolls, ornaments and other designs, tinted and 
outlined with gilding. Signed L. Solon. 

Height, 15%, inches. 


Fifth Session, Wednesday Afternoon 


965—OLp Dersy Biscuir PorceLtaAin STATUETTE 


Seated figure of a woman in classical draperies holding a volume in one 
hand and writing with the other upon a tablet which is supported by a 
seated Cupid. On oval base paneled with fluted pilasters. (Slightly 


repaired. ) 
Height, 171% inches. 


966—Patir or Derspy Porcenatn VASES 


Crater shape with projecting loop handles with lion head terminations, 
and circular bases. The upper portions are decorated on a green ground 
with shaped panels surrounded by gilded border containing painting of 
butterflies and two English landscape subjects of country mansions with 
figures; the lower portions with scrollings and floral sprays in gold on 
a white ground. Around the rim is a border of egg and dot pattern in 
gold on a white ground. Height, 91/, inches. 


967—O.p Mason Iron-stone Cutna Vase 
Hexagonal shaped with sloping sides and with dragon handle, high pin- 
nacle cover and spreading base. Decorated, on a ground of dark blue, 
with a pattern of chrysanthemums and scrolled leafage and with shaped 
panels of transfer-prints of Chinese landscapes and figures and floral 
sprays printed in outline and colored. The handles and finial in green, 
red and gold. Height, 821, inches. 


NOTE: These mammoth vases were very seldom made by British potters owing to technical 
difficulties connected with the firing. 


968—OLp VINCENNES PoRCELAIN DeEssERT SERVICE 


The centers are occupied with paintings of exotic birds, trees and flow- 
ers. The rims with floral sprays between two scalloped borderings of 
gold. The service consists of two écuelles, covers and stands, two oval 
fruit platters, three square fruit dishes, four round fruit plates, seven 
plates and four small deep plates. Mark: Double L in blue. 


26 pieces. 


NOTE: This unusually complete service is a product of the factory at Vincennes which after- 
wards, under royal patronage, became known as the Sévres factory. 


Fifth Session, Wednesday Afternoon 


969—OLp Worcester PorceLAIn TEA SERVICE 
Fluted, with scalloped edges. Decorated with radiating panels of red 
diapered in gold, with chrysanthemum medallions of white reserve, red 
and gold. The fan shaped spaces between are occupied with floral 
sprays in red, green and blue heightened with gold. The centers are 
occupied by chrysanthemum rosettes surrounded by borders of a scroll 
and rosette design of white reserve on a red ground. ‘The interiors of 
the cups and bowls are decorated with chrysanthemum rosettes in red. 
heightened with gold. Service consists of sucrier and cover, cream ewer, 
waste bowl, three small dishes, twelve saucers, nine coffee cups with han- 


dles and eleven teacups without handles. 
38 pieces. 


970—OLp SeuvuaRE Marked WorcEstTER PorceLAIn Cup AND SAUCER 


Cup without handles. Scale blue ground with shaped panels of white 
reserve bordered with gilt scrolls and occupied by paintings of exotic 
birds. The center of the saucer is occupied by a medallici: of white re- 
serve with butterflies and insects. Mark: Square Mark painted in blue. 
(Cup faulty.) 


971—Ox_p SevuaRE Markep WorceEstER PorcELAIN CuP AND SAUCER 


Cup with looped and intertwined handle. Decorated, on a scale blue 
ground, with shaped panels of white reserve bordered with gilt scrolls 
and occupied by paintings of exotic birds. Mark: Square Mark painted 
in blue. 


972—OLp SeuarE Markep WorcrstER PorceELAIN BEAKER 


Straight sides. Decorated, on a scale blue ground, with panels of white 
reserve occupied with exotic birds and butterflies. Mark: Square Mark 


painted in blue. 
Height, 4°34 inches. 


Fifth Session, Wednesday Afternoon 


FINE OLD ENGLISH PORCELAINS, INCLUDING MANY 
EXAMPLES OF SWANSEA CHINA 


973—Set oF THREE OLD SwansEa PorceLain Sprtu Vases 
Trumpet shaped. Decorated, on a light blue ground, with shaped panels 
of white reserve bordered with gold scrollings and occupied with domestic 
subjects of children playing. ‘The rims are decorated with a scroll 


border of gold on white. 
Heights, 5 and 41% inches. 


974—GARNITURE OF OLD SwansEA PorceLatn VasEs 
Five trumpet shaped spill vases with circular rims on three scrolled feet. 
Decorated, on a white ground, with paintings of exotic birds and floral 
sprays in gold, with a border of scroll leaf design and with gold lines. 


(Two vases cracked.) 
| Heights, 61, inches, 5, inches and 414 inches. 


975—THREE OLD SwANSEA PorceLain VasEs 
Urn-shaped with cylindrical necks, scrolled and voluted handles and cir- 
cular feet on square bases. Decorated with an all-over pattern of 
flowers in the Oriental manner, with bands of bleu-du-rot and with a 
gilt ornamentation. Guilt handles and bases. 
Heights, 10% inches and 10 inches. 


976—Pair oF OLD Swansea PorceLarin PLATES 
Decorated, on a gold diapered ground, with sprays of roses painted 
by Billingsley. Gold banded rim. Mark: “Swansea” impressed. 


Diameter, 81 inches. 


977—Pair oF otp Nantrcarw Porcerain PLaTEs 
Shaped rims with scrolled borders. Decorated with groups of roses, 
poppies and other flowers painted by Billingsley and with scrolls and 
diapers in gold. Mark: “Nantgarw” impressed. 


Diameter, 81/, inches. 
978—Pair oF OLD SwansEA PorceLaiIn VASEs 
Pear-shaped, with curved and spreading rims, dolphin and shell handles, 


circular feet and on square bases. Decorated with an all-over pattern of 
sprays of roses in the Billingsley manner with gold bands and with gilt . 


handles and bases. 
Height, 12 inches. 


Fifth Session, Wednesday Afternoon 


979—Srt or THREE OLD SWANSEA PorcELAIN Spitut VASES 


Trumpet-shaped, with spreading rims and circular feet. Decorated with 
lines of gilding and with bands of roses and rose leaves painted in the 
Billingsley manner. : 
Heights, 514 inches and 4 inches. 


980—OLp SwansEA PorcELAIN PORRINGER AND COVER 


Curved sides, with shaped cover, butterfly finial and handles formed 
as winged female Terms. Decorated with sprays of roses and other 
flowers naturalistically painted and bordered with a scalloped band — 
of turquoise blue with an ivy leaf decoration in gold. — 

Height, 44, inches. 


981—O_Lp SwansEA PorRCELAIN PORRINGER 


Curved sides. Decorated with groups of roses and other flowers nat- 
uralistically painted and with scrolled and shaped panels of a gold 
diapered piven and with trefoil sprays. 

Height, 5 inches. 


982—OLp CHuRCH GRESLEY PORCELAIN DeEssERT SERVICE 


The centers occupied with an Oriental decoration, on red ground, of 
scrolls and flowers in gold, white reserve and blue, and with shaped 
panels of white reserve, bordered by blue enamel occupied with Oriental 
subjects of bamboo stalks and flowers in green and purple. ‘The 
borders are of a hatched ornamentation in red and scroll forms in blue 
enamel with cingefoiled medallions in gold bordered with blue. Gilt edges. 
The service consists of two ice coolers, two sauce boats with covers and 
stands, four shaped fruit dishes, three shuttle shaped fruit dishes, two 
flower-pots and stands, three shell-shaped fruit dishes, two berry dishes, 
two circular deep dishes, one sucrier and cover, eleven saucers, five cups 
and twenty-eight plates. 

69 pieces. 


983—Oxtp Lonetron Hatt Porcetain Bown 


Shaped body on an oval foot. Invested with a gros bleu glaze with a 
gilded scalloped border and a band of checkered diaper pattern scrolls 
and trefoils around the exterior. The interior is occupied with an oval 
panel of white reserve occupied by exotic birds and foliage. 


Height, 5 inches; diameter, 18 inches. 


Fifth Session, Wednesday Afternoon 


984—Patr oF o~tp Loncron Haut Srarvetres: “THE GARDENERS” 


Figures of a young man and woman in eighteenth century costume. 
The man, in a pink jerkin, brown breeches, blue apron and black hat, 
holds a flower-pot with plant and is supported by a pillar of rocks at 
whose base is a basket of flowers. The woman, in a pink rosetted dress 
with a yellow under-skirt and broad brimmed hat of the same color, 
holds a bouquet of flowers in one hand and a staff in the other and is 
supported by a rocky pillar with scrolled base on which stands a pet 
dog. Both on rustic bases with rococo scrolls painted in pink. 


Height, 8%, iches. 


985—THREE oLD Bow VAsEs 


Of rococo shell and scroll design with projecting scroll handles. Painted 
in purple and decorated with floral groups and sprays. The circular 
rims are decorated with roses and other flowers modeled and painted. 


Circular bases. 
Height, 51, inches 


986—Patr oF oLtp Bow Miniature FLOWER-POTS 


Of rococo and shell design painted in purple with floral sprays and gilt 
scrollings. Containing bouquets of modeled and painted flowers and 


leaves. 
Height, 61% inches. 


987—Parr oF OLD SWANSEA PorcELAIN VASES 


Cylindrical shape with eagle head and ring handles. Decorated on a 
white ground with bands of honeysuckle and acanthus leaf in gilding 
and with groups of Billingsley roses in natural colors, surrounded by 

sprays of foliage in gold. 
Height, 514 inches. 


988—Pair oF oLD Swansea PorcELAIN VASES 
Urn-shaped, with upright scrolled handles and square bases. Decorated, 
on a white ground, with gilt scrollings and diapers and with a broad 
band of painted decoration of landscapes with ruins, fishermen and 
other figures. The handles and bases solidly gilt. (One repaired.) 
Height, 8 inches. 


Fifth Session, Wednesday Afternoon 


989—OLp Swansea PorcEeLaIn VASE | 
Urn-shaped, with cylindrical neck, spreading rim, projecting dolphin 
handles, circular foot and square base. Decorated, on a ground of white, 
with circular medallions with chased gold borders occupied by a swan 


painted in gold and by tulips and hollyhocks naturalistically painted.- 


Handles solidly gilt. 
Height, 14 inches. 


990—Oxp Swansea PorcELAIN VASE 
Pear-shaped body, cylindrical neck, handles as winged cupids, circular 
foot and square base. Decorated on one side with figure of a Chinese 
woman on a balcony. On the other with a landscape subject of a lake 
and stream of water, and with wreaths of Billingsley roses. Foot and 


neck gold scrolled. Rim slightly cracked. 
Height, 1234, inches. 


991—OLp Swansea PorceLain Cup anp SAUCER 
Cup with a pear-shaped body and handle as a female head. Decorated 
with octagonal panels of Billingsley roses with bands of a raised beaded 
pattern and gold borders of leaf design. The saucer with a center me- 
dallion on a green ground and a radiating leaf pattern in black. 


Height of cup, 51% inches; diameter of saucer, 71/, inches. 


992—-Pair oF OLD CHELSEA PORCELAIN VASES 


Pear-shaped, with circular necks, upright handles, circular feet and 
square bases. Decorated, on a white ground, with paintings of flow- 
ers, landscapes and exotic birds and with floral sprays and with a 
scrolled ornamentation of gold on a white ground. The handles deco- 
rated with gilding. 


Height, 10 inches. | 


‘993—Pair oF OLD SwansEA PoRCELAIN JARDINIERES 
Straight sides with square looped handles and three cushion feet. The 
bodies decorated with a raised and acanthus leaf pattern and with 
groups of roses and floral sprays naturalistically painted, and with 


gold bands. 


Height, 5%, inches; diameter, 71/, inches. 


Fifth Session, Wednesday Afternoon 


994—Set or THREE OLD Swansea Porcetarn VASES 
Pear-shaped with upright dragon handles, cylindrical necks, circular feet 
and square bases. The bodies decorated, on a pale green ground, with 
exotic birds and branches of foliage, the necks and handles in gold, the 


bases in black. 
Height, 101%, inches and 131% inches. 


SCARCE OLD BRISTOL HARD PASTE PORCELAIN 
STATUETTES 


995—OLp Bristot Harp Paste PorceEntaIn STATUETTE 


Figure of a couchant pug dog on a green ground. Irregular rectangular 


base. 
Height, 31% inches; length, 5 inches. 


996—Oxp Bristot PorceLaIn STATUETTE 
Upright figure of Saint Luke, in green robe and purple mantle, holding 
a copy of his Gospel in one hand. At his side the symbolic bull. On 


shaped rustic base. 
Height, 64, inches. 


997—Oxp Bristot Harp Pastrt PorcenaIn STATUETTE: “BRITANNIA”’ 


A woman’s figure with purple mantle and Minerva helmet with a dragon 


at her feet. On shaped base. 
Height, 714 inches. 


998—O.p Bristor Harp Paste PorceLain STATUETTE: “CHARITY” 
Shown as a draped female figure holding an infant in her arms with 
two children clutching at her skirt. On square base. Evidently a copy 


in porcelain of the familiar Staffordshire group. 
Height, 7 inches. 


999—Oxp Bristrot Harp Paste PorcELAIN STATUETTE 
Figure of a young man in eighteenth century costume in white coat 
lined with purple, and with purple rosettes, canary colored breeches and 
black hat, playing a hurdy-gurdy. On a rustic base with raised flowers 


and leaves. 
Height, 81, inches. 


Fifth Session, Wednesday Afternoon 


1000—Setr or THREE OLD CHAMPION’s BristoL PorRCELAIN VASES 


Pear shaped, with cylindrical necks and circular feet. Decorated, on a 
white ground, with groups and sprays of flowers naturalistically 
painted. 


From the A. Trapnell Collection. Height, 5 inches. 


1001—SErT oF oLp Bristot PorcELAIN STATUETTES: “‘FouR QUARTERS OF THE 
GLOBE” 


Represented as female figures. Europe in a white robe decorated with 
elaborately painted sprays of flowers and a green mantle, crowned with 
laurel leaves and a gold coronet, holds in one hand a book and in the 
other a painter’s palette. Supported by a horse and trophies of armor 
and arms. Asia in a white robe painted with floral sprays, a green 
mantle and gilt coronet, holds in her hands a vase, and is supported by 
a camel. Africa as a semi-nude negress with a red mantle upheld by a 
yellow ribbon, holds in one hand a sword and is supported by a lion and 
a crocodile with an elephant’s head at her feet. America, as a semi-nude 
figure with a white blue lined mantle painted with sprays of flowers and 
feather head dress, takes with one hand an arrow from her quiver and 
is supported by a trunk of a tree and a mountain lion. All four figures 
are on rustic bases with rococo scrolls painted in purple.. 


NOTE: This is, perhaps, the most important, as it is one of the most desirable, series of 
groups produced at Bristol. Only two other examples of a complete set are known. 


Height, 121, inches. 
(Illustrated) 


1002—Oxp Bristot Harp Paste PorceLAIn TEAPOT 


Globular shape with curved spout, looped handle, domed cover and 
pointed finial. Decorated with an Oriental pattern of gold scrollings 
with medallions of floral sprays, and with two oval medallions contain- 
ing Chinese domestic figure subjects in gold and colors. Mark: X in 
blue. 

Height, 5% inches. 


10083—O.up Bristrot PorcEeELAIN STATUETTE: ““CHARITY” 


Female figure, in a white robe decorated with sprays of flowers and a 
yellow and purple mantle, holds a child in one arm and relieves the dis- 


tressed with a gift of money. On a rustic base. 
Height, 1014 inches. 


. 4 , er 
a eS ee os Le ee 


TOOT "ON 


Fifth Session, Wednesday Afternoon 


1004—Oxp Bristot PorceLtain Mue 


Straight sides with loop handle. Decorated on a white ground with 3 


paintings of exotic birds and-foliage. 
Height, 3% inches. 


1005—Oxp Bristo~t PorceLaIn SucrierR AND Bowx 
Coupe shaped sucrier with domed cover with pine apple finial. Deco- 
rated with sprays of roses, tulips and other flowers painted in blue 
enamel and with lines and scalloped borders of gilding. 


Sucrier, 5 inches high; diameter, 414 inches. 
Bowl height, 234 inches; diameter, 534 inches. 


1006—Pair oF otp Bristo~t PorcELAIN SUCRIERS 
Boat-shaped with scroll loop handles. Decorated on a white ground ~ 
with sprays and bunches of roses and other flowers and with sprays of 
foliage and husk decoration and lines of gilding. Mark: Impressed 


B. and X. 
Height, 43/4, inches; length, TY, inches. 


OLD CHELSEA PORCELAINS, SOME WITH THE 
“GOLD ANCHOR” MARK 


1007—Oxp Cuetsea Porcenain Inx Borrie 


Drum-shaped. Decorated on a gros blew ground with shaped panels 
bordered with scrollings and floral sprays in chased gold and occupied 


with exotic birds and foliage. 
_ Height, 2 inches. 


1008—Oxp CHELSEA PorcELAIN PLATE 


Shaped rim and raised edge. The surface is divided by radiating bands 
of gros bleu, into three fan-shaped panels, occupied by exotic birds, 
sprays and festoons of flowers naturalistically painted in colors and 
by gold scrollings. Mark: Anchor, in gold. 

Diameter, 81, inches. 


NOTE: Part of this particular service was shown at the Earl’s Court Exhibition in 1909. 


Fifth Session, Wednesday Afternoon 


1009—O.xp CuHeEtsEA PorceLaIn STATUETTE: “WINTER” 


Figure of an old man in a blue cloak, lined with green, broad brimmed 
hat and high leggings seated upon a tree trunk with raised and painted 
flowers and leaves. At his feet is a brazier. On scrolled base with raised 
and painted flowers and leaves and gilding. (Repaired.) Mark: Anchor, 


in gold. © 
Height, 51% inches. 


1010—O.tp CuHeEtsEA PorceLaIn STATUETTE 
Figure of a youth in Polish costume of red jacket, blue tights, high red 
boots and purple lined mantle. Supported by a tree trunk with raised 
and painted flowers. Mark: Anchor, in gold. Modeled by Roubiliac. 


(Slightly repaired.) 
Height, 41, inches. 


1011—Parr oF o~p CHELSEA STATUETTE SWEET-MEAT HOLDERS 


Figures of a negro and negress, the one in a rose colored sleeveless 
jerkin decorated with floral sprays and knee breeches painted with pea- 
cock feathers; the other in a turquoise bodice, and white skirt lined with 
rose color and dotted with floral sprays. In their hands they hold shells 
which serve as bon-bon holders. The interiors of these are decorated 
with painted butterflies and insects. On scroll and shell bases with 


raised and painted flowers and leaves. 
Height, 8 inches. 


1012—Parr oF otp CHELSEA PorcELAIN STATUETTES: “Spring & AuTUMN” 
Spring shown as the figure of a boy in rose colored coat, flowered vest 
and breeches, is crowned with flowers and has on his back a basket of 
flowers. Autumn, shown as the figure of a girl in a green bodice, yellow 
over-skirt and flowered petticoat, is wreathed with vine leaves and holds 
in her apron bunches of grapes. On scrolled bases painted in green, 


yellow and purple. 
Height, 6 inches. 


1018—Oup Cuetsea PorcELAIN STATUETTE: “SPRING” 
Figure of a young girl in a white robe and yellow lined mantle of red 
dotted with floral sprays, holds in one hand a basket of flowers and in 
the other a single blossom. Supported by a tree trunk with raised and 
painted flowers. On rustic base. Mark: Anchor, in gold. 
Height, 51%, inches. 


Fifth Season Wednesday Afternoon 


1014—Ox.p CHELSEA PorcELAIN STATUETTE: “THE HARVESTER” 


Figure of a young man in a green coat lined with rose color and knee 
breeches decorated in gold and colors. Supported by a tree trunk with 
raised and painted flowers from which, suspended by a strap, hangs 
a cider barrel. The figure carries over his shoulder a scythe. At his 
feet is a bundle in a flowered handkerchief. On scrolled base with raised 
and painted flowers and gilt decoration. Mark: Anchor, in gold. 
(Slightly repaired. ) | 
Height, 71, inches. — 


1015—Oup CHELSEA Porenrars VASE 


Bottle-shaped with straight sides, cylindrical neck and spreading rim. 
Decorated with a pattern of circles of flowers in green containing flori- 
ated rosettes in gold and with oval panels of figures of Cupids painted 
en camaieu. 

Height, 51% inches. 


1016—O.Lp CueEtsEA PorceLain Two-HAaNDLED Cup AND SAUCER 
Cup with straight sides and scrolled handles. Decorated with a pat- 
tern of raised scrolls painted in green and gold and with a deep rose 
colored ground having an overlaid reticulated pattern in gold. Han- 
dles with gilt scrollings. 


Height, 31, inches; diameter, 61, inches. 


FINE EXAMPLES OF OLD WORCESTER, CHELSEA AND | 
OTHER ENGLISH PORCELAINS 


1017—Set or Srx otp Crown Derspy Porcenain Icr Pars 


Cylindrical shaped, straight sides with projecting scroll and shell han- 
dles. Decorated with sprays of roses and with burnished gilding. Mark: 
“DPD.” with Crown, in red. | 
Height, 41, inches; diameter, 5 inches. 


1018—Pair oF oup Bristot PorcetaIn Sauce TuREENS 


Boat shaped with scroll loop handles. Decorated on a white ground 
with sprays and branches of roses and other flowers and with sprays 
of foliage and husk decoration and lines of gilding. Mark: Impressed 
B and X. Height, 4%), inches; length, 11/4, inches. 


Fifth Session, Wednesday Afternoon 


1019—Pair orp Worcester PorceLAIN VASES 


Pear-shaped with cylindrical necks, spreading rims, upright voluted 
handles, vtircular feet and square bases. The bodies are decorated 
with acanthus scrolls and pointed leafage and with spade-shaped panels, 
bordered_in gold, containing views of English mansions and landscapes. 
The necks and feet are decorated with scrolled and honeysuckle borders 
of gold on white grounds. Bases, handles and rims are gilt. 

Height, 12 inches. 


1020—Oup Fuicut & Barr WorcestER PorceLAIN VASE 


Urn-shaped with curved and molded rim, ring handle and circular base. 
Decorated, as to the lower part of the body, in canary yellow with a 
patterning of green leaves, and as to the upper portion with a deep 
band of hawthorn branches on which are seated robins, bullfinches and 
other brightly colored birds. Around the neck is a border of bullrush 
patterning in gold. Guilt handles. Around the body, base and rim run 


lines of burnished gold. 
Height, 1214 inches. 


1021—Parr oF oLp CHAMBERLAIN’s WorcEstTER IcE PaIts 


Warwick vase shaped with projecting loop and lion mask handles and 
square base. Decorated, on a ground of deep rose color, with square 
panels bordered with gold and occupied by paintings of ‘Dunraven 
Castle, Glamorganshire,” and “Fonthill Abbey, Wiltshire.” Guilt bands 
around rims and base, and solidly gilt handles. 

Height, 121%, inches; diameter, 10 inches. 


1022—Dr. Wart Periop WorcrstER PorcEenAIn Fruit DisH 


Oval shaped. Decorated with three radiating bands of red having 
diapered patterns in gold and with three shaped panels of paintings 
of rock forms, flowers and leaves painted in the Oriental manner. Gilt 


lines around rim. 
Height, 314, inches; length, 121% inches. 


1023—Oxtp CHAMBERLAIN WorcEsSTER PORCELAIN VASE 


Pear-shaped body, curved neck, spreading rim and projecting satyr 
mask handles. Decorated, on a gros blew ground, with gilt scrollings 
and borders and with a spade shaped panel of flowers naturalistically 
painted. Handles gilt. (Repaired.) Height, 10 inches. 


Fifth Session, Wednesday Afternoon 


1024—Oxtp CHAMBERLAIN’s WoRCESTER VASES 
Pear-shaped bodies, curved necks with scalloped rims, voluted and 
scrolled handles, circular feet and square bases. Decorated, on a gros 
blew ground with with gilt scrollings and acanthus leaf ornamentation 
in white reserve and with a heart shaped panel of roses and other flowers 
naturalistically treated. The rim, base and handles of white reserve 


decorated in gold. (Repaired.) 
Height, 10%, inches. 


1025—Pair or Fuicut anp Barr WorcESTER JARDINIERES AND STANDS 


Bucket shaped with ring handles. Decorated on a canary yellow 
ground with a deep band of flowers naturalistically painted in colors 
on a gold ground. Around the stands is an oak leaf and meander 
border in gold. Around the base is a meander leaf border in gold. The 
handles are gilt, and there are gilt lines around the rim, bodies, and 
feet of bases. Mark: Flight and Barr, Worcester, painted in purple. 


(One body cracked.) 
Height, 7 inches. 


1026—Ox1p Worcester PorcEeLain JARDINIERE AND STAND 
Bucket shaped with ring handles. Decorated, on a ground of apple 


green, with a diamond shaped panel of-an English ratlettials pain: 


Gilt handles. 
Height, 6%, eo 


1027—Two oxp Pinxton JARDINIERES 
Bucket shaped with projecting dolphin handles. Decorated on a white 
ground, diapered with a scroll pattern in gold, with shaped panels of 


English landscapes and rural figure subjects. 
Height, 43/4, inches. 


1028—Oup Srope Cuiwa Pate 


Decorated in the manner of Oriental Lowestoft. The center is occupied 
with armorial bearings surmounted by a crest and with bands of gold 
husk decoration on a bleu-du-rot ground. Mark: “Spode” in red. 


Diameter, 91/4 inches. 


Fifth Session, Wednesday Afternoon 


1029—Pair oF otp CHELSEA PorcELAIN VASES 


Pear-shaped fluted bodies with high necks, and scrolled handles, en- 
twined with serpents. Painted in an exceptional manner with subjects 
of exotic birds and hawking subjects. The handles are decorated in 
green and gold. Gold bordered rims and bases. Mark: Anchor, in gold. 


Height, 10%, inches. 


10830—Oup SroprE Porcetain Two Hanpiep VAsE 


Urn shaped with double scrolled handles. Decorated on a bleu-du-roi 
ground, with a raised pattern, in white heightened with gold, of 
chrysanthemums and prunus blossoms. The scrolled and fluted handles 


are decorated in mat gold. Mark: “Spode” in red. 
Height, 6%, inches. 


Fifth Session, Wednesday Afternoon 


A NOTEWORTHY GATHERING OF VERY FINE 
OLD CHELSEA CHINA “FIGURES” 


10381—Pair oF oLp CHELSEA PorcELAIN STATUETTES: “FouR QUARTERS OF 
THE GLOBE” 


Figures of four children, two in each group, representing Europe and 
America, Asia and Africa. Europe, crowned and holding a sphere in 
one hand is seated on a pedestal with a helmet and dog at her feet. 
America, with feather head dress, is seated on an alligator. Africa, 
as a negress with a coral necklace, is seated on a lion. Asia, crowned 
with flowers, holds a bunch of flowers in one hand and a vase of spices 


in the other. On scrolled bases with raised leaves and flowers. Mark: 
Anchor, in red. 
Height, 91, inches. 


Fifth Session, Wednesday Afternoon 


1032—Parr oF OLD CHELSEA PoRCELAIN STATUETTES: “FRENCH SHEPHERD 
AND SHEPHERDESS”’ 


Figures dressed in eighteenth century costume. The Shepherd, in a 

’ sleeveless coat of rose color, green waistcoat, white shirt, flowered yel- 

low breeches and a hat with a turned up brim of red, holds in one arm 

a lamb and in the other a bunch of flowers. The Shepherdess, in a rose 

colored bodice, green over-skirt, yellow flowered petticoat and red straw 

hat, rests one hand upon a basket of eggs and holds in the other her 

skirt filled with flowers. Both figures leaning against tree trunks with 

boscage of raised flowers and leaves. On scrolled base painted in green, 
and with gold lines and scrolling. 

Height, 10 inches. 


1033—Pair oF oLp CHELSEA PoRCELAIN CANDELABRA STATUETTES 


Formed as figures of Shepherd and Shepherdess with a boscage backing 
of raised ‘and painted leaves and flowers. The Shepherd, in a green, 
red lined coat, flowered breeches and black hat plays a pipe with a stand- 
ing lamb at his side. The Shepherdess in a green bodice, flowered skirt, 
black fringed apron and straw hat with ribbons, holds in one hand 
a cluster of flowers, a seated lamb at her side. ‘T'wo pierced candle 
sockets terminate branches of the boscage. On rococo and scrolled bases, 
painted in rose color with gilt scrollings. 

Height, 8°4 inches. 


10384—Ouxp Cuetsea PorcELAIN STATUETTE: “THE TytHe Pic Group” 


Figures of a Parson, a Farmer and his wife. The Farmer, in a green 
square cut coat and breeches, holds a lamb in his arms. His wife in a 
green dress, white cloak, green apron and red hat, holds a baby in her 
arms, a basket of eggs at her feet. The Parson in black robes with white 
“bands” waits expectantly for his tithes. The group is supported by 
a tree trunk and boscage with raised and painted flowers and leaves. On 
shaped base with raised and painted flowers and leaves. 


Height, 6 inches. 
NOTE: This is the Chelsea rendering of a very popular eighteenth century Staffordshire group. 


Fifth Session, Wednesday Afternoon 


1035—Pair oF oD CHELSEA STATUETTE SWEET-MEAT HOLDERS 


Formed as the figures of a man and woman in eighteenth century cos- 
tume, holding square wicker-work baskets which form. bon-bon con- 
tainers. The woman in a pink bodice, flowered skirt and white apron, 
the man in a blue coat, flowered vest and breeches and a pink hat. On 
square bases with raised and painted flowers and leaves. Mark: Anchor, 
in gold. Height, 614 inches. 


1036—OLp CHELSEA PorRCELAIN STATUETTE: ““THE QUARREL” 


Group of two figures in eighteenth century costumes. ‘The man, seated 
on a rocky pedestal and supported by the trunk of a tree, is seized 
by the lapel of his coat by his enraged wife who makes a threatening 
gesture with her right hand which he wards off with his left. At his feet 
is a bag of music and a broken violin. On square rustic pedestal. 
Height, 6 inches. 
10387—O.p CuHeEtsEA PorceLaIn STATUETTE: “SPRING” 
Figure of a boy in eighteenth century costume of a rose colored coat, 
flowered vest and breeches crowned with flowers and having on his back | 
a basket of flowers. Supported by the trunk of tree. On circular and 
scrolled base painted in green and purple and dotted with purple floral 
sprays. Height, 81/, inches. 


— yo 


Fifth Session, Wednesday Afternoon 


1038—Pair oF oLp CHELSEA STATUETTE SWEET-MEAT HoLpErs 


Formed as seated figures of a man and woman. The woman in a 
green bodice, yellow skirt, brown hat and white apron holds on her 
lap a pierced basket, to serve as a bon-bon holder; the man, in a pink 
coat, yellow breeches, and green hat holds between his legs a similar 


basket. On rocky base painted with leaves. 
Height, 8% inches. 


1039—Pair oF oLp CHELSEA ORMOLU-MOUNTED PorRCELAIN VASES 
Square shape, with straight rectangular sides, spreading necks and 
square shaped rims. Decorated with sunken panels bordered with lines of 
purple and occupied with paintings of Flemish village subjects and 
with exotic birds. The ormolu mounts consist of rims with crestings of 
a honeysuckle pattern and molded bases with bands of an egg and dart 


design. 
Height, 111% inches. 


Fifth Session, Wednesday Afternoon 


1040—Patr oF oLpD CHELSEA STATUETTE SWEET-MEAT HOLDERS 


Formed as seated figures of a young man and woman in eighteenth cen- 
tury costumes sitting on rocky pedestals, supported by trunks of trees 
with raised and painted flowers, and holding in their arms oval baskets 
with pierced sides which form bon-bon holders. ‘The woman in a green 
bodice with rose-colored overskirt dotted with floral sprays, pale yellow 
underskirt, and black hat lined with rose color. ‘The youth in a yellow 
coat lined with purple, red breeches and white stockings, one of which 
is falling down. The interiors of the baskets are decorated with floral 
sprays. On shaped and scrolled bases with raised and painted flowers 
and leaves, colored dots and scrollings. Mark: Anchor, in gold. 


Height, 10%, inches. 


T¥OT ‘ON GEOL ‘ON It0I ‘ON 


Fifth Session, Wednesday Afternoon 


1041—Patr oF oLp CHELSEA STATUETTE CANDLESTICKS ON PEDESTALS 


Formed as the figures of a man and woman in seventeenth century cos- 
tumes supported by tree trunks with raised and painted flowers and 
leaves, the branches terminating in candle nozzles. The man is in a 
jerkin of red with puffed sleeves, knee breeches of a checkered pattern 
in gold and colors, a rose colored cloak lined with blue, and a black 
hat with colored plumes. The lady is in a similar costume with rose 
colored bodice, white skirt decorated with peacock feathers in colors, 
a white and gold cloak and head-dress of white ostrich plumes. On 
rococo bases of scroll and shell work painted in green with gilt lines 
and scrollings. The pedestal of square shape with painted scrolls and 
acanthus leaves at the angles, and with four panels of exotic birds, 
painted in colors. Modeled by Roubiliac. 
Heights, Figures, 10 inches; Stands, 4 inches. 


(Illustrated) 


1042—OLp CHELSEA PorcELAIN STATUETTE ON PEDESTAL: “THE SINGING 
LEsson”’ 


Figures of a youth and maiden dressed in eighteenth century costumes, 
the youth in a blue coat, flowered vest and rose colored breeches. The 
maiden in a pale yellow bodice and over-skirt and purple under-skirt 
with blue stripe and floral medallions. She holds in her arms a dog whose 
ear the youth pinches with his right hand. On scrolled base decorated 
with lines of scrolls and gilding. The contemporary pedestal is of square 
shape with painted scrolls and acanthus at the angles, and four panels 
of exotic birds painted in colors. (Pedestal slightly repaired.) 

Height of figures, 10 inches. 


Height of pedestal, 41%, inches. 
(Illustrated) 


1043—Oxp CyHEetsEA PorceLtaIn CANDELABRA: “THE Cace Biro” 


Formed as the figure of a young woman in eighteenth century costume 
of a yellow bodice and flowered rose colored skirt standing against a 
boscage background with raised and painted flowers and leaves. She holds 
in her hand a bird cage and has at her feet a seated lamb. On either 
side are branches terminating in acanthus leaf candle sockets painted in 
purple, green and yellow. On a scroll and shell base painted in green, 
with gilt scrolls. 

Height, 12 inches. 


Fifth Session, Wednesday Afternoon 


1044—Oup CHELSEA PorcELAIN STATUETTE: “THE Preinc SHEPHERD” 


Figure of a sleeping shepherdess leaning against an urn-crowned foun- 
tain and being awakened by a shepherd playing on a pipe. Both figures 
are dressed in eighteenth century costumes. The shepherd in a blue 
coat, flowered vest, pale yellow knee breeches, and black hat has a dog 
at his side. ‘The shepherdess in a rose colored bodice and over-skirt 
and a purple flowered under-skirt holds in her hand a wreath of flowers. 
A lamb seated is beside her. On shaped rustic base with raised and 


painted flowers and leaves. 
Height, 10 inches. 


1045—Pair oF oLp CHELSEA PorcELAIN STATUETTES: “FRENCH SHEPHERD 
AND SHEPHERDESS”’ 


Figures dressed in eighteenth century costumes. The shepherd has a 
green coat, white shirt, and red knee breeches while, over his shoulder, 
is a wallet suspended by a strap. He is seated upon a rocky pedestal 
and at his feet are two lambs and a dog. The shepherdess has a green 
bodice with a purple shoulder scarf, a medallioned skirt dotted with 
sprays of gold flowers and a straw hat with powdered hair. At her feet 
are two lambs. On rocky, scrolled and shell’ bases strewn with raised 


and painted flowers. Modeled by Roubiliac. (Slightly repaired. ) 
Height, 9%, inches. 


1046—Pair oF oLp CHELSEA PorRCELAIN STATUETTES: “CuPtIp’s ARCHERY” 


Figures of two Cupids, supported by tree trunks with raised and painted 
flowers and leaves. The one holds in his right hand a flaming heart at 
which the other aims with his bow and arrow. Bases of raised and 
painted flowers and leaves with quivers and arrows. Sub bases of rococo 


scrollings with gilt decorations. Mark: Anchor. 
Height, 7 inches. 


1047—Oxp CHELSEA PoRCELAIN STATUETTE: “ANDROMACHE WITH THE ASHES 
oF HeEcrTor”’ 


Andromache, in classic costume of a yellow robe with rosettes of white 
reserve and floral sprays and a light green mantle, stands with bowed 
head, leaning her arm upon a funereal urn which rests upon a pedestal 
with four claw feet, decorated with oval medallions and draped with 
husk garlands. On an acanthus-leaf base with raised border of Greek 


key pattern, 
Height, 9 inches. 


Fifth Session, Wednesday Afternoon 


1048—Pair oF oLD CHELSEA PorcELAIN STATUETTES: “FRENCH SHEPHERD 
AND SHEPHERDESS” 

The Shepherd, in a flowered jerkin, purple sprigged knee breeches and 

green coat lined with yellow, carries a basket of fruits and is supported 

by a tree trunk. He has a seated dog at his feet. The Shepherdess, 

in a bodice of rose color with an over-skirt of green, a flowing scarf of 

yellow and a Dolly Varden straw hat is supported by a tree trunk, and 

holds in her hand a tambourine. At her feet is seated a lamb. On rocky 
scrolled bases painted in green with colored scroll work. 

Height, 1014 inches. 


1049—Patr oF OLD CHELSEA PoRCELAIN SWEET-MEAT STANDS 


Formed as figures of Negros and Negresses. The former in white jack- 
ets dotted with floral sprays and in rose colored breeches, the latter in 
white dresses lined with yellow and dotted with floral sprays. Both 
hold in their outstretched arms shells for the reception of bonbons. Be- 
tween each pair is a column supported by acanthus leaves. On scroll 
and shell bases painted in green and gold. (Slight repairs. ) 

Height, 11 inches. 


1050—Pair oF oLp CHELSEA PoRCELAIN STATUETTES: “THE CoURTSHIP” 


Seated figures of a youth and maiden in eighteenth century costumes. 
The youth in a rose colored coat lined with yellow, flowered vest, me- 
dallioned knee breeches and black hat with colored plumes, is seated 
upon the trunk of a tree under a boscage with raised and painted flowers 
and leaves. The maiden in a bodice of rose color and medallioned skirt. 
On scrolled and shell bases painted in green with purple scrollings. 
Heights, 934 inches and 9 inches. 


1051—Oup CuHeEtsEA PorcELAIN Group: “THE Birps’-NEsTING CuPpips” 


Group of Cupids. Two, with white pink lined scarves, dotted with floral a 
sprays, and one with a girdle, stand under a tall tree trunk with raised 3 ‘ 
leaves up which another Cupid climbs in quest of a bird’s nest. Of those f 
under the tree two are embracing, another holds in his hand a fruit ‘ 


which he has taken from a basket at his feet, and another, the third, is 
seated holding a faggot in his hand. On a rocky base with raised and 
painted leaves and moss. Mark: scratched number. (Slight repair.) 


Height, 16 inches. 


Fifth Session, Wednesday Afternoon 


1052—Oxp CHELSEA PorcELAIN STATUETTE: “VENUS AND CuPpID” 


Standing figure of Venus, in classic robe of white decorated with floral 
sprays and an under garment of rose color. She holds Cupid by one 
hand and raises the other upward. Supported by the trunk of a tree 
with raised and painted flowers. On scrolled base, with raised and 


painted flowers. 
Height, 7%, iches. 


10583—Oup CHEtsEA PorRCELAIN STATUETTE: “Mars” 


Standing figure of Mars, as a Roman warrior, in blue helmet, and blue 
cloak lined with rose color. Supported by a military standard and shield. 


Mark: Anchor, in gold. (Slight repair to base.) 
Height, 8 inches. 


1054—Pair oF otp CHELSEA PorcELAIN STATUETTES: “HARLEQUIN AND 
CoLUMBINE” 


Harlequin in his characteristic costume of a varicolored diamond pattern 
flowered jerkin, striped rosetted tights and a black mask. Columbine 
in a dark green bodice and flowered skirt which she holds up with one 
hand. Scrolled base painted in purple with raised flowers and leaves. 
Height, 6%, inches. 


1055—Oxp CHELSEA STATUETTE: “LA BELLE JARDINIERE”’ ON PEDESTAL 


Two figures under a tree trunk whose spreading branches are covered 
with raised and painted flowers and leaves. “La Belle Jardiniére”’ seated 
and dressed in eighteenth century costume of rose colored bodice, yellow 
over-skirt and red flowered under-skirt holds in one arm a watering 
pot and basket of flowers and extends the other to a youth who stands, 
one arm resting upon a tree trunk, and holding out the other to receive 
the flowers. The youth is dressed in an eighteenth century costume 
of green coat lined with yellow and flowered breeches. Scrolled base 
painted in light green and with gilt scrollings. The group stands on 
a contemporary old Chelsea pedestal with scrolled and voluted consoles at 
the angles and shell patterned apron in front. The front panel is oc- 
cupied by a painting of a landscape and ruins, and the side panels by 


butterflies. 
Height of figures, 734 inches. 


Fifth Session, Wednesday Afternoon 


1056—Pair oF oLp CHELSEA PoRCELAIN CANDELABRUM STATUETTES 


Formed as figures of kneeling Cupids, their quivers lying beside them 
with boscage backgrounds with raised and painted flowers and leaves. 
Surmounted by pierced candle sockets and sconces. On scrolled and 


shell bases, painted in rose color and green. | 
Height, 101% inches. 


1057—Oxp CHELSEA PorCELAIN CANDELABRUM 
Formed as the figure of a fox, preparing to feast upon a partridge, 
under a tree trunk with twisted branches, raised and painted flowers 
and leaves and yellow birds. Three of the branches are arranged for 
candles with acanthus and lotus leaf modeled sockets, painted in rose 
color, green and yellow. On rococo scrolled base with trefoil shaped 


openings decorated in gold. (Repaired.) 
Height, 18%, inches. 


1058—Pair oF OLD CHELSEA PORCELAIN STATUETTES: “SHEPHERD AND SHEP- 
HERDESS” 

The Shepherd, in a lilac colored coat with green waistcoat, medallioned 

knee breeches and black hat, is supported by the trunk of a tree and 

_a boscage of raised and painted flowers. He holds in his hand a sheet 

of manuscript and rests his other upon his hip; at his feet is a seated 

dog. The Shepherdess in a green bodice, purple and white flowered 
skirt, leans against the trunk of a tree with a boscage of raised and 
painted flowers and leaves and wreaths with flowers the neck of a pet 

lamb who rests against her knee. On a circular scrolled base with 


raised green moss and gilt scrollings. 
Height, 81%, inches. 


1059—Pair oF oLp CHELSEA PoRCELAIN STATUETTES: “*THE GARDENERS” 


Figures of a young man and woman in eighteenth century costume. ‘The 
Gardener, in his shirt sleeves, with flowered vest, blue apron, yellow 
breeches leans against a broken pillar, rests one hand upon a spade 
and holds in the other a flower pot and stand. The Gardener’s Wife, 
in a bodice of lilac laced over a white undergarment, flowered skirt and 
straw hat lined with green, holds in one hand her apron full of flowers 
and rests the other upon a flower pot. She is supported by a lion’s 
mask fountain from which issues a stream of water. Rustic base. 

Height, 74, inches. 


Fifth Session, Wednesday Afternoon 


1060—O.up CuetsEA PorcenaIn STatTuetTTeE: “Mercenary Love” 


Figure of Cupid, in flowing mantle lined with rose color, supported by 
a tree trunk with branches of raised flowers and leaves holds in his up- 
lifted right hand, and affectionately regards, a bag of money. On cir- 
cular and shell base painted in green with gilt scrollings. 

Height, 8%, inches. 


1061—Oup CueEtsEa PorcenaAIN CANDLESTICK STATUETTE 


Formed as the figure of a Pantaloon, with purple medallioned garment, 
red breeches and broad brimmed hat, in a dancing posture. He holds 
in one hand a lantern and leans against a tree trunk with raised and 
painted flowers and leaves which ends in a candle socket of modeled 
acanthus leaf design. On a rustic and scrolled base painted in green 


with gilt scrollings. 
Height, 91% inches. 


1062—OLp CHELSEA PoRCELAIN INK-STAND 


Shaped design, on high scroll and shell feet. At the back is a longi- 
tudinal pen tray with a shaped cover with a handle of a Cupid playing 
with a dog and shaped panels of landscapes and ruins. In front are 
three circular receptacles for taper stand, sand-box and ink-well, which 
are decorated, on a turquoise blue ground, with shaped panels of Chinese 
pagodas and floral sprays. The surfaces are decorated, on a white 
ground, with butterflies and insects and with green and gold scrollings. 
Height, 41%, inches; length, 914 inches. 


1063—Oxp Cuetsea Porcenain StatuettTe: “THE Minuet” 
Figure of a young woman, in eighteenth century costume of rose colored 
bodice and red skirt decorated with floral sprays and bordered with 
yellow flouncings, in the attitude of dancing a figure in the minuet. On 


circular base. 
Height, 5%, inches. 


1064—Oxip Cuetsea PorceLaIn STATUETTE: “THE SNUFF-TAKER” 
Figure of a monkey in eighteenth century costume of a yellow coat me- 
~ dallioned in blue and red, dark red waistcoat, yellow knee breeches and 
tri-cornered hat, supported by trunk of a tree and taking snuff out of 


a box. On circular rustic base. 
Height, 714, inches. 


Fifth Session, Wednesday Afternoon 


1065—Parr oF OLD CHELSEA “Rusy” Cups 
Egg-shaped cups on circular bases. Decorated, on a ruby ground, with 
flying birds in chased gold and bands of reel and bead, and of oak leaf 
decoration and with heart-shaped panels. Children, one with a pop-gun, 
the other with butterfly net and dog seated in a landscape. Painted by 


Donaldson. 
Height, 31% wcehes. 


1066—Pair oF oLD CHELSEA PORCELAIN JARDINIERES 


Straight sides with projecting handles of scrolls and shells. Decorated 
with an Adam design of urns draped with flowers, with butterflies, with 
a border of classical scrolls in black on a purple ground, with a husk 
pattern in green with red berries, and with medallions in purple. Gold 
lines around the rims and bases. Mark: Anchor, in gold. 


Height, 634, inches. 


Fifth Session, Wednesday Afternoon 


No. 1067 No. 1068 No. 1069 


1067—O.xp Cuetsea Porcetar Birp 
| Figure of a bird painted in natural colors, perched upon the trunk of 
a tree with raised and painted flowers and leaves. (Slightly repaired.) 
Height, 41/, inches. 


1068—O.Lp Cuetsea Porcerain StatTuetre: “FRENCH SHEPHERD” 
Figure of a shepherd in eighteenth century costume of yellow coat, 
white shirt and pink breeches. Over his shoulder is hung a satchel con- 
taining a bottle. Supported by a trunk of a tree with raised and painted 
leaves. On rocky base with raised and painted flowers and leaves. 

Mark: Anchor, in red. 
Height, 61, inches. 
1069—O.p CuHetsea PorceLaIn Parror 

Figure of a parrot, painted in yellow and purple, perched upon a tree 

trunk with raised and painted flowers and leaves. On rustic base. 
Height, 6 inches. 


1070—Otp CuHertsEA Porcetarn VASE 
Hexagonal shape, with curved neck and scroll handles. Painted with 
figures of exotic birds, foliage and butterflies. Mark: Anchor, in gold. 


(Repaired. ) 
Height, 8 inches. 


Fifth Session, Wednesday Afternoon 


1071—Oxup CuHEtsEA Posset Cur, CovER AND STAND 


Coupe shape with two intertwined handles, domed cover and scroll finial. 
Decorated with a raised scale pattern and with groups of flowers and 
floral sprays naturalistically painted and with gilt borders and scroll- 
ings. Mark: Anchor, in gold. 


Height, 41%, inches; diameter, 7 inches. 


1072—Oxtp CHELSEA PorRCELAIN VASE WITH HANDLES AND COVER 


Pear shape with scrolled loop handles, domed covers ending in raised — { 
leaf and flower finials. Decorated on a turquoise blue ground with — 


groups of raised mayflowers in white reserve. Gult scroll handles. Cir- 


cular bases. Slight repair to one handle. 
Height, 81 inches. 


1073—Pair oF OLD CHELSEA CHAMBER CANDLESTICKS 


Circular stands with shaped edges, candle nozzles of lotus flower form 
and looped rustic handles, with floral thumb pieces. Decorated with 
borders of bleu-du-roi, gold scrollings and floral sprays painted in colors. 


Mark: Anchor, in gold. 


Diameter, 51%, inches; height, 31%, inches. 


1074—Onxp CHELSEA PorRCcELAIN Two-HANDLED Cup 


Straight sides with rococo scrolled handles. Decorated, on a canary 
yellow ground, with groups of flowers and with floral sprays naturalisti- 
cally painted. Gold bands around the rim and base, and handles with 


gilt scrolls. Mark: Anchor, in gold. 
Height, 334 inches. 


1075—Two oup CHELSEA PorRCELAIN PLATES 


Fluted rims and shaped edges. Decorated, in the Adam style, with a bor- 
der of husk festoons and with semicircular scallops in rose color bor- 
dered with gold dots. The centers are occupied with paintings of Classic 
urns wreathed with flowers and with small floral sprays. Mark: Anchor, 
in gold. 


Diameter, 81, inches. 

1076—O.p CHEtsEA PorceLaIn PLATE 
Fluted and scalloped rim. Occupied with a very unusual pattern, 
painted in the Oriental manner, of Chinese figure subjects, a Chinese 


pavilion, draperies, tassels and flying birds. | 
Diameter, 914, inches. 


Fifth Session, Wednesday Afternoon 


1076A—O.up Bow Porcenain StTatTuEeEtre Figure 


The figure of a couchant Fawn. On an oval base with raised and painted 
flowers. 
Height, 314, inches. 


VERY RARE OLD BOW, INCLUDING FIGURES, 
GROUPS AND VASES 


1077—O.p Bow Porcexiain Statvuerre: “THE FLower Gir” 
Figure of a young woman, in blue bodice with pink striped skirt, taking 
a blossom from a basket of flowers-held on her right arm. Supported 
by a tree trunk with raised and painted flowers and leaves. Pierced base 
decorated with purple scrolls and an ornamental border. 


Height, 6 inches. 


1078—Oup Bow PorceELAIN STATUETTE 


Figure of a ram with colored markings on an oval base with raised and 


painted flowers and leaves. 
Height, 3°, inches. 


1078A—Oup Bow PorcELAIn STATUETTE 


The figure of a sleeping lamb on rustic circular base with raised and 


painted flowers. 
Height, 3 inches. 


1079—O.p Bow PorceLaIn STATUETTE 
Seated figure of a youth in eighteenth century costume of pink coat, 
flowered breeches and black broad brimmed hat, holding in his hand a 
book and seated upon a rocky pedestal. Rustic base with raised and 


painted flowers and leaves. 
Height, 434 imches. 


1080—Oup Bow PorcELAIN STATUETTE 
Figure of a Pattini, or nude boy, seated upon a stump of a tree, holding 
in one hand a vase of flowers. Irregular base with raised and painted 


flowers. (Repaired.) 
Height, 6%, inches. 


Fifth Session, Wednesday Afternoon 


1081—Oxp Bow PorceLaIn STATUETTE 


Figure of a nursing lamb, on a scrolled base with green and purple lines | 


and raised and painted flowers. | 
Height, 21%, inches. 


1082—OxLp Bow PorceLaIn Statruetre: “THe Firowrer SELLER” 


Figure of a girl in eighteenth century costume of green bodice, purple 


stomacher, white over-skirt, pale yellow under-skirt and purple hat, “4 


seated on a tree trunk and holding in her hand a single blossom. Ata 


her side is her pet lamb. On scrolled base. 
Height, 5 inches. 


1088—Oxup Bow PorcenaIn StTatTuEtTte: “THE Sant” 


Figure of a female saint in a nun’s habit of a red cloak lined with green, 
a rose colored undergarment and a black hood, holding, in her left hand 
a breviary. On a circular rocky base with raised and painted leaves 


and flowers. 
Height, 5%, inches. 


1084—Onp Bow PorcELAIN STATUETTE: “THE Proup PERSIAN” 


Standing figure of an Oriental Prince in pseudo-Oriental costume of 
dark rose colored coat with gold froggings, blue sash fringed with green 
and flowered vest, high yellow boots, flowing blue mantle lined with er- 
mine, and turban. On rocky base with raised and painted flowers and 
a rococo scrolled and pierced sub-base, painted in green and rose height- 
ened with gold. Mark: Anchor and two Daggers, in red and blue. 


Height, 91% inches. 


1085—Patir or otp Bow Srarvettes: “THe Dancers” 


Figures of youth and girl in attitude of dancing supported by trunks 
of trees and blossoms. The Youth in a yellow jerkin and flowered 
sleeves and breeches, the Girl in a blue bodice, flowered skirt, and yellow 
apron. On pierced and scrolled bases, decorated in red, purple and 
blue heightened with gold. (Slight repair.) Mark: “Te” impressed. 


Height, 7 inches. 


NOTE: This mark is generally taken for that of a well-known Bow artist named Tebo, who 
modeled this and other groups. 


Fifth Session, Wednesday Afternoon 


1086—Parr oF oLp Bow PorcEetaAIn CANDELABRA 


Formed as standing figures of a Boy and Girl. The Boy, in a white 
coat with gold trimmings, flowered trousers and white hat lined with 
pink and with gold border; the girl in a pink bodice, medallioned and gold 
fringed skirt, flowered apron, and plumed hat. Backed by excep- 
tionally elaborate boscages with raised and painted flowers. On 
scrolled and open work bases painted in pink and gilded. Each figure 
has a.scrolled metal branch supporting a porcelain candle socket and 
sconce of a rococo design of dark blue and gilt scrollings. Mark: Anchor 


and Dagger, in red. 
Height, 1014 inches. 


1087—Ouip Bow PorceELaAIn STATUETTE: “NEPTUNE” 


Figure of Neptune man with flowing beard, his head crowned with a 
wreath of laurels. In a green cloak lined with yellow, a portion of which is 
elaborately decorated with floral medallions bordered in gold. He holds 
in one arm a vase from which issues water and is supported by a dolphin 
painted in green and purple. On a rustic base with raised and painted 


flowers and leaves. 
Height, 8 inches. 


Fifth Session, Wednesday Afternoon 


1088—Oxnp Bow PorcELAIN STATUETTE: ‘SJ UPITER”’ 


Figure of Jupiter seated upon an eagle, with a red mantle lined with 
yellow and holding in his right hand a sheaf of thunder-bolts one of — 
which he grasps, prepared to hurl with his left hand. Irregular base of 
cloud forms. 


Height, 61, inches. 


No. 1089 No. 1090 No. 1089 


1089—Pair or oLpD Bow PorcEeLAIn STATUETTES: ““SPRUDENCE AND DISCRE- 
TION” , 


Figures of a Youth in eighteenth century costume of pink jacket, yellow 
flowered breeches and striped cap, and of a Maiden in light blue jacket 
and purple and yellow flowered skirt regarding herself in a mirror. 
Supported by tree trunks with raised flowers and leaves. On rococo 
scroll and pierced bases painted in purple and green heightened with gold. 


Height, 74% inches. 


1090—Oxp Bow PorcrLaIn STratTuETTEe: “THE GALLANT” 


Figure of a young man in eighteenth century costume of pink coat 
lined with yellow, flowered vest, and light green breeches, seated on a 
rocky pedestal and taking snuff with his right hand from the box he holds 


in his left. On circular base painted with floral sprays. 
61% inches high. 


Fifth Session, Wednesday Afternoon 


1091—Pair oF otp Bow PorceLaiIn STATUETTES 


Seated figures of a Youth and Maiden in eighteenth century costume. 
The Youth in flowered breeches and purple hat, holds in one hand a 
roll of manuscripts and gesticulates with the other. At his side is 
seated a dog. The Maiden in a purple bodice, yellow over-skirt and 
blue hat lined with purple, is seated upon a tree trunk playing a hurdy- 
gurdy and having on one side a pet dog standing upon its hind legs. 
Supported by trunks of trees with leaves and flowers. On scrolled and 
pierced bases. Mark: Anchor and Dagger, in red. 


1092—Pair or o1p Bow PorceELAIn Stratuetrres: “THEr Musicians’’ 


Seated figures of a man in Pierrot costume playing the bagpipes, and 
a woman in a yellow bodice and purple flowered skirt playing a hurdy- 


gurdy. Supported on stumps of trees. Irregular bases. 
Height, 5 inches. 


10938—Pair or orp Bow PorceLAIn STATUETTES: “SUMMER AND AUTUMN”’ 


Summer represented as a young girl in blue dress with a white under- 
skirt decorated with sprays of flowers in purple, holds up with one hand 
her apron filled with flowers. Autumn as a boy in pink coat lined with 
yellow, blue vest and flowered breeches, is supported by a tree trunk 
and holds in both hands a bunch of grapes. On rustic bases with raised 


and painted flowers and leaves. (Repaired. ) 
Height, 6 inches. 


1094—Oitp Bow PorcetaIn STaTuETTeE: “FRENCH SHEPHERD AND SHEP- 
HERDESS” 

Figures in eighteen century costume. The Shepherd in a yellow flowered 

coat, pink breeches, and black hat leans upon a trunk of a tree playing 

a pipe. He has a knapsack over his shoulder and at his feet is seated 

his dog. The Shepherdess as a young woman, in yellow bodice, white 

and purple striped skirt, holds up her apron filled with flowers and has 


at her feet, a seated pet lamb. On circular rustic bases. | 
Height, 6 inches. 


Fifth Session, Wednesday Afternoon 


1095—Pair ‘or otp Bow PorceLAIN STATUETTES 


Figures of a Youth and Maiden in eighteenth century costumes. ‘The 
girl in a pink over-skirt, and yellow and blue petticoat. The youth in 
a pink coat, yellow waistcoat and black breeches. On rustic bases 


ornamented with gilt scrollings. (Repaired.) 
Height, 6 inches. 


1096—Oup Bow PorcELAIN STATUETTE: “PEG WorFINGTON” 


Figure of Peg Woffington, modeled as a Greek Sphinx, upon a scrolled 


base. 
Height, 5 inches. 


NOTE: This figure of the celebrated actress Peg Woffington is one of the rarest productions 
of the Bow Factory. 


1097—Ser or THREE op Bow PorceLAIN ORNAMENTS 


Modeled as Birds perched upon trunks of trees with mottlings of pink 
and brown. 


Fifth Session, Wednesday Afternoon 


1098—Pair or oLp Bow Porcetain Stratuerres: “Mars anp VENus” 
Standing figures of Mars and Venus. Mars, in a panoply of Roman 
armor with blue helmet, holds a sword in his right hand and a buckler 
on his left arm. Venus is partially draped in a rose colored flowing 
garment. Both lean upon trunks of trees and at their feet a pair of 
doves are billing and cooing. On rococo base with pierced and scrolled 
borders painted in purple and with raised and painted flowers and 


leaves. 
Height, 11 inches. 


Fifth Session, Wednesday Afternoon 


1099—Parr oF oLp Bow Porcexain Vases 
Hexagonal baluster-shaped with straight rimless necks. Decorated in 
the Oriental manner with long-tailed birds, branches of peony blossoms 
and floral sprays. Painted in red, blue and green and canary yellow 
heightened with gold. | 7 
Height, 91 inches. 


NOTE: These vases belong to a very early Bow period. A precisely similar pair in the South 
Kensington Museum, formerly belonging to Lady Schreiber, are varyingly attributed 
by leading authorities to Chelsea as well as Bow. These same authorities, however, all 
agree that they are among the very best productions of English eighteenth century kilns. 


1100—Oxp Bow SratTvuettTe: “Sprrmne” 
Figure of a young Girl in eighteenth century costume of blue bodice, 
red sleeves, and red striped skirt with floral medallions, holding up with 
one hand her apron filled with flowers and with the other hand encir- 
cling a trunk of a tree, with raised and painted flowers and leaves form- 
ing a boscage. On a rococo scrolled base painted in green heightened 


with gold. Mark: Anchor and Dagger, in red. 
Height, 10 inches. 


1101—Oxp Bow Porcr.atin STATUETTE: “Cuprmp As A BIRD-CATCHER” 


Figure of Cupid, wreathed with garlands of flowers, kneeling in front of 
a boscage of raised and painted leaves and flowers, and enticing with 
one hand a bird perched on a branch above him. At his side is his 
quiver and a dog. Ona rococo scrolled base painted in green heightened 


with gold. Mark: Anchor and Dagger. 
Height, 81, inches. 


1102—Oup Bow Srarvuettre: “THE Musician” 


Figure of a Youth in eighteenth century costume, seated upon a trunk 


of a tree playing a lute and singing. 
Height, 51 inches. 


1103—O.xp Bow Srarvetre: “THe FLowEr SELLER” 


Figure of a young girl in eighteenth century costume with green bodice, 
purple stomacher, white overskirt, pale yellow underskirt and pale 
purple hat, seated on the trunk of a tree with a single blossom in her 


hand and at her side is a lamb. On scroll base. 
Height, 5 inches. 


Fifth Session, Wednesday Afternoon 


1104—Pair oF orp Bow Porcenain STatTuetres: “Spring AND SUMMER” 
Spring as a group of amorini playing with a goat who is being suckled 
by a kid. Summer as a similar group, one of whom is feeding a goat with 
ears of corn. On rustic bases with raised and painted flowers and leaves 
and sub-bases of pierced and scroll rococo design colored in purple and 
green heightened with gold. 
Height, 9 inches. 


These “Seasons” groups are among the best known and most highly prized of early Bow pro- 
ductions. ) 


1105—Oup Bow PorcELAIN STATUETTE: “SPRING” 
As the figure of a young woman in eighteenth century costume holding 
a basket of flowers. 


Fifth Session, Wednesday Afternoon 


~ 1106—Ouxup Bow PorcenaiIn STATUETTE: “DEVOTION” 


Figure of a young woman seated and reading a book which she supports 


with both hands. 
Height, 51%, inches. 


1107—Pair oF orp Bow Porcerain STATUETTES: “THE SPORTSMAN AND His 
SWEETHEART” | 

Figures of a young man in eighteenth century costume, with a gun and 

spaniel by his side, seated on the trunk of a tree, and of a young woman 

in a costume of the same date drawing water for her lap dog and seated 

upon a trunk of a tree. On square rustic bases. In plain white glaze. 

Height, 5 inches. 


1108—Srr or Four otp Bow Porcetarw Sratuetres: “THE Four Seasons” 
Figures of Spring as a young woman with a basket of flowers, Summer as 
a young woman with a sheaf of wheat, Autumn as a youth pressing the 
juice from a bunch of grapes into a bowl, and Winter as an old man 


leaning upon a stick. All in plain white glaze. 
Height, 514, inches. 


1109—Pair or otp Bow PorcELAIn CANDELABRA STATUETTES 


Figures of Spring and Autumn. The former as a young girl with basket 
of flowers and flower filled apron, holds a bunch of flowers in her left 
hand and has, at her side, a bee-hive. The latter as a Youth seated upon 
a basket of grapes and vine leaves and pressing, with his right hand, the 
juice from a bunch of grapes into a cup which he holds in his left. On 
ormolu bases with ormolu branches having modeled peony blossoms and 
fluted and modeled candle sockets and sconces. In plain white glaze. 
Height, 11144 inches. 


1110—Parr oF o~tp Bow Porcetaww CANDELABRA 


Formed as tree trunks with branches, having raised flowers and leaves, on 
which are perched birds, while dogs are playing at the bases. Backed 
with branches and leaves of gilded metal having raised roses and candle 
sockets formed as tulip blossoms with pointed leaves. On oval rock 
bases. (Damaged. ) 

Height, ¥1 inches. 


Fifth Session, Wednesday Afternoon 


1111—Patr or otp Bow Porcrnuaw Vases 


Octagonal baluster shaped with pierced scroll handles. The bodies are 
decorated with the characteristic early Bow ornamentation, of branches 
of prunus blossoms and. leaves. White glaze. Mark: Triangle and 


Anchor impressed. 
Height, 9 inches. 


1112—Parr or op Bow Srarverres 


Figures of couchant dogs on irregularly shaped bases. 
: Height, 51% inches. 


1112A—Oup Bow Porcenain Piuate 


Flat rim. The center is occupied with a painting of rock forms, stems 
of bamboo and chrysanthemum blossoms, the rims Chinese flower and leaf 
forms, all in colors heightened with gilding and in the Oriental manner. 


Diameter, 834 inches. 


1113—Pair or orp Bow Miniature Vases 
Hexagonal bottle-shaped, with curved necks and spreading bases. Deco- 
rated on a white ground with miniature designs of birds, stems of bam- 
boo and flowers painted in the Oriental manner. The rims are bordered 


with floral sprays. (Repaired.) 
Height, 41%, inches. 


1114—Ser or Four otp Bow Porceriain Bonzson DIsHEs 
Shaped as clusters of serrated leaves and with rustic looped handles. 
Decorated, as to the interiors, with designs of bamboo stems and branches 
and butterflies painted in the Oriental manner. 
Heights, 114, inches and 81/, inches. 


1114A—Pair or onp Bow Porcextain Fruir Bowtns 
Circular shape with curved sides and shaped edges. Decorated, in the 
Oxiental manner, with shaped panels of white reserve on a ground of 
red relieved with floral sprays of white reserve and gold the spaces 
above being occupied by a Chinese pattern of geometrical interlacements. 
The panels are occupied by Oriental rock forms in blue enamel and sprays 
of flowers and leaves in green, red and gold, and the centers with cireu- 


lar medallions of Chinese landscapes. 
Height, 21%, inches; diameter, 10 inches. 


Fifth Session, Wednesday Afternoon 


1115—Oxp Bow Porcetain Cup AND SAUCER 


Cup with carved sides and pierced flat handle. Decorated with shaped 
panels with red line borders occupied by sprays of flowers and leaves, 
painted in the Oriental manner, and by a checkered bordering painted in 


red. 


1116—Oup Bow Porcevain Ecco SERVER 


Modeled as the figure of a Duck, the upper portion being removable 
so as to forma lid. Naturalistically painted, in brown, purple and green, 


with yellow beak. 
Height, 314, inches; length, 5 inches. 


1117—Oup Bow Porcrentain Ecc SERVER 


Formed as the figure of a Partridge sitting upon her nest. The body 
being removable so as to form the lid. The nest, serving as the egg 
container, is modeled in relief to represent twigs with a border of inter- 
laced twigs and leaves all naturalistically colored. 


Height, 34, inches; length, 414 inches. 


1118—Oup Bow Porcrenain Ecco SERVER 


Formed as the figure of a Partridge sitting upon her nest. The body 
is removable so as to form a cover. The nest is modeled in relief to rep- 
resent twigs with a border of interlaced twigs and leaves, serves as the 
egg container. Both bird and nest are naturalistically painted in brown, 


black, green and rose color. 
Height, 514% inches; length, 7 inches. 


1119—Oxp Bow Porcetain Ecce SEerver | 
Figure formed as a Partridge sitting upon her nest, the body being re- 
movable so as to form the cover. The nest, modeled in relief to represent 
twigs with a border of interlaced twigs and leaves, serves as the egg con- 
tainer. Both bird and nest are naturalistically painted in brown, black, 


green and rose color. . 
Height, 51% inches; length, 7 inches. 


1120—O.xp Bow Porce ain Eee SERVER 
Modeled as a hen picking her feathers. Painted in natural colors. 


Height, 31/, inches; length, 41/4, inches. 


Fifth Session, Wednesday Afternoon 


1120A—THREE otp Bow Porcetarn Puates 
Shaped edges. The centers are occupied by paintings of branches of 
trees and exotic birds, the borders with floral sprays, all painted in 


colors in the Oriental manner. 
Diameter, 81/, inches. 


1121—Par oF orp Bow Miniature Frower Pors anp FLowers 
Flower pots of rococo scroll and shell design painted in purple with 
floral sprays and gilt scrollings and containing bouquets of modeled and 


_ painted flowers and leaves. 
Height, 61%, inches. 


1122—Parr or oLp Bow Vases 
Pear-shaped bodies with fluted rims and circular bases. Modeled in 
a rococo design of shells and scrolls with a single voluted handle. Deco- 
rated with painted flowers and leaves and with paintings of butterflies 


and floral sprays. 
Height, 6 inches. 


1123—O.up Bow Porcerain STATUETTE 
Bust of a Harlequin, with a pointed cap formed, of a cluster of leaf forms, 
a fall-down collar and a frogged jerkin. On a shaped and fluted base. 


Invested with a heavy white glaze. 
Height, 10°4 inches. 


1124—Oup Bow Porcertatn Bonson Hover 
The figure of a young girl in a fancy costume of pink cloak, yellow robe, 
pink Turkish trousers and high conical head dress, holding in her hands 
a shell decorated with floral sprays. Supported by a tree trunk with 


raised and painted branches of coral and sea-weeds. 
Height, 5%, inches. 


1125—Oxp Bow Porcetary Bonson Hover 
Formed as three shells supported by a rocky base with a rocaille deco- 
ration of raised and painted sea-weeds and marine shells and with a 
handle formed as a marine shell. The interior of each shell is decorated 
with sprays of peony blossoms and buds painted in the Oriental manner, 
and with scrolled borders of dark brown and gold. (Repaired.) 
Height, 51, inches. 


Fifth Session, Wednesday Afternoon 


1126—Oxp Bow Porceain Sauce Boat 
Boat-shaped, with looped handle. Decorated with a raised and painted 
border of quatrefoils, leaves and with shaped panels, bordered by raised 
and painted floral sprays and occupied by paintings of Chinese sub- 
jects and butterflies. The rustic handle painted in green and brown. 


Height, 5 inches; length, 8%, inches. 


1127—Oxup Bow Porcevain Sauce Boat 


Shell-shaped with curved spout, looped handle and oval base. Deco- a 


rated both as to exterior and interior with branches of flowers, leaves 


and floral sprays. (Repaired.) 
Height, 41, inches. 


1128—Oup Bow Sauce Boat 
Boat-shaped with looped handle and three mask and claw feet. Deco- 
rated, as to both exterior and interior, with Oriental subjects of flowers 


and bamboo leaves and with floral sprays painted in colors and height- 


ened with gold. 
Height, 5% inches; length, 9 inches. 


1129—Ox1p Bow Porcetain Sauce Boar 
Boat-shaped, formed as a cluster of lettuce leaves, with rusti¢ looped 
handle. Decorated with lines of purple and green, and. painted with 


insects and butterflies. 
Height, 54, inches. 


11380—Oxup Bow Porcenain Cream Ewer 
Pear-shaped body with pointed spout and looped handle. Decorated, 
on a white ground, with the trunk of a tree and with scrolled floral 


sprays painted in the Oriental manner. 
Height, 51%, inches. 


1131—Fovur orp Bow Porcexain Curs 
Sloping sides, with two looped scroll handles. Decorated with raised 
sprays of prunus blossoms and leaves. In plain white glaze. 
Height, 2° inches. 


NOTE: These plain white ware decorated in relief with branches of prunus blossoms were 
among the very first productions of the Bow Factory. 


ears EET TRE) 


Fifth Session, Wednesday Afternoon 


11381A—TureeE orp Bow Porcenarm Cups 
Sloping sides without handles. Decorated with raised sprays of prunus 


blossoms and leaves. In plain white glaze. 
Height, 15% inches. 


EARLY ENGLISH TIGER WARE AND OLD LAMBETH DELFT 


1182—SixTEENTH CENTURY Enenisu Ticrr Jue 
Pear-shaped body with high cylindrical neck, looped and molded, handle 


mvested with a “tiger” glaze and mounted im silver. 
Height, 7 inches. 


113838—Earrty SEVENTEENTH CENTURY EncuisH Ticrr JuG 


Pear-shaped body with high cylindrical neck, looped handle, and con- 
temporary silver mounts. The rim has a band of scroll and interlaced 


pattern and the inscription TIM. 
Height, 7 inches. 


11384—SIxTEENTH CENTURY GERMAN SALT GLAZED PITCHER 


Pear-shaped body with high cylindrical neck and spout formed as a 
Satyr mask. The body is decorated with an incised pattern of scrolls 
and trefoils and with three applied oval medallions, two with armorial 
bearings, the other with a shield of armorial bearings, the figure of a 
knight on horseback and the initials I. E. Side panels dated 1590. 
Center panels 1594. 

Height, 11 inches. 


NOTE: These sixteenth century German stoneware tankards are frequently met with bearing 
conflicting dates. This was due to the use of old molds and stamps by the potters. 


1185—SEVENTEENTH CENTURY GERMAN STONEWARE 'T'ANKARD 
Pear-shaped body with silver rim handle and hinged cover having a 
seated dog as finial and a scroll thumb piece. Invested with a green- 


ish glaze. 
Height, 71, inches. 


Fifth Session, Wednesday Afternoon 


1186—SIxTEENTH CENTURY GERMAN BELLARMINE PITCHER 


Pear-shaped body with looped molded handle and cylindrical neck. 
Decorated in relief with a “Grey Beard” face, with circular medallions 
containing heads of men in sixteenth century costume, with leaf-shaped 
panels of scroll decoration and with a band of inscription in Roman 
capital letters. 


2 
Fil 
4 


Height, 8 inches. 


11387—SEVENTEENTH CENTURY GERMAN PITCHER 


Pear-shaped body, cylindrical neck and looped handle, with hinged 
pewter lid and shell thumb piece. Decorated, in an incised pattern, 
with floral scrolls and a raised octagonal medallion occupied with a 
German coat-of-arms, and the initials C. R. (16)88. Maker’s mark 
on pewter L. H. 

Height, 9% inches. 


11388—EIcHTEENTH CENTURY GERMAN DeLFr TAaNKARD WITH COVER 


Cylindrical form with looped handle and hinged lid of pewter having a 
ball thumb piece. The body is decorated, in polychrome, on a sponged 
puce ground with an oval panel of white relief bordered with scrolls 
and cornucopiz, surmounted by a royal crown and occupied by a paint- 
ing of a landscape with plants and conventional flowers and foliage. 


Mark:y toch: 
Height, 1114 inches. 


1189—EIcHTEENtTH CENTURY GERMAN STONEWARE T'ANKARD 


Cylindrical shape with looped and molded handle. Invested with a 
brown glaze and mounted with a silver rim. 
Height, 714 inches. 


1140—E1cHTEENTH CrentTURY LAMBETH Detrr Monry Box 


Pear shaped on circular base and having a slit for the insertion of 
money. Decorated in blue on a white ground with an allover pattern 


of chrysanthemums, peonies and roses. Signed on the bottom A.Y. 
1708. 


Diameter, 6 inches. 


Fifth Session, Wednesday Afternoon 


1141—SEvVENTEENTH CENTURY LamBetTH Detrr BowL 
Coupe shape with projecting pierced ear handles. Decorated in blue, 
on a white ground, and in an Oriental manner with a border of a 
diapered pattern and with oval panels of floral sprays. The center 
is copied with a scrolled and floral pattern, the exterior with bands of 
floral and leaf scrolls of blue on a white ground. Signed at the bot- 
tom with script letters C. J. 


Height, 21% inches; diameter, 7 inches. 


1142—Oup LampetuH Deurr PuatTe 


Decorated in blue on white with a circular medallion having a laurel 
leaf border and occupied with the initials R. G. 1689. 


Diameter, 834 inches. 


1143—Pair oF OLD LamBetH Deurr PLAtTEs 


Decorated, in blue, on a white ground, with an Oriental decoration of 
floral sprays and a floral border. The center is occupied by a circular 
medallion with the initials F. I. M. (One cracked.) 


Diameter, 834, inches. 


1144—Pair oF SEVENTEENTH CENTURY LAMBETH DeLFr PLATES 


Decorated in blue on a white ground with a heart-shaped medallion 
containing the initials H. W. I. 1698. 


1145—SEVENTEENTH CENTURY LAMBETH DetFrr Deep PLATE 


The center is occupied by a raised medallion in blue having the initials 
H. I. S. surrounded by a beaded border in blue. Diameter, 9 inches. 


1146—SeEvVENTEENTH CentTURY LAMBETH Deurr PLATE 
Decorated with a scrolled border in the Oriental manner. The center is 
occupied by a circular medallion containing the initials A. F. and the 
date 1728. Diameter, 8 inches. 


1147—E1cHTeENTH CENTURY STAFFORDSHIRE Bow. 


Coupe shaped on circular stem. Decorated as to the interior and ex- 
terior with blue on a white ground with floral sprays, an oval medallion 
of interlacements and the inscription “Rum & Warer.” 


Height, 81, inches; diameter, 61% inches, 


Fifth Session, Wednesday Afternoon _ 


1148—EicHTreentH Century Bristot Detrr PLATE 
Decorated with a sponged ground of puce and a border of hexagonal 
and fan-shaped panels, in white reserve, of birds and floral sprays in 
blue. The center is occupied by eight-lobed medallions of white reserve 
occupied by a decoration ‘of bamboo and peonies in blue. 


Diameter, 8%/, inches. 


1149—SixTEENTH CENTURY EncuisH SAaLt GuLazep PITcHER 
Pear-shaped body, with cylindrical neck and looped handle. Invested 
with a salt glaze of mottled brown on a gray ground, and decorated 
with an oval medallion occupied with a double fleur-de-lis. Stamped 


rosettes around the rim. 
Height, 7 inches. 


1150—SIxTEENTH CENTURY FRENCH Faience Lion 
Modeled as a couchant lion on a molded rectangular base. Decorated 
in polychrome with a border around the base of scroll forms. 
. Height, 4 inches. 


1151—SEVENTEENTH CENTURY LamBerH “Wiliam anp Mary” Derr Disx 
Circular form with fluted border and scalloped rim. The center is oc- 
cupied with picture of saltant horse and with a tulip and leaf decora- 
tion in blue, green and yellow. Around the fluted rim is a border of 


tulip and floral decoration in blue, yellow and green. 
Diameter, 13 inches. 


1152—Parr oF oLp SpopE Miniature Baskets 
Straight sloping sides with arched handles. Decorated with bands of 
gilding, gilt leaves and groups of roses painted in the Billingsley man- 
ner. (Repaired. ) 
Height, 24, inches. 


1153—Cuinest Lowestorr PLatTrer | 
Oblong with shaped flat rim. Inverted with an irregular white glaze 
and decorated with borders, of a Saracenic trefoil pattern, in gold out- 


lined in red. 
Length, 161%, inches; width, 13 inches. 


aera 


Fifth Session, Wednesday Afternoon 


1154—Turee Preces or orp Worcester 
Two taper stands and bonbon dish. One taper stand decorated, on a 
gros bleu ground, with a “Japan” pattern in colored enamels; the other, 
on a white ground, with sprays of flowers naturalistically painted. The 
bonbon dish, shaped as a basket with bale handle, is decorated, on a 
yellow ground, with panels of floral sprays. 


1155—Oxp Worcester Porcerain Orn Lamp 
In the form of a Pompeian terra-cotta hand lamp. Decorated with a 
pattern of gold dots, lines and meander bordering and with bands of 


floral sprays painted in colors. 
Length, 51/, inches. 


1156—Oxp Worcester Posser Cur anp Cover 
Cup with domed cover and looped handles. Decorated, on a white 
ground, with a silhouette portrait of George Third and with the in- 
scriptions “Long may he reign” and “ Dear to his subjects.” (Cracked. ) 


1157—Orp Worcester Porcetain Two-HanpdLeD Cup 
Scroll handles with shell terminations. Decorated with a portrait of 
George Third and the inscription, in gold, “Long may he reign.” 


Height, 2% inches. 


1158—Oip Turner Friower Por anv STanp 
1775. Of glazed buff-colored and blue stoneware. Formed as a vase 
with fluted lower portion, with removable top. Upper portion deco- 
rated flutings and with a band of flowers, and figures of Nymphs hold- 
ing bunches of grapes and sheaves of corn and with floral sprays. All 


in blue relief. 
Height, 6 inches. 


1159—Oxp SrarrorpsHire PLates AND A Scent BOTTLE 
The plates are decorated as to the rims with panels of raised floral 
sprays in colors. The centers with sprays of flowers painted in blue 
with touches of color. The scent bottle is of oval shape decorated with 
classical figures in relief surrounded by acanthus leaf borders in blue 


and red. 
Diameter of plates, 414 inches. 


Height of bottle, 2%, inches. 


Fifth Session, Wednesday Afternoon 


1160—Pair or Encuish Lowestrorr Sorr Pastr Cream Ewers 
Helmet-shaped with loop handles. Decorated, on white grounds, with 
floral sprays, ribbons of floral scrolls, and diapered borders in under- 
glaze blue. 


1161—Oxp Rvupotstapt Harp Paste Porcretam Mue 


The body is shaped as the face of a lady with earrings, and turban-like 


head dress. Domed cover with raised flower finial. 
Height, 61, inches. 


1162—Oxup Rupotstapt Harp Paster Porcetain Mue 


Shaped as a Negro’s head with cover as a turban, flower finial and 
looped scroll handle. The head is painted in natural colors, the turban 


decorated with vertical bands in color. 
Height, 61, inches. 


11683—Pair or o~tp FRENCH PoRCELAIN Empire VASES 


Elongated pear-shaped bodies with curved necks, molded rims, circular 
feet and square bases. The handles formed as Grecian Sphinxes on 
Gryphon supports. Decorated entirely with chased gilding and with 
shaped panels entirely occupied with elaborate paintings of Night and 


Morning. 
Height, 22%, inches. 


SIXTH SESSION 


WEDNESDAY EVENING, MARCH 17, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.00 oO’cLOCK 


Which includes Catalogue Nos. 1165 to 1308 


INTERESTING EARLY ITALIAN, FRENCH AND GERMAN 
CARVINGS IN IVORY 


1165--SEVENTEENTH CENTURY FRENCH CRUCIFIX 
Ivory carving of Christ on black ebony cross. 


Length of iwory figure, 11 inches. 


1166—FiFrTEENTH CENTURY FRENCH Ivory CARVING 


Figure of crowned Madonna holding the infant Christ and seated in 
a bigh backed Episcopal chair carved in a Gothic design. 


534 inches. 


1167-——SEVENTEENTH CrENTURY ITALIAN Ivory CaRVING 
Panel with subject of the Madonna and Child with infant St. John. 
31, by 234 inches. 


1168—EIcHTEENTH CENTURY ENGLIsH Ivory CARVING 


Standing figure of Britannia in armor with helmet and terrestrial robe 


draped with lion’s skin. On circular base. 
Height, 9 inches. 


1169—Pair or EIGHTEENTH CENTURY FRENCH Ivory CARVINGS 


“Laughing and Crying.” After Houdon. Mounted on columnar ped- 


estals. 
Length, 5% inches. 


Sixth Session, Wednesday Evening 


1170—Earty EicHTrEentH Century Frencu Ivory Carvine 
Figure of a seated and weeping Cupid. On contemporary shaped base 


of ivory with ebony moldings. 
: 534 inches. 


1171—SrxTEENTH CENTURY GERMAN Ivory CaRviING 
Rectangular panel with circular medallion occupied by head of a Teu- 
tonic Warrior. The angles filled with ornamentation of dolphins, 


strap and scroll work. 
41, by 2%, inches. 
— (CIllustrated) 


1172—SEVENTEENTH CENTURY SPANISH CRUCIFIX 
Carved ivory figure, of unusual size, with painted wounds, hair and 
loin-cloth on black wood cross with carved ivory tablet and ap- 
plied oval scrolled medallion of bronze with figure of Madonna and in- 
scription “Mater Dolorosa.” Rectangular molded base of wood. 
| Height, 36 inches. 


1173-—Earzty Firreenta Century Irarran Woop Carvep Pane 
Rectangular shape carved in low relief in vari-colored inlaid woods, with 
subject of Christ and his disciples on the Sea of Galilee. Mountainous 
landscape in the background with forts and other buildings. The sea 
is suggested by waves of crude design and very conventional character. 
11144 by 9 inches. 


1174—SEVENTEENTH CENTURY GERMAN CARVED PANEL 


Apple wood. Rectangular shape, divided by rococo borders of scroll 
work into two panels. The upper one contains: figure of Christ heal- 
ing the sick, and the lower one a figure of Saint Jerome in the Wilder- 
ness on his knees before a crucifix. A river crossed by bridge and with 


buildings on its banks in the distance. 
16 by 10 inches. 


1175—SEVENTEENTH CENTURY DutTcH STATUETTE 


Pear wood. With a subject of Hercules leaning on his club. On square 
octagonal base having on the front the incised inscription “A van Halen 


facet 1625.” 
Height, 18, inches. 


No. 1171 
AND 
No. 1182 


Siath Session, Wednesday Hvening 


1176—SevenreentH Century Frencn Rock Crysrau anp Gotp Tazza 
re 7 Boat-shaped with projecting handle on 
ue cylindrical stem with knop and oval 
molded foot. Of cut rock crystal 
mounted in gold and enamels. The 
handles formed as the figures of female 
terms with enameled bodies and scrolled 
terminations of chased gold. ‘The rim 
is mounted with a chased gold border, 
the foot with two bands of scalloped, 
chased and engraved gold and the knop 
with a band of gold pierced and enameled in a floral design. Mark: 
Seventeenth century Provincial French touch. Height, 5 inches. 


1177—SEVENTEENTH CENTURY GERMAN Rock CrystTaL STANDING CUP AND 
CovER 

Straight sided bowl of cut rock crystal with domed 

cover. Gilt bronze finial shaped as a knight on horse- 

back. Guilt bronze stem shaped as a stag and a hound. 

The bowl and cover are decorated with bands of in- 


taglio-engraved scrollings. 
Height, 10 inches. 


1177 A—SIxTEENTH CENTURY ENAMEL AND CRYSTAL STAND- 
Inc Cup 

Shaped as an ostrich of cut cristal-de-roche or rock 
crystal on a domed base. ‘The upper part of the bird 
with outstretched wings serves as a cover. The feath- 
ers are delicately carved, and around the base is a band 
of intaglio carved ornamentation. Mounted in colored 
champlevé enamels with legs wrought in enameled and 
gilt silver. 


Height, 11 inches. 


No. 1177 


1178—SIxTEENTH CENTURY HorN CuP Aanp COVER 


Urn shaped, with ball knopped stem, circular foot, on four ball feet and 
domed cover with ball finial. Elaborately engraved with a pattern of 
acanthus leaves, scrolls and oval and circular medallions, with por- 
traits of sixteenth century warriors. Mounted in brass with bands of 
engraved niello-work. Height, 15 inches. 


> 


Sixth Session, Wednesday Evening 


1179—Oup Caro pt Monte Porcertarw CruciFrix 


1775. Figure modeled in porcelain with a rose colored loin-cloth and 
naturalistically colored wounds. At the foot of the Cross is a Mary 
Magdalen also modeled in porcelain clasping the Cross. On a rocky 
base with skull and crossbones. Painted and gilt cross of carved wood. 


Height, 26 inches. 


1180—SEvENTEENTH CENTURY GERMAN Ivory TANKARD 
Cylindrical shape with domed hinged lid, looped and scrolled handle 
and standing on three scrolled feet. Decorated as to the body with 
a band of grape, pomegranate and scroll ornamentation and with an 
allover pattern of flutings and zig-zags representing a very early form 
of engine turning. Inner surface of lid engraved with a floral design. 
7 Height, 5%, inches. 


1181—SrvENTEENTH CenTURY SpPANisu Ivory Carvine 
Figure of the Infant Christ. Hair shows traces of coloring and gilding. 
Height, 834 inches. 


1182—Ser or Six FirreentH Century Carvep Ivory PANELS 


Rectangular shape. Carved in low relief with colored backgrounds 
with subjects from the life of Christ. These evidently at one time 
formed a part of a reliquary or casket. 

From the Stuart Collection. 


Q1/, by 2 inches. 


(Illustrated) 


1183—Par or Eicntreentn Century Frencu Ivory Carvines 
Figures of Peace and War. Peace represented as a Roman Warrior 
holding a shield in one hand and a spear in the other and standing upon 
a military trophy of guns, flags, etc. Peace represented by a figure of 
a young girl holding in one hand a bird. Black square pedestals. __ 
Height of figures, 7 inches; pedestals, 47, inches. 


1184—Pair or EicuterntH Century Frencn Wax Porrrairs 
Portraits of an Actor and Actress. The former in Oriental costume, 
the latter holding in one hand a parrot. Decorated with old paste 


brilliants. Old gilt frames. 
Height, 6 inches; width, 41% inches. 


Sixth Session, Wednesday Evening 


1185—Patr or SEVENTEENTH CENTURY ITALIAN CarRvEpD Ivory PLAQUES 


Subjects of Infant Bacchantes. 
Height, 31%, inches; length, 21, inches. 
(Illustrated) 


1186—Pair oF SEVENTEENTH CENTURY CarRvepD Ivory PLAQuEs 
Infant Bacchantes carved in high relief, drinking and playing with a 
goat. Height, 334 inches; length, 41% inches. 
(Illustrated) 
1187-—SEVENTEENTH CENTURY GERMAN Ivory CaRviING 


Rectangular shaped panel carved with the subject of Marsyas and 
Cupid. Signed at the back ‘*Mathias Rauch,” 1685. 


From the Shangdon Collection. 5%, by 3% inches. 
(Illustrated) 


1188—SIxTEENTH CENTURY ITALIAN CarRvED Ivory PLaevuE 


Rectangular panel carved in high relief with a figure of ‘‘Marsyas 
Hanging to a Tree.” 
Height, 6%, inches, length, 434 inches. 
1189—SEVENTEENTH CENTURY GERMAN Ivory CARVING 


Ivory carving of a figure of Venus partially draped leading by the hand 
a Cupid. In a very elaborately carved frame of ebony and pear wood 
forming an arched alcove with mirror back and sides surrounded by 
rococo scroll and shell work with a serpent on the lower portion. The 
frame is French of the middle eighteenth century. 


Height of ivory statuette, 634 inches. 
1190—FirTEENTH CENTURY TRAVELING CASKET OF CARVED Ivory 


Chasse shaped, with hinged lid, metal handle and lock escutcheon. 
Carved in low relief, with the Nativity and visit of the Magi, the lower 
portion with half length figures of Saints with their emblems. Traces 
of coloring and gilding. Lined with crimson silk. 


From the Shangdon Collection. Length, 61/4 inches. 


1191—SEVENTEENTH Century ITatiaAn Carvep Ivory Casket 


The sides are carved with figures of Amorini and acanthus leaf scroll- 
ings, the ld with a deep acanthus leaf border and with a panel of 
the Triumph of Bacchus (in a chariot drawn by two horses). 


Height, 5 inches; length, 10 inches; width, 8 inches. 


No. 1186 No. 1187 No. 1186 
' No. 1185 No. 1185 


Sixth Session, Wednesday Evening 


1192—SEVENTEENTH CENTURY GERMAN Ivory CaRvING 
Figure of the Madonna with outstretched hands which formerly held 
the infant Christ. Standing upon an octagonal pedestal carved with 


cherub’s head and elouds. 
TY, inches. 


1193—SixTEENTH CENTURY SpPAnisH Ivory Carvine 
Subject of the Immaculate Conception—figure of the Virgin stand- 
ing upon a crescent, the figure of Christ missing. On pedestal base 
carved with acanthus leaf decoration in high relief. Decorated in 


colors and gilt and in an exceptional state of preservation. 
Length, 634 inches. 


1194—SIxTEENTH CENTURY GERMAN CaRVED Ivory TRIPTYCH 


In three leaves. The two side ones folding over the center, which has 
pointed roof with carved crockets and finials. Divided, by trefoiled 
Gothic arches with crockets and finials, and into panels with subjects 
of the lfe of Christ beginning with the “Annunciation” and ending 
with the “Deposition in the Tomb.” Above is the Virgin flanked by 


winged Angels. Silver hinges. 
Height, 1034, inches; length, 8 inches. 


(Illustrated) 


1195—SEVENTEENTH CENTURY GERMAN Ivory CRUCIFIX 


Carved ivory figure on a plain wooden cross with ivory tablet and cross- 


bones. 
Height, 161, inches. 


1196—SEVENTEENTH CENTURY ITALIAN Ivory PLaQuE 
Rectangular shape, subject of the Nativity with the Madonna in the 
center exhibiting the Child for the admiration of the shepherds and 
angels, Saint Joseph standing on one side. Above, cloud forms with 


cherubim holding a scroll. 
(Illustrated) 124% by 9% inches. 


1197—SEVENTEENTH CENTURY GERMAN Ivory FLAGON sanp Lip 


Upright cylindrical body formed of a section of an ivory tusk carved 
in a subject of infant Bacchantes and silver base repoussé in a design 
of masks, cornucopie and acanthus leaves. Hinged lid repoussé in 
female masks, cornucopie and acanthus leaf decoration and finial of 
scroll and honeysuckle design. Thumb piece and scrolled looped han- 
dle. Silver mounts have mark of the Seventeenth Century. 

Height, 12 inches. 


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No. 


Siath Session, Wednesday Evening 


: SEVENTEENTH AND EIGHTEENTH CENTURY ITALIAN, 
FRENCH AND GERMAN BRONZES 


1198—SIXTEENTH CENTURY GILT Bronze BELL 


Decorated, in relief, with rams’ heads, garlands of fruits and leaves 
and with a figure of the Virgin with Cherubim holding a sudatorium, 
surmounted by a figure of the Virgin and Child. The rim bears the 


inscription (in Latin) “Affinae made me in 1556.” 


Height, 5 inches. 


1199-—_Louis Seize Frencu Giutr Bronze STATUETTE 


Figure of Cupid. On a circular wooden base. 
Height, 41/, inches. 


1200—E1IcHTEENTH CENTURY FRENCH GILT BRONZE 


Finely modeled recumbent figure of Love resting on a cross and sur- 
rounded by the emblems of the Passion. On molded base. 


Height, 2% inches; length, 41/4 inches. 


1201—Parr or Outp FrRENcH Paper WEIGHTS 


Gilt bronze figures of seated poodle dogs. On white marble bases with 


beaded borders. 
Height, 31% inches; length, 41/, inches. 


1202-—Pair or Louis Seize Century Frencu Vases 
Silver mounted in gilt bronze. Urn-shaped vases of silver with twisted 
serpent handles and covers of gilt bronze, the latter having pineapple 
finial and reversible so as to form candle-sockets. On circular feet of 
gilt bronze, fluted pedestal of silver and shaped bases of gilt bronze. 
Height, 81, inches. 


1203—SEVENTEENTH CENTURY GERMAN BRONZE 
Formed as a dove-cote encircled by a gourd vine. On circular base 
with three ball feet and with a chased and shaped silver cresting. 
Height, 91, inches. 


Sixth Session, Wednesday Evening 


1204-—SEVENTEENTH CENTURY SPANISH STANDING Cup AND COVER 
Of gilded bronze, the bowl with a silver lining. Bowl and cover deco- 
rated with gadrooning, the top of stem with a band of acanthus leaf 
design, the circular foot with bands of pointed leaves and laurel leaf, 


and the cover surmounted by a figure. 
Height, 1184 inches. 


1205-—Pair or Louis Quinze Git Bronze CANDLESTICKS 
Decorated with rococo shell and scroll ornamentation in relief. On 


circular shaped bases. 
Height, 91% inches. 


1206—Louts QuinzE Bronze InksTanp 
Decorated with pierced shell and scroll work. Fitted with two ink- 
stands and covers and a compartment for wafers. | 
Height, 10 inches; length, 19 inches. 


1207—Louis PuiriprE ‘THERMOMETER 
Formed as a Corinthian column, on a square pedestal, surmounted by 
a figure of Fame. The capital, figure and mountings are of ormolu; 
the pedestal and base of serpentine marble, and the hemisphere on which 


the figure stands of lapis lazuli. 
Height, 18 inches. 


1208—Parir or Louis Seize CANDLESTICKS 
Agate and gilt bronze. Baluster-shaped stems and octagonal bases 
of richly marked sang-de-beuf agate, mounted with bands of pierced 


and chased gilt bronze in acanthus leaf patternings. 
Height, 5 inches, 


1209—Two EicHTrentH Century DutcH Carvines 
Of mother-of-pearl. Oval shape. Carved with subject of a Dutch in- 
terior with mother and children, the mother nursing a baby. In old 


gilt frames. 
Height, 31%, inches; length, 21, inches. 


1210—Pair or DerBysHIRE Spa VASEs 
Urn-shaped on square bases of red and purple “Blue John” spa. 
Height, 6 inches. 


Sivth Session, Wednesday Evening 


1211-—DerBysHirrt Spa VAsE 
Urn-shaped vase of “Blue John” spa. On a square pedestal base. 
Height, 10 inches. 


1212—DerpysHirE Spa VAsE 
Urn-shaped vase of “Blue John” spa. On a cylindrical pedestal base. 
Height, 11% inches. 


1213—Derpysuire Spa Vase 
Urn-shaped vase of “Blue John” spa. On a square pedestal base. 
Height, 141%, inches. 


1214—Pair or DerBysHirE Spa CANDLESTICKS 
Formed as Ionic columns on square pedestal bases with molded bases 


of white and black marble. (One repaired.) 
| Height, 22%, inches. 


1215—SEVENTEENTH CENTURY ITALIAN Bronze PiLaeve 


Circular shape. The head of our Saviour. 
Diameter, 31%, inches. 


1216—SIXTEENTH CENTURY ITALIAN PLAQUE 


Rectangular shape. Subject of a Saint in a scrolled panel with a 


border of scrolling and rosetted ornamentation. 
2%, by 3 inches. 


1217—EIGHTEENTH CENTURY ITALIAN Bronze PLAQvueE 


Oval form. The “Judgment of Solomon” modeled in low relief. 
Height, 334 inches. 


1218—SEVENTEENTH CENTURY ITALIAN Bronze PLAQUE 


Saint Martin on Horseback dividing his cloak for the beggar. 
Length, 414 inches. 


1219—SkEvVENTEENTH CENTURY ITALIAN BronzE PLaaue 
Infant Fauns seated under a tree, one eating a bunch of grapes and 


the other wreathing himself with vine leaves. 
Length, 4°, inches. 


Sixth Session, Wednesday Evening 


1220—EIcHTEENTH CentTURY FRENCH Bronze PLaQuE 
Oval shape. A Teniers drinking subject modeled in relief. 
Height, 41/4 inches. 


1221—SEvENTEENTH CeEenTuRY ITALIAN Bronze PLAQue 
‘Pan making Love to a Nymph.” Modeled in high relief. 
Length, 5%, inches. 


1222—-SIxTEENTH CENTURY ITALIAN BronzE PANEL 


Cast and chased figure of Christ tied to the column. Surrounded by 


a beaded border. 
5%, by 3 inches. 


1223—SEVENTEENTH CrenTURY ITatian Bronze Puaave 
Circular shape. The ‘Conversion of Saint Paul” with finely modeled 
figures. 


Diameter, 534 inches. 


1224— EIGHTEENTH CENTURY FRENCH BronzE PLAQUETTE 


Moulded and chased with a subject of Ceres holding a lighted torch 


and attended by Nymphs and Husbandmen. 
Height, 61% inches. 


1225—NINETEENTH CENTURY FRENCH Bronze PLaQueE 
Subject of a bird seated on a branch below which are Cupids with bow 
and quiver. 
Height, 7%, inches. 


1226—SIxTEENTH CENTURY ITALIAN VoTIVE PLAQUE 


Black copper oval escutcheon shape with scrolled border, the upper 
portion occupied with a representation of the Holy Trinity, the lower 
with the figures of two Saints bearing palm branches and holding 


between them a representation of a church. 
8 by 614% inches. 


1227—SEVENTEENTH CrENnTuRY Irarian Bronze PLaauE 
Escutcheon-shaped with rococo scrolls and acanthus leaf bordering. 
The center is occupied with a Crucifix, having beneath it a serpent 
upon three cherubim heads and clouds. The figure of Christ of gilt 


bronze. 
Height, 1034 inches. 


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Sith Session, Wednesday Evening 


1228—SIxTEENTH CentTuRY FLEMisH PLaavuE 
Of repoussé bronze. A Crucifixion, with St. John and the Virgin at 
foot of the cross. On the left Angel receiving into a chalice the blood 
from the pierced side, and on the right an Angel receiving the blood 


which flows from the pierced hand. 
Height, 71%, inches; width, 534 inches. 


1229—SEVENTEENTH CENTURY FLEemisH Bronze PLaaue 
The figure of a Bishop holding a cross in one hand and a stand of 
lighted candles in the other. On either side shaped shields with ar- 
morial. bearings, and in the distance a cathedral. Beneath is the in- 
scription (in Latin) “‘Faveas the ‘Holy Father of Bruges in the name 


of Christ.” 
Height, 734 inches; width, 6 inches. 


1230—SEVENTEENTH CENTURY GERMAN PLAQUE 
Of repoussé bronze. Oval shape, with subject of “Christ and Woman 


of Samaria” modeled in very high relief. 
Height, 9 inches; width, 61 inches. 


1231—SEVENTEENTH CENTURY VENETIAN PLAQUE 

Of repoussé silver. ‘T'wo sportsmen, with dogs and emblems of the 
chase, and a seated sportsman, with his gun across his knees, holding 
the body of a deer and surrounded by his dogs. Leaning upon his 
stick and conversing with him is a peasant in a broad-brimmed hat. 
In a contemporary frame of ormolu with sprays of flowers in colored 
and cut Venetian glass, oval medallions containing enamel portraits 
and ‘circular medallions of stone cameo portraits. 

Height, 1014 inches; width, 83/4, inches. 


1232—EicHTEENTH CENTURY ENnciisH Bronze PLAQuE 
Circular shape. Figure of Saint George, on horseback, with the Dragon. 


In three-quarter relief. 
Diameter, 11 inches. 


1233—SEvVENTEENTH Century IrauiaAn Bronze PLaQue 
Figure of Pan piping to an infant Faun under a tree. Modeled in high 


relief. 
Length, 13 inches. 


Sixth Session, Wednesday Evening 


1234—SEVENTEENTH CENTURY ITALIAN BronzE PLAQUE 


Subject, in high relief, of the Virgin and the Infant Christ in the 
center with Saint Joseph at one side. 
¢ Length, 131%, inches. 


1235—Four SEVENTEENTH CENTURY ITALIAN Bronze PLAQUES 


“Sacrifices to Pan and Mars,” “The Departure for the Chase” and 
the “Bear Hunt.” In gilt bronze molded frames. 


Length, 12 inches. 


1236—Frencu Bronze oF THE EMPIRE PERIOD 


Girl seated and reading a book, with a pet dog in her lap. On square 
polished marble base. 
Height, 934 inches. 


1237-—SEVENTEENTH CENTURY FLEMISH BronzE Morrar 


Around the rim is the inscription “Lof gote ban al anno 1617.” Pro- 
jecting loop handles. 
Height, 5 inches. 


1238-—SEVENTEENTH CENTURY DutcH Bronze Mortar 


Decorated with bands of Renaissance ornamentation in relief and with 


a band bearing the inscription “Henryck ter Horst me fecit anno 1638.” 


Height, 5 inches. 


1239—Oup Bronze Two-HANDLED VASE 


Decorated with a subject of Centaurs and Cupids modeled in relief. 


On a green marble base and marble pedestal. 
Height, 9 inches. 


1240—Parr oF SEVENTEENTH CENTURY JTALIAN Door HAnpDLEs 


Of bronze, formed as heads of Nymphs wreathed with flowers resting 
on a scroll and shell ornamentation. 
Height, 5 inches. 


1241—Patir or Louis SrizE MarBLeE AND Bronze CANDLESTICKS 


Formed as figures of Cupids in bronze carrying cornucopiz of ormolu 
terminating in candle sockets. On circular fluted pedestals and square 
bases of white marble mounted in ormolu. 

Height, 1134 inches. 


ea ws 


Sivth Session, Wednesday Evening 


1242—Frencn Bronze or THE Empire PERIOD 


Figure of Cupid bending his bow. On circular molded gilt bronze 


pedestal and square base. 
Height, 51%, inches. 


1243-—Louis SrizeE Bronze 
Figure of a Bacchanal astride a Panther. On molded black marble base. 
Height, 51%, inches. 


1244—Pair or Louis Seize Bronzes 
Recumbent figures of male and female Centaurs. On molded black mar- 


ble bases. (Slightly defective.) 
Height, 6 inches. 


1245—SEVENTEENTH CrEnTuRY IratiAN RELIQUARY 
Of ebony and ormolu. Square shaped base with turned stem which 
supports a square tablet of architectural design with pedimented top 
and scrolled sides containing an oval painted panel of the Baptism 
of Christ and enriched by ornamentations of pierced molded and chased 
ormolu. Below is an oval glazed escutcheon for the reception of the 


relic. 
Height, 23 inches. 


1246—SEVENTEENTH CENTURY GERMAN BRONZE GROTESQUE 
Figure of a man with heavy mustache. Hands missing. On contem- 


porary wooden base. 
Height, 6 inches. 


1247—SEVENTEENTH CENTURY [ITALIAN BRONZE STATUETTE 


Figure of Silenus reclining on a Lion’s skin. On oblong base. 
Height, 8 inches. 


1248—SrvENTEENTH CENTURY ITALIAN BRONZE 
A drunken Silenus falling off a horse and supported by young faun. 


On rectangular wooden base. 
Height, 434 inches; length, 8 inches. 


Siath Session, Wednesday Evening 


1249—Pair or Louis Seize Bronze STATUETTES _ 
Figures of children. The Boy is holding a bird’s nest and the Girl 


a bird. On square black marble bases, mounted in ormolu. 
Height, 13 inches. 


1250—Parir or Louis Seize Bronze STATUETTES 


Figures of Children dancing and playing musical instruments. On 
bronze Empire bases. : 
Height, 10% inches. 


1251—Louis SrizE Bronze STATUETTE 


Figure of a Hermes with wings. On a square molded base of colored 


marbles. 
Height, 11 inches. 


1252-—_EIGHTEENTH CENTURY FRENCH Bronze STATUETTE 
Figure of a horse. On black marble base. 
Height of bronze, 6 inches; length, 19 inches. 


1253—SEVENTEENTH CENTURY FRENCH Bronze STATUETTE 
Figure of Time carrying a Scythe. On a rectangular stepped base. 


Ileight, 4 inches. 


1254-—SEVENTEENTH CeEntTUuRY JTatIAN Bronze STATUETTE 


Figure of Apollo, in laced sandals with a cloak over his left shoulder. 
On rectangular pedestal of yellow marble with molded cornice and a 
base of dark red marble. 

Height, 18 inches. 


1255—EIcHTEENTH CENTURY FRENCH Bronze 


Figure of Apollo. On rectangular bronze base. 
ITeight, 10 inches. 


1256—Oup Frencu Bronze 


Benvenuto Cellini in armor resting one arm upon his helmet. On Boule 
pedestal inlaid with tortoise-shell and brass. 
Height, 17 inches. 


ee See ne ee ee 


Sixth Session, Wednesday Evening 


1257—Pair or Otp FrRENcH CANDELABRA . 
Empire period. Figures of classically draped females of Caryatid char- 
acter supporting a triple branch candelabra. On square pedestals. 
Height, 201, inches. 


1258—SIxTEENTH CeEnTuRY Iratian Bronze Group 
Atelier of John of Bologna. After the celebrated Vatican group of 
the Laocoon. On rectangular molded base. 


Height, 17 inches; length, 111% inches. 


1259—Pair OF SEVENTEENTH CENTURY Bronze Pricket CANDLESTICKS 


Twisted stems with pointed candle supports. Bases with claw and ball 


feet and cherubim heads. 
Height, 17 inches. 


1260—SEVENTEENTH CentTuRY Irattan Bronze Door KNnocKker 


In a design of a female Term without arms resting on a bearded mask 


which is supported by two dolphins with floriated tails. 
Height, 16 inches. 


1261—TIwo Irauian Bronze STATUETTES 


Figures of “Wrestlers.” Signed Chiurazzi. 


1262-—Eicureentu Century Frencu Bronze anp Sirver STarvuerres 
Figure, in gilt bronze, of Virtue as a winged woman in Roman armor 
standing upon a recumbent figure of Vice with helmet plumes, helmet, 
baldric, sword and shield in silver. Base of flame forms in gilt bronze. 
On a shaped ebony pedestal with four gilt bronze mask feet. 
Height, 22 inches. 


1263—Pair or EicorrentH Century Eneuisn Ficures 
Of lead painted Egyptian Caryatid Pilasters whose upper portions 
are shaped as Egyptian Sphinxes with folded arms and lower portions 
as rectangular sloping pedestals with pseudo-hieroglyphics. 
Height, 2 feet 10 inches. 


1264—Parr or EicuteentuH Century Girt Bronze Fire Docs 
Formed as the figures of a man in eighteenth century costume drinking, 


and of a seated lady. On rococo scroll bases. 
Height, 12% inches. 


Sixth Session, Wednesday Evening 


AN UNUSUAL COLLECTION OF OLD CLOCKS, INCLUDING 
EARLY LANTERN CLOCKS AND EIGHTEENTH CENTURY 
TALL CLOCKS IN LACQUER AND MAHOGANY CASES 


1265—Oup Frencu CiLock 


Directoire period. Drum shaped case of ormolu supported by two 
obelisk columns of marble with applied ornamentations of ormolu, and 
surmounted by a marble and ormolu pineapple finial. On rectangular 
black marble base with four ormolu feet. White enamel dial with 


maker’s name obliterated. 
Height, 15 inches. 


1266—SEVENTEENTH CENTURY ENGLISH LANTERN CLOCK 


Brass case with arched top of brass, engraved brass “frets” pierced 
in a design of armorial shields and scrollings, and projecting engraved 
brass dial with Roman numerals. Signed on the front fret “Thomas 


Loomes” (London, 1630-1674). 
Height, 15 inches. 


1267—SEVENTEENTH CENTURY EncuisH LANTERN CLOCK 


Open case with turned brass columns at the angles, arched brass top 
and projecting dial of engraved brass. Single hand, and Roman nu- 


merals. Signed in the front, “Cousin, Versailles.” 
Height, 10% inches. 


NOTE: This clock is undoubtedly of English manufacture, although signed with the name 
of a French clock-maker. 


1268—SEVENTEENTH CENTURY ENGLISH LANTERN CLOCK 


Open sides with turned brass columns, brass urn finials and arched 
top of brass. Projecting dial of engraved brass with single pierced 


steel hand and Roman numerals. 
Height, 101%, inches. 


1269—EicHTEENTH CENTURY Ene ish Bracket CLock 
Square arched case of ebonized wood, with oval glass panels and me- 
dallions of Phoebus masks. White enamel dial, with Arabic numerals. 
pierced and engraved brass hands. Spandrils of floral sprays in gilt 
bronze. Above three medallions of Battersea enamel, one painted in 
a river scene and landscape subject. Bob pendulum movement. Strikes 


on two bells. 
Height, 17 inches. 


se 


Sivth Session, Wednesday Evening 


1270—Oup CuHIPPENDALE Case Carte, CLocK 


Of the period and in the manner of Chippendale. Mahogany and gilt 
case, carved in a rococo design of scrollings, acanthus leaves and floral 


garlands. Painted dial with pierced steel hands. 
Height, 30 inches. 


1271-—EIcHTEENTH CENTURY EncuisH REPEATING CLOCK 


Square mahogany case with molded base and domed cover. The clock 
has an engraved brass front plate, having a minute dial and a “Peeping 
Tom” opening displaying the hours. Affixed to this brass plate is a 
steel hook on which, at night time, can be suspended a pocket watch, 
the winding arbor of which is connected to a projecting key in the clock 
plate. ‘The effect of this is that when the watch is hung up at night 
it is wound by the clock. The clock repeats the hours and quarters. 
There is a hinged engraved brass front pierced so as to show the face 
of the watch. Maker’s name: Thomas Ogden. Halifax, 1729. 
Height, 121% inches. 
NOTE: Ogden was a well-known Quaker watch maker of the eighteenth century. In the 


Parish Church of Halifax there is an entry in the Church Warden’s Accounts under the 
date of 1725, “Thos. Ogden for mending Chimes 3 shillings.” 


1272—SEvENTEENTH CentTuRY Encusn Bracket ALarm Cxiock 
In ebonized case with domed and molded top and sides with glass panels. 
Engraved brass face with silver dial rim and single hand. Circular 
movement with engraved and pierced cock and cut steel pallet plate. 
Maker’s name “John Snow” (of London). 
Height, 12% inches. 


NOTE: This very early movement is especially interesting from the care expended in the 
decorations of the interior of the movement. “In the Coffee House of Simpson’s ‘Old 
Choppe House’ is a lantern clock inscribed John Snow, and dated 1630.” Britten, page 


748. 


1273—Winiiam anp Mary Hanerne Crock 
Walnut case with molded cornice and arched pediment enclosing a 
fret work panel, and with a shaped bracket apron. Brass dial rim, and 
dial plate engraved with tulip flowers and scrolls. Single steel hand. 
Strikes the hours. Maker’s name engraved on the front: Jacobus 


Markwick of London. 
Height, 1534 inches. 


Siath Session, Wednesday Evening 


1274—Louvis QuinzE CLock 
In Boule case of inlaid and engraved brass and ebony. Decorated in 
a pattern of rococo scrolls, acanthus leaves and shells, and mounted 
in wrought and chased ormolu. White enamel dial, with pierced and 
engraved gilt hands. Boule bracket of inlaid and engraved brass and 
ebony, on three scroll supports of inlaid ebony, mounted in ormolu. 
Height, 30 inches. 


1275—Oup SHERATON CASE BrAcCKET CLOCK AND BRACKET 


Of the period and in the manner of Sheraton. Satinwood case mounted 
with arches of ormolu and with lon-headed ring handles, on four ball 
feet. Front inlaid with a pattern of interlacements and lines in satin- 
wood. White enamel dial with steel hands. Molded and fluted bracket 
set with arched panels of brass-work over red silk. Signed ‘‘Puck- 
ridge of London.” 

Height, 251 inches. 

1276—SuHERATON Manocany Case Musica Box 


Case of mahogany inlaid with lines of satinwood and bands of king- 
wood. Shaped as a bracket clock, with bracket feet. Circular white 
enamel clock-like dial, having around the rim the names of the o!d 
English tunes played by the musical box on a chime of bells and a 
clock-like hand of pierced steel. Maker’s name: “George Brown, 
Beverley.” 
Height, 141, inches. 
1277—EicnTEentTH Century Eneuish Bracket Crock 


Mechanical striking clock, in square case with shaped domed top 
mounted in English ormolu. Dial plate of gilt bronze, pierced and 
chased in a rococo scroll pattern. On shaped bracket feet. Engraved, 
bob pendulum movement. Strikes the hours, half hours, and quarters. 


Maker’s name: “Thomas Martin” (London, 1692). 
Height, 15%, inches. 


1278—SkEVENTEENTH CENTURY ENGLISH CHIMING LANTERN CLOCK 


Square brass case with arched lantern top, engraved frets pierced in 
a pattern of bold scrollings, angle supports of turned brass columns, 
turned finials and four ball feet. Silver dial with Roman numerals and 
one pierced steel hand. Chimes upon seven bells with a separate large 
bell for striking. 

Height, 14 inches, 


NOTE: This is one of the two or three known examples of an English lantern clock with 
chimes. 


Se ee ee 


ree 


Sixth Session, Wednesday Evening 


No. 1289 ) No. 1279 


1279—E1cHTEENTH CENTURY ENcuIisH Lacauer Bracket CLocK 


Chiming clock in arched case, with shaped cupola top and turned brass 
finials and brass swing handles on heavily molded base. Decorated with 
a Chinoiserie design, in English lacquer, of floral medallions and shaped 
panels of flowers and scrolls on a diapered ground and with sunken 
panels of raised acanthus leaf scrollings painted and gilded. The 
dial is of brass with applied spandrel ornamentations of pierced and 
chased brass, silver dial rims, and pierced steel hands. Signed at the 
bottom and in the front “‘William Tomlinson of London.”? Chimes the 
hours and quarters on six bells and strikes on a separate bell. 

Height, 27 inches. 


NOTE: W. Tomlinson, who became a member of the Clock Makers’’ Union in 1699, was 
noted, according to Britten, for his lacquer clock cases. 


Sixth Session, Wednesday Evening 


1280—E1cHTEENTH CENTURY ENGLIsH Bracket CLock 
In black case inlaid with bandings of brass, with stepped top, molded 
brass base and brass ball feet. Pierced scale patterned panels of brass 
at the sides and shell ring handles. White enamel dial with pierced 
brass hands. Made by James McCabe (London, 1778-1786). 


Height, 17 inches. 4 


1281— EIcHTEENTH CENTURY BRACKET CLOCK 


English musical and chiming clock, in square ebonized case, with molded 
and domed top, mounted, in chased ormolu, with female Terms and 
floral pendants at the angles, side panels of an arabesque pattern in 
pierced ormolu over red silk, and vase and flame finial. The case is 
of ebony flanked by openwork scrollings of ormolu. Silver dial plate 
with Roman numerals, and two small dials, one giving the names of the 
airs played and the other controlling the striking movement. Pierced - 
steel hands. Maker’s name, ‘“‘“George Margettes, London” (1779-1799). 

Height, 26 inches. 

1282—Oup Frencu Bracket Ciock anp BRACKET 

Gilt case of wood carved in a Louis Seize design of scrollings, acanthus 
leaves and laurel-leaf festoons, surmounted by a classic urn with festoons 
of drapery. Bracket carved with ram’s head and acanthus leaves. 
White enamel dial and pierced steel hands. 

Height, 49 inches. 


1283—EIcHTEENTH CENTURY ENncLIsH Bracket CLock 
Mechanical, musical and chiming clock of mahogany. Arched top case 
with fluted Ionic columns at the angles having gilt bronze capitals and 
bases. Brass swing handles with escutcheons of pierced brass. Re- 
volves on a mahogany base. Dial with raised, pierced and chased orna- 
mentation and spandrels of gilt bronze. Above is an arched opening 
occupied by a revolving painting of the Sun. Chain driven movement, 
chiming the hours and quarters and playing seven airs on twelve bells. 
Height, 30 inches. 

1284—EicHTEENTH CrentTurY Ene ish Bracket CiLock 


In ebony case mounted in ormolu, and with bands of pierced ormolu on 
a red paper ground. Shaped domed top with looped carrying handle. 
White enamel dial surrounded by a design in ormolu surmounted by 
a painted panel of a river scene with children. Brass hands. Strikes 


the hours, half hours and quarters upon twelve bells. 
Height, 26 inches. 


Sixth Session, W ednesday Evening 


1285—Louis Quinze Bracker Crock 

Shaped Boule case of inlaid and engraved brass and ebony with rococo 
mountings of ormolu. Supported by four scrolled and acanthus feet 
of ormolu on which are ormolu figures of seated Cupids. The case is 
surmounted by a figure of a Roman warrior with his hand upon a 
shield bearing the insignia of the Order of the Golden Fleece. The dial 
is of chased and pierced ormolu with numeral panels of white enamels 
having two sets of numbers. Pierced steel hands. Maker’s name: 
“Gille Ainé a Paris.” 

Leight, 45 inches. 

(Illustrated) 


1286—Lovis QuinzeE Bracket Crock AnD BRACKET 
Shaped and painted case of ebonized wood, with rococo mountings of 
pierced and chased ormolu. White enamel dial, with radiating panels 
occupied with two sets of numbers. Pierced and engraved hands. 
Shaped bracket, decorated with paintings of floral spray in gold on a 
black ground, and with elaborate scrollings of pierced and chased 


ormolu. Maker’s name: “Cabot Le Jeune a Paris.”’ 
Height, 53 inches. 


1287—HEIcHTEENTH CrentTURY ENncuisH Hanerne Ciock 
Mahogany carved and molded case, with fret-work panels. White 
enamel dial, with painted Roman numerals. Pierced steel hands. Crown 
escapement movement, presenting some unusual features. Striking 
hours and quarters. Maker’s name: “Alexander Cummings, London.” 
Height, 23 inches. 
NOTE: Alexander Cummings was the author of a treatise on clock work published 1766, 


and made a celebrated clock for George III, receiving a salary of £200 a year for look- 
ing after it. 


1288—“Honrst” Grorcr GrAHAm’s Famous OrrerRy Cock 
Ebony case of upright octagonal design with molded cornice, base and 
feet. In front is a panel giving access to a dial plate of chased and 
engraved brass with a circular silver dial rim. Above is a brass plate 
engraved George Graham. The dial shows two circles of figures run- 
ning from 1-12 inclusive, the figure twelve in both cases being in Roman 
the other figures in Arabic characters. The flat top has a silvered cir- 
cular band engraved with the signs of the Zodiac, the days of the 


Sixth Session, Wednesday Evening 


month and the numbers 1-31 inclusive. In the center of this, on a 
small steel rod, is a silvered globe engraved to represent the terrestrial 
sphere, while from the silvered rim projects a globe representing the 
Moon. From the center of the top itself projects an ormolu sphere 
representing the Sun with a pointer directed towards the Earth. When 
the clock is in motion the Earth revolves on its own axis and also around 
the Sun, while the Moon revolves on its own axis and passes around 
the Earth. In other words, the Orrery represents, with approximate 
exactness, the movements of the Earth around the Sun and of the 
Moon around the Earth. In a walnut carrying case with brass han- 


dles. 


NOTE: “Honest” George Graham, one of the most celebrated of seventeenth century English 
watchmakers and buried under the same tombstone as his great contemporary, Tompion, 
devoted the later years of his life to the perfection of this Orrery Clock. By it he hoped 
to attain everlasting fame but, though its tradition was always preserved, the clock for 
many years seems to have disappeared. Only comparatively recently did it come to 
light again and find its way into the possession of its present owner. 


(Illustrated) 


1289—SEVENTEENTH CENTURY IvorY AND Ormotu MountTep BAROMETER 


Formed as a classical column with spirally fluted shaft and molded 
bands of chased gilt bronze, on an oblong pedestal and molded base 
inlaid with lines of ebony. This column supports an oblong silvered 
and engraved thermometer plate in which are engraved, in French, 
the barometrical stages. This plate is enclosed in a rectangular case 
of brass with a flat chased diaper pattern plated with silver, surmounted 
by an arched panel occupied with the royal monogram of two L’s sur- 
mounted by a crown and flanked by two turned finials of gilt bronze. 
Below is a tablet of engraved gilt bronze inscribed “Barométre Portatif 
par S Mancel, Rotterdam.” The surface of the gilt bronze has been 
almost entirely covered by a mercury amalgam caused by the acci- 


dental breakage of the barometer tube. 
Height, 354%, inches. 


NOTE: Daniel Quare was one of the best clock-makers of the seventeenth century who 
patented a “portable” barometer. This barometer, in the details of its case and in every 
other respect, resembles the one made by Quare and illustrated by Britten on page 
298. It is probable that this was ordered from the Dutch instrument maker whose 
name it bears by Louis XIV, purchased by the latter from Quare and engraved by 


him with his own name. 
(Illustrated) 


oo a - & Oe | 


neg 


288 


No. 1 


Sixth Session, Wednesday Evening 


1290—-OLp SHERATON SATINWOOD BAROMETER 


Banjo case of satinwood inlaid with lines of ebony. Broken scroll 
pediment with urn of turned ivory. Silvered barometer dial and ther- 


mometer plate. Made by Rubergall of London. 
Length, 36 inches. 


1291—Oup SHERATON CLock BAROMETER 


Mahogany banjo case inlaid with lines of ebony and boxwood. Sil- 
vered dial with white enamel clock face and silver thermometer plate with 


Fahrenheit scale. Maker, “Huntley, London.” 
Length, 41 inches. 


1292—-Outp SHERATON BAROMETER 


Satinwood case of banjo shape with inlaid edgings of ebony. Broken 
molded pediment. Silvered and engraved barometer dial and _ ther- 


mometer plate. Maker, ““Monti Moina, London.” 
Length, 42 inches. 


1293—Oxup EnciisH Crock BAROMETER 


Mahogany case inlaid with lines of satinwood, kingwood and ebony. 
Broken scroll pediment. Silvered barometer dial and thermometer 


plate with white enamel clock face. Maker, ‘“‘Lionel Somalvico, Lon- 


don.” 
Length, 42 inches. 


1294—Oxup EncuisH BAROMETER 


Mahogany banjo case with inlaid lines of satinwood and with broken 
scroll pediment. Silvered barometer dial and thermometer plate. 


Maker, “Smyth, London.” 
Length, 47 inches. 


1295—EIGHTEENTH CENTURY ScotcH CLOcKk BAROMETER 


Mahogany banjo case inlaid with lines of ebony. Broken voluted pedi- 
ment. Silvered barometer dial and thermometer plate and white enamel 


clock face. Maker, “C. Gallie, Edinburgh.” 
Length, 49 inches, 


Sivth Session, Wednesday Evening 


1296—E1cHTEENTH CENTURY DutrcH BAROMETER 


In oblong mahogany case with molded rectangular base, molded pedi- 
ment and fluted urn finial, decorated with carved festoons of leaves 
and drapery. Silver record plate engraved with two classical urns 
with a pierced and engraved ornamentation at the bottom and with 
oval classical portrait medallions draped with leaves. Maker, “G. 
Lurasco of Amsterdam.” 

Height, 46 inches, 


1297—EIcuHTEENTH CENTURY EneuisH Miniature Tari Crock 


Mahogany case. Hood with arched top flanked by turned mahogany 
columns, pendulum case with paneled door, and square base. Silvered 
dial with Roman numerals. Engraved with maker’s name, “Rbt. Wil- 
kins of London. 1750.” In absolutely original condition. 


Height, 40 inches. 
(Illustrated) 


1298—QurEen AnnE Watnvur Tari Crock 
In walnut case. Rectangular hood with straight cornice and turned 
Egyptian columns at the angles. Pendulum case having hinged door 
with oval glazed aperture. Silvered dial rims, ‘‘Peeping Tom” aperture 
for the days of the month, and with separate small dial rim of gilt 
bronze. Engraved tudor-rose medallion in the center and applied 
pierced and raised spandrel ornamentations. Strikes the hours. Dial 
plate engraved at the bottom with the maker’s name, “James Wightman 


of London” (1663 onward). 
Height, 73 inches, 


1299—EicuHTEentH Century Oup Eneuisuy Laceurr Tati Crock 


Musical, chiming and striking clock. Decorated in English lacquer 
with raised Chinese figure subjects, diapers, scrolls and floral sprays. 
Broken pedimented hood with a cornice, Ionic columns at the angles, 
and three turned gilt finials. Silvered dial rims, and dial plate enriched 
with pierced and chased spandrel ornamentation of gilt bronze. Above 
is a silvered rim engraved with the names of old English tunes, and 
below a silvered panel engraved in script “Apranamms Pertinor, Lon- 
pin. Fecir. Mayo, Anno Domini mMpcexxxiv.” Strikes the hours and 


quarters and plays chimes and airs. 
Height, 89 inches. 


Sivth Session, Wednesday Evenng 


1300—OxLp Queen ANNE Maraquetry Tati Crock 


In walnut case with square hood with straight cornice and columns 
at the angles. The pendulum case and hood inlaid with a character- 
istic Queen Anne marquetry pattern of flowers and birds in light woods 
on a dark ground. Silvered dial rim with dial plate of gilt bronze 
enriched by gilt and chased bronze spandrel ornamentations. Door with 
circular glazed aperture. Strikes the hours. | 


Height, 83 inches. 


1301—EI1c¢HTEENTH CENTURY ENcLish LacauErEep Tatu Ciock 
Hood with broken pedimented top and frieze of applied gilt fret-work. 
Pendulum case door decorated in English gold and silver lacquer, a 
subject of Chinese figures and men on horseback; the pedestal base 


a ee eee eae ee ee ee 


with a Chinese figure subject surrounded by floral borders. Silvered 
dial with Roman numerals, and *“‘Peeping Tom” aperture for displaying 
the days of the month. The dial plate has spandrel ornamentations be 


of pierced and chased gilt brass. On a silvered rim is engraved the 
name of the maker, “John Rogers, 1731.” 
: Height, 88 inches. 


1302-—OLp QUEEN ANNE T'ALL Crock 

Of burr walnut inlaid with lines of ebony and boxwood and with 
ebony moldings, canopied top with two urns of carved gilt wood, two 
ebony Ionic columns at the side and a band of applied fret-work cut 
in a scroll design. Pendulum case has hinged door with a bull’s-eye 
glazed opening. Silvered dial rims with pierced steel hands and a 
“Peeping Tom” aperture for displaying the days of the month. The 
dial case has spandrel ornamentations of Amorini with sceptres. Above 
is an oval silvered medallion supporting two flying Cupids and engraved 
with a figure of Time holding a Sickle. Strikes the hours. 


Height, 96 inches. 


No. 1297 


No. 1304 


No. 1303 


Sixth Session, W ednesday Evening 


1303—Oup QuEEN ANNE LacauER Tatt CiLock 


Corniced hood surmounted by fret-work panels of Chinese design, with 
Tonic columns at the angles and supported by pierced, carved and 
gilt brackets. Pendulum case with hinged door having circular glazed 
opening. Square pedestal base. Decorated, on a black ground, with 
raised .gold lacquerings of Chinese figure subjects, pagodas, trees and 
birds. Two silvered dial-rims with “‘Peeping Tom” aperture for the 
days of the month. Dial face enriched with pierced and raised spandrel 
ornamentations in gilt bronze. Pierced steel hands and split second 
hand. Dial rim engraved “Geo. Tyler, Popehead Alley, London, 1691.” 


Strikes the hours. 
Height, 92 inches. 


(Illustrated) 


1804—Onp CHIPPENDALE Manocany Tatu Criock 


Mahogany case of the period and in the manner of Chippendale. 
Broken pedimented hood with three fluted urn finials of mahogany and 
fluted Ionic columns at the angles. Pendulum case with hinged door, 
having a Gothic arched top. Pedestal base with shaped panel. Dial 
face painted with subjects of ladies in eighteenth century costume at 
the angles and with a dial above showing the phases of the Moon. 
Pierced steel hands with split second hands. Strikes the hours. Painted 


with maker’s name, “Jno Tootell of Eccles.” 
Height, 98 inches. 


(Illustrated) 


1305—Oxp Georcian Act oF PARLIAMENT CLOCK 
Lacquered pendulum trunk with large white painted dial. ‘The case 
is painted with the maker’s name, “J. Villiscum of London, 1780.” 
Height, 51 inches. 


NOTE: These Act of Parliament Clocks were made in 1797 for country inns when Pitt im- 
posed a tax upon all who carried clocks or watches. 


1806—Oxp Gerorcian “AcT OF PARLIAMENT” CLOCK 
Large black painted dial with Roman numerals in yellow. Pendulum 
trunk with hinged arched door decorated in English lacquer. 
Height, 54 inches. 
(Illustrated) 


a ae ee 


Sivth Session, Wednesday Evening 


No. 1806 No. 1807 


1807—OLup Encuisn PreprsraL Ciock 


Pedestal case with molded and raised panels, gilt acanthus leaf. carv- 
ings, and molded canopy top. ‘The face has seven silvered dial rims 
inclosing ormolu medallions of radiating branches of laurel leaf on 
a granulated ground and surrounded by acanthus scrollings, and cornu- 
copie in chased ormolu. ‘There are three large dials, one showing the 
hours, the other the minutes and the third the seconds, and three 
smaller ones, indicating the airs and the chimes. The names of the 
month and day appear through a “Peeping Tom” aperture, while 
above is a painted and silvered half dial showing the phases of the Moon. 
Compensating balance movement. Originally played airs upon nine- 
teen bells, but now fitted with a special barrel playing on four bells. 
Strikes upon a coil. Engraved with maker’s name, Thomas Keegan, 


Edinburgh, with date April, 1803. 


Height, 81 inches; width, 28 inches; depth, 21 inches. 


Sixth Session, Wednesday Hvening 


1308—O.Lp SHEraton Manocany Srrikinc Pepestran Hatt Crock 
Square pedestal with paneled door. The frieze is carved out of the 
solid in a fret work pattern and with molded panels and with husk 
pattern pendants. Above is a band of rosetted guilloche pattern. 
Sloping pendulum case with paneled and glazed doors and molded 
cornice with rams’ heads from which depend floral festoons. Square 
hood with canopy top and concave glass clock door. Silvered dial with 
two sets of numerals and pierced steel hands. Strikes hours and 


quarters. 
Height, 9 feet 7 inches; width, 2 feet 6 inches; depth, 2 feet. 


SEVENTH SESSION 


THURSDAY AFTERNOON, MARCH 18, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.00 o’cLocK 


Which includes Catalogue Nos. 1309 to 1589 


RARE OLD ENGLISH, FRENCH AND ITALIAN JEWELRY 
AND INTERESTING TRINKETS 


1809—Pair or Ovp EncuisH, BELT CLAsPs 


Two panels set in silver, and containing twisted human hair. 


1310—Parr or Orv Encuisn Buck es 
Of wrought steel with silver frameworks mounted in old paste brilhants. 


21, by 1% inches. 


1311—Oup EncuisH Paste Buckle 


Of steel, wrought in an open-work pattern, and mounted with old paste 
brilliants. 
23, by 21 wmches. 


1312—Pair or Oty Encuisu Buckles 
Of steel set with large paste brilliants. 


1313—Pair or Ourp Encuisn BuckieEs 


Of wrought steel with a framework of Staffordshire pottery painted 
with rosettes in blue and red enamel. 


1314—Ser or Eicurren Orv Encuisu Paste Buttons 
Twelve large and six small buttons set with ruby and white cut 
crystals. In a contemporary, velvet-lined, gold-tooled morocco case. 


Seventh Session, Thursday Afternoon 


1315—EIcHTEENTH CENTURY VINAIGRETTE 


Oval shaped gold box with pierced inner lid and an outer lid containing 
a Roman mosaic. In contemporary red morocco case. 
Length, 14 inches. 


1316—Pair oF otp Wepcewoop Gotp Mountep Earrines 


1800. Blue and white jasper. Decorated in white on blue with figures. 
Mark: wEepewoop. 


~1817—Patir or otp Wepewoop Earrincs 


1800. Blue and white jasper. Decorated in white on blue with figures 


of “Hope,” “Nymph Sacrificing,” ‘‘Abundantia,” etc. Mounted in 
gold. 


1318—SEVENTEENTH CENTURY SPANISH CROSS 


Gold and rubies. Cross of gold wrought in a pattern of six shell- 
shaped medallions, each one of which is set with a table-cut ruby. 


Length, 2 inches. 


1319—Two EicHTeentH Century WaAtTCH-CHARMS AND ONE RiIne 


Watch-charms of gold, one set with an intaglio engraved gem of the 
first century B. C.; the other with an intaglio engraved Egyptian 
cornelian scarab of the third century B. C. The ring, of silver, set 
with an intaglio engraved sard of the Roman-Augustinian period. 


13820—Oup EncusH Memoriat Ringe 


Gold ring with shuttle-shaped bezel containing painting of two mourners 
at an altar surrounded by the inscription ‘‘The dear remains will I 
keep sacred.” 


1321—Oup Eneutsu RiIne 


Gold, octagonal bezel, containing a drawing in sepia of a girl holding 
her pet lamb. 


13822—Oxup EneuisH Goup Rine 


Set with a table-cut emerald surrounded by diamond chips and mounted 
in silver. 


Seventh Session, Thursday Afternoon 


1823—Oup EncuisH Goup Rina 


With oval bezel set with an intaglio engraved armorial crest. 


13824—Oup Eneuish Memoria Rine 


Of gold, the bezel containing a miniature sepia painting of a figure 
seated by a memorial urn. Engraved “Thos. Andrews. 13th. July 
1794. tat 5 yrs.” 


1825—Oup Enewuish Memoriat Rine 


Shuttle-shaped bezel enclosing a human eye worked in embroidery of 
colored silks. Engraved “John Burgoyne. Obd 6th. Dec. 1787.” 


13826—FIFTEENTH CENTURY GERMAN ECCLESIASTICAL RING 


Of silver, mounted with an oval medallion of ivory carved with the 
head of the Saviour. 


13827— EIGHTEENTH CEnTURY EncuisH LOCKET 


Heart-shaped, having on the one side a design of a tree worked in 


human hair, and upon the other twelve monograms, each containing 
the initial “K.” Mounted in gold. 


1328—Oup Encuish WatcH CHARM 
Of blue enamel, mounted in gold. 


13829—Turee EicureentH Century Enerish Watcu Cuan APPENDAGES 


Of vari-colored agate and rock crystal, in chased gold mounts. 


1330—Oxp Encusn WatcH CHARM 


Of cut steel with intaglio engraved armorial bearings. 


1331—SrvenTEeentH Century EnciisH Commemorative MEDALLION 
Silver gilt. Oval shape. On the obverse side the head of Charles I, 
“King of Great Britain & Ireland,” and on the reverse the Arms of 
the United Kingdom. 


1%, inches. 


NOTE: These medallions were struck for the Royalist party to commemorate the death of 
Charles I. 


Seventh Session, Thursday Afternoon 


1332—Turee SEVENTEENTH CENTURY FRENCH MEDALLIONS 


Rectangular shaped, surrounded by elaborate frames of gold wire work 
and colored enamels, and containing miniature paintings on glass of 
devotional subjects. 


1333—SIXTEENTH CENTURY FRENCH DovuBLE POMANDER 
Formed as two minature gourds on twisted stems with leaves. Each 


is in two sections united by a screw. For the reception of perfumeg. 


13934— SIXTEENTH CENTURY FLemisH EccLesiasticaL PENDANT ; 
Of silver and bottle shaped. Engraved with the figure of the Virgin, 
a pattern of scroll work and an escutcheon with the initials “S. W.” 
Formed in two portions united by a screw and containing small glass 
flagon for the reception of Holy Water. 


13835—SIxXTEENTH CENTURY POMANDER 
Of silver. Formed as a bottle-shaped vase, elaborately engraved with 
an allover design of acanthus scrolls. Formed in four parts united 
by a screw. For the reception of perfumes. 


13836—FIrTEENTH CENTURY SPANISH RELIQUARY CROSS 


Of cut rock crystal set in filigree silver. 
Height, 2% inches. 


1337—EIGHTEENTH CENTURY ScENT FLACON 
Of silver gilt. Bottle shaped and decorated with a pattern of rococo 


scrolls and shells. The rectangular base forms a seal. 
Length, 334 inches. 


1338—Earzty SIxTEENTH CENTURY ENAMEL PANEL 
Pear shaped with a design of blue, white and green champlevé enamel. 


Set with three table cut rubies and a table cut emerald. 
Height, 2 inches. 


Tee ee Er 


>) te Sa 


Seventh Session, Thursday Afternoon 


1339—Oup EncusH Fos CHAIN 


Of cut steel (probably the work of Boulton & Watts, circa 1780). Hay- 
ing three pendants ornamented with hanging drops of cut steel. 
: Length, 9 inches. 


1340—SIxTEENTH CENTURY SPANISH CHARM 
Of silver gilt. Ornamented with the figure of the Virgin and Child, 


cherubim and scroll work. Cylindrical stem and square base. 


Length, 4 inches. 


1341—Ser OF SIXTEENTH CENTURY SPANISH ECCLESIASTICAL JEWELRY 


Large oval medallion, small circular medallion and chain. Of gold 
filigree work set with quatrefoils, marguerites and pear-shaped orna- 
mentations of white champlevé enamel having a dotted pattern of 
dark purple and blue and imitation turquoises of blue enamel. The 
large oval medallion is framed in gold and contains a miniature of 
Saint James presenting the Infant Christ before the Virgin Mary, 
painted in gold and gouache on vellum. The other medallion contains 


an engraving of a female Saint holding a palm branch. 
4 pieces. 


(Illustrated) 


13842—CinevuECcCENTO ITALIAN GoLpD “J EWEL’’ 


Sixteenth century. Pear-shaped pendant of gold molded and chased 
in the form of the Virgin, crowned, seated amid clouds and holding 
on her right arm the Infant Christ. Decorated with colored enamels 
and with a pendant formed of an Oriental pearl. 


13843—Ser or Ovp EncuisH SEED-PEARL JEWELRY | 
The set consists of a necklace, two bracelets, two brooches and two 
hairpins. Of seed-pearls in a design of vine leaves and bunches of 
grapes; with gold clasps. Ina contemporary velvet-lined morocco 
leather case. 


Seventh Session, Thursday Afternoon 


No. 1400 
No. 1895 
No. 1344 


13844—CinevEecento Irauian NECKLACE AND PENDANT 
Of gold pearls and emeralds. ‘The necklace is formed of gold links, 
enameled in colors, alternating with clusters of seed pearls. The pen- 
dant, of floral design, is of gold enameled in colors, set with pearls and 


cabochon cut emeralds. 


Seventh Session, Thursday Afternoon 


LOUIS SEIZE NEEDLE-CASES OF VERNIS MARTIN 


13845—O.p FrencuH NEEDLE-cASE AND PEN Box 
The needle-case of eighteenth century bead work, decorated with floral 
sprays on a ruby-colored ground. ‘The circular-shaped pen box of 
tortoise-shell with ruby beads, and semée with white and blue beads, 
and with a lid of ruby, blue, yellow and white beads with the inscription 

‘Ne m’oubliez pas” (Do not forget me). 
Length, 21, inches. 


(Illustrated) 


1346—OLp FrencH NEEDLE CAsE 
Cylindrical shaped, painted in ‘“‘Vernis Martin” with subjects of birds 


and flowers. 
Length, 31 inches. 


(Illustrated) 


13847—Ouxp Frencn NEEDLE CASE 


Cylindrical shaped and gold mounted, painted in the Watteau manner 


with figure subjects. | 
: Length, 41%, inches. 


(Illustrated) 


13848—Oup EncuisH NEEDLE CasE 


Gold mounted and decorated in “Vernis Martin” with subjects of sport- 


ing dogs and wild ducks. 
Length, 31% inches. 


(Illustrated) 


1349-015 Frencu NEEDLE Cask 


Painted in ‘“‘Vernis Martin,” with a checkered pattern of black and 


gold. Gold mounted and tortoise-shell lined. 
Length, 41% inches. 
(Illustrated) 


1350—OLp Frencu NEEDLE Case 
Painted in “Vernis Martin” on an apple-green ground with conventional 
floral sprays. 
Length, 4 inches. 
(Illustrated) 


No. 1845 


1346 


oO 


N 


No. 1347 


No. 1348 


1349 


No. 


. 1351 


No 


Seventh Session, Thursday Afternoon 


as 


1351—Oup FrencH NEEDLE CasE | 
Of dark green lacquer, decorated with bands of gilt and white dots. 


Length, 5 inches. 
(Illustrated) 


1852—Oup FrencH Ivory NEEDLE CasE 


Cylindrical shaped and decorated, in alternating spiral panels, with 
dolphins, sea-shells, cornucopie and a seated figure. Mounted in 


silver. 
Length, 414, inches. 
(Illustrated) 


1853—Oup Frencu NEEDLE CASE 


Painted in “Vernis Martin” with an allover pattern of dots and leaf 


forms. 
Length, 6 inches. 
(Illustrated) 


13854—Oxtp Frencu NEEDLE CASE 


Cylindrical shaped. Painted in ‘“Vernis Martin” with a pattern of 


flowers, insects, birds and musical trophies. 
Length, 5 inches. 
(Illustrated) 


1355—Oup FrencoH NEEDLE CASE 


Cylindrical shaped and painted in “Vernis Martin” with subjects of 


Sporting Dogs and Wild Geese. 
Length, 51 inches. 
(Illustrated) 


13856—OLup Frencn NEEDLE CASE 


Cylindrical shaped. Of rose du Barry lacquer, ornamented with a pat- 
tern of diapering and gilt dots. 

: Length, 614 inches. 
(Illustrated) 


No. 1352 


1353 


No. 


1357 


O 


N 


No. 1855 


1356 


oO. 


N 


No. 13854 


Seventh Session, Thursday Afternoon 


13857—Oup FrencH NEEDLE CASE 
Cylindrical shaped. Of white lacquer ornamented with a pattern of 
diapering and gilt dots. 
(Illustrated) Length, 51 inches. 


1358—SEVENTEENTH CENTURY "TORTOISE-SHELL MINIATURE CASE 
Oval shaped with gauffered edges and mounted in silver. 


Size, 234 inches. 


1359—OLp Encuisn Pocxet Macniryine Guass 
Eighteenth century. Oval shaped. Of tortoise-shell mounted in ioe 


3, inches. 


1360—O.Lp EnctiisH PENDANT 
Cut and pierced steel, frame enclosing an oval Battersea enamel. 


21/4, inches. 


XVII AND XVIII CENTURY ENGLISH AND FRENCH 
MINIATURES AND GOLD-MOUNTED SNUFF-BOXES 


1361—SEVENTEENTH CENTURY EnGLIsH MINIATURE 


Style of Isaac Oliver. Painted in oil on copper with the bust gue 
of a Divine in black robe and starched bands. 
Height, 2 inches. 
(Illustrated) 


1362—SEVENTEENTH CENTURY ENnNcusH MINIATURE 


School of Nicholas Hilliard. Painted in oil on copper. Portrait of 
Queen Elizabeth facing the spectator with large ruff; rose colored 
background. 


(Illustrated) Height, 23/, inches. 


1363—SIXTEENTH CENTURY ENcGLisH MINIATURE 
Attributed to Hoskins. Oval shape, painted in oil on copper. Por- 
trait of a middle aged man, with dark hair and moustache, in a black 
velvet costume with falling linen collar. 


Height, 24, inches. 
(Illustrated ) 


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No. 


1363 


No. 1362 


No. 1361 


No. 1369 


No. 1365 


No. 1370 


No. 1867 


No. 1868 


No. 1366 


No. 1364 


Seventh Session, Thursday Afternoon 


13864—SEvVENTEENTH CenTURY ENcGiisH MINIATURE 
Attributed to Isaac Oliver. Painted in oil on copper. Portrait of 
a young man with black hair and a moustache in velvet costume with 


lace collar. 
Height, 21, inches. 
(Illustrated ) 


1365—SEVENTEENTH CENTURY ENGLISH MINIATURE 


School of J. Hoskins. Painted in oil on copper. Portrait of elderly 


woman with red robe and lace chemisette. 
Height, 3%, inches. 


(Illustrated ) 


1366—SEVENTEENTH CENTURY ENGLISH MINIATURE 


Portrait of a monk against a green background. On the reverse is 
a painting of an open Bible, with the initials B. I. B. 
Height, 21 inches. 
(Illustrated ) 


13867—SEVENTEENTH CENTURY MINIATURE 
Painted in oil on copper with a portrait of a man, facing the spectator, 
with long curling hair, dark brown jerkin and lace cravat. 
Height, 27% inches. 
(Illustrated ) 


1368—SEVENTEENTH CEenTURY ENcLIsH MINIATURE 
Painted in oil on copper with the portrait, three-quarter length, of 
a child with fair curling hair, lace cap and light green dress. 
| Height, 27, inches. 
(Illustrated ) 


Seventh Session, Thursday Afternoon 


1369—SEVENTEENTH CenTURY EncuisH MINIATURE 
Attributed to Samuel Cooper. Painted in oil on copper with a portrait 
of a young man in lace jabot. 
Height, 23/, inches. 
(Illustrated ) 


1370—SEVENTEENTH CENTURY EncusH MINIATURE 


Attributed to Samuel Cooper. Painted in oil on copper. Portrait of 
Charles II. Three-quarter view facing the spectator with a dark green 
velvet, gold embroidered vest, falling lace cravat and brown coat. 


Height, 3 inches. 
(Illustrated ) 


1371—SEVENTEENTH |CENTURY ENGuIsH MINIATURE 


Painted in oil-on copper. Portrait of a young woman with lace 
mantilla-like head dress, against a dark background. 
Height, 31%, inches. 


13872—SEVENTEENTH CENTURY DutTcH MINIATURE 


Painted in oil on copper. Portrait of a young woman with black 
coiffed cap and white lawn collar against a red background. Com- 
position frame. 

Height, 21% inches. 


1373—SEVENTEENTH CENTURY MINIATURE 


Painted in oil on copper. Portrait of a young man with dark curling 
hair against a green background. Much defaced. In contemporary 
chased ormolu frame with figures of flying angels carrying a crown; 
scrolled border. 


Height, 2% inches. 
(Illustrated) 


1374—SEVENTEENTH CENTURY MINIATURE 
Oval shape. Painted in oil on lapis-lazuli. Figure of Minerva in 
armor standing on a battlefield. In contemporary frame of gilt wood. 


Height, 31% inches. 


Seventh Session, Thursday Afternoon 


No. 1376 No. 1873 No. 1875 


1875—SEVENTEENTH CENTURY MINIATURE 


Painted in oil on copper. Portrait of a middle aged man with long 
hair and deep lace collar. In a contemporary ormolu frame with 
figures of flying angels carrying a crown. 

Height, 21% inches. 


1376—SEVENTEENTH CENTURY MINIATURE 
Painted in oil on copper. Portrait of a young woman facing the 
spectator, with crimson colored bodice and lace chemisette. 


Height, 24, inches. wx 


13877—Ser or EveveN SEVENTEENTH CEenTURY GERMAN ENAMEL PLAQUES 


Oval and quatrefoil shaped plaques painted in colored enamel with 
religious subjects, including the Virgin and Child enthroned on clouds, 
and the Four Evangelists. Arranged in a gilt and carved black wood 
frame. (One enamel faulty.) 


Seventh Session, Thursday Afternoon 


1378—SEVENTEENTH CENTURY GERMAN ENAMEL PAINTING 
Orpheus seated in a rocky landscape through which meanders a stream. 
In the background Pegasus with Cupids escorting a concert party of 
female musicians. In ebonized pear wood frame. 
Height, 61% inches; width, 514 inches. 


13879—SIXTEENTH CENTURY PaINTING 
Of the late Byzantine School. Oval shape, of copper, painted on both 
sides, with gold backgrounds. Portraits of Saints and Church Digni- 
taries with halos, bearing inscription in Greek characters against gold 


background. 
Height, 51 inches. 


Seventh Session, Thursday Afternoon 


1880—SrEVENTEENTH CENTURY ENAMEL PAINTING 
Oval shape. Figure of a Saint in nun’s garb standing before a table 
with her hands clasped. In a contemporary metal frame with scroll 
work ornamentation. Signed at back I. I. Height, 3% inches. 
1381—EIcHTEENTH CEenTURY FRENCH MINIATURE 
Enamel on copper. Portrait of a young woman in eighteenth century 
costume. In old repoussé cartouche-shaped silver frame. From the 
Fitz-Henry Collection. 


1382—Oxup Frencu Miniature anp Dutcu Iniay Pane 
One a symbolic painting, in oil on copper, of the Infant Christ em- 
bosomed in a rose with a contemporary pear wood and ormolu frame. 
The other a panel of tortoise-shell inlaid with mother of pearl with a 
Dutch Féte by the side of a canal bordered with Dutch houses. 


Height of miniature, 21%, inches; height of panel, 4 inches. 


-13883—SEVENTEENTH CENTURY SpPANIsH MINIATURE 
Painted in oil on copper. Portrait of a middle aged man facing the 
spectator. In dark colored jerkin with upstanding lace collar and 
holding a Bible in his right hand. Ormolu frame. 
Height, 3 inches. 
1384— SEVENTEENTH CENTURY MINIATURE 
Painted in oil on copper. Portrait of a middle aged man with long 
dark curling hair and light moustache, in a dark jerkin with the blue 
ribbon of an Order and large falling lace collar. Ormolu frame. | 


Height, 3 inches. 


13885—EIcGHTEENTH CENTURY GERMAN MINIATURE 
Painted in oils on copper. Bust portrait of a soldier in armor. 
Height, 734, inches. 


1386—Pair or Earty SEVENTEENTH CentTuRY MINIATURES 
Painted in gouache on copper. Oval panels containing portraits of 
Saints in attitudes of prayer, with rose colored backgrounds painted 
in a design of conventional foliage in white and blue. Escutcheons 
of gold painted with cherubim and a roundel of blue with the sacred 
monogram in gold. Height, 31/, inches. 


a 
_ 


Seventh Session, Thursday Afternoon 


13887—SIXTEENTH CENTURY SPANISH PAINTING ON VELLUM 


School of Murillo. Painted on vellum in water-color. Saint Carlo 
Borromeo with the Infant Christ in the desert attended by cherubim. 
In silver gilt frame with elaborate repoussé scrolled decoration. 

| Height, 51% inches; width, 334 inches. 


1388—O.p EncuisH SILHOUETTE 
Portrait of a gentleman with falling hair and lace cravat. 


1389—Oup EnciisH SILHOUETTE ON GLASS 
Portrait of an officer in a red coat. In contemporary ebony and 
ormolu frame. 


No. 1401 No. 1398 No. 1390 


EIGHTEENTH CENTURY ENncuisH MINIATURE 

By John Smart. Oval portrait of a young lady in delicate rose colored 
costume with dark brown hair falling over her shoulders in ringlets. 
Signed 8S. 777. In contemporary gold frame, 


1390 


Height, 134 inches. 


1391—SeEvENTEENTH CENTURY EncuisH MINIATURE 
Painted in oil on silver. Portrait in three-quarter profile of Sir Samuel 
Garth, the celebrated Georgian physician and friend of Addison and 


Pope. In contemporary gold frame. 
Height, 1% inches. 


Seventh Session, Thursday Afternoon 


13892—E1cHTEENTH CENTURY EncLisH MINIATURE 
Painted on ivory. Portrait of young .girl with fair hair and blue 
bodice trimmed with crimson. Dated 1772. In ormolu frame formed 


as a locket, the back engraved with a Phoenix in flames. 
Height, 2%, inches. 


13893—SrIxTEENTH CenTuRY Iratian DevotionaL LOCKET 
Oval shape. Painted in water-colors on vellum. On one side the 
Presentation in the Temple, on the other a female Saint. In a con- 


temporary frame of rock crystal and gold. 
Height, 134 inches. 


1394-—SEVENTEENTH CEenTURY ENciisH MINIATURE 
Attributed to Samuel Cooper. Painted in oil on copper. Portrait of 
a young man with fair curly hair in three-quarter profile. Framed in 
ormolu. | 
Height, 2% inches. 
1395—SEVENTEENTH CENTURY MINIATURE 
Painted in gouache on vellum. Portrait of a middle aged man in a red 
robe with falling lace Steenkirk cravat and blue bow. In a contempo- 


rary frame, engraved on back J. R. & W. H. 
Height, 21%, inches. 


(Illustrated ) 


13896—Ei1cHTEENTH CENTURY ENGLISH MINIATURE 
Attributed to Angelica Kaufmann. Painted in water-color on paper. 
Shepherdess with her sheep at the gate of a sheep fold. 


13897— EIGHTEENTH CENTURY FRENCH ENAMEL MINIATURE 


Painted in enamel on copper. Portrait of a young woman in eighteenth 
century costume with curling hair and a necklace of pearls. In a gold 
frame with an inscription on the back attributing the miniature to M. 
Vincent. Dated 1769. Height, 21/, inches. 


1398—Eicureenta Century Enerish Miniature 
Painted on ivory. Portrait of a lady in a veil holding her child in 
her arms. In contemporary gold frame set with half pearls. 


(Illustrated ) Height, 2% inches. 


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Seventh Session, Thursday Afternoon 


13899—EicuTeEENTH CEenTuRY Miniature 
By C. F. Zincke. Painted in enamel on copper. Full face portrait of 
Col. Thomas Thornton in green coat and periwig. Mounted as a locket 
in gold with the Paris touch and encircled by marquisites. 
Height, 1%, inches. 


1400—Eariy EicnTreentH Century MINIATURE 
Painted in oil on copper. Portrait of a divine in black robes with 
starched bands. Mounted as a buckle surrounded by a border of paste 
brilliants. 


From the Dreyfuss Collection. 


(Tusirated) Height, 15% inches. 
1401—EIcHTEENTH CENTURY FRENCH MINIATURE 
Painted on ivory. Portrait of a young woman facing the spectator 
with her hair drawn over cushion, in a blue bodice with a spray of 
flowers in her corsage. In contemporary gold frame set with diamonds. 
Height, 15% inches. 
(Illustrated ) 


1402—E1cenHTEENTH CrentTURY ENcLIisH LOCKET 
Oval shape. One side contains a painting on ivory of a young woman 
mourning before a cenotaph of mother-of-pearl and ormolu bearing 
the inscription “Affection weeps, Heaven rejoices.” The other side 
contains human hair with the monogram S. W. formed in seed pearls. 


In contemporary gold frame. 
Height, 3 inches. 


1403—SEVENTEENTH CENTURY FRENCH ENAMEL 
By J. Mathieu. Rectangular shape. Painted in enamel on copper. 
A subject of Venus, Cupid and Time. Signed Mathieu. In contem- 


porary frame of amber. 
Height, 2% inches; width, 3 inches. 


1404—EicuTeentH Century Snurr Box 
Circular shape. Of yellow tortoise-shell with elaborate chased gold 
mounts. The lid contains a miniature painting on ivory of The 


Fortune Teller. 


Diameter, 214, inches. 


(Illustrated ) 


Seventh Session, Thursday Afternoon 


1405—EIcHTEENTH CENTURY FRENCH SNuFF Box 
Of yellow tortoise-shell with heavy gold mounts. Decorated as to 
the lid with a miniature painting on ivory of a reclining Venus and 
as to the bottom with the entwined monogram M. A. R. in gold, on 
a blue silk background. This box is said to have belonged to Marie 
Antoinette. 


Diameter, 21% inches. 


(Illustrated) 


1406—EIcHTEENTH CENTURY FRENCH SNuFF Box 
Of yellow tortoise-shell with gold rims and piqué with gold stars. In 
the lid is a miniature portrait of a young~girl in white robe and blue 
sash resting her head upon her hand. | 


Diameter, 27% inches. 


(Illustrated ) 


1407—EIGHTEENTH CENTURY FRENCH SNuFF Box 


Of yellow tortoise-shell mounted in gold and decorated, as to the lid, 
with a miniature painting of “Nymphs Surprised” - in the manner of 
Fragonard. 


Diameter, 3 inches. 


(Illustrated) 


1408—EicHTEENTH CENTURY FRENCH SNuFF Box 
Of enamel, inlaid and mounted with gold. Decorated, as to the lid, 
with a miniature painting of a pastoral subject in the style of the 


seventeenth century Flemish school. 
Diameter, 3 inches. 


(Illustrated ) 


1409—EIcHTEENTH CENTURY ENGLISH SNuFF Box 
Of Sheffield Plate lined with tortoise-shell. Decorated, as to the lid, 
with a picture in oil on glass of the Battle of Fontenoy painted in the 


so-called Pergolesi manner and framed in gold. 
Diameter, 314 inches. 


1410—SEVENTEENTH CENTURY FRENCH Box 
Oval shape. Of tortoise-shell with molded brass rim and hinged lid. 
Decorated with a miniature painting in gouache of Venus and Cupid. 
Length, 33, inches. 


LOFT “ON 


FAME Le 
ae 


SOFT 


O 


N 


SOFT “ON 


VOVI “ON 


90FT “ON 


Seventh Session, Thursday Afternoon 


1411—THeE CELEBRATED “Ros Roy” Sinver Burtons 


Eighteen large and seven small plain spherical buttons of silver of seven- 
teenth century manufacture. 


NOTE: These buttons were made in the first place for the father of the famous outlaw, 
McGregor of Glengyle. After his death they were habitually worn by Rob Roy him- 
self and were finally inherited by his direct descendant, Gregor McGregor of Ard- 
nadam near Dunoon. He wore them to the day of his death and left them to his life- 
long friend and cousin John Campbell of Poltalloch, from whose son, Mr. Colin Camp- 
bell, they were acquired by Mr. Stewart of Rawcliffe, Langside, near Glasgow. From 
the well-known Rawcliffe Collection they passed into the hands of the present owner. 
(An interesting M.S., detailing their history, accompanies these buttons.) 


~ 


1412—SEVENTEENTH CENTURY Roman Mosaic 


Decorated with the subject of a fox caught in a trap. Concer? 
ormolu frame, with acanthus leaf ornamentation. In a velvet lined 


morocco box. 
Height, 31% inches; width, 234, inches. 


INTERESTING COLLECTION OF XVIII CENTURY 
CARVINGS BY J. VOYEZ 


One of the most picturesque figures of Eighteenth century England, Jean Voyez, the French 
émigré, is chiefly known to the Collector by some of his admirably modeled potteries, such as 
e ‘‘ Fair Hebe’’ pitcher and by his lifelong conflict with Josiah Wedgwood. Of late years, 
however, recognition has been accorded to what are now known to collectors as ‘‘ Voyez’’ 
carvings. Designed to occupy the lids of boxes and for other decorative purposes, these are the 
most dainty little modelings imaginable. They are neither in wax nor ivory, but a composition 
of his own, partaking of the natures of both. It is believed that it was the merit of these 
carvings that procured for him admission to the Royal Society of Arts of Great Britain. 


1418—Oup “Voyrez”’ Locket 


Oval shape. Containing a carving by Voyez of a Classical altar under 
an arched canopy. Ormolu frame surrounded by old paste brilliants. 


1414—Oup “VoyvxEz’”? MEDALLION 


Oval shape. The center is occupied by a wax carving by Voyez on 
a blue tinsel background surrounded by a border of large Poe bril- 
liants set in silver, 


Oup “VoyvEz”’ BRACELETS 


Of knitted brown silk with imitation pearls and clasps containing carv- 
ings by Voyez mounted on blue tinsel and framed in ormolu. 


Seventh Session, Thursday Afternoon 


1416—Ser or Six Oup “Voyrz” Ivory Burrons 


Ivory backs and fronts with carvings by Voyez of classical subjects. 
Mounted on purple tinsel. 


1417—Oup “Voyrz” BonBONNIERE , 
Circular shape with frame and backing of silver, containing a carv- 
ing by Voyez on a green tinsel background surrounded by a setting of 
large garnets. 
Diameter, 21, inches. 


1418—Oup Torrolsr-sHett “Vovez’”’ Box 


Circular shape, with loose lid containing carved medallions by Voyez 
of a dog bearing a basket of flowers. 


1419—Oup Frencu “Voyvez”’ BonBONNIERE 


Circular shape. Of purple lacquer ornamented with engine turnings, 
and containing a carving by Voyez on a tinsel background of tortoise- 
shell pattern. 


Diameter, 21, inches, 


1420—Oup “VoyvsEz”’ TorTorsE-SsHELL Box 


Circular shape. Lined with tortoise-shell, the lid. containing a 
carved medallion by Voyez on a background of silver foil of the 
“Angel of Hope” and the inscription “L’Esperance de L’Amour.” 


1421—O.p “Voyrrz” TorrToisE-sHELL Box 


Circular shape. Lined with tortoise-shell, and containing a carving 


by Voyez of Cupid holding up a heart to a dog. 


1422—Oxnp “Voyrez” Ivory, Torroisre-sHELL AND Gotp Box 
Circular shape. Mounted in gold with loose lid. Contains a carving 
by Voyez of a full rigged ship on a blue tinsel background. 


Diameter, 3 inches. 


1423—Op “Voyrz” Torrolse-sHELL Box 
Circular shape. With loose lid containing a carved medallion by 
Voyez of Andromache weeping over the ashes of Hector. 


Diameter, 224 inches. 
3 4 


Seventh Session, Thursday Afternoon 


1424—OLtp Frencn LACQUER AND TORTOISE-SHELL Box 


Circular shape. Lined with tortoise-shell and with tortoise-shell lid 
decorated with gold piqué work and with carvings in low relief of two 
figures, in eighteenth century costume, drawing water from a well. 


Diameter, 3 inches. 


1425—Oup “Voyrrez”’ LaceuER AND T'ORTOISE-SHELL Box 


Of lacquer with engine turned ornamentation and lined with tortoise- 
shell. The lid contains a carving by Voyez of a full rigged ship and | 
lighthouse. 3 


Diameter, 3 inches. 


1426—Pair oF oLp “VoyEz” Carvep MeEpALiions 
Carved with subjects of Cupids and Nymphs by Voyez. Framed. 


Diameter, 2% inches. 


1427—Pair oF oLtp “VoyvEz”’ Carvep Wax PAneELs 


Rectangular shape. Carved in relief by Voyez with subjects of sea 


ports and figures. 
Height, 3 inches; width, 334 inches. 


1428—Louis Srize Cornevian NEEDLE Case 
Cylindrical shape with chased gold mountings. 


1429—Oxp Frencu Ivory Parason HAanpLe 


Of carved ivory. : Mounted in pierced gold with a band of white enamel 


having a scroll pattern in gold. 3 
Length, 31, inches. 


1430—Lovis Srizz NEEDLE Case 
Octagonal shaped, of vari-colored gold elaborately chased. 
Length, 41% inches. 


1431—Louvis S£1IzE Ervtr 


Hinged lid mounted in repoussé and chased gold with clasp formed of 


a single diamond. 
Length, 334 inches. 


Seventh Session, Thursday Afternoon 


1432—Louts Seize Snurr Box 
Rectangular shape: Of gold elaborately engine turned and chased. 
The ld with an oval panel of a bouquet of flowers set with turquoises 
and pearls, the under portion containing a musical box playing a 
selection of tunes. Paris Touch Mark. 
. Length, 21 inches; width, 13% inches. 


1433—SEVENTEENTH CENTURY BAVARIAN RELIQUARY 


Of silver gilt. Oval shape with hinged lid engraved in a scroll pattern 
on one side and on the other with the monogram “VY. A.” surmounted 


by a Coronet. 
Length, 314, inches. 


1434—SEVENTEENTH CENTURY FRENCH POMANDER Box 


Made in the form of a watch with a silver dial, at the back of which 
is the “‘pomander” or receptacle for perfumes. The back is engraved 


with a figure of Cupid. 


XVHI CENTURY ENGLISH AND FRENCH 
GOLD AND SILVER WATCHES 


1435—Oxup Eneuisu Sitver WarcH 
In double case. Outer case showing traces of tortoise-shell covering. 
White enamel dial, with Roman numerals. 


1436—OLp Ene ish Wartcu 
Outside case of tortoise-shell and pinchbeck. The dial of Battersea 
enamel with painting of ‘““Mercury and Cupid.” 


1437—OLtp Eneuisp Watcu 
Outer case of shagreen piqué with pinchbeck. Inner case of pinchbeck. 
Made by C. Watts, London. Fob attachment of seal and key in 
pinchbeck. 


1438—Oxp EncuisH Pincuspeck WatTcH 
With two outer cases and dial with Arabic numerals. Made for the 
Turkish market by George Prior (1769-1788) of London. 


Seventh Session, Thursday Afternoon 


1439—Oup Encuish WatcH 
Outer case of tortoise-shell and pinch- 
beck, inner case of silver. White enamel 
dial with Roman numerals. Makers, 
Thos. Tomkin and E. as 1671- 
1713, of London. 


1440—Ox.p GERMAN SitveR WatcH 
Outer case of silver and tortoise-shell. 
Dial of white enamel with Roman nu- 
merals. 


1441—Oxup Enerish Watcu 
In pierced -case showing remains of 
shagreen cover. White enamel dial. 
oe Repeats the hours and quarters. Maker, 
Joseph Windmills (1671-1702), London. 


1442—Oxup Frencu Gotp Warcu 
Gold engine turned outer case. Engraved gold dial with Roman 
numerals. Plays musical selections and repeats the hours and quarters. 
Of early nineteenth century make. 


1443—Oxup German WartcH 

Model of the seventeenth century. Outer 
case of chased and engraved gold, en- 
ameled outside with a painting of “Su- 
sanna and the Elders,” and inside with a 
subject of a German Village. Engraved 
silver dial. Made probably in the early 
eighteenth century, by Karel Pasek. 


1444—Lovis Sriz—E Gotp WartcH 
Engraved gold case set with jargons. 
Back with an ornamentation of vari-col- 
ke ored jargons set in silver. Dial sur- 
No. 1443 . rounded by a ring of jargons. Maker, 
*T’Epine a Paris.” 


No. 1446 


J 


No. 1445 


No. 1448 


Seventh Session, Thursday Afternoon 


1445—Louvis Sriz—E Frencu Wartcu 


Outer case of gold chased and engraved, having a back decoration of 

jargons and with dial surrounded by a ring of jargons. Makers, 

J. & M. Vieusseux. | | ) 
(Illustrated ) 


1446—Louvtis Seize Frencn WatcH 


Outer case of gold chased and engraved, ornamented with a medallion 
portrait painted in enamels and surrounded by a setting of jargons, 
as is also the front of the case. Maker, “Berthon a Paris.” 


(Illustrated) 


1447—Lovis Seize Frencuh Watcu . } 
Outer case of chased and engraved gold. Double dial, one of chased 
gold and green enamel. Maker, “J. Leroy a Paris.” 


(Illustrated ) 


1448—SIxTEENTH CENTURY ENGLISH WatcH 


Outer case of gold, silver and brass elaborately pierced, chased and 
engraved. Dial of gold and black enamel with Arabic numerals. Early 
works with horse-hair balance. Maker, Abraham Dunan. 


(Illustrated) 


1449—Lovis Seize Frencu Gotp WatcH 
Outer case of vari-colored gold chased in a design of “Cupids Sacrific- 
ing.” White enamel dial. Maker, Melli of Paris. 


(Illustrated ) 


1450—Oup Frencn Gotp WatcH 


Gold and enamel dial in the style of Louis Seize. Roman numerals. 
Repeats the hours and quarters. 


1451—Oxp Frencu Strver Wartcu 


Outer case of silver engraved and decorated with a portrait painted 

in enamel and surrounded by a ring of jargons. Maker, Esquivilon 

& Delhoudens, Paris. 
(Illustrated) 


Seventh Session, Thursday Afternoon 


, 


1452—Louis SrizE Goup CHATELAINE AND WatcH 


Of gold and purple enamel set with pearls. The 
chatelaine of gold with pearl chain, medallions of 
translucent purple enamel over engine turned 
grounds surrounded by half pearls and enamel 
pendants looped with seed pearls. The gold watch 
is encircled with large pearls and has a back of 
translucent purple enamel on an engine turned 
ground. Shuttle shaped watch key. White dial, 
gold hands. In contemporary morocco. case. 
Length, 71/, inches. 


1458—Louis Sriz—e Frencu PIncHBeEcK CHATELAINE 


« 
4 
a 
4 
+ 
aad 


Pierced and chased pinchbeck mounts. with five 
medallions of enamel paintings on copper of 
Cupids. Length, 6 inches. 


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a 


1454—OnLp EncuisH Sttver Watcu 


In three cases. The outer one of engraved silver, 
the middle one of tortoise-shell with gold piqué 
decoration and the inner one of engraved silver. 
White enamel dial with Arabic numerals. Made 
for the Turkish market by Edward Prior of Lon- 
No. 1452 don (eighteenth century). 


BEAUTIFUL OLD BATTERSEA ENAMEL BOXES, 
VASES AND CANDLESTICKS 


1455—Oup BarrerseA ENAMEL NEEDLE CASE 
Of Battersea enamel, mounted in ormolu and decorated, on a rose du 
Barry ground with a shaped panel of white reserve occupied by a land- 


scape painting. Portion missing. 
Length, 134 inches. 


1456—Oxp Bittsron Enamet NEEDLE Case AND Tare MEASURE 


Decorated on a rose du Barry ground with sprays of flowers modeled 


in relief and colored. 
(Illustrated) Length, 4 inches. 


No. 1462 


No. 1457 


Seventh Session, Thursday Afternoon 


1457—Oup BatrerseA Enamet NEEpie Case 


Mounted in ormolu. Decorated with panels of paintings of landscapes 
and ruins and with a dotted pattern in white enamel. 


Length, 3 inches. 
(Illustrated) 


1458—Oup BatrersteaA ENAMEL NEEDLE CASE 


Mounted in ormolu. Decorated on a white ground with floral sprays 
(top missing). | 
Length, 41, inches. 
(Illustrated) 


 1459—Oxp BarrerseA ENAMEL NEEDLE CASE 


Mounted in ormolu. Decorated, on a white ground, with cartouche 
shaped panels of landscapes bordered with raised and gilt scrolls. 
Upper portion with screw top. | 
Length, 51% inches. 
(Illustrated ) 


1460—Oup BatrersEA ENAMEL NEEDLE CASE 


Mounted in ormolu. Decorated, on a purple ground, with panels of 


landscapes, bordered with raised and gilt scrolls. 
Length, 41, inches. 
(Illustrated) 


1461_—Oup BatrersEA ENAMEL Scent BotTTrLe AND NEEDLE CASE 


Mounted in ormolu. Decorated, on a turquoise blue ground, with shaped 
panels of painted landscapes framed in raised and gilt rococo scrolls, 


and with a diapered pattern in white enamel. 
Length, 6 inches. 
(Illustrated ) 


1462—Oxup BatrersEA EnAmMeL NEEDLE CASE 
Mounted in ormolu. Decorated, on a blue ground, with shaped panels 
of paintings of landscapes and ruins, border in raised and gilt coquilles. 


Length, 434 inches. 
(Illustrated) 


Seventh Session, Thursday’ Afternoon 


1463—Oxp BarrerseA ENAMEL BONBONNIERE 
Shaped as a bird. In yellow ename!, with hinged lid decorated with 
painted scroll on a white ground. 


1464—O.p BarrerseEA ENAMEL BONBONNIERE 


Mounted in ormolu. Oval shaped with hinged lid. Decorated with 
a painted portrait of General Elliot (1718-1790. Later created Lord 


Heathfield). 
Length, 2 inches. 


1465—Oxp BatrersktA Enamet Patcu Box 


Shuttle shape. Mounted in ormolu. Decorated on a rose du Barry 
ground, with hinged mirror lid with a painting of a lady seated. 


1466—Oxp BatrrerseA Enamet Patcu Box 


Circular shape with a loose lid. Decorated, on a rose du Barry ground, 
with the inscription “This is my friend.” 


1467—Oup BattrersEA ENAMEL ScENT FLAcon 


Decorated, on a blue ground, with floral panels and raised scrolls 
in white. ier: 


1468—Onxp BarrersEA ENAMEL BONBONNIERE 


Mounted in ormolu. Shaped and decorated to imitate a watch, hav- 
ing a dial in front and a decoration of floral sprays on the back. 


1469—Oxtp BatrrersraA ENAMEL Box 
Mounted in ormolu. Decorated, on a rose du Barry ground, the lid 
with figure subjects in the Watteau manner and the sides with panels 
of floral sprays. 


1470—Oxp BarrerseaA Enamet Box 
Mounted in ormolu. Rectangular shape with hinged lid. Decorated 
on a pale mauve ground, the lid with the subject of ““Nymph Bath- 
ing,” the sides with landscape subjects, and the interior of lid with 
a subject of two boys. Mark: A Bee (for Battersea). 
Length, 24%, inches; width, 134 inches. 


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in . eri _ ee. 2 ad Ge ype. F.= - sb we ’ 


Seventh Session, Thursday Afternoon 


1471—Oup BatrerseA Enamet Box 


Mounted in ormolu. Rectangular shape with hinged lid. Decorated, 
on a white ground, the lid with a Watteau subject of two lovers seated, 
the sides and bottom with sprays of flowers, and the interior of lid 
with a landscape. (Repaired.) 

Length, 21%, inches; width, 134 inches. 


1472—Oup Barrersea Enamet Box 


Rectangular shape, with a hinged lid. Mounted in metal, and deco- 
rated, on a rose du Barry ground, the lid with landscape and figure 
subjects and the sides with sprays of flowers. 


Length, 234, inches; width, 21, inches. 


-1473—Oxp BatrerseaA Enamet Box 


Mounted in ormolu. -Rectangular shape with hinged lid. Decorated, 
on a light blue ground, the lid with a panel of a Watteau subject 
framed in raised scrolls of gold, the sides and bottom with oval and 
circular panels, framed in scrolls of bianco sopra bianco and occupied 
with floral sprays. 


(Illustrated) 


1474—Oup BarrerseA ENAMEL Box 
Mounted in ormolu. Rectangular shape with hinged ld. Decorated, 
on an apple green ground, the lid with an oval panel of “Cupids Play- 
ing,” the sides with circular panels of pastoral subjects and with a 
raised scroll and ribbon pattern in gold. 
Length, 3 inches; width, 214 inches. 
(Illustrated ) 


1475—Oxup BatrrersEA ENAMEL SNUFF Box 


Shaped as the hull of an eighteenth century man-of-war and painted 
in natural colors. Double hinged lid of veined agate. 
Length, 414 inches. 


Seventh Session, Thursday Afternoon 


1476—Oup BarTersEA ENAMEL SNuFF Box 
Mounted in ormolu. Rectangular shape. Decorated, on a _ white 
ground, with floral sprays in bianco sopra bianco, and with paintings 


of flowers, birds and insects. 
; Length, 34%, inches; width, 21% inches. 


1477—O.p BarrerseaA ENAMEL SnurrF Box 
Mounted in ormolu. Decorated on a ground of scale pattern in pink, 
with panels of white reserve occupied by floral sprays, the interior 
of lid with a Watteau subject of a rustic dance. 
Length, 31%, inches; width, 21, inches. 
(Illustrated ) 


1478—Oxp Batrersea Enamet Box 
Mounted in ormolu. Rectangular shape with hinged lid. Decorated, 
on a white ground, with a painting in the Watteau manner, of a 
Guitar Player, and with groups of roses and butterflies. (Repaired. ) 


% 
\ 


Length, 3% inches; width, 21% inches. 


1479—Oxp BatrrerseaA ENAMEL Box 


Mounted in silver. Rectangular shape with hinged lid. Decorated on 
a white ground, the lid with a panel occupied by a painting of “The 
Fortune-Teller,” the sides with panels of subjects in the Watteau 
manner. All these panels are bordered with rococo scrolls in bianco 
sopra bianco. 

(Illustrated) 


Mounted in silver. Shield shaped with molded sides. Decorated, with 
paintings on the lid, sides, bottom and interior of lid, of scriptural 
subjects, including “Christ and the Woman of Samaria,” “The Last 
Supper,” and “Christ Restoring Sight to the Blind.” 


1480—Oup BarrerseA ENAMEL SnNuFF Box 
: 

Length, 314, inches; width, 21%, inches, . 

| 


No. 1473 


No. 1474 


No. 1477 


No. 1479 


Seventh Session, Thursday Afternoon 


1481—Oup Battersea ENAMEL Snurr Box 
Mounted in ormolu. Rectangular shape, Decorated, on a white 
ground, with figure and landscape subjects, interior of the lid with 
a portrait of a lady in eighteenth century costume holding a fan in 
her right hand. 


1482—O.p BattrerseA ENAMEL Box 


Mounted in ormolu. Decorated, on a white ground, the exterior of 
lid with paintings of military trophies, the interior with a portrait 
of an Austrian Field Marshal of the eighteenth century. 


1483—BatrersEA ENAMEL PLAQUE 


Rectangular shape. On a white ground with a subject of one of Asop’s 
Fables ‘The Dog and the Wolf.” 


1484—Oxp BarrersrA Enamet Ovat Mepatrion 
In old silver frame. Decorated with a painting of Mercury. 
Length, 334 inches; width, 234, inches. 


1485—Oxp BarrersEA Enamet BonBonnrizRE 


Mounted in ormolu. Shaped and decorated to imitate a watch, with 
a painted dial on one side and a decoration of floral sprays on the other. 


1486—Two Oxp BarrerseA Examen Drawer HANDLES 


Mounted in ormolu. Decorated with painted portraits of a man and 
woman. (Cracked.) 


1487—Oup BatrerseA EnamMeEL SALTCELLAR 


Coupe shaped. Decorated, on a white ground, with figures of Cupids 
bearing garlands, and with birds and flowers. Signed F. B. 


1488—Parir or Oxvp BarrerseaA Enamet Carp Counter Boxss 


Quatrefoil shaped. Pierced sides, decorated on a blue ground, with 


paintings of the Knave of Clubs. 
Length, 3%, inches; width, 3 inches. 


Length, 31, inches; width, 21, inches. 4 


LOFT 


‘ON 


0671 “ON 


G6PL “ON 
I6¥7I “ON 


O6F1L “ON 


LOFT 


ON 


Seventh Session, Thursday Afternoon 


1489—Oxp BatrerseaA EnamMet Bown 


Coupe shaped. Decorated, on an apple green ground, with panels 
of white reserve, framed in raised and gilt scrolls, and occupied with 
paintings of pandsca Das and pastoral subjects. 

Height, 2%, inches; diameter, 41/ inches. 


1490—Parr or Oxup BarrerseEA ENAMEL VASES WITH COVERS 


Mounted in ormolu. Decorated on a gros blew ground with shaped 
panels of landscapes, framed with raised and gilt scrolls and sepa- 


rated by floral sprays. 
Height, 41 inches. 
(Illustrated ) 


1491—Oup BatrrersEA ENAMEL TrEA-Ppoy 


Mounted in ormolu. Rectangular shaped with circular screw lid. 
Decorated, on a blew dw roi ground diapered with quatrefoils of white 
dots, with shaped panels of white reserve bordered by raised and gilt 


scrolls and occupied by paintings of landscapes. 
Height, 414, inches. 
(Illustrated ) 3 


1492—Turee Oxtp BatrrerseEA ENAMEL SALTCELLARS 


Decorated, on a dark blue ground, with panels of landscapes and rural 


subjects separated by raised gilt and floral sprays. 
Length, 5 inches. 
(Illustrated ) 


Seventh Session, Thursday Afternoon 


1493—Patr or Oxup BarrerseaA ENAMEL TEA-poys 


Octagonal shaped, with straight sides and cylindrical covers. Deco- 
rated, on a pale blue ground, with panels of exotic birds and land- 
scapes, bordered by scrolls of bianco sopra bianco. 

| Height, 43/, inches. 


‘ 


1494—Pair or Ovp BatrrerseA ENAMEL CANDLESTICKS 


Baluster shape, with fluted sconces. Decorated, on a white ground, with 


floral sprays. 
Height, 7 inches. 


1495—Oup BarrerskeA ENAMEL PLATE 


Circular shape with fluted rim. The center occupied with painting of 


a landscape and ruins. 
Diameter, TY, inches. 


1496—Oxp BatrrerseA Enamet Box 
Mounted in ormolu. Circular shape with loose lid. Decorated with 
panels of paintings of Seaports and with floral sprays. Mark: A Bee 
(for Battersea). 


Height, 21, inches; diameter, 51%, inches. 


Seventh Session, Thursday Afternoon 


= 


1497—Parr or Ovp BarrerseEA ENAMEL CANDLESTICK VASES 


Vase shaped on cylindrical pedestals and square bases. Decorated, on 
rose du Barry ground, with cartouche shaped panels of painted land- 
scape subjects, and with flutings and bands of interlacements in dark 
blue outlined in gold. Arranged with reversible sconces, so as to form 


candlesticks or vases. 
Height, 101% inches. 
(Illustrated ) 3 


1498-—Pair or Oxup BarrerseEA ENAMEL CANDLESTICK VASES 


Mounted in ormolu. Vase shaped on cylindrical pedestals and square 
bases. Decorated, on rose du Barry grounds, with cartouche shaped 
panels of landscapes and flutings of blue outlined in gold. Arranged 
so as to form either candlesticks or vases. (One repaired.) 

Height, 114% inches. 


1499—Patr or Oxtp BarrersEA EnameL CANnDLESTICKS 


Baluster shaped on circular bases, with removable circular sconces. 
Decorated, on a white ground, with raised and gilt scrolls and with 


panels of floral sprays. 
Height, 11 inches. 


(Illustrated ) 


1500—Otxp BarrersEA ENAMEL VASE 


Mounted in ormolu. Pear shaped, with a pinnacle cover and molded 
finial. ‘The body is decorated, on a white ground, with panels occu- 
pied by paintings of a Landscape and Seaport, and with festoons of 
flowers, floral sprays and exotic birds. The cover is decorated with 
floral sprays and gold scrolls. This is one of the largest Battersea 


enamel vases that is known to be in existence. 
Height, 143, inches. 
(Illustrated ) 


1501—EIcHTEENTH CENTURY GERMAN MINIATURE 
Painted in oil on copper. Bust portrait of a soldier in armor. 
Height, 734 inches. 
1502—Oup FrencH DevorionaL MEDALLION 


Of gold and enamel. Painted on one side with the Virgin and Child, 
upon the other with Saint John. 


66FI “ON 


Seventh Session, Thursday Afternoon 


1503—SiIxTEENTH CENTURY ENAMEL 


Oval. Painted in enamel on copper in the style of the French school of 
the seventeenth century with the Judgment of Solomon. 


Length, 3% inches; width, 3 inches. 


1504—Louvis Sere French Mremoranpum TAsLets 


Rectangular case with hinged lid. Of rose du Barry lacquer with — 
elaborately chased gold mounts. Bearing, on one side, the inscrip- — 


tion “Souvenir d’Amitié” and consisting of six ivory leaves for 


memoranda, with gold pencil. 
Length, 3%, inches; width, 2 inches. 


1505—Loutis QuinzE FrRENcH Ivory Memoranpum TABLETS 
Rectangular shape, of six ivory leaves. In green shagreen case mounted 
with repoussé and chased gold work. On one side a medallion of human 


hair work bearing the monogram “L. B.” in gold. | 
Length, 41/, inches. 


1506—Oxp Encuisu Ivory Snurr Box 
Shuttle shaped with hinged lid, having gold plate engraved with the 


monogram “EK, B.” | 
Length, 31%, inches. 


1507—Oxip Wepcwoop Patcu Box 


1790. Rectangular shape with rounded ends. Of ivory lined with 
velvet. On lid is applied a blue and white jasper medallion with sub- 
ject of Aurora framed in cut steel. 


1508—EIGHTEENTH CENTURY ENGLISH MINIATURE FRAME 


Oval shape. Surrounded by an openwork floral border of marquisites 
in silver setting. : 
34, inches. 


1509—EIGHTEENTH CENTURY MINIATURE FRAME 


In silver and old paste brilliants. Oval shape surrounded by a wreath 
of laurel leaves with six pointed stars and a knot of ribbon. 


Height, 51% inches. 


Seventh Session, Thursday Afternoon 


1510—EtentTEENTH CENTURY FRENCH NECESSAIRE 
Rectangular shape with sloping sides. Of green shagreen piqué with 
gold rosettes and fitted with two perfume bottles, knife, pencil- 


case and bodkins and ivory memorandum tablet. 
Length, 21, inches. 


1511—SrixTEEntTH CENTURY GERMAN Rock-crysTAL PLAQUE 


Octagonal shape, engraved in intaglio with a Crucifix and emblems 


of the Passion. 
Height, 4 inches. 


1512—Two Otp German Rock Crystat MEpALuions 


Oval shape. Engraved in intaglio with the portraits of Vespasian and 


Lepida the wife of Galba. Gold wire mounts. 
Length, 3 inches. 


1513—Oup EneuisH Scent Fiacon 


Circular shape. Old cut glass intaglio engraved with initial “M” 
surmounted by ducal coronet. Mounted in silver. 


1514—Oxtp Eneuitsu Scent Fracon 
Circular shape. Of old cut glass engraved with monogram M. T. M. 
Silver gilt mounts. 


1515—Lovts SE1zeE Ervr 
Hexagonal shape. Of tortoise-shell with chased gold mounts. Fitted 


with thimble, needle case and scissors, etc. 
Length, 37% inches. 


1516—SrvVENTEENTH CENTURY GERMAN SNUFF Box 
Oval shape. Of a section of stag horn mounted in silver. The lid and 
bottom of horn with embossed oval medallions. Silver rim, thumb piece 


and hinge. 
Length, 3 inches. 


Seventh Session, Thursday Afternoon 


1517—E1cHTEENTH CENTURY FRENCH 'SNuFF Box 
Boat shaped. Of sea-shell with mountings of a silver rim and hinged 
lid decorated with a repoussé and chased design of two classical 
figures. | 


1518—EIGHTEENTH CENTURY ENGLISH SNUFF Box 


Boat shaped. Fashioned from the shell of a small land tortoise with 
silver rim and hinged lid of tortoise-shell mounted in silver. Flat- 
chased, rosetted ornamentation. 


1519—EicuHTEENTH CENTURY ENGLIisH SNuFF Box 
Rectangular shape. Of silver with mother of pearl lid carved with 
portrait group of Father, Mother and Child flanked by escutcheons 
with the portraits of George III and Queen Charlotte, and surmounted ~ 
by a royal crown with lion and unicorn, supporters bearing shields 
with the arms of Great Britain. 


1520—SIXTEENTH CENTURY SPANISH ROSARY 


Of cut rock-crystals mounted in silver. Consisting of forty-two en- 


graved beads of melon shape and silver-gilt cross. 
Length, 51 inches. 


1521—SEVENTEENTH CENTURY LimocEs ENAMEL 


Figure of Saint Peter, with crowing cock in the background. Painted 


en grisaille heightened with gold. 
Height, 5% inches; width, 4 inches. 


1522-—-SEVENTEENTH CEenTURY Limoces ENAMEL 
Leaf-shaped plaque having in the center a circular medallion oc- 
cupied by a figure of the Virgin and Saint Elizabeth. This is sur- 
rounded by a patterning of birds and flowers in translucent enamels 
heightened with gold and on a black background with gold scrollings. 
The figure subject is painted en grisaille heightened with gold. 
Height, 6 inches; width, 51/ inches. 


Length, 31, inches. by | 


Seventh Session, Thursday Afternoon 


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1523-—-SEVENTEENTH CrEnTURY LimoGEs ENAMEL 
The Crucifixion with Christ between the two thieves, the Madonna at 
the foot of the cross and Roman soldiers on one side. All in colored 


enamels. In old wooden frame. 
Height, 81/, inches; width, 7 inches. 


1524-SEVENTEENTH CeENTURY Limocres ENAMEL 


Christ exposed to the people after the Scourging. In colored enamels 


heightened with gold. Wooden frame. 
Height, 8%, inches; width, 6 inches. 


Seventh Session, Thursday Afternoon 


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1525—SEVENTEENTH CentTuRY Limocres ENAMEL 
Pilate washing his hands after his condemnation of Christ who stands 
in the foreground in charge of Roman soldiers. In colored enamels 
heightened with gold. Contemporary molded frame inlaid with panels 


of tortoise-shell. 
Height, 71/4, inches; width, 5 inches. 


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Seventh Session, Thursday Afternoon 


1526—SEVENTEEYNTH CENTURY Limocrs ENAMEL 
Oval panel, surrounded by a patterning of medallions and gold scroll- 
ings on a black ground, bordered with white and occupied with a 
figure of Saint Theresa, her heart pierced by an angel. In contem- 
porary tortoise-shell frame inlaid with brass. In colored enamels 
heightened with gold. Signed, at the back, “‘Landin Emaillieur a Li- 


mouge.” 
Size of enamel, 5 by 414 inches. 


1527—SixTEENTH CENTURY Limocres Enamer 
The Crucifixion, with a soldier piercing the side of Christ, the Virgin 
prostrate at the foot of the cross attended by weeping women. Land- 
seape background with children, and blue sky studded with gold stars. 
In colored enamels heightened with gold. 
| Height, 101%, inches; width, 714 inches. 


| (Illustrated ) 


1528—SEVENTEENTH CENTURY LimocGEs ENAMEL PLAQUE 
Seated figure of Madonna and Child with attendant cherubim, sur- 
rounded by a stream in which swans are floating. In a gilt wooden 


frame of later date. 
Height, 63/4, inches; length, 51%, inches. 


OLD SILVER WARE, PRINCIPALLY ENGLISH OF THE 
GEORGIAN ERA 


1530—EicHTEENTH CENTURY GERMAN SILVER Carp COUNTERS AND CASE 
Circular box of silver with lid engraved in a pattern of scrollings and 
containing four silver medallions, having upon one side subjects from 
ZEsop’s Fables in low relief and on the other markers for the game of 


“Schlem” or Slam. 
Diameter, 14%, inches. 


1531—EIcHTEENTH CENTURY DutTcH SILVER Scent FLAacon 
The body in the form of a violin with a stopper shaped as the head of 


Mars. 
Length, 4 inches. 


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Seventh Session, Thursday Afternoon 


1532—Gerorce III Sirver Snurr Box 
Rectangular shape with molded sides. Decorated with a flat chased and 
engine turned pattern. London Hall Mark with date letter for 1813. 


Length, 2% inches; width, 1%, inches. 


15383—GrEorGE III Sirver Snurr Box 


Rectangular shape with an engraved pattern of checkered design. Lon- 
don Hall Mark with date letter for 1800. 


Length, 23% inches; width, 134 inches. 
g 8 A 


15384—Gerorce III Sitver Snurr Box 
Decorated, in silver inlay, on a ground of black enamel, with a leaf and 
floral border surrounding an oval medallion enclosing a design of a 


classic urn upon a pedestal. London Hall Mark with date letter for 
1800. 


Length, 3 inches; width, 1% inches. 


1535—Grorcer III Sitrver Inx Stranp 


Square cut glass bottle with silver rim, cover and hinged lid. Set in 
silver framework of gadrooned design. London Hall Mark with date 
letter for 1820. 


23, inches square. 


1536—EIcHTEENTH CENTURY DutTcH SILVER SpricE Box 


Formed as a vase with hinged lid, and octagonal foot. Decorated with 
repoussé floral festoons. 
Length, 4 inches. 


1537—EIcHTEENTH CEentTUuRY DutrcH Sitver Spice Box 


Formed as a vase with hinged lid, looped side handles and octagonal 
foot. Decorated with an engraved pattern and set with two colored 
cut crystals. The bottom of foot is hinged so as to form a smaller box. 


Length, 4%, inches. 


Seventh Session, Thursday Afternoon 


15388—EIcHTEENTH CrErntTuRY DutcH SILVER-GILT Spick Box 


Formed as a vase with hinged lid, and octagonal foot. Decorated with 
repoussé festoons of flowers and with pear shaped crystals set in the 
body. The cover has an oval finial supported by Amorini and the body 
is supported by two rampant lions. Eighteenth century Holland Hall 
Mark. Maker’s initials C. B. 

Height, 41% inches. 


1539—EIcGHTEENTH CENTURY DutTcH SILver Spice Box 
Formed as a vase with two side handles. Decorated with a repoussé 
pattern of floral wreaths, oval medallions and a finial as an Amorini 
holding a shield surmounted by a crown. The body is supported by 
two rampant lions. : 
Height, 41% inches. 


1540—EI1GHTEENTH CENTURY Swiss SILVER TEAPOY 


Baluster shaped with circular cover and octagonal shaped foot. Deco- 
rated with a repoussé pattern of scrolls and shells on a ground of 
dotted imbrications. Eighteenth century. Mark of Baden (Switzer- 
land). 
Height, 5% inches. 


1541—E1gHTEentH Century Durcu Sitver-citt Tea Cappy 


Rectangular shape with square neck and cover and urn shaped finial. On 
four scroll feet. Decorated with a repoussé pattern of shaped panels 
enclosed by scrollings and occupied on one side with figures of Amorini 
and festoons of flowers and on the other with a Dutch Pastoral scene 
and a Landscape. Eighteenth century Holland mark. 


Height, 61%, inches. 


1542— EIGHTEENTH CentTuRY DanisH Sitver BEAKER 
Curved spreading sides. Decorated with a dotted pattern at the rim 
and with a similar pattern and a band of flutings at the foot. Odense 
(Denmark) mark of the year 1763. 
Height, 61, inches. 


Seventh Session, Thursday Afternoon 


1543—SEVENTEENTH CentTuRY DutcH Sitver CHALICE 
Ovolo shaped bowl with baluster knop and circular foot. The foot 
and knop are decorated with repoussé and chased flutings and a chased 
pattern of acanthus leaves, the bowl with engraved floral scrollings, and, 
on one side, the figure of Christ with His cross, the blood from His 
side pouring into a chalice, on the other a bust length figure of Christ. 
Height, 614 inches. 


1544—-SEVENTEENTH CENTURY GERMAN CHALICE 
Silver and gilt bronze. Straight sided bowl of hammered silver with 
gilt interior, on a baluster stem and circular foot of gilt bronze. The 
knop and foot have an incised decoration of oval panels occupied with 
the emblems of the Passion surrounded by a patterning of strap-work. 
Height, 91% inches. 


1545—Georce III Sitrver Gosietr 
Egg shaped bowl, cylindrical stem and circular foot. The lower part 
of the bowl is decorated with a design of shallow flutings and the foot 
with a band of reeded ornamentation. Engraved with a crest. Lon- 


don Hall Mark with date letter for 1800. 


1546—-SEVENTEENTH CENTURY DutTcH STANpING CuP AND COVER 
Of horn and silver. Pear shaped bowl of horn, on a baluster shaped 
stem and circular foot of silver repoussé pierced and chased in a design 
of Amorini, flowers and leaves, and standing on three feet formed as 
eagles. The cover of silver chased and repoussé with a finial formed 
as a female bust, in cast and chased silver. Hall mark of Hoorn, 1640. 


Height, 14 inches. 


1547—E1cHTeentH Century Fiemisu Sitver Fruir Disu 
Oval shape. Decorated with a repoussé figure of a bird upon a tree 
branch surrounded by a border of grapes, pomegranates and other 
fruits. Eighteenth century Antwerp mark. 


Length, 71%, inches; width, 61%, inches. 


Seventh Session, Thursday Afternoon 


1548—Earty EI1GHTEENTH CENTURY SwepisH Parcet Gitt Sitver Fruit 
Disu . 

Flat circular shape with three pointed feet. Decorated with a repoussé 

pattern of flowers and leaves. Stockholm mark with date letter for 


1707. 


Diameter, 81%, inches. 


1549—EIGHTEENTH CENTURY Swiss Sitver Rose Water Disu 


Oval shape decorated with a pattern of birds and floral scrolls, and with 
a raised medallion enclosing a basket of fruit, and bordered with acan- 
thus leaves and flowers. All in dotted work. Eighteenth century mark 


of Basle. 
Length, 14 inches; width, 10 inches. 


1550—SEVENTEENTH CENTURY PoRTUGUESE SILVER DreEsstne CASKET 
Rectangular shape with bracket feet, hinged lid and looped swing side 
handles. Decorated with an allover repoussé design of shaped medal- 
lions, flowers and leaves, and borders of roses and leaves. Seventeenth 


century Lisbon mark. 
Height, 64 inches ; length, 10 inches; depth, 61% inches. 


1551—SEVENTEENTH CENTURY SPANISH SILVER SPICE CASKET 
Hinged lid, four scroll and mask feet, circular projecting lock plate and 
hinged clasp. Decorated with a bold repoussé pattern of scrollings, 
acanthus leaves, shells and wild animals. The lid with a pattern of 
gadroons radiating from a scrolled design with a figure of a mytho- 
logical bird feeding from a basket of fruit, and with a pierced and 
repoussé cresting of acanthus and shell design. ‘The clasp with engraved 

scrollings. The interior is partitioned into three sections. 
Height, 81%, inches; length, 914 inches; width, 9 inches. 


NOTE: Not only the unusual character of its decoration but the unusual weight for a 
piece of silver of this early period render this casket interesting. 


1552—EIGHTEENTH CENTURY HANOVERIAN SILVER CANDELABRA 
Formed as the figure of Spring carrying a wreath of flowers. On a 
circular base with panels of repoussé flowers and with scrolled branches 
having candle sockets and bobéches of pointed leaf design. Parcel gilt. 


Eighteenth century Hanover mark. 
Height, 12 inches. 


Seventh Session, Thursday Afternoon 


1553—GerorceE III Sitver Posser Cur 


Circular shape with two looped handles. London Hall Mark with date 
letter for 1805. 


1554— EIGHTEENTH CENTURY DutcH Sitver Mustrarp Por 
Hinged and domed lid, with ball finial, scroll handle and circular base. 
Height, 2% inches. 


1555—Georeer II Stnver Cream Ewer 


Bucket shaped with pointed spout and flat loop handle. London Hall 


Mark with date letter for 1716. 
Height, 2 inches. 


1556—GeorceE III Strver Bown 


Curved sides with fluted bottom. Decorated with festoons of drapery 
and an engraved monogram. London Hall Mark with date letter for 
1801. 


Height, 2 inches; diameter, 3 inches. 


1557—Gerorce III Strver Musrarp Por 


Oval bowl with gadrooned edge and foot, hinged lid and loop handle. 


English Hall Mark with date letter for 1772. 
Height, 31, inches. 


1558—Georce III Sitver STRAINER 
Circular form with outstanding scrolled loop handles, plain rim and 
pierced bottom. London Hall Mark with date letter indecipherable 
owing to the piercing, but before 1784. 


Diameter, with handles, 7 inches. 


1559—GEORGE III Sitver Mve 
Straight sides with loop handles, circular molded foot. London Hall 
Mark with date letter for 1779. 


1560—GeorceE III Sirver Sucrier 
Boat shaped with two looped handles. The body is decorated in a 
pattern of acanthus leaves and flowers enclosing two scr olled medallions. 
London Hall Mark with date letter for 1800. 
Height, 414, inches; length, 8% inches. 


Seventh Session, Thursday Afternoon 


1561—Ser or Srx GeorGIAN SILVER COFFEE Si Gane: 
Scrolled handles with plain bowls. 


Length, 434 inches. 


1562—Twenty-rour Georce III Encruisu Trea Sroons 
Handles of “Old English” pattern. London Hall Mark with date letter 
for 1796. ai Na 


1563—Earty Grorcian Sitver Spoons anp Marrow SERVER 
One spoon of “rat tail” pattern. English Hall Mark of the early 
eighteenth century. 


1564—S1x Georce III Irisu Sitver Sroons 


Handles of “Old English” pattern. Dublin Hall Mark with date letter 
for 1751. Maker’s name Isaac D’Oliver. ; 


1565—Earty GerorGciAn IrisH Sittver Sour LADLE AND Two SILvER SPoons 


Bowls of shell design the handles decorated with a flat chased pat- — 
tern of acanthus leaf scrolls and an engraved crest. “Dublin Hall 
Mark with date letter for 1764. (Weight 14 ounces 15 pennyweights. ) 


Length of ladle, 181% inches; length, of spoons, 1114 inches. 


1566—Oup Georce III Sinver Fisu Siuick ann Two Satap Spoons 


The slice with pierced and engraved blade. Engraved with various ~ 
monograms. London Hall Mark with date letter for 1800. 


1567—TIwetve GEORGE III Strver Dessert Knives ann Forks 


Pearl handles mounted in silver and silver blades and tines. Sheffield 
Hall Mark with date letter for 1794. 


1568—GeorceE III Strver Dish Howuper 


Oval shape dish holder on circular round stand which has a circular 
pierced medallion in its center. London Hall Mark with date letter 
for 1796. 


4°/, inches by 71, inches. 


Seventh Session, Thursday Afternoon 


1569—Gerorce III Encuish Traror anp Sranp 
Straight sides, and spout, hinged lid and black wood handle, on quatre- 
foil shaped stand with four scroll feet. The body is decorated with 
a border of scrollings and quatrefoil medallions. London Hall Mark 
with date letter for 1790. (Weight 18 ounces.) 
Length of stand, 744 inches; height, 61, inches. 


1570—Georce III Sirver Tra Cappy 
‘Straight sides, with hinged lid and vase finial. Decorated with a re- 
poussé and chased pattern of panels of baskets of grapes and fruits, 
surrounded by borders of shell design. In front is a scrolled escutcheon 
surrounded by a floral wreath. London Hall Mark with date letter 


for 1783. 
Height, 3% inches; length, 5 inches. 


1571—Gerorce III Sinver Corret Por 


Baluster shaped body, curved spout, looped handle, domed cover and 
circular foot. The body decorated in a repoussé pattern of scrollings 
and floral wreaths, the lid with a band of flat chased flower and leaf 
ornamentation, and the foot with a band of repoussé and chased shell 
design. London Hall Mark with date letter for 1778. 

Height, 11 inches. 


1572—Grorce III Cruer Stanp anv CRrueEts 
Scroll supports on shell feet, with ringed holder for bottles, and scroll 
and shell handle. ‘Three silver bottles of baluster shape design decorated 
with a repoussé pattern of scrolls, shells and flowers and with high 
pierced domed covers. Two bottles of contemporary glass cut in 
diamond facettings with engraved silver rims and covers. London 
Hall Mark with date letter for 1754. 


Height, 10 inches; diameter, 7% inches. 


1573—E1cHTEENTH Century Durcu SILVER PowpErR Box 
Circular shape. Decorated with repoussé bands of ornamentation. 
The lid with a scroll surrounded escutcheon engraved “Le At” and 
Dutch inscriptions. Eighteenth century Holland mark with Maker’s 
mark “J. P. M.” 


Height, 21% inches; diameter, 4 inches. 


Seventh Session, Thursday Afternoon 


1574—EIcHTEENTH Century DutcH Sitver Tra Cappy a 
Baluster shaped top, cylindrical neck and domed cover. The body is 
decorated with a repoussé lambrequined and tasseled pattern and a 
border of acanthus leaf scrolls. The cover with ace leaves and 


scrolls. Eighteenth century Hague mark. 
Height, 5% inches. 


1575—EIcHTEENTH CENTURY DutTcH SILVER SALVER Mes 
Oval shape with shaped edge, standing on four ball feet. Decorated 
with a raised and scrolled outer border and an inner border of flat 


chasing. Eighteenth century Holland mark. 
Length, 5 inches. 


1576—SEVENTEENTH CENTURY ENGLISH SILVER Two-HANDLED Lovine Cup 
Straight sides curving in to a circular foot, two looped and scrolled. 
The lower portion of the bowl is decorated with a repoussé and chased 
pattern of curved gadroonings surmounted by a border of trefoil dots 
and roundels. London Hall Mark with date letter 1691. Maker’s 


mark “I. Y.”? with horse between. 
Height, 434, inches. 


1577—EIcGHTEENTH CEentTURY DutcH Sitver TEApor 
Spherical shape with flat hinged cover, pine-apple finial and scroll handle 
with a female head as thumb piece. Body decorated with bands of 
flutings and acanthus leaf scrolls and with figures of Amorini. Ejigh- 
teenth century Holland mark. Height, 41/ inches. 


1578—E1cHTEENTH CENTURY FLEmisH Sitver TEApor 
Pear shaped body, cylindrical neck, hinged cover with flower finial, 
dragon head spout entwined by a ‘serpent. Decorated with a repoussé 
pattern of acanthus scrolls and with fluted lower portion. Eighteenth 
century Antwerp mark. Height, 7 inches. 


1579—EIcHTEENTH CENTURY SitverR CorreEe Por 
Baluster shaped body with domed cover and baluster shaped finial, scroll 
and shell design spout and looped ivory handle. The body is decorated 
with scroll and shell ornamentation and an engraved crest. Ejigh- 
teenth century mark of Braunschweig with Maker’s mark of Reinhold 
Godfrey Spitta (1748-1768). Height, 9 inches. 


Seventh Session, Thursday Afternoon 


1580—Lovis Seize Sirver Castor 
The stand is decorated in a design of Doric columns from which depend 
festoons of flowers and leaves with oval medallions of heads of Roman 
Emperors. It is supported on four claw feet and has two shaped and 
looped handles decorated with oval portrait medallions. The three 
bottles are of contemporary glass, cut in oval concavities with silver 
rims and silver mounted stoppers. Eighteenth century French pro- 


vincial mark. 
Height, 91, inches. 


1581—O.xp SHEFFIELD PLatTep TurTLE-sour TUuREEN 
Formed as the figure of a turtle with projecting head and flippers. The 
carapace or top shell removable to form the lid. 


NOTE: Only the head of this unusual piece of Sheffield Plate shows signs of wear. The solid 
silver rims suggest its date as being about 1785. 


1582—Oup SHEFFIELD PLATED TRAY 
Shaped tray with deep molded and repoussé border of a Georgian 
pattern and two scrolled and shell handles. On four lion feet. 
Length, 25 inches; width, 17 inches. 


1583—Six Oup SHEFFIELD Piatep DisH Covers 
Curved tops with removable lids. Straight rims, gadrooned borders 
and removable handles. Interiors tinned. Mark of J. Dixon and Son 


of Sheffield. 
Lengths, 12 to 20 inches. 


1583A—EIcguHreentyH Century Iranian Terra-corra STATUETTE 
Figure of an angel at the gate of Paradise. On square base. (Re- 


paired. ) 
Height, 22 inches. 


1583B—Pair or Louis Seize Trerra-coTta STATUETTES 
Subject of the “Birds’ Nesters.” On circular wooden base. 
. Height, 13 inches. 


Seventh Session, Thursday Afternoon 


1583C—O.up Iranian TeErra-cotta Bust 
Well modeled bust of a middle-aged man with bushy hair. The face 
turned over the left shoulder. 
Height, 151, inches. 


1583D—Pair or Louis Seize Frencu Terra-corra STATUETTES © 
“The Birds’ Nesters.” Figures of children. One holds a nest and 
the other a struggling bird. On circular bases. 
Height, 29 inches. 
1588E—Lovuis Quinze TrErRA-coTTa STATUETTES 


Group of two nude children. A girl draping a boy with a garland of 


flowers. On shaped base. | 
Height, 124%, inches. 


No. 1584 No. 1587A 


1584—Louvis SrizE Frencno Marsxue STATUETTE 


Figure of a reclining Cupid fondling a dove. On oblong base. 
Length, 13 inches. 


1585—Oup Frencn Marsie STATUETTE 
Figure of Sleeping Cupid with bow and quiver. 
Length, 23 inches. 
1586—EIcgHTEENTH CENTURY ITALIAN MARBLE STATUETTE 


Figure of a Bacchante crowned with vine leaves, holding a bunch of 


grapes in the fold of his drapery. 
Height, 14 inches. 


Seventh Session, Thursday Afternoon 


1587—Louis Srize Frencu Marsie STatTuetTre 
Group of two quarreling Cupids, one clasping a broken bow and de- 


fending himself from the onslaught of the other. On a rocky base. 
Height, 11 inches. 


1587A—Lovis Seize MarBire STATUETTE 
Sleeping Cupid with bow and quiver on a draped rocky base, with a 


rectangular sub base of black marble. 
Height, 11 inches; length, 17 inches. 


No. 1586 No. 1588 No. 1587 


1588—Louts SrizE Marsie STATUETTE 


Figure of a Cupid capturing a Swan. On shaped base. 
Height, 171, inches. 


1588A—Lovtis SrizE Marsie STATUETTE 


Figure of sleeping cherub. Length, 14 inches. 


1589—SeEvENTEENTH CENTURY ITALIAN MARBLE STATUETIE 


Sleeping Cupid with his Bow and Arrows at his side. On shaped base. 
Length, 17 inches. 


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EIGHTH SESSION 


THURSDAY EVENING, MARCH 18, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.00 o’cLOCK 


Which includes Catalogue Nos. 1590 to 1696 


A VERY REMARKABLE COLLECTION OF ITALIAN 
AND FRENCH BRONZES OF THE XVI, XVII AND XVIII 
CENTURIES, AND OTHER INTERESTING OBJECTS 


1590—Eariy FirreentH Century Irarian Carvine 
Negro’s head carved in black onyx with:teeth of white enamel and 
robe of light yellow veined marble. Mounted on panel covered with 


old Italian crimson valvet. 
Height, 41%, inches. 


1591—FirteentuH Century Irarian VAse 
Of variegated agate. With fluted neck and lower portion of stem, on 
a square base. Decorated on the body with standing female figures 


and with festoons of flowers and leaves. 
Height, 6 inches. 


1592—Pair or SrxreentH Century Wax Ficures 
Subjects of “Silenus, with Infant Satyrs and Goat” and ‘‘Venus at- 
tended by Cupids, and mounted on a Dolphin.” In glazed wooden 


frames. 
Height, 71/, inches; width, 1334 inches. 


| Eighth Session, Thursday Evening 


1593—Parr or SIXTEENTH CENTURY ITALIAN ALABASTER PLAQUES | 
Subjects of the Nativity and the Adoration of the three Magi and of 
the Shepherds and Angels. Above are Angels and Cherubim in clouds. 
In inlaid wooden frames. The alabaster shows traces of gilding. 
814 by 7 inches. 


1594—SIxTEENTH CENTURY FLEMISH STEEL COFFER 
Rectangular shape of steel with upright baluster-shaped straps, deco- 
rated all over with elaborate patterns and interlacements and heart- 
shaped scroll ornamentation and with brass studs. Inside the lid is 
entirely occupied with an elaborate spring lock having four catches 
covered by a plate of steel elaborately engraved with scroll and floral 
design. Locked from the lid with a steel key, key-hole being closed 
by a revolving spring cover. Coffer on four chased and engraved ball 


feet. | 
Height, 31, inches; length, 51 inches; width, 31% inches. 


1595—SEVENTEENTH CENTURY GERMAN STEEL CasKET 
Rectangular shape with hinged lid, wrought steel loop handle, lid lock 
and four ball feet. The entire surface is engraved with figures of 
courtiers, patterns of scrollings and an inscription dated “1621.” 
Height, 31, inches; length, 444 inches. 


1596—SIxTEENTH CENTURY ITALIAN DAMASCENED STEEL CABINET } 

Modeled base of four claw feet. Front divided into three portions 
by four columns. Side occupied by panels flanked by Corinthian 
columns. Center portion with swing door having lock and key and 
small drawer. Side compartments and three drawers with button han- 
dles and locks. Panels, door and sides framed with molding. Columns 
damascened in gold. Base of heavy gilt molding with upper face of | 
steel damascened. 


1597—ByzanTINE Brass Cross 


The four arms end in quatrefoil-shaped medallions occupied with figures 
in relief of the four Evangelists. The figure of Christ is missing. 


Height, 15 inches. 


Eighth Session, Thursday Evening — 


1598—SEVENTEENTH CENTURY RELIQUARY 


Figure of a Saint in nun’s habit carved in relief in parti-colored mar- 
bles on marble background. In an octagonal gilt bronze frame with 
silver escutcheon and a silver receptacle for the relic. The escutcheon 


inscribed with the name “Saint Madeleine of Passe.” 
Height, 914 inches. 


1599—SixTEENTH CENTURY ITALIAN SILVER STATUETTE 
Of silver gilt. The figure of a kneeling Saint in monk’s robes. 
Height, 4% inches. 


NOTE: This figure evidently at one time formed a portion of a large devotional group. 


-1600—SIxTEENTH CENTURY ITALIAN SrttverR Gitt STATUETTE 


Figure of a kneeling Saint in monk’s robes. 
Height, 74/7, inches. 


1601—E1cHTEENTH CENTURY FRENCH CRUCIFIX 
Gilt bronze figure on wooden cross bordered with gilt bronze. On 
boule base with gilt bronze consoles and a panel of ‘The Annunciation” 


in gilt bronze. 
Height, 1314 inches. 


1602—Pair or SEVENTEENTH CENTURY ITALIAN Bronzes 


Figures, in gilt bronze, of women in classical costumes. On rectangular 


molded wooden bases. 
Height, 5 inches; length, 6 inches. 


1603—Pair or SeveENTEENTH CenTURY IraLian Bronzes 
Of gilt bronze and marble. Relief portraits of Pignatello and Odess- 
calco, in gilt bronze mounted on oval marble panels. In gilt bronze 


frames. 
Height, 74, inches. 


1604—Pair or EicHreentH Century GERMAN PLaQuEs 
Of bronze. Rectangular shaped with rounded corners. Subjects, mod- 
eled in high relief, of the head of a religious order in adoration before 
figures of Christ and the Almighty in Glory and in his Library sur- 
rounded by his Seminarists. Signed: “C. L. Gerard, 1727.” 
Height, 121/, inches; width, 1834 inches. 


Eighth Session, Thursday Evening 


1605—Patir or Louis Seize Girt BronzE CANDELABRA 


Formed as figures of nude children holding cornucopie wreathed with 
fruits, flowers and leaves. On circular molded bases with borders of 


-acanthus and laurel-leaf design. Figures in plain bronze, decorations 


in gilt bronze. 
Height, 101%, inches. 


1606—CineveEcENTO ITALIAN Bronze InxkstTanp 


Vase-shaped inkwell, pubs on a tripod stand with legs of lions’ 


masks and feet. 
Height, 24%, inches. 


1607—SixTEENTH CENTURY ITaLiAN Bronze STATUETTE 
Figure of Aisculapius holding a staff with a Serpent at his side. On 


pierced circular bronze base. 
Height, 31, inches, 


1608—SEVENTEENTH CENTURY ITALIAN Bronze BELL 


Figure of a woman in peasant costume with crossed arms, and holding 
a flower. 


1609—SixTEENTH CENTURY JTALIAN BRONZE 


Bust of a boy. Mounted on a circular pedestal. 
Height, 414, inches. 


1610—Arcuaic Bronze STATUETTE 


Figure of Hercules holding a lion’s skin. On rough stone base mounted 
on a bronze stand. Fragment of a larger composition. Probably be- 
longing to the fifth century B. C. 


1611—SIxTEENTH CENTURY JTALIAN Bronze INCENSE BuRNER 


On tripod support with three ball feet, and decorated with an acanthus- 


leaf ornamentation. 
Height, 234 inches. 


1612—Pair or FIFTEENTH CENTURY ITALIAN BronzEs 


Figures of Saints. 
Height, 53, inches. 


* Height, 4 inches. 


Eighth Session, Thursday Evening 


1618—SixtTeentH Century Irauian Bronze BANNER SOCKET 


Pear shaped, in a pierced and chased design of open-mouthed masks and 
female heads. Surmounted by a crown. Shows traces of gilding. 


Height, 6 inches. 


1614—Earty SIxTEENTH CENTURY ITALIAN Bronze INKsTAanp 


By Andrea Briosco, called Riccio (1470-1582). Tripod form, resting 
on scroll supports. Decorated with an elaborate treatment of masks, 
scrollings and lions’ heads, the triangular cover with a molding of 
egg and dart pattern and with figure of a nude boy seated and reading 
a book. An exceedingly characteristic example of the work of one of 
the most highly regarded artificers of the Italian Renaissance. 


Height, 61% inches. 


Eighth Session, Thursday Evening 


1615—Earty SIxTEENTH CENTURY ITALIAN Bronze 


Recumbent figure of a horse over whom is thrown a mantle. On base 
of colored marble. 
Height, 6 inches. 


1616—SEVENTEENTH CENTURY FRENCH BronzE 


Figure of a horse with saddle and trappings in gilt bronze. On eigh- 
teenth century wood pedestal decorated with military trophies in 
ormolu and standing on four ormolu feet. 
Height, 10 inches. 


Eighth Session, Thursday Evening 


1617—Pair oF SEVENTEENTH Century Irartian Door Hannes 


Of bronze, formed as Nereides blowing horns. Leight, 44/, inches. 


1618—Oup Bronze Lamp 


The figure of a boy on a dolphin holding a sidereal globe with sun 
and stars which forms the bowl of the lamp. On rocky base. 


Height, 71/4, inches. 


1619—Ser or Tren SEVENTEENTH CeEntTuRY ITALIAN BronzE PLAevEs 


Oval shaped. Portraits of the Roman Emperors, in low relief, and 
surrounded by borders of military trophies, ribbons and lions’ heads. 


Lenght, 41/4, inches. 


1620—SEvVENTEENTH CenTURY ITALIAN Bronze 
Figure of a rearing horse. On rectangular red marble base. 
Height, 6 inches. 


Eighth Session, Thursday Evening — 


1621—SEVENTEENTH CENTURY BronzE STATUETTE 


Figure of nude boy with outstretched arms. On a polished black 


marble base. 
Height, 834, inches. 


1622—Pair or Louis Seize BronzeEs 


Figures of two nude Nymphs seated and holding doves in their hands. 


On oval fluted marble bases. 
Height, 734 inches. 


1623—Pam or SevenreentH Century German Bronze GROTESQUES 
Bust portraits, one of a bearded man in broad-brimmed hat, the other 
of a man in stocking cap with his ear pierced by a cobbler’s awl. On 


cylindrical black wooden bases. 
Height of busts, 6%, inches. 


‘Sane © 


Eighth Session, Thursday Evening 


1624—-SIxTEENTH CENTURY BronzE STATUETTE 


Cire perdu casting. Standing figure of a youth in classical robe with 
a vase of flowers at his side. On a contemporary shaped and molded 
base of Siena marble inlaid with a panel of green Travertine marble. 


Height, 1034 inches. 
NOTE: The extraordinary virility of the modeling is characteristic of the period. 


1625—Pair or Louis Seize Bronze STATUETTES 
Figures of children seated. One holding a book and reading. On oval 


white marble bases. 
d Height, 914 inches. 


Eighth Session, Thursday Evening 


1626—Earry SrxTeEentH Century [rattan Bronze STATUETTE 


Standing figure of a bearded 
man, nude save for a fold of 
drapery. 

Height, 1034 inches. 


NOTE: The extraordinary virility of the 
modeling is characteristic of the period. 


1627—Two Louis Srtizze Bronze 
STATUETTES 

Figures of young women with 

classical robes seated upon 

lamps of classic form with 


outstretched hands. On octag- 
onal bases. One flame missing. © 


Height, 814 inches. 


1628—Pair oF SIxTEENTH CENTURY 
Figures of Chimere. On black 


marble bases. 


Lengths, 101%, inches and 8 inches. 


1629—SEVENTEENTH CrEnturRY Itatr- 
IAN BronzE 
Bust portrait of the Roman 
Emperor Cesar Augustus. On 
turned ebony pedestal. 


No. 1626 Height of bronze, 914 inches. 


1630-—Ser or Seven SEVENTEENTH CENTURY ITALIAN Bronzzs 


Figures of Roman Warriors in armor. One of them holding and load- 
ing an arquebuse. 


Average height, 10 inches. 
(Illustrated) | 


1631—Lovis QuaTrorzE Bronze | 
Figure of infant Bacchanal astride a goat. On carved wooden rock 
work base. 
Height, 10 inches. 


flames at which they warm their 4 


No. 1630 


Eighth Session, Thursday Evening 


16382—Pair or SEVENTEENTH CENTURY ITALIAN BronzEs 


Figures of the Farnese “Hercules leaning upon his Club” and of “Silenus 
carrying in his Arms the Infant Bacchus.” On square pedestal of vari- 
colored marbles. | 

Height, 14 inches. 


1633—Pair oF SEVENTEENTH CENTURY ITALIAN BronzeEs 
Figures of pacing horses. On molded ebony bases. 
Height of bronzes, 8 inches; length, 81/, inches. 
(Illustrated) 


SE9T “ON 


Eighth Session, Thursday Evening 


1634—SEVENTEENTH CENTURY ITALIAN BRONZE 


Figure of a Bull. On marble base. Height, 41/, inches. 


1635—Pair or Lovis QuaTorzE BRronzE STATUETTES 


Figures of Venus and Apollo. Venus supported by a Dolphin and Apollo — 
by a Palm tree. On square base and contemporary boule pedestal inlaid 


with ebony and silver. Height, 1714 inches. 


1636—EIcuHTEENTH CENTURY FRENCH SILVER AND BronzE STATUETTE 


“Virtue Triumphant over Vice.” Gilt bronze figure of Virtue in Roman — 
armor with a silver shield inscribed “Quis ut Devs,” standing over the 
bronze figure of Vice. On shaped wood pedestal with gilt bronze feet. 


Height, 22 inches. 


Eighth Session, Thursday Evening 


1637—Patr or EicuTeentu Century Frencu Bronze CANDELABRA 


Figures of nude children playing with pet dogs. Candle arms formed 
as branches of trees terminating with beaded candle sockets. On pol- 
ished wood bases. 


ITeight, 13 inches. 


1638—Pair oF SEVENTEENTH CENTURY ITALIAN BronzeE STATUETTES 


Figures of David with the head of Goliath and Minerva with shield and 


spear. 
ITeight, 20 inches. 


Eighth Session, Thursday Evening 


1639-—Parr or E1GHTeEENTH CENTURY FRENCH BRONZE STATUETTES 
Figures of an old Peasant and a young Peasant girl. On cylindrical and 


molded bronze pedestal bases. 
. Height, 191% inches. 


1640—SIxTEENTH CENTURY ItTaLIAn Door Knocker 
Of bronze, formed as the figure of St. Jerome between two couchant 
lions, surmounted by a shaped escutcheon of armorial bearings. The 


knocker portion formed as bold volute. Mounted on an ebony stand. 
Height, 16 inches. 


1641—Two Bronze Ficures 
In bronze and ormolu. 
Adapted for wall suspension. 


Figures of Amorini holding’ cornucopie. 
Height, 171% inches. 


Eighth Session, Thursday Evening 


1642—SEVENTEENTH CENTURY ITALIAN BronzE CANNON 


Elaborately decorated in relief with a Ducal Coat of Arms, military 
trophies and figures of Mars and Minerva. The breech is formed as 
the head of a bald-headed man, and the trunnion as two lions with 
spheres. Above the touch-hole is the inscription “Ferdinand II” and 
the date “1638.” 

Length, 22 inches. 


1643—Sixteentu Century Irarian Bronze Crvucirix 
Figure of bronze. On a carved wooden base representing rock mound. 


Height, 221, inches. 


Eighth Session, Thursday Evening 


1644—SEVENTEENTH CENTURY Bronze FIGURE 


After the celebrated group of “The Laocoon” now in the Vatican. On 


square bronze base. 
eight, 2714 inches. 


Eighth Session, Thursday Evening 


1645—SEVENTEENTH CENTURY ITALIAN BronzE STATUETTE 


Figure of the Infant Hercules strangling the Serpent. 
Height, 30 inches. 


1646—Pair or SEVENTEENTH CEnTURY ITALIAN BronzE STATUETTES 


Figures of a wounded Amazon and a Roman Warrior on rearing horses. 
On oblong marble bases. 
ITeight, 20 inches. 
1647—SkrvENTEENTH CENTURY Bronze STATUETTE 


Figure of Mercury. On modern ebonized base. 
Height of figure, 24 inches. 


Eighth Session, Thursday Evening 


1648—O.tp Frencu Bronze Lamp 
Empire period. Formed as a bowl with a flame finial, sippened by 
three classically draped female figures of a Caryatid character. The 
bowl of chased ormolu with figures of green bronze. On molded pedestal 


base of Siena marble and sub-base of green marble. | 
Height, 33 inches. 


1649—Parr or Orp FrencH Bronze CANDELABRA 
Empire period. Formed as figures of winged Victories holding aloft 
with both hands five-branched candelabra in the form of cornucopie 
of gilt bronze. The figures stand on gilt and chased bronze bases with 
appliqué modeled and chased figures of Cupids, acanthus-leaf erro Des 


wreaths of laurel leaves and acanthus-leaf moldings. 
Heights, 25 inches. 


1650—SEVENTEENTH CEentTuRY ITaLian CruciFix 
Figure of cast and chased bronze with gilt loin cloth: Cross of ebony. 
Mounted on an octagonal panel of sheets of ivory lined with ebony in 
a frame of quilled ebony moldings and panels of molded tortoise-shell 


inlaid with ivory. Bis > ae a y 
eight, 22 inches. 


1651—SEVENTEENTH CENTURY KwnireE HoLper anp Knives anp Forks 

Knife holder formed as the figure of a walking elephant, the head re- 

movable and the interior fitted with a case containing twelve knives and 

twelve forks. The knives and forks are of steel, the handles octagonal 

with molded bands of steel and formed of tapering panels of silver 

nielloed in a design of dogs chasing deer, floral scrolls and a meander ] 

pattern of floral scrolls. The knives have pointed blades and the forks 

are two-tined. The case is of cuir bouilli modeled with extreme 

realism, the tusks being of ivory. 

From the Duke of Sutherland’s Collection, Stafford House, London. 
Height, 13 inches; length, 19 inches. 


NOTE: Though the knives and forks of. this remarkably interesting piece are undoubtedly 
Italian work of the sixteenth century, it is possible that the case itself is of early 
seventeenth century French fashioning. 


Eighth Session, Thursday Evening 


1652—SIxTEENTH CENTURY SpanisH Derr Disu 
Of brass. Decorated with a circular medallion of armorial bearings 
surrounded by radiating panels of interlaced and scrolled patterns and 
by an acanthus-leaf border. The rim is decorated with a pattern of 
scrollings and interlacements aad with engraved lines of damascened 
silver. 
Diameter, 191/, inches, 
1653—Hispano-Moresaut Deer Dist 
Of copper. Decorated with a raised six-lobed medallion occupied by a 
pattern of Saracenic interlacements and an escutcheon of armorial 
bearings surrounded by borders of Saracenic interlacements, flowers 
and leaves. 
Diameter, 1634 inches. 
1654—Oup SpanisH Brazier 
Of copper. Formed as a circular bowl with fluted rim, scroll handles, 
domed and pierced cover, and three scroll and ball feet. The whole 
on a circular stand. 
Height, 23 inches; diameter of stand, 31 inches. 
1655—OLp SPaANisH Sanctuary Lamp 
Of metal, silver-plated. Vase-shaped body decorated with bands of 
acanthus-leaf scrollings and quatrefoil medallions, and having three 
pierced projecting handles to which are affixed chains of links pierced 


in a design of interlacements. Silver plated. 
Height, 41 inches. 


XVII CENTURY GERMAN AND LOUIS SEIZE FRENCH 
CLOCKS OF MARBLE, BRONZE AND ORMOLU 


1656—SIxTEENTH CENTURY GERMAN CLOCK 
Rectangular case of gilt brass engraved and chased in a pattern of 
acanthus scrollings. On brass base with four turned brass feet and 
finials. Probably of Augsburg make. No hands. 
Height, 61%, inches. 
1657—SEVENTEENTH CENTURY GERMAN TABLE CLOCK 
Square gilt and engraved steel case on four turned feet. White metal 
dial with Roman numerals. Elaborately engraved movement. Striking 


on two bells. Of old Nuremberg make. 
33, by 41, inches. 


Eighth Session, Thursday Evening 


1658—SEVENTEENTH CENTURY GERMAN TURRET CLOCK 
Square case of gilt bronze. Circular cupola top of pierced brass with 
turned columns and panels enclosing miniature crucifixes of silver. 
White enamel dial with pierced brass hands. Crown escapement move- 


ment, with front pendulum. | 
Height, 111% inches. 


1659—O.p GermMAN REPEATING CLOCK . 
Ormolu case, surmounted by a standing figure of a woman in classic — 
costume carrying a cornucopia of flowers. On octagonal ormolu base, — 
with mask and claw feet. Verge escapement set with ruby. Chain 
movement. of five independent trains. Strikes on two gongs and bell 


with separate repeating movement. 
Height, 7 inches. 


1660—Oxup Encuisu Striking CiocKk 


In chased ormolu case, with applied pierced scrollings, pinnacle top 
with urn finials. White enamel dial plate surrounded by spandrels of 
floral sprays on a blue ground, and an arched panel of a basket of flow- 
ers, and floray sprays, all painted in colors in Canton Chinese enamel. 
Bob pendulum movement with back plate engraved by a Chinese artist. 


Strikes on one bell. 
; Height, 131%, inches. 


1661—Louwis SeizE Ciock 


Square base of white marble with molded cornice and base, mounted 
with pierced. and chased ormolu, and surmounted by a figure in gilt 
bronze of a Nymph seated and reading. On black marble base with 


four ormolu feet. Maker’s name: ‘Le Roi.” 
Height, 16 inches. 


1662—Louis Seize Bracker Ciock 
Drum-shaped dial, supported by four scrolled and shaped arms, 
surmounted by an urn finial on marble base, mounted in ormolu with 
figures of two doves billing and cooing. White enamel dial, with gold 
hands. Verge escapement movement with engraved back-plate. 
Height, 14%, inches. 


Eighth Session, Thursday Evening 


1663—Louvis Seize CiocK 


Formed as a classic temple of white marble, mounted with ormolu on 
four detached columns of marble with ormolu capitals and_ bases. 
Above is the clock movement with two revolving bands of white enamel 
carrying respectively the hour and minute numerals. In the center 
is an ormolu bust of Voltaire on a marble base. Maker’s name: “Antony 


Colian 4 Paris.”’ 
Height, 16 inches. 


1664—Louis Seize Marsie ann Ormoxivu Crock 
Formed as a broken column supporting a drum-shaped clock case 
wreathed with festoons of laurel leaves, surmounted by an urn finial and 
supported on one side by a group of trophies. On ormolu molded 
base, with square acanthus-leaf medallions, and white marble pedestal 


with four ormolu feet. White enamel dial with steel hands. 
Height, 1234 inches. 


1665—Louts Seize Lyre Crock 
Lyre-shaped case of marble and ormolu, with acanthus-leaf, beaded and 
twisted rope ornamentation supporting a sun-burst of ormolu and 
floral festoons. Base of Siena and black marbles. White enamel dial 
with figures in black and red, and with pierced flewr-de-lys hands of 
gilt bronze. Maker’s name: “Breant a Paris.” Bob pendulum and 


crown escapement movement. 
Height, 1934 inches. 


1666—Otp Louis Srize CLocxk 
Striking clock of marble and bronze. Drum-shaped clock case sup- 
ported by bronze figures of Cupids and surmounted by an ormolu figure 
of a Nymph playing with a pug dog. On a shaped white marble base, 
with panels of finely chased and burnished ormolu in a design of 
Cupids playing and with four ormolu feet. White enamel dial, with 


pierced gilt hands. Strikes the hours and quarters on single bell. 
Height, 1414, inches. 


1667—O.xp Skvres Biscurr Crock 
Of the Directoire Period. Surmounted by a group in Sevres biscuit of 
Perseus rescuing Andromeda, mounted on chased ormolu. ‘The base is 
decorated with an ormolu panel of Cupid and Nymphs sacrificing. On 


five ormolu feet. 
Height, 19 inches; width, 17 inches. 


Eighth Session, Thursday Evening 


1668—Louvis QuinzE CarTEL CLock 
In ormolu cartel case of rococo scrollings and acanthus leaves, sur- 
mounted by a figure of a seated Cupid holding a torch with both hands. 
White enamel dial. Maker’s name: “Julien Le Roi, Paris” (1686- 


1759). 
Height, 27 inches. 


» 


A CURIOUS COLLECTION OF XVIII CENTURY ENGLISH 
MECHANICAL, MUSICAL AND CHIMING CLOCKS 


This group of clocks has a double interest. In the first place the movements represent 
the mechanical ingenuity of the English clockmakers of the Eighteenth Century when it had 
reached its utmost pitch of perfection while the cases stand for a curious combination of 
European and Chinese artistry. In some instances, entirely of European, in others partly of 
European and partly of Chinese manufacture they are all of a character to delight the ofttimes 
ingenuous eyes of the Princes and Mandarins for whom they were fashioned. 

It was during the late Boxer risings that they came into the possession of an English mer- 
chant in Hong-Kong, by whom, a few years later, they were brought to England. 


1669—E1cHTEENTH CENTURY ENcLIsH TaBLeE CiLock 
Drum shape with sides of chased ormolu pierced in a scroll pattern 
over red silk. White enamel dial painted with Chinese numerals. Single 
pierced hand. Inner dial of brass with ‘““Peepng Tom” opening showing 
the months also in Chinese characters. 


Height, 2%, inches; diameter, 41% inches. 


1670—Pair or EIGHTEENTH CENTURY ENGLISH CLOCKs 
Striking clocks in cases of chased and pierced ormolu. Formed as 
Chinese sea-dragons on bases of wave forms from whose mouths issue 
flames and clouds of smoke. These dragons support the drum-shaped 
clocks. On pierced and chased ormolu-shaped bases and four bracket 
feet. White enamel dials with split second hands. Engraved circular 
movement, verge escapement. Strikes hours, half hours and quarters 


on single bell. 
Height, 131%, inches. 


Eighth Session, Thursday Evening 


1671— EIGHTEENTH CENTURY ENGLISH Bracket CLOCK 


In ormolu case with domed cover with vertical bands of chased ormolu, 
pineapple finial, and four rococo scroll feet. White enamel‘dial with 
chased and pierced ormolu ornamentation. Looped side handles. 
Old verge escapement movement with elaborately engraved back-plate. 
Strikes on two bells. Maker’s name: “William Carpenter’ (London, 


1770). | 
Height, 14 inches. 


1672—EicHTEENtH CrentTuRY EncuisnH Mintarure Bracket Crock 
Mechanical and chiming clock in ormolu-mounted ebony case, with 
bracket feet and scrolled carrying handle. Dial plate of engraved ormolu 
with white enamel dial and revolving medallion set with colored cut 
paste jewels. Verge escapement movement. Chimes of two bells. 
Maker’s name: “Robert Phillip” (1779-88). 
Height, 10 inches. 


1673—EIGHTEENTH CENTURY ENGLISH CLOCK 
Case of very finely chased ormolu decorated with panels of pierced ormolu 
and bands of colored paste jewels set in silver; surmounted by a pierced 
ormolu cresting and pots of flowers and by a shaped mirror resting 
upon a rocky base set with flowers and leaves enameled in natural colors. 
The mirror is framed in ormolu set with garnets and has a pierced and 
chased ormolu cresting. The back is occupied with a Chinese painting 
of a seascape and children on a dark blue Chinese paper. White enamel 
dial surrounded by a rim of paste jewels set in silver. Early bob pen- 


dulum movement. 
Height, 201%, inches. 


1674—E1cHTEENTH CEenTURY ENncLisH C1Lock 
Striking clock in ormolu case, with pinnacle top and urn-shaped finial. 
Dial of Canton enamel painted by a Chinese artist with peony blos- 
soms, flowers and a Chinese basket. Engraved back-plate also by a 
Chinese artist, in a design of scrolls and an undecipherable attempt at 


an English name. 
Height, 1814, inches. 


Eighth Session, Thursday Evening 


1675—Eicureentu Century Enevisn Crocx 
Chiming clock in engraved ormolu case, with pinnacle-shaped top, urn- _ 
shaped finial and scroll feet. The sides have oval medallions of pierced 
ormolu over a red silk ground. White enamel dial with split second 
hands set with paste rubies. Bob pendulum movement with engraved 


back-plate. 
Height, 121%, inches. 


1676—EIcHTEENTH CENTURY ENGLISH CLOCK 

Mechanical and chiming clock in case of chased and engraved ormolu 
with pinnacle top. Dial plate of blue enamel with floral scrolls in 
gold and translucent enamels. Surmounted by an urn-shaped finial with 
movable figures of ormolu. Sides decorated with oval medallions of 
pierced ormolu over red silk grounds. Strikes hours on one bell. Bob 
pendulum movement with engraved back-plate. 

Height, 161 inches. 

(Illustrated) 


1677—EIGHTEENTH CENTURY EneouisH Bracket C1iock 

Mechanical, musical and chiming clock in arched case of chased and 
engraved ormolu. Pinnacle-shaped top decorated with chased and 
pierced ormolu and surmounted by a classic urn. On four scroll feet. 
White enamel dial with pierced ormolu spandrel ornamentation and sur- 
mounted by a mechanical movement of a seascape and buildings with 
moving sailing ships. Engraved bob pendulum movement. Strikes 
hours, half hours and quarters and chimes on eight bells. Maker’s 
name: ‘Paul Rimbault” (London, 1779-1785). 

Height, 17 inches. 

(Illustrated) 


1678—EIcHTEentH Century Enciish Ciock 
Musical and chiming clock in chased and pierced ormolu case. On 
acanthus-leaf and scroll feet. Domed top of imbricated pattern, vase- 
shaped finial and acanthus feet. Three white enamel dials. Bob pen- 
dulum movement with two separate chains, striking on two bells and 


chimes of eight bells. Maker’s name: “Robert Phillip” (1779-1783). 


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No. 1681 


No. 1677 


No. 1676 


Eighth Session, Thursday Evening 


1679—EIcHTEENTH CENTURY ENGLISH CLOCK 
Chiming and striking clock in ormolu case, with pierced and chased 
apron and cresting. Stepped top surmounted by an ormolu vase with 
branches of flowers set with cabochon-cut paste jewels and with four 
pineapple finials. The dial is of white enamel with pierced gilt hands and 
split second hand, the spandrels being occupied by birds in chased 
ormolu on a chased silver background. ‘The dial is surrounded by a 
ring of cabochon-cut paste jewels. Bob pendulum movement with 
engraved back-plate. 


—.. 
‘ 


Height, 13 inches. 


1680—EI1cHTEENTH CENTURY ENcLIsH ASTRONOMICAL CLOCK 
In a square Chinese case of mahogany with molded panels. Circular 
dial of white enamel with plate of ormolu decorated with a design by 
a Chinese artist. On the top is a sidereal globe revolving between two 
equatorial bands of brass in accordance with sidereal time. Bob pen- 
dulum movement with crown escapement and independent sidereal 


movement. 


1681-—E1cHTEENTH CENTURY ENGLIsH CiLocK | : 
Mechanical, musical and chiming clock, in chased and engraved ormolu 
case. Square form with domed top surmounted by an urn of flowers. 
On four bracket feet. Dial of white enamel surrounded by a broad 
band of cut paste emerald, rubies and diamonds and by four circular — 
gilt medallions. Engraved movement. Maker’s name: “H. Borrell” 
(London, 1795 onward). 
(Illustrated) 


1682—EicHTreentH Century EneiisH Crock 
Striking clock in chased ormolu case, with applied pierced scrollings 
and a pinnacle top with urn-shaped finials. White enamel dial, with 
spandrels of floral sprays on a blue ground, surmounted by an arched 
panel of a basket of flowers and floral sprays all in colored Canton 
enamels. Bob pendulum movement with back-plate engraved by a 


Chinese artist. Strikes on one bell. 
Height, 13% inches. 


Eighth Session, Thursday Evening 


1683—EIcgHTEENTH CrentTURY ENGLISH CLOCK 


Mechanical, musical and chiming clock, in chased and engraved ormolu 
case made in two portions. The lower of square form on scrolled feet 
with acanthus-leaf scrollings at the angles and applied medallions of 
chased ormolu of acanthus-leaf design, the upper of rectangular shape, 
with pierced, beaded and voluted consoles at the angles, contains in 
front a dial of white enamel with gilt hands and surrounded by a 
border of cut paste jewels. At the sides are shaped medallions of 
translucent enamels. Above is a domed cupola formed of fluted sec- 
tions of engraved ormolu which open to disclose a column of twisted 
glass rods, and surmounted by a disc-lke figure in front of which re- 
volve two wheels set with cut paste jewels. ‘At the angles are four 
pinnacle-shaped revolving finials set, in a spiral pattern, with cut 
paste. When the clock strikes the covering leaves of the cupola are 
raised, the glass rods within revolve, the two wheels above revolve in 
opposite directions, and the conical finials also revolve. Maker’s name: 


“J. Mottran” (London, 1789-1794). 


Eighth Session, Thursday Evening 


1684—EicutTrentH Century Enewisn Crock . 
Mechanical, musical and chiming clock, in a chased ormolu frame sur- 
mounted by a lantern of classical design with urn finial, on a molded 
base with panels of applied chased ormolu. ‘The lantern encloses a 
painted ivory carving of a Chinese pagoda surrounded by Chinese 
figures of painted ivory carrying articles emblematical of their trades. 
White enamel dial surrounded by floral wreaths painted in colored 
enamels and surmounted by a pierced design of plants, trees and a 
stream with a figure in a rowboat, at the back of which are twisted 
glass rods representing falling water. At the hours of striking the 
carved ivory figures in the lantern revolve as also do the glass rods 
simulating the waterfall. Strikes hours, half hours and quarters on 
mechanical musical chimes. Bob pendulum movement with engraved 


back-plate. 
Height, 281%, inches. 


Eighth Session, Thursday Evening 


1685—E1cHTeentH Century Encuisu Bracker Crock 

Mechanical, musical and chiming clock, in chased and engraved ormolu 
case with domed canopy top surmounted by an urn-shaped finial, molded 
base with band of bead ornamentation and four scroll feet of chased 
ormolu. White enamel dial with split seconds, hour and minute hands. 
Below are sailing ships which move on the striking of the hour. Bob 
pendulum movement. Maker’s name: “Henry Borrell” (London, 1795). 

Height, 24 inches. 


Eighth Session, Thursday Evening 


1686—E1cuTeentu Century Encusn Bracket Crock 
Mechanical and musical clock, in arched case with pinnacle top of 
ormolu. Decorated with applied ornamentation of musical and other 
trophies, floral wreaths and sprays, cornucopie with flowers. The 
pinnacle with a band of applied imbricated ornamentation, oak leaves 
and acorns. On four scrolled and pierced feet. White enamel dial 
painted by a Chinese artist with an amusingly ineffectual attempt to 
reproduce English names. Quarter repeating striker with three inde- 


pendent chains. Plays tunes on ten bells. Maker’s name: “Parkinson 


& Frodsham” (London, 1801). 4 
Height, 31 inches. 
(Illustrated) -* 


1687—Pair or Louis SrizE VAsE Criocks 


Ormolu cases formed as cantharus-shaped vases with scrolled winged 
gryphon handles, pierced and domed cover, and finial formed as a dove. 
On square pedestal with applied ornamentation of pierced and chased 
ormolu and bands of honeysuckle and beaded ornamentation. On four 
circular feet. The scroll handles of the vases are decorated in alternate 
red and green paste jewels, set in silver. Circular dial, surrounded by a 
rim of emerald and ruby paste jewels. Old French silk suspension 


movement. 
Height, 26 inches. 
(Illustrated) 


1688—Oup FrenNcH Ormotvu Crock 


Empire period. Formed as an oval-shaped pavilion with a molded base, 
decorated with applied classical floral festoons, on which rest six com- 
posite Corinthian columns in clusters of three. The shafts of these are 
spirally encircled with an elaborate chased wreathing of flowers and 
leaves and spiral banding of burnished work. ‘These columns support 
a frieze decorated with a pattern of classical pointed leaf design in 
chased and ‘burnished ormolu. This cornice is crested with a pierced 
honeysuckle pattern having rosettes of chased and burnished ormolu, 
while above rises a domed top with an applied ornamentation of acan- 
thus-leaf scrollings, the whole terminating in a finial-of acanthus leaf 
and pineapple design. Between two of the columns is supported a 
white enamel clock dial surrounded by a rim of acanthus-leaf design 
in chased and burnished ormolu. Compensating pendulum of ormolu. 


Height, 27 inches. 


L89T “ON 989T “ON L89T “ON 


SAPEEXREEEEO DERG HERES GeO 


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Eighth Session, Thursday Evening 


1689—Oxip FrencH Ormoxivu C1Lock 
Of exactly the same description as No. 1688 


1690—EIGHTEENTH CENTURY ENGLISH CLOCK 


Mechanical, musical and chiming clock in chased ormolu case sur- 
mounted by a lantern of classical design occupied with a figure of 
a Chinese Sage. <A revolving jeweled Sun over the dial with falling 
water represented by revolving spiral glass rods, and moving men on 
horseback. Strikes hours, half hours and quarters with musical 
chimes. Bob pendulum movement with engraved back-plate. a 
Height, 29 inches. 


1691— EIGHTEENTH CENTURY ENGLISH CLOCK 


Mechanical, musical and chiming clock, in pierced and chased ormolu 
case. The lower portion consists of a square pedestal on scroll and 
ball feet with a pierced and chased cresting of balusters and floral 
scrolls and scroll and acanthus consoles at the angles. On the sides 

are two convex paintings on glass of figure subjects in the Chinese style 

surrounded by sprays of acanthus leaves. The front of this base is 

occupied by a circular medallion surrounded by a band of cut paste 

emeralds and occupied by a concave reflecter and a revolving wheel- 
like figure of pointed leaves of colored paste jewels set in silver and 

flanked by branches of flowers, leaves and ears of wheat. Above this 

is the circular clock dial supported on four acanthus-leaf supports and — 
a column of revolving spiral glass rods above which is a band of ormolu 
with projecting fish from whose mouths depend four revolving spiral 

glass rods. At the base is a revolving ring to simulate water on which are 

modeled figures of ducks with moving heads and wings. ‘At the four 

angles are leaf and flower forms set with colored paste stones, sur- 

rounded by revolving wheels set with colored paste. The dial is sur- 

mounted by an ormolu flower vase of similar revolving wheels. The 

striking of the clock puts the mechanical movement into operation. 

The glass rods revolve so as to simulate a falling column of water with 

jets of water issuing from the mouths of the fish, and the flower- 

vases, wheels and flowers revolve, as does also the medallion in the 

pedestal. ‘The movement is an unusual one, comprising two distinct 

movements. Chimes and plays airs on twelve bells. Maker’s name 

unknown, but probably James Cox of London. 


(Illustrated) 


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oeSSs SAPS bURY NLT CTE 


atta 


No. 1691 


No. 1692 


No. 16938 


Eighth Session, Thursday Evening 


1692—E1cHTrentH Century Eneuish Cock 
Mechanical, musical and striking clock, in a chased and pierced ormolu 
case formed in two portions. The lower one is of rectangular form, 
occupied by a white enamel dial with gilt hands surrounded by a border 
of cut paste jewels and decorated in pierced and chased ormolu 
with figures of Nymphs holding flowers and floral garlands. ‘The 
upper portion, on a square base, decorated with a pierced ormolu crest- 
ing and with panels of dark blue glass, consists of two drums of ormolu 
supported one above the other on a rococo scrolled stand. These drums 
are surrounded by borders of cut paste jewels in silver settings and are 
occupied by pierced revolving stars set with cut paste jewels. When 
the clock strikes these stars and arrangements of twisted glass rods 
revolve in contrary directions. ‘The movement is of three separate 
actions working in conjunction, and of an independent striking move- 


ment. 
(Illustrated) 


= 


1693—EIcHTEENTH CENTURY ENcLisH CLock 

Mechanical, musical and chiming clock, wrought and chased ormolu 
case. The base represents a rocky water-fall on which stands a pa- 
goda-like erection of chased and pierced ormolu, with engraved silver 
columns set with vertical bands of colored paste jewels, and doors of 
white-veined agate with vertical bands of colored paste jewels set in. 
silver. This is surmounted by a lantern of pierced and chased ormolu 
with slabs of onyx in front of which are two Suns set with colored 
pastes and revolving in opposite directions. Above is a conical-shaped 
pinnacle set with paste jewels which also revolves. White enamel dial 
surrounded with artificial pearls set in silver. The hands are set with 
seed pearls. The two side doors open and display a column of water 
simulated by spiral glass rods. Openings in the front and base dis- 
close similar arrangements of glass rods, while openings at the sides 
disclose painted landscapes and figures and stags with movable heads 
and a man on horseback flying a movable kite. When the clock strikes, 
the glass rods, Suns and pinnacles revolve and the figures move. Maker’s 
name: ‘Thomas Cox” (London, 1760-1788). | 


NOTE: Thomas Cox was a clever mechanician, who opened at Spring Gardens a museum 
of quaint clocks, singing birds, and costly mechanical toys. There were fifty-six pieces 
in the collection and the charge for admission was half a guinea. 


(Illustrated) 


Eighth Session, Thursday Evening 


1694— EIGHTEENTH CENTURY ENGLISH CLOCK 


Mechanical, musical and chiming 
clock, in wrought, chased and en- 
graved ormolu case formed in three 
tiers. The lower tier is octagonal 
shaped on four scroll feet, with an 
elaborately chased apron, bands of 
colored paste stones, borders of dark 
blue enamel, and floral scrollings of 
translucent enamels and gold, and 
four vase finials holding tree forms 
of wheels set with cabochon-cut paste 
jewels. The front of this section is 
occupied with a glass panel behind 
which are movable Chinese figures 
against a background of trees and 
revolving spiral glass rods. The 
sides are occupied with oval panels 
of Canton enamel painted by a Chi- 
nese artist with floral sprays, and 
surrounded by borders of cut paste 
jewels. The middle tier is rectangu- 
lar-shaped with voluted consoles at 
the angles and applied ornamenta- 
tions of pierced and scrolled ormolu. 
The sides have arched panels of a 
floral pattern in translucent enamels 
and the front is occupied with a white enamel clock dial surrounded 
by a rim of cut paste jewels. The top tier is formed as a Chinese 
pagoda of ormolu with an applied ornamentation of floral scroll de- 
signs and with a pinnacle roof of Chinese character, surmounted by 
a tree form of wheels hung with cabochon-cut paste jewels. This pagoda 
encloses moving Chinese figures with a painted landscape background. 
The clock stands on an elaborate Chinese pierced and carved base of 
sandalwood, teakwood and colored ivory, in two tiers. When the clock 
strikes, the figures in the pagoda and lower compartment move, while the 
jewel tree forms and vase revolve. English movement of two inde- 
pendent actions, working in conjunction, and playing airs upon twelve 
bells. Independent striking action. Height, 45 inches. 


Eighth Session, Thursday Evening 


1695—E1¢cnTeentH Century Enewisn CiLock 

Mechanical, musical and chiming clock, im 
ormolu case. The lower portion, of hex- 
agonal shape, is supported upon six stand- 
ing lions on whose backs are carried taper- 
ing columns of blue glass, marbled in gold, 
with acanthus capitals surmounted with 
pierced railings and six urns of flowers with 
enameled leaves and cut crystal blossoms. 
The heads of the lions carry baluster-shaped 
stands of similar urns and flowers. The 
front of the case is paneled in pierced and 
chased ormolu backed by green silk, and the 
white enamel dial is surrounded by a ring of 
cut paste jewels. The upper part of the 
case has a pierced and painted panel in a 
design of birds and trees behind which is a 
series of twisted glass rods. Above this 
again rises a pinnacle-like superstructure in 
two divisions, the lower one of oval shape 
with a panel of pierced and painted iron 
work representing birds and trees behind 
which is a series of vertical twisted glass 
rods, the upper one of a drum-shape with a 
concave glass fronted panel of a pierced and 
painted representation of an architectural 
colonnade behind which is a moving figure 
of anelephant. Above this again are 
winged figures with streams of water, represented by twisted glass rods, 
flowing into the open mouths of dolphins beneath. The whole is sur- 
mounted by a finial of a vase of flowers on a pedestal fringed with col- 
ored glass beads and containing a cluster of flowers and leaves in col- 
ored enamels and cut glass. There are elaborate floral borders of cut 
paste jewels set in silver, and a white enamel dial with pierced gilt 
hands and a pierced split second hand. Below the dial is an oblong 
panel of glass behind which is painted a landscape with movable ship in 
full sail. When the clock strikes, the mechanical movement is set in 
motion, the glass rods revolve, the ship sails across the sea, the elephant 
moves, and so forth. Movement with three independent actions, strik- 


ing the chimes and playing airs on twelve bells and striking on a sep- 
arate bell. 


Height, 43 inches. 


Eighth Session, Thursday Evening 


1696—SEVENTEENTH CENTURY German Tati Clock 
Plain mahogany case of later date. The dial exhibits a very rich deco- 
_ ration in chased gilt bronze. The numerals are painted on spade- 
shaped concave tablets of white enamel. Above the main dial are two 
rims of white enamel, one with the days of the month, the other with 
the names of six airs originally played by the clock. The decoration 
of the dial-plate consists of a center medallion of Adam and Eve in 
the Garden of Eden surrounded by animals, and subjects of the four 
Seasons in the spandrels. The smaller dials are occupied with pastoral 
figure subjects. Above is a large human eye in colored enamel which 
moves with each stroke of the pendulum. The hands are of pierced steel. 
Early bob pendulum movement. Strikes hours and quarters on two bells. 


Height, 78 inches. 


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NINTH SESSION 


FRIDAY AFTERNOON, MARCH 19, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2,00 o’cLOcK 


Which includes Catalogue Nos. 1697 to 1883 


1697—Two SixTreentH Century Iratian Masouica PHarmacy Pors 


Squat pear shaped. Decorated with lines of blue, red and white and 
with panels, one of which is lettered with the name of its former con- 
tents. 

Heights, 31%, inches. 


1698—Parr oF SEVENTEENTH CENTURY ITALIAN Masonica PHArmMaAcy Ports 


Circular bodies with circular rims, and feet. Decorated on a white 
ground with bands of acanthus leaf scrollings in blue and with name 


panels in white reserve. (One rim cracked.) 
Height, 61, inches. 


1699—TureEE SIXTEENTH CENTURY ALABASTER STATUETTES 


Figures of three Evangelists. Saint Mark, Saint Matthew and Saint 


John. On shaped bases. 
Height, 7, inches. 


1700—SEVENTEENTH CenturY Irauian Magsorica ALBARELLO 


Decorated on a grayish white ground with rough scrollings of blue 
and an oval panel with an escutcheon enclosing an armorial bearing 


of three roses entwined with a serpent. 
Height, 13 inches, 


1701—SEVENTEENTH CentTurRY Irarian Magsorica ALBARELLO 


Decorated, on a white ground, with acanthus leaf scrolls in blue and 


an oval panel of the head of a Roman Warrior. 
Height, 9 inches. 


Ninth Session, Friday Afternoon 


1702—SEVENTEENTH CEentTuRY Iratian Masorica ALBARELLO 


Decorated, on a grayish white ground, with acanthus leaf scrolls in 
green and yellow outlined in brown. 
Height, 9 inches. 


1703—SEVENTEENTH CENTURY ITALIAN Masouica ALBARELLO | 
Decorated, on a white ground, with a panel bordered by flowers and 
leaves and occupied with a painting in blue and yellow of Convent 
Buildings. | 


% 


Height, 10% inches. — 


1704—SEVENTEENTH CenTUuRY Iratian Magoxrica ALBARELLO 
Decorated, on a white ground, with acanthus leaf scrollings and with 
an oval panel on escutcheon containing an arm holding a branch of 


leaves and the initials V. I. 
Height, 10 inches. 


1705—SEVENTEENTH Century Iratian Magorica ALBARELLO | 
Pear shaped body. Decorated in blue and yellow with a female mask | 
and a medallion of a Cupid painted in blue, and with bands of guilloche 
bearing of two arms holding swords. _ Height, 9%, inches. 


1706—SEvENTEENTH CeEntTURY Iratian ‘Masorica VAsE 
Pear shaped body with double cylindrical neck and spreading rim. 
Decorated, on a white ground, with acanthus scrolls and flower forms 
in blue, green and yellow and with an oval panel enclosing an armorial 
and other patterns. Height, 104, inches. 


1707—SEVENTEENTH CentTuRY Iratian Masorica ALBARELLO 


Decorated, on a white ground, with acanthus scrollings in blue and 
an escutcheon surmounted by a helmet and a ducal coronet and en- 
closing a painting of a triumphal arch in blue and brown. 

Height, 9 inches. 


L7O08—SIxTEENTH CENTURY ITALIAN Mazotrica VASE 


Pear shaped, with four outstanding loop handles. Decorated, on a 
white ground, with paintings of birds and animals in brown and yellow 
and with scrolls and floral sprays in blue, yellow and purple. 


Height, 10 inches. 


Ninth Session, Friday Afternoon 


1709—SixTEENTH CeENTURY IratIAn Magotuica VASE 


Pear shaped body with double cylindrical neck. Decorated on a white 
ground with acanthus leaf scrollings in blue and green and with oval 
panels, two occupied with quatrefoil acanthus leaf scrolls, the other 


with the head of a Roman Warrior. 
Height, 101% inches. 


1710—SEvENTEENTH Century Iranian Masorica ALBARELLO 
Decorated with bands of a scroll pattern on a green ground and with 
an oval panel containing a portrait of a lawyer with blue robe on a 


yellow ground. 
Height, 101%, inches. 


1711—SEvENTEENTH Century Iravian Masozrica ALBARELLO 
Decorated with bands of acanthus leaf ornamentation in blue, and 
with an oval panel occupied with the figure of a Saint with halo and 


a palm branch. 
Height, 101%, inches. 


1712—Hispano-Moresaue Lustrerep Masorica Deer Disx 
The center is occupied with a quatrefoil pattern of pointed leaf forms 
and scrolls, and the border has a pattern of scroll leaf forms. All 


in very dark copper luster. 
Diameter, 13 inches. 


1713—-SEVENTEENTH CeEnTuRY ITatian Masorica PLaauE 
Cartel Durante. Painted with the subject of the Nativity with 
Shepherds. in adoration and Saint Joseph in the background. In wood 


frame. 
Height, 101%, inches; width, 7'/, inches. 


1714—SEVENTEENTH CenTURY ITALIAN Masorica ALBARELLO 


Decorated with a square panel enclosing the figure of a deer, trees and 


flower and leaf scrolls in blue outlined in brown. 
Height, 11% inches. 


1715—SEvENTEENTH CenTURY ITALIAN Masorica ALBARELLO 
Decorated, on a ground of blue, with bands of scroll pattern and with 
spade shaped panels of rudely penciled floral sprays. (Cracked.) 
Height, 111% inches. 


Ninth Session, Friday Afternoon 


1716—SEVENTEENTH CENTURY J]TALIAN Magsorica ALBARELLO 


Decorated, on a yellow ground, with a pattern of female masks sur-— 
rounded by scroll forms and by an oval scroll panel of a Roman Warrior 
in blue. On one side is an accidental splash of vari-colored glaze. 

H eight, 11 inches. 


L717—SEVENTEENTH CENTURY ITALIAN MagoricaA ALBARELLO 


Decorated with bands of a scrolled pattern in white and green on a a 
yellow ground, with bands of acanthus leaf diamond shaped medallions 


pattern and with an escutcheon occupied by a painting of ruins and — 


trees in blue with a background of yellow. 
Height, 11%, inches. 


1718-—Parr or SEVENTEENTH CENTURY JTALIAN MagonicaA ALBARELLI 


Decorated, on a white ground, with wreaths of leaves and flowers in 
green and yellow and with escutcheons of blue and white containing 


three roses and an intertwined serpent. 
Height, 11 inches. — 


1719—SEVENTEENTH CENTURY ITALIAN MagsgouricA ALBARELLO 


Decorated, on a yellow ground, with a-panel containing a cross and 


the emblems of the Passion. 
Height, 11% inches. 


1720—-SEVENTEENTH CENTURY ITALIAN MasoricaA ALBARELLO 


Decorated, on a yellow ground, with a panel of white reserve contain- 
ing a pierced heart enclosing a cross and surmounted by a crown of 


thorns. 
Height, 11 inches. 


1721—SEVENTEENTH CENTURY Iratian Masorica ALBARELLO 
Decorated, on a yellow ground, with bands of guilloche ornamentation 
and with oval panels of acanthus leaf decoration in blue and green 
outlined in brown and with the head of a man in helmet. 


Height, 11 inches. 


Ninth Session, Friday Afternoon 


1722—Ser or THREE SEVENTEENTH Century Iratian Masoxica ALBARELLI 
Decorated, on a white ground, with acanthus leaf scrolls and with 
oval panels containing, on a yellow ground, an escutcheon of white 
reserve with an armorial bearing of a rampant lion holding in his 


paws a heart pierced by an arrow. 
Height, 1114 inches. 


1723—SEVENTEENTH CENTURY IratiIAN Masoxica Borrie 
Decorated as to the upper portion with grotesque subjects and masks 
of gryphons in relief and as to the lower portion with small caryatid 
figures and with four mask loops for carrying purposes. 
: Height, 121% inches. 


1724—-SixTEENTH CrentTURY Hispano-Moresaue Luster Tazza 
Circular shape with radiating flutings on a circular foot. Decorated, 
in copper luster, with a circular medallion of the figure of a bird sur- 
rounded by a scrolled border. Slight repair. 
Height, 3 inches; diameter, 10 inches. 


1725—Pair oF SIxTEENTH CENTURY ITatian Scrarrito Magourica VasEs 
Pear shaped with high cylindrical necks. Decorated, on a green glazed 
ground, in cream colored glaze outlined with lines of brown, with 
subjects of Venus and Cupids and a ribbon label of similar sgraffito 


work manner inscribed with the date “1562.” 
Height, 24 inches. 


1726—Parr oF SEVENTEENTH Century ITatran Magsorica VAsEs 
Oviform shape. Decorated with patterns of acanthus leaf scrollings 
in yellow and green on a blue ground and with a vase of flowers and 


floral sprays in purple and white reserve. 
Height, 13 inches. 


1727—SEVENTEENTH CenTurY Iranian Magorica PLAQUE 
Painted in monochrome with a subject of “Christ Healing the Sick.” 
Height, 13 inches; width, 2314 inches. 


Ninth Session, Friday Afternoon 


1728—SixTEENTH CenTURY VENETIAN MAgouica STATUETTE - 
3 Figure of a Faun with Cupid at his side seated, with his pipes in his 
hand, under a tree. The base is decorated with raised and painted 
leaves in green, yellow and brown. Signed with the initial R. and a_ 


conjoined V. E., and dated “1575.” 
Height, 15 inches. 


1729—SIxTEENTH CENTURY VENETIAN Masouica STATUETTE o 
Winged figure of Time seated under a tree, the trunk of which he — 
clasps with one hand, and supporting, between his knees, a Scythe 
and Hour Glass. The base, with raised flowers, is painted in yellow, 
blue, brown and green glazes. Signed at the back with the initial — 
R. and a conjoined V. E. (for Venice) and dated “1551.” — 

Height, 15 inches. 


1730—-SEVENTEENTH CrEnTURY Hispano-MoreseurE Deer DisH 


Circular shape with raised center. Decorated with radiating bands 
of gold scrollings on a copper luster ground and with a pattern of 
semi-roundels of copper luster. The raised center is occupied with 
a pointed leaf medallion. The exterior is decorated with lines and 


scrollings in copper luster. | 
Diameter, 151% inches. 


1731—Oxup Persian Watt TILE 
Rectangular shape. Decorated in relief with figures of a Prince on 
horseback, riding through a wood and meeting a dancing girl from 
whom an aged female has just withdrawn a mantle so as to uncover her 
nakedness. Molded border of scrolled leaves and floral medallions 
painted in blue, brown and green glazings. 
Height, 154, inches; width, 201%, inches. 


1732—SIXTEENTH CENTURY ITALIAN Magsonica PLAQUE 


The Nativity with the Virgin and Saint Joseph adoring the Infant 
Christ. In the ‘background are shepherds, one of them playing a 
pipe. All in low relief and decorated with colored glazings. 


Height, 9% inches; width, 7%, inches. 


Ninth Session, Friday Afternoon 


17383—SIxTEENTH CeENTURY ITALIAN Magsorica Deer Disu 


Decorated, in blue and yellow, with a design of Amorini, and with a 


border of scrollings and flower forms. 
Diameter, 13 inches. 


1734— SEVENTEENTH CentTuRY ITALIAN Masorica PLAQue 
Painted with the subject of Adam and Eve in the garden. 
Diameter, 9 inches. 


NOTE: This plaque probably formed a portion of a wall decoration. 


1735—SEVENTEENTH CENTURY RHopDIAN PLATE 


Circular with flat rim. The center occupied with curved and straight 
sprays of carnation and pimpernel flowers. The rim decorated with 
a pattern of carnation flowers and serrated leaves. All in colors and 


colored enamels outlined in brown. 
Diameter, 10 inches. 


1736—O.p Ruopian Pate 
Decorated with a pattern of conventional flowers and leaves in green, 
blue and brown. The border with a pattern of leaf forms and cinque- 


foils in blue and green. 
Diameter, 10°, inches. 


1737—Outp Ruovran Deer PLate 
Decorated with a medallion bordered with floral sprays of white reserve 
on a red ground and with branches of hyacinths in blue and cinquefoil 
blossoms in red. The border with tulip blossoms in red and cinque- 


foil flowers in blue. 
Diameter, 101% inches. 


1788—Oxup Ruopian PLATE 
Decorated, on a white ground, with a pattern of tulip and carnation 
blossoms and leaves and with a pointed serrated leaf. Bordered with 


a pattern of scrollings and leaf forms. (Cracked.) 
Diameter, 1184 inches. 


1739—SEVENTEENTH CENTURY SPANISH Masoxuica ALBARELLO 
Decorated, in blue on a white ground, with an armorial shield of the 


Castilian Coat of Arms, surmounted by a royal crown. : 
Height, 101% inches. 


Ninth Session, Friday Afternoon 


1740—-Gris DE CoLocnE TANKARD 
Pear shaped body, of salt glazed gray stone-ware. Decorated with — 


an incised and raised pattern of flowers, leaves and scrolls. Loop — 


handle. Mounted with a hinged pewter cover. Pewter maker’s initials — 


Oe Gre 


914, inches. a 


1741—EI1cHTreentuH Century Bavarian STONE-wAaRE PITCHER 
Pear shaped body with loop handle. Glazed in mottled brown on a 


gray ground. Mounted with silver rim. | 
Height, 8 inches. 


1742—O_Lp FutHam Sart Guazep Mue 
Cylindrical body with loop handle. Decorated in relief with an English 


fox hunt with dogs chasing the fox, and mounted hunters, and glazed 


in brown and gray. Mounted with silver rim with an engraved crest. 
Birmingham Hall Mark. 


1743—EIGHTEENTH CENTURY PeTIT Point CHarR SEAT 
Embroidered in petit point with Chinese figure subjects and scrolls. 
Height, 26 inches; width, 27 inches. 


1744—EIGHTEENTH Century Petir Point Cuarr SEAT 
Embroidered in petit point with a subject of a mythological bird and 


scrollings. | 
Height, 31 inches; width, 28 inches. 


1745—Cuartes IL Petir Point Pane 
Embroidered in petit point with a subject of a Shepherd, Sheep and 
Dog surrounded by sprays of flowers and leaves. 
Height, 17 inches; width, 18 inches. 


1746—EIGHTEENTH CENTURY OvaL Petit Point PANEL 
Embroidered in petit point with a figure subject of dancers on a blue 
ground. 


Height, 5%, inches. ‘ ; 


Ninth Session, Friday Afternoon 


1747—EIGcHTEENTH CeEentTurRY Perit Point ScrEEN PANEL 


Embroidered in petit point with a large panel bordered with scrollings 
and occupied by figure subjects. 
Height, 32 inches; width, 23 inches. 


s 


1748—EieHTeentH Century Petit Potnr Pane 
Chair seat embroidered in petit point with a scrolled panel occupied 
_ by a bird and trees and bordered by scrollings of sprays of flowers. 
Height, 32 inches; width, 24 inches. 


1749—Eienreenta Century Perrr Pow Paner 
‘Chair seat embroidered in petit point with a design of a mythological 
bird, animal and sprays of flowers. 
24 inches square. 


1750—SIxTEENTH CENTURY ITALIAN Strip OF EMBROIDERY 


Of dark crimson velvet with an appliqué and embroidered pattern 
of strap work, acanthus scrollings and a vase of flowers, in yellow, 
green and blue silks, outlined in white cord. 

Length, 79 inches; width, 12 inches. 


1751—E1c¢HTEENTH CentTURY Petir Point Pane. 
Embroidered in petit point with a quatrefoil shaped panel surrounded 
by a floral border and occupied by exotic birds and branches of flowers. 


Height, 26 inches; width, 29 inches. 


1752—EIcHTEENTH CEentTurRY Petit Point PANEL 
Embroidered in petit point with a scrolled escutcheon occupied by 
trees, flowers, birds and dogs, and surrounded by scrollings and flowers. 


Height, 32 inches; width, 29 inches. 


1753—SEVENTEENTH CENTURY PANEL OF TAPESTRY 
Oval shape with an acanthus scroll border and occupied with a subject 
of Christ and four Disciples. 
Height, 24 inches; width, 33 inches. 
1754—SEvENTEENTH CenTURY EnecutsH Petir Point Picture 
Subject of the Nativity and the Adoration of the Three Magi. Worked 
in a very fine stitch with colored silks on a linen ground. 


Height, 26 inches; length, 191 inches. 


Ninth Session, Friday Afternoon 


Ser oF Four ExuizaBETrHAN NEEDLE Work PANELS 


1755 


Subject of the Four Seasons. Symbolic figures embroidered in long 
stitch with landscapes and figure background. 


11 inches square. 


1756—Set or SEVENTEENTH CENTURY ENGLISH CREwEL Work Brp Hane- 
INGS 

Embroidered in a design of floral scrolls and leaves in colored crewels 
on a ground of white linen, with a contemporary hand-made tasselled 
fringe of linen. The set consists of a pair of Curtains 91 inches high and 
86 inches wide, a Bed Flounce 14 feet long, two Bed Post Curtains 
30 inches high and 37 inches wide, three Flounces 72 inches high and 
62 inches wide, and a linen Under Flounce with needle work fringe 
8 yards long. 


Ninth Session, Friday Afternoon 


1757—Parr or EigHTEENtTH Century Perit Pornt Panes 
Embroidered in petit point, on a black ground, with flawers, leaves, 
butterflies, scrolls, long tailed birds and mythological animals, and 
bordered with a twisted ribbon design in blue and rose color. 


Height, 72 inches; width, 29 inches. 


1758—Georcian Perir Point ScrEEN PANEL 


Embroidered in petit point with a subject of sportsman in eighteenth 
century costume crossing a bridge on horseback. - Background of trees. 


Height, 35 inches; width, 29 inches. 


1759—SrixTEENtTH CenturY FrencH NEtEpDLE Work PIcTuRE 


Subject of a young girl with basket of flowers. 


Ninth Session, Friday Afternoon 


1760—Parr or SEVENTEENTH CENTURY ITALIAN FiintLock PisToLis 


Long barreled pistols, mounted in chased and engraved steel. Butts 
with lion head masks. Signed by the maker: “G. Massini.” 


1761_—Pair or SEVENTEENTH CeEentTuRY Travian Furmtriock Pistors 


Mounted in chased and engraved steel with decorated triggers and locks. 
The butts with chased borders. Signed by the maker: “‘Georgio Azzi, 
Bologna” and stamped with the name of the owner “Lazaro Lazarino.” 


1762—EIGHTEENTH CENTURY FRENCH TELESCOPE 


Tortoise-shell case, inlaid with silver in a pattern of fine scrollings, in- 
terlacements and crescents. The four sections are rimmed with silver 
and covered in old paper with a pattern of floral sprays and crescents. 


Length when closed, 111% inches. 
1763—-O.Lp Frencuo JEWEL Box 


Of rosewood inlaid in burr chestnut, with strappings having fleur-de- 
lys terminations and fleur-de-lys lock escutcheon of gilt bronze. The 
box is fitted with a fall down front which gives access to two small 
drawers above which are secret compartments. The interior is lined 
with rosewood. 

Height, 9 inches; length, 15 inches; depth, 8%, inches. 


1768A—Frencuo Recency Goup anp Gitt Box 


Square shape with rounded corners, of black enamel with piqué inlay 
in gold of Chinoiserie subjects of Chinese landscapes, a Seaport with 
ships and boats, surrounded by borders of rococo scrollings of grapes 
and vine leaves. Lined with old crimson velvet. | 


Height, 51% inches; length, 6%, inches; depth, 5%, inches. 


1764—-Grorcian Wart CHANDELIER 


Of wood painted and gilt. Formed as the figure of an eagle with out- 
stretched wings standing upon a rocky base which is supported by 
a semi-circular bracket. From the eagle’s beak depends the chandelier 
which consists of a wrought iron ring with carved and gilt flowers and 
leaves of wood, suspended from a wooden tassel by three twisted rods. 
The eagle is painted dark green, the remainder is gilt. In absolutely 
original condition. Height, 3 feet 2 inches. 


Ninth Session, Friday Afternoon 


1765—Ser or Four Georcian Gitt Carvep Woop Sroo.ts 


Formed as capitals of Ionic columns with bold volutes and egg and 
dart moldings. Upholstered in silk brocade. 


1766—Pair or Girt Apam TorcHEREs | 
Of the Adam period and style. Formed as caryatid classically draped 
female figures supporting on their heads fluted and molded lamp 
stands. On circular molded bases supported by three scrolled acanthus 


leaf and claw feet. In original condition. 
Height, 48 inches. 


1767—Pair oF o~tp Frencn Lamp StTanps 


Of carved and gilded wood. Formed as figures of Amorini on elabo- 
rately carved circular acanthus leaf bases, carrying on their heads cir- 


cular lamp stands. 
Height, 3 feet. 


1768—-Parr or SEVENTEENTH. Century Irarian Haneine Pricker Canpie- 
STICKS 
Of carved and painted wood. Formed as figures of Amorini holding 
cornucopie which support candle prickets. The figures painted in 
natural colors’ with gilt draperies and cornucopie. 
Height, 1 foot 3 inches. 


1769—Georcian Carvep Woop BrAckEetT 


Formed as the figure of an eagle with outspread wings with boldly 


scrolled acanthus leaf terminations. 
Height, 26 inches. 


1770—Sueraton Writine Tasie 
Of the period and in the manner of Sheraton. Of rosewood inlaid with 
bands of satinwood. ‘Tapering carved legs. The top, with hinged 
fall side wings, is divided into two drawers, the upper one fitted with 
hinged desk lid and drawout compartment for writing accessories. 
Height, 31%, inches; length, 40 inches; breadth, 19 inches. 


1771—Oup Encuish SHERATON TEA Cappy 
Rectangular shape with canopied lid. Of mahogany inlaid with bands 
of ebony and satinwood. Refitted with removable tray for cigarettes. 
Height, 6%, inches; length, 101% inches; depth, 5 inches. 


Ninth Session, Friday Afternoon 


1772—Ox.p Encutsu Lapy’s Worx Box 
Satinwood inlaid with bands of boxwood and ebony. Inside is a 


removable tray fitted with sewing implements having handles of carved | 4 


mother of pearl. 
Height, 4 inches; length, 71 inches. 


17738—-SHERATON Satinwoop Work Box 


Of wood inlaid with oval medallions of eee and borders i a 
checkered pattern. The top is decorated with an octagonal panel of 


satinwood painted with the subject of a “‘Nymph and Cupids” in the © - 
Angelica Kaufmann manner. Fitted with secret drawer. Interior lined — 


with blue velvet of a later date. 
Height, 6 inches; length, 12 inches; depth, 10 inches. 


1774—Prarwoop Tra Cappy 


Decorated with bands of satinwood inlay. Interior fitted with two tea 


caddies of amboyna wood bordered with lines of satinwood inlay, and 
with glass sugar bowl in central compartment. 
Height, 61%, inches; length, 12 inches; depth, 61, inches. 


1775-—Grorcian Prearwoop Tra Cappy 


Rectangular shape. Decorated with borders of zig-zag pattern and 
bands of colored wood inlays with an inlaid lock escutcheon of colored 
wood. ‘The interior is fitted with two tea caddies, the lids inlaid with 
amboyna wood and with a central compartment for the sucrier. Con- 


temporary Sheffield plated handle. 
Height, 6 inches; length 1134 inches; depth, 6 inches. 


1776-—GEORGIAN ToRrTOIsE-SHELL TEA Cappy 


Octagonal shape with inlaid lines of ivory, ivory rims and panels of 
tortoise-shell. Silver finial and swing handle and ivory inlaid lock 


escutcheon. 
Height, 51% inches. 


1777—Oup Encuisny Laceuvrr Writinc Desk 


Decorated on a black ground with raised and gilt lacquered designs in 
lacquer of Chinese figure subjects, landscapes and peony blossoms. 


Fitted inside for writing purposes. 
Height, 41% inches; length, 12 inches. 


AS 


Ninth Session, Friday Afternoon 


1778—Georcian Manocany Tra Cappy 
Of mahogany inlaid with bands of tulip wood. Rectangular shape 
with domed lid. Fitted inside with two lead-lined tea caddies with 
oval hinged lids and receptacle for sugar bowl. 
Height, 7 inches; length, 12 inches; depth, 51% inches. 


1779—Oxup Georcian Dressinc Box 
Mahogany inlaid with ebony. Hinged lid fitted with fall down cover 
and mirror. ‘The interior of the box divided into lead-lined compart- 
ments fitted with old-cut glass perfume bottles with plated tops. Brass 
swinging handles. 
Height, 4°/, inches; length, 12 inches; depth, 10 inches. 


1779 A—SIXTEENTH CENTURY AMBER JEWEL Box 
Square wooden box with hinged canopy lid, ball finials, molded base 
and four molded and bracketed feet. Entirely covered with panels 
of clouded Sicilian amber and medallions of clear amber over plates 
of metal engraved with figure subjects. 


Height, 11 inches; length, 9 inches; depth, 7, inches. 


1780—EIcHTEENTH CentTurY EneuisH Straw-work Box 
Fitted with outside drawer, the interior with compartments and a center 
well. Decorated both inside and out with a design of English seaports 
and towns, and with a border of diamond shaped panels all in colored 


straw work. 
Height, 41%, inches; length, 101% inches; depth, 634 inches. 


1781—Geroreian Eneuisu Trea Cappy 
Octagonal shape, inlaid with lines of silver and bands of tortoise- 
shell. Silver finial-and swing loop handle and inlaid ebony box escutch- 


eon. 
Height, 5% inches; length, 51% inches; depth, 4 inches. 


1782—EIicHTEENTH CrEenTURY FRENCH BovuLEe Box 
Of tortoise-shell and brass inlaid in the Boule manner and mounted in 
ormolu and resting on four scroll ormolu feet. Hinged lid and front 
hinged in two portions. 
Height, 5 inches; length, 191, inches; depth, 13 inches. 


Ninth Session, Friday Afternoon 


1782A—TuHe Mary Sruarr Lace Box 
Circular shape with top and bottom of medlar wood and sides of horn. 
The top is decorated with a chip carving in a very elaborate pattern 
of looped and interlaced bands of a cord design, geometrical and fan 
shaped figures and raised roundels. ‘The horn sides have applied 


bands of horn pierced in a pattern of interlacements and studded with 


brass headed nails. 
Height, 3 inches; diameter, 81/, inches. 


NOTE: This box according to well established tradition belonged to Mary Queen of Scots 
and was acquired from Holyrood Castle in the eighteenth century by a member of the 
Stewart family of Rawcliffe Lodge, near Glasgow. 


1783—-SEVENTEENTH CENTURY ITALIAN Lace Box 
Of ebony, inlaid with tortoise-shell, ivory and mother of pearl in a 
geometrical design and with raised oval bosses of tortoise-shell at the 
sides and front and a raised rosette of tortoise-shell in the center of 
the lid. On four turned feet. | 
Height, 91/4 inches; length, 24 inches; depth, 181% inches. 


1784—Gerorcian Encuish Tra Cappy 
Coffer shaped on four ormolu acanthus and claw feet, with domed lid, 
spherical ormolu finial and swing ring handle. Interior fitted with 
two tea caddies with lids of tortoise-shell and a center compartment 
fitted with original cut glass sucrier. Lined with crimson velvet. 
Height, 81, inches; length, 111% inches; depth, 514 inches. 


1785—E1cHTEENTH CEentTURY ITatian Box 
Square shape with hinged lid. Decorated with bands of quilled mold- 
ings and with panels and borders of tortoise-shell inlaid in a scroll 
and floral pattern with engraved mother of pearl. Pierced steel lock 
escutcheon and shaped strap hinges. The inside is inlaid in a geo- 
metrical pattern with wood and ivory and fitted with compartments. 
Height, 6 inches; length, 1514 inches; depth, 14 inches. 


1786—E1cHTEENTH CENTURY EnceiisH Work Box 
Enameled in white with a border in black and white; the lid with a 
sepia painting of “Nymph Sacrificing to Cupid.” Fitted with a drawer 
and the interior with boxes for sewing necessaries. Has the monogram 
“EK. C. P.” (E. Chandos Pole) surmounted by a Earl’s Coronet. 
Height, 6 inches; length, 11 inches; depth, 8 inches. 


Ninth Session, Friday Afternoon 


1787—Gerorcian Liqueur Case 
Of mahogany inlaid with etched satinwood, in a design of festoons of 
drapery and an ornamental basket. Fitted inside with an exceptional 
set of liqueur bottles of contemporary cut glass decorated with floral 
sprays and borders in gold. 


Height, 111%, inches; length, 1014 inches; depth, 101%, inches. 


1788--GrorciaAn Satrnwoop Wririne Desk 
Rectangular shape, of satinwood inlaid with bands of ebony and box- 
wood in a diapered pattern. The lid is inlaid with an octagonal panel 
of a painting in the style of Angelica Kaufmann. The interior is fitted 
with a hinged writing flap and a compartment for writing materials. 
Height, 434 inches; length, 131, inches; depth, 11 inches. 


1789—Oup SEVENTEENTH CENTURY SPANISH TORTOISE-SHELL CABINET 
Square form with three drawers, on four turned feet. Covered with 
plates of tortoise-shell studded with silver round headed nails. With 
ring handles, and circular escutcheon of silver. 
Height, 9 inches; length, 11 inches; depth, 81 inches. 


1790—-Groreian Satinwoop Writine Desk 
Square shape with sloping lid of satinwood. The lid is inlaid with a 
border of tulip wood having an inlaid ornamentation of husk pattern 
and with a panel of pearwood, in the center of which is a circular 
medallion containing a painting of a rural subject in the manner of 
Wheatley. The interior is divided into compartments. 
Height, 4 inches; length, 131, inches; depth, 11% inches. 


1791—QuEEN AnNE TEA Cappy 
Of tortoise-shell with lines of inlaid silver, rims of ivory, silver name 
plate and lock escutcheon, brass lion’s head ring handles and claw feet. 
Fitted with two tea caddies with tortoise-shell lids and original cut 


glass sugar bowl. 
Height, 61% inches; length, 1142 inches; depth, 5% inches. 


1792—Earty Grorcian Satinwoop Box 
Inlaid with bands of mahogany at the angles and with lines of colored 
boxwood. The lid has an inlaid design of musical trophies, laurel leaves 
and flowers and knotted ribbons in colored woods. 
Height, 91, inches; length, 18 inches; depth, 11 inches. 


Ninth Session, Friday Afternoon 


1793—EieHrEentH Century Encuisnh Arm Cuair 
Mahogany frame carved in the style of Louis XIV with cabriole 
legs, turned front and side rails and stretcher. Open-work back carved 
in rococo scrolls and shells with scrolled splats. Curved arms on turned 
baluster supports. Upholstered seat. 


1794—Oup EnewisH Sipe Tasre 
Of carved and gilt wood. Semi-oval shape with tapering columnar legs 
with acanthus leaf ornamentation, carved cylindrical feet, curved 
stretchers and apron carved in a pattern of intertwined ribbons and 
floral wreaths. The top is painted, the rest entirely gilt. 
From Lord Grosvenor’s Collection. 
Height, 2 feet 10 inches; length, 4 feet 11 inches. 


Ninth Session, Friday Afternoon 


1795—Grorcian Manocany Precrvust Tre Taste 


Tripod stand of tapering legs with spreading feet and turned baluster 
shaped pedestal. Piecrust top with molded rim. 


Height, 28 inches; diameter, 221/, inches. 


1796—Earty Grorcian QuEEN ANNE CHAIR 
Mahogany frame, with cabriole legs, Dutch feet, shaped front, and 
back with curved and scrolled sides and wide urn shaped splat. Shaped 
and removable upholstered seat. 


1797—Ouip Manocany Carved ann Gintr CHipPpENDALE Mirror 
Of the period and in the manner of Chippendale. Upright oblong shape 
in the form of a mural tablet with shaped and carved side wings and 
carved and gilt pendants of fruits, flowers and leaves, shaped and 
carved apron, scrolled, carved and pierced top surmounted by Prince 
of Wales’ feathers and gilt acanthus scrolled volutes. In original con- 


dition with beveled mirror. 
Height, 43 inches. 


1798—-Pair or CHIppENDALE Mrrrors 
Of the period and in the manner of Chippendale. Carved and gilt 
wood frames of a rococo openwork pattern of shells, scrollings and 
flowers and with two twisted branches of leaves supporting gilt metal 


candle sockets shaped as acanthus leaves. 
Height, 42 inches. 


1799—Pair or Apam Pore Firr-scrEeEns 
Of the period and in the style of the Brothers Adam. Tripod stand on 
acorn feet. Decorated in black japan and gilt. The screens contain 


panels of painted velvet. 
Height, 5 feet. 


1800—CHIPPENDALE SQUARE SCREEN 
Molded mahogany frame on two turned supports, with shaped feet, 
and turned stretcher rail. The screen is divided into two portions. 
One occupied with a band of key pattern fret work and the other with 


a panel of needle work of flowers on a black ground. 
Height, 3 feet 6 inches. 


Ninth Session, Friday Afternoon 


1801—Set or Five CHIpPpENDALE GoTHiIc CHAIRS 4 
Of the period and in the manner of Chippendale. Straight clustered 4 
column legs outcurving at the feet. Seat rail with trefoiled shaped 4 
apron. Backs of unusual design of a broad molded band interlaced to — 
form trefoiled opening and a lower arched opening, and having at the 
sides voluted and acanthus leaf scrolls. Turned side rails and stretcher. 
Removable seats upholstered in old English needlework. 


1802—CHIPPENDALE Manocany PoLe SCREEN 3 
Of the period and in the manner of Chippendale. Columnar central _ 
pedestal and tripod legs with Dutch feet. Square screen frame of 
mahogany containing a panel of a vase of flowers and leaves, on a red 
ground in contemporary needlework. 

Height, 4 feet 8 inches. — 


1803—CuIrPENDALE Manocany PoLe SCREEN 
Of the period and in the manner of Chippendale. Tripod legs on Dutch 
feet, the pole surmounted by an ormolu eagle with outstretched wings. 
Square screen framed with a plain mahogany molding, enclosing a 


panel of old English needlework. 
Height, 5 feet 7 inches. 


1804—EicHTEENTH CentTuRY PortrucuEsE Writing CABINET 
Decorated with bands of ivory engraved in a pattern of flowers and 
scrollings, and enclosing oblong inlaid panels of tortoise-shell. In- 
terior fitted with drawers and pigeon-holes; on a straight square- 


legged stand. : 
Height, 381/, inches; length, 2234 inches; width, 11 inches. - 


1805—SnHeERATON Manocany CELLARETTE | 
Square shape with rounded top standing on four tapering legs. Deco- 
rated with bands of satinwood inlay and inlaid shells at the angles. 
Swing loop handles of brass. 
Height, 2434 inches. 


Ninth Session, Friday Afternoon 


1806—Pair or SHERATON Arm CnHairs 
Probably made by Sheraton for the Adam Brothers. Oval backs carved 
with a delicate guilloche pattern. Shaped and molded arms with carved 
floral medallions. Straight legs with spreading feet, and panels of 
guilloche pattern carving. Upholstered backs and seats. 


1807—Oxp GerorciaAn Convex Mirror 
Carved and gilt wood. Octagonal frame surmounted by an eagle with 
outstretched wings and with bold acanthus leaf scrollings. 


Height, 3 feet 4 inches; diameter of mirror, 1 foot 24, inches. 


1808—-SHERATon Writine TaBLe 
Of satinwood inlaid with bands of kingwood. Square shape with square 
tapering legs and shaped under shelf with molded rail. Upper portion 
with a long drawer fitted inside with a writing desk, and with a remov- 
able nest of three drawers with high shaped sides and rectangular bale 
handle. Original brass handles, and ivory knobs to drawers. 
Height, 43 inches; width, 19 inches. 


1809—Sneraton Work Tassie 
Of the period and in the manner of Sheraton. Of kingwood inlaid 
with lines of satinwood. Tapering legs with straight stretchers and 
octagonal top of geometrical parquetry inlay of vari-colored woods. 
The top is hinged and the interior fitted with a removable tray divided 


into compartments. 
Height, 29 inches. 


1810—QuvuerEN ANNE GILT STOOL 
On cabriole legs elaborately carved with masks, scrollings and quatre- 
foil rosettes, and shaped feet enriched with acanthus leaf carvings. 
Upholstered top studded with brass headed nails. Original condition 


and gilding. 
@ e Height, 2 feet 1%, inches; length, 1 foot 101% inches. 


Ninth Session, Friday Afternoon 


1811—Ser or Six oup Encusu Manocany Hat. Carrs 


Cabriole legs ending in voluted feet. Solid mahogany shaped seats. 
Escutcheon shaped backs with voluted scrolls ending in carved acanthus 


leaf. 


1812—Earuy Groreran Manocany Carp TABLE 


Cabriole legs with spreading Dutch feet and boldly carved shells at the 
knees. Shaped top with three hinged leaves so arranged as to form 
either a plain or a card table top. The card table top is lined with 
green baize and has sunken saucers for counters and circular wells 
for glasses. 

Height, 29, inches; length, 34 inches; breadth, 161/ inches. 


Ninth Session, Friday Afternoon 


1813—Gerorcian Manocany Winer Coouer 


Octagonal shape, on stand with four fluted tapering legs with spade 
feet. Swinging loop handle of brass. Original lead lining. 
Height, 29%, inches. 


1814—EicHreentu Century Miniature Escrirorer Booxk-case 
Mahogany inlaid with bands of hairwood. Bow shaped front with two 
long drawers. The interior is fitted with drawers and pigeon holes, 
and with a mirror-lined compartment flanked by Corinthian pilasters. 
The upper portion is formed as a book-case with two hinged doors 
paneled with mirrors. Original ormolu ring handles and lock escutch- 


eons. 
, Height, 43 inches; length, 24 inches; depth, 13 inches. 


1815—-QuEEN ANNE WatLnuT CABINET AND STAND 

Shaped front. Cabinet in two portions with the lower portion divided 
into three drawers and the upper into eight small drawers and cupboard, 
with hinged door, the interior of which is fitted with three drawers and 
a shaped shelf. The fronts of drawers and hinged door are of finely 
grained burr walnut bordered with bands of herring bone inlay. The 
sides are of burr walnut paneled with bands of herring bone inlay. 
The stand is on four cabriole legs with spreading feet. 

Height, 3 feet 8% inches; length, 1 foot 81, inches; depth, 1 foot. 


1816—Parr oF CHIPPENDALE KnirE URNS 
Pear-shaped bodies with cylindrical stems, circular feet, pinnacle covers 
and carved pineapple finials. Decorated with two horizontal bands of 


brass and with lion’s head and ring handles of brass. 
Height, 30 inches. 


1817—SEVENTEENTH CenturY PorrucuEsE LEATHER CHAIR 
Walnut frame. Turned legs with Spanish feet. Broad front rail 
pierced and carved in a pattern of twisted scrollings, turned side rails, 
and shaped back covered in leather stamped in a Renaissance design 
of Amorini and vases of flowers. Studded with large round brass 


headed nails. 


Ninth Session, Friday Afternoon 


1818—SHERATON SmEBOARD 
Of mahogany inlaid with lines of satinwood and bands of tulipwood. 
Serpentine front, straight tapering legs with spreading feet and with 
turned wooden knobs to the drawers. The center drawer is fitted 
with a green baize covered writing slab and with compartments for 


stationery. 
Height, 31 inches; length, 431, inches; depth, 22 inches. 


1819—CHIPPENDALE ManwoGany Carp TABLE 


Straight molded legs and plain apron with carved oval medallions at 
the sides. Shaped top with rim carved in an egg and dart pattern. 
Top covered with old green baize. | 


Height, 29 inches; length, 32% inches; width, 311, inches. 


1820—Earty GrorciAn Manocany KNEE-HOLE DEsk | 


Mahogany with moldings carved in an egg and dart pattern. On shaped 
bracket feet with a rectangular knee-hole opening and divided into 
one long drawer, eight smaller drawers and a cupboard with hinged 
and paneled door. Original brass swinging loop handles with shaped 
back-plates and shaped lock escutcheon. 


Height, 2 feet 6 inches; length, 2 feet 7 inches; Ppt. 1 foot 6 inches. — 


1821—Pair or GerorGIAN SATINWooD FirE SCREENS 


On tripod bases. Satinwood poles with turned finials supporting octag- 
onal glazed screens framed in satinwood, containing old English needle 


work pictures of figure subjects and landscapes. 
Height. 5 feet, 1 inch. 


1822—CHIPPENDALE GoTHic PAINTED MAHoGANy SIDE TABLE 


Shaped top. The apron decorated with a fretwork ornamentation, 
the legs of four clustered turned pillars on square bases, are painted 
in white enamel and gold. The top, with an ormolu rim, is painted to — 
represent inlaid borders of kingwood on a ground of alternate green 
and white stripes. In the center is an oval panel of a painted figure 
subject. From the Collection of Captain A. C. Leslie, Slindon House, 
Sussex. 

Height, 30 inches; length, 30 inches; width, 171% inches. 


NOTE: This seems to have originally been a mahogany table, but painted during the 
latter portion of the 18th Century in the egress style made popular by the Adam 
Brothers. 


Ninth Session, Friday Afternoon 


1823—Pair or Herpretwuirrt Manocany Poue ScREENS 


Fluted tripod stands with block feet, urn- 
shaped pedestals carved with acanthus 
leaves, poles with acorn finials, and oval 
screens framed in mahogany with inlaid 
satinwood edges. The screens are occupied 
with old English needlework pictures, on 
white satin, of “Stella” and “The Tune- 
ful Swain.” 


From Lady Menzies’ Collection. 


Height, 56 inches. 


1824—Oup Encuisu Paintep Sine TABLE 


Of the period and in the style of the Adam 
Brothers. Fluted columnar legs with 
carved feet supporting an oblong base or- 
namented with carved oval pointed leaf 
medallions. Apron front of metal between 
two bands of wood, carved with a husk and 
bead and acanthus leaf ornamentation, 
painted, on a lemon colored ground, with 
festoons of husk pattern and oval acanthus 
leaf medallions. Top painted in pale 
green with a broad band of festoons of 
‘flowers naturalistically painted on a dark 
gray ground, and with a painted shell and 
semi-medallions in the center. 


Height, 2 feet 6 inches; length, 4 feet 3%, 
inches; depth, 1 foot 7 inches. 


. NOTE: A portion of the back of this table has been re- 
moved at some time evidently to make it fit in some 
No. 1823 particular recess. 


1825—Pair or CuippenpALeE Manocany Arm CuHairs 
Cabriole legs with scrolled and voluted feet and knees carved with voluted 
and acanthus scrolls, flowers and leaves. The fronts of seats are carved 
in a pattern of shells, acanthus leaves and rock forms. Straight arms 
with voluted brackets enriched with carvings of acanthus leaves and 
high backs. The backs, seats and arms are upholstered in leather. 
Original brass casters. (Illustrated) 


Ninth Session, Friday Afternoon 


1826—CHIPPENDALE Manocany ARM CHAIR 
Cabriole legs with scrolled and voluted feet and knees carved with 
voluted and acanthus scrolls, flowers and leaves.. The fronts of seat 
are carved in a pattern of shells, acanthus leaves and rock forms. 
Straight arms with voluted brackets enriched with carvings of acanthus 
leaves, and high back. The back, seat and arms are upholstered in 


leather. (Illustrated ) 


1827—CHIPPENDALE MAHOGANY SCREEN : 
Made in three divisions. The lower portions paneled, the upper occupied 
with panels of carved open-work rococo scrollings, flowers and leaves. 
In the center is a Mercury head and Caduceus flanked by a kneeling 
Camel with bales of merchandise and a Sea-horse carrying shells upon 
its back. Height, 5 feet 2 inches; length, 7 feet 9 inches. 


NOTE: This screen, probably made by Chippendale himself, evidently formed part of the 
decoration of a Physician’s house. 


1828—SEVENTEENTH CENTURY ITALIAN Box 


Of tortoise-shell and ebony inlaid with ivory. The lid and sides are 
decorated with circular and oval medallions of tortoise-shell. The top 
of the lid with an inlaid pattern in ivory. Hinged lid. Interior fitted : 
with compartments. Height, 534 inches; length, 15 inches; depth, 14 inches. — 2 


1829—Grorcian Manocany Birp Cace 


Octagonal shape. The angles are fitted with upright panels of colored 
glass, the domed top is of wire-work with a turned mahogany finial, — 
the top and sides are of wire. Height, 211% inches. 


1830—QuvurEEN ANNE Marevuetry Watnut CaBINET AND STAND 


Rectangular shaped front, molded cornice and frieze, inlaid with panels 
of floral scrolls and birds. Enclosed by two hinged doors with raised 
octagonal panels, filled with an inlay of colored woods in a design of 
a basket of flowers under a canopy, and surrounded by a broad border 
inlaid with burr walnut and marquetry and by an outer border of | 
satyr masks and acanthus leaf scrollings. The interior is divided into 
twelve drawers and a center compartment having thirteen drawers 
with inlaid fronts and an arched recess lined with mirrors and paneled 
in inlaid woods. The stand is supported on seven Ionic columns with 
spiral bands of inlay and is fitted with three drawers. The base, 
inlaid with burr walnut, stands on eight cushion feet. 


Go8I “ON 928I “ON Gé8I “ON 


Ninth Session, Friday Afternoon 


1831—Patr or Georcian Satinwoop Fire ScREENS 


On tripod bases. Satinwood poles with turned finials. Octagonal glazed 4 
screens framed in satinwood and containing old English needlework 


pictures of figure subjects and landscapes. 
Height, 5 feet 1 inch. 
1832—O.p SpanisH Box 


Of finely grained walnut with gilt metal mountings of floriated straps, — . 


shaped lock escutcheons and swing loop handles. Spring lock fall-down ~ q 
front. Interior fitted with two drawers. Lid fitted with secret com- 


partment. . 
Height, 9 inches; length, 15 inches; depth, 9 inches. 


1833—Oxp SHERATON TRAY 


Of mahogany inlaid with satinwood. Oval shape, bordered by broad 
bands of satinwood, with an oval medallion in the center inlaid with 
satinwood in a denen of a classical urn. Surrounded by old. Sheffield 
plated gallery with looped carrying handles. The bottom is covered | 
with old green baize. 
Length, 291%, inches; width, 214%, inches. 
1834—SEVENTEENTH CENTURY SPANISH COFFER 
Square form with domed lid. Of wood inlaid with plates of mother 
of pearl elaborately engraved with a floral pattern and with bands of 
ebony. patterned with mother of pearl inlay. The front and lid are 
decorated with applied circular medallions of mother of pearl carved 
in designs of armorial bearings. : 
Height, 61%, inches; length, 8%, inches; depth, 5%, inches. 
1835—SEVENTEENTH CenTURY ITatiaAn InLamD Exsony CaBINEeT 


Fitted with a drawer and a central compartment with hinged door. 
Formed as a tablet of architectural character on a molded base flanked 
by projecting Ionic columns and surmounted by a frieze, molded cornice — 
and a balustraded cresting. Profusely inlaid in colored woods, ivory, 
mother of pearl, colored stones and silver with a very elaborate pattern- 
ing of acanthus leaves and scrolls around the central door, smaller . 
panels of floral sprays, and a large panel of brightly plumaged birds 
and fish surrounded by flowers and leaves. The columns are inlaid with 
vertical lines of silver and with a patterning of floral wreaths. The 
top rail is surmounted by two carved ivory figures of Saint John and 
the Virgin. The door of the central compartment is paneled with a 


mirror. . 
Height, 32 inches; width, 27 inches. 


Ninth Session, Friday Afternoon 


1836—Earty SEVENTEENTH CENTURY FRENCH OAK CABINET 


Rectangular and divided horizontally into two portions. The upper 
with ovolo molded cornice blocked with cherubim heads and bearing the 
date “1639,” is arranged in two cupboards with hinged doors, with 
raised and molded paneling of a geometrical pattern, having inlaid 
ebony centers, and flanked and separated by three console lion-head 
brackets. Below it is a long drawer with carved front and ebony knob. 
The lower portion is also arranged in two cupboards with hinged doors, 
with raised and molded paneling of a geometrical pattern having five 
panels of inlaid ebony. These doors are flanked and separated by three 
term-like pilasters surmounted by carved half-length figures of nude 


warriors. 
Height, 5 feet, 2 inches; wdith, 5 feet, 5 inches; depth, 2 feet, 2 inches. 


1837—SEVENTEENTH CENTURY FLemisH Oak CABINET AND STAND 
Cabinet with hinged door having a raised panel carved with two symbolic 
female figures flanked by fluted Ionic pilasters surmounted by a frieze 
carved with cherubim and acanthus scrollings and a carved and molded 
cornice. On contemporary oak stand with turned and carved bulbous 
legs, square molded rails and apron carved with acanthus leaf scrolls. 
Height, 5 feet, 3 inches; length, 2 feet, 7 inches; depth, 1 foot, 51. inches. 


1838—Pair or oLp GreorciAn Lamp Brackets 
Of carved and gilt wood in a pattern of flutings, bands of grapes and 
acanthus leaves and with molded semi-circular tops enriched with bands 
of ball ornamentation. 
Height, 1 foot, 41% inches. 
1839—O.p CurprpenpALE Hancine Tape 
Of carved and gilt wood supported by boldly scrolled console brackets 
and with an apron decorated with carved scrollings. Shaped top. 
Original condition ‘and gilding. 
Height, 22 inches. 
1840—SrventeentH Century Spanish Peart Correr 
Rectangular shape with bracketed feet. Divided into three drawers 
and two compartments with sliding doors, containing two drawers each. 
Entirely covered with small plates of mother of pearl in a pattern of 
raised medallions and honeysuckle ornamentation on a_ herring-bone 
ground. Drawer knobs and lock escutcheons of gilt bronze. 


Height, 1 foot, 5 inches; length, 2 feet, 4 inches. 


Ninth Session, Friday Afternoon 


1841—SevenreentH Century Irauan Bsnrrrer 
Of carved and gilt wood. Escutcheon shaped with pierced scroll and 
floral borderings, applied cherubim and carved acanthus leaf decorated 


holy water stoup. 
Height, 1 foot 3% inches. 


1842—EIcHTEENTH CENTURY ENeLisH STRAW Work-BOx 
Of inlaid straw work. The lid with an oval panel of a landscape sub- 
ject, a broad border of flowers and musical trophies at the angles. ‘The 
interior is divided into compartments with removable lids inlaid in 
straw work with musical trophies, parrots and trees and a symbol of 
Faith, Hope and Charity. 
Height, 3%, inches; length, 11 inches; depth, 74%, inches. 


1843—Pair or oLp GrorGIAN SipE TABLES 


Of carved and gilt wood with pedestals formed as dolphins with floriated 
tails on rectangular bases. ‘The aprons are elaborately carved in a 
pattern of acanthus leaves, husks and scrollings. ‘The tops are of 


black marble. 
Height, 35 inches; length, 44 inches; depth, 18 inches. 


1844—Oup Carvep AnD Gitt Woop CHIPPENDALE MrIrror 


Of the period and in the manner of Chippendale. Framed with a pierced 
and scroll pattern, with mirror backing, of clustered garlands entwined 
with branches of leaves and berries. Acanthus scroll top surmounted by 
three pear shaped finials. Original gilding and mirror. 

Height, 40 inches; length, 26 inches. 


1845—Parir or Greorcian Lamp STanps 


Formed as fluted Egyptian columns with lotus leaf capitals supporting 
spreading fluted circular lamp stands. Decorated in white enamel 
enriched with gilding. 

Height, 47 inches. 


Ninth Session, Friday Afternoon 


1846—Ser or Six Manocany Curprenpaue Carrs 
Straight legs, backs with openwork splats of interlacements enriched 
with acanthus leaf carvings, shaped and voluted top rail with carved 
acanthus leaf scrolls in the center. Upholstered seats. 


1847—CHIPPENDALE SQUARE SCREEN 
Of the period and in the manner of Chippendale. In molded mahogany 
frame on two turned supports, shaped feet and turned stretcher rail. 


Height, 3 feet 9 inches. 


Ninth Session, Friday Afternoon 


1848—Louis Seize Rorary CiLock 
Of gilt bronze. Formed as a classic urn wreathed with a garland of 
laurel leaves and berries and standing upon a fluted column festooned 
with drapery which rests upon a square base. Around the urn is | 
entwined a serpent with extended tongue which marks the hours. Hours | 
and minutes in Roman numerals, inscribed on small panels of white 
enamel around the circumferences of two revolving horizontal bands. 


Maker’s name, ‘“‘LePaute, Horlogier du Roi.” 
Height, 22% inches. 


1849—SrventreentH Century Portucuese CABINET 


Of ebony inlaid with white stained and etched ivory and with colored 
woods. Rectangular and formed in two portions, the upper divided 
into six drawers, and fall-front cupboard, the lower, which stands on 
four pedestal feet, divided into six drawers and two cupboards with 
hinged doors. At the angles and the meeting rail between the lower 
cupboards are caryatid figures with women’s faces and busts of ivory, 
and with terminations inlaid with a diapered fan-shaped patterning 
in white and stained ivory and colored woods. ‘The fronts of the 
drawers are inlaid with acanthus scrolls, masks and leaf forms, the cup- 
board doors with vases of flowers and leaves, peacocks and other birds 
and a rampant lion, all in stained and etched ivory and colored woods. 
There are vertical panels of inlaid vases of flowers and birds, and the 
top is inlaid with a panel of arabesque ornamentation with quatrefoil 
and scrolled borders, also in ivory and colored woods. ‘The drawer 
handles are knobs of stained ivory. 

Height, 4 feet 2% inches; width, 2 feet 111% inches; depth, 1 foot 51, iches. 


(Illustrated) 


1850—QvuEEN ANNE Four-FroLp LEATHER SCREEN 
Covered in leather decorated on a robin’s egg blue ground with scroll- 
ings, flowers and leaves painted in the Oriental manner in varying shades 
of blue, white and brown heightened with gold. The leaves are bordered 
with gilt leather having a stamped diapered pattern and a meander 


border of blue and brown. 
Height, 1 feet. 


Ninth Session, Friday Afternoon 


1851—Enizasetuan Oak Box Serrrie 

Seat of a lid hinged with wrought iron straps, scrolled arms on turned 
baluster supports and straight back with scrolled side brackets. The 
back, front and seat are divided into panels by stiles and rails carved 
in low relief with a pattern of rosettes, lozenges and rosetted inter- 
lacements. ‘The panels are carved in low relief in a conventional 
pattern of scrolls, leafage and strap work. 

Height, 48 inches; length, 70 inches; depth, 22 inches. 


1852—EIcuHTEENTH CENTURY ENGLISH JARDINIERE 
Of carved and gilt wood formed as a classic bowl on turned and carved 
stem and tripod base supported by three carved winged lions’ feet and 
claws. ‘The semi-spherical bowl is carved in relief with a pattern of 
acanthus leaves. ‘The stem is turned and carved in a diaper and scroll 


pattern. In original condition. 
Height, 36 inches. 


1853—Oxtp Eneuiso Lacever Toirer Grass 
Oblong mirror frame with square pillar supports. On base containing 
drawer, below which are panels of pierced fret work. All decorated in 


gold lacquer on a black ground. 
Height, 131, inches. 


1854—Oxtp Carvep anp Girt Woop CHIppENDALE Mrrror 
Of the period and in the manner of Chippendale. Horizontal mirror 
divided into three sections by Gothic balusters and framed with rococo 
scrollings and rocaille work. In the center the Prince of Wales’ Feathers 
flanked by acanthus scrollings. Pierced and shaped base of scroll work. 


In original condition with old mirrors. 
Height, 30 inches; length, 53 inches. 


1855—Pair or Greorcian TorCHERES 
Of carved gilt and painted wood formed as Egypto-Roman columns 
with acanthus leaf ornamentation supporting three caryatid figures 
of females with Grecian head-dresses and classical robes who carry on 
their heads circular molded lamp stands bordered with egg and dart 


moldings. On square bases with four paw feet. 
Height, 4 feet, 10 inches. 


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No. 1849 


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Ninth Session, Friday Afternoon 


1856—Parr oF SHERATON InNLAID Manocany Knire Urns 
Pear-shaped bodies with circular stems and feet, square bases, domed 
covers and urn-shaped finials. Decorated with vertical lines of inlaid ° 
satinwood of a delicate twisted rope pattern. Lined with green baize. 
Height, 24 inches. 


1857—Parir or ApAm Poe FIRE SCREENS 
Of the period and in the style of Adam. On tripod bases, decorated 
with lion masks and acanthus leaves. The octagonal screens are sup- 


ported by poles, in white enamel and gold. 
Height, 5 feet. 


Ninth Session, Friday Afternoon 


1858—JacoBEAN Oak CHEST 
Inlaid with panels of walnut and with circular and semi-circular bands 
of pearwood, and divided into three drawers and cupboard with two 
hinged doors. The drawer fronts have raised panels inlaid with wal- 
nut and pearwood, and the cupboard doors have octagonal raised 
panels inlaid in a similar manner. Molded stiles and carved wood knob 


handles. 
Height, 38 inches; length, 381 inches; depth, 221% inches. — 


NOTE: Furniture of this character was peculiar to the County of Norfolk and is known 
as Norwich Furniture. 


1859—Oxp QuEEN ANNE Mirror 
Of walnut with deep molded frame with arched top. Beveled mirror 
divided into two sections by a horizontal band of molding, the upper 


mirror with a cut design of stars and leaves. | 
Height, 3614 inches; length, 171 inches. 


1860—EIGHTEENTH CENTURY EncuIsH CarveEp Woop anp Gitt Mrrror 


Oval, fluted and beaded frame. Surmounted by an urn-shaped finial 


with branches of leaves and flowers in carved wood. Original gilding. 
Height, 38 inches. 


1861—EIcHTEENTH CENTURY CHINESE TEN-FOLD SCREEN 

Cl’ien-lung Period. Teakwood frame, eight folds with five and two 
folds with seven sunken panels surrounded by carved and molded teak- 
wood. The top and bottom panels in each case are of teakwood carved, _ 
as to the top, with Show (or longevity) symbol surrounded by flying — 

bats and cloud forms, as to the bottom with the sacred twin-fish sur- 
rounded by an arabesque pattern of mingled Chinese and European 
forms. The other panels are of glass, painted in the Chinese manner. 
The large middle panels contain beautifully painted views of the cele- 
brated Lake or Inland Sea of China, with figures, buildings and land- 
scape backgrounds. The upper panels contain figures of Immortals and 
mythical monsters, the lower subjects of Chinese “Utensils.” All 


these are painted in colors heightened with gold. 
Height, 7 feet; width, 18 feet. 


1862—QvuEEN ANNE Oak and Waunut Hari CHair 
Cabriole legs of walnut with claw and ball feet, and carved at the knees 


with acanthus-leaf scrollings and shells. Turned side rails and stretcher. 


High shaped and hollowed back of oak with molded edge. 


Ninth Session, Friday Afternoon 


1863—Gerorcian Manocany SErrer 


Of mahogany, with cabriole legs and scroll feet, apron carved with acan- 
thus-leaf scrolls, and shaped voluted arms carved with husk-patterned 
pendants. Shaped back with a scrolled acanthus-leaf carving in the 
center, below which is a shaped panel of acanthus-leaf medallions and 
festoons of drapery. Upholstered back, seat and arms. 


Height, 3 feet, 8 inches; length, 6 feet, 4 inches 


-1864—Oxp Grorcian Carvep ann Girt Woop Mirror 

Upright oblong shape decorated in the Adam style and flanked by two 
caryatid-like columns with bodies of an imbricated pattern and black 
Grecian sphinx heads and feet. Above is a deep frieze occupied with 
a subject painted in black of Mars in a Chariot drawn by lions and 
Fame blowing her trumpet, surmounted by a molded cornice. At the 
sides are two black lions’ heads holding gilt rings. ‘The oval mirror 
is surrounded by~an oval black frame with applied figures of honey- 
suckle ornamentation. 


1865—Manocany CHIPPENDALE Mirror 
Upright oblong frame of mahogany shaped as an architectural mural 
tablet, with molded pediment, shaped and molded apron and an inner 
frame molding carved in an acanthus-leaf pattern and gilded. In 
original condition with old beveled mirror. 
Height, 4714 inches; length, 28 inches. 


1866—Gerorcian Manocany Work-BAsKET 
Shaped as an oval basket with straight sides encircled by horizontal 
bands of whale-bone and with high bale handle of whale-bone. Hinged 
lid inlaid with satinwood. Height, 151, inches. 


1867—Pair or Georcian Manocany Lamp StTanps 
On tripod supports with spoon feet. Stems formed as fluted columns 
with turned capitals supporting circular lamp-stands whose edges are 
carved in a twisted ribbon design: Height, 36 inches. 


1868—Gerorcian Manocany Kwnire Box 
Shaped as a barrel with a removable cover and with raised bandings. 


Interior fitted for the reception of knives and forks. 
Height, 1414 inches. 


Ninth Session, Friday Afternoon 


1869— EIGHTEENTH CENTURY ENciisH Lacquer TRAY = 
Of metal. Decorated, on a ground of powdered gold lacquer, with an _ 
allover pattern of peony blossoms and flowers in colors and with a panel 
of Chinese domestic figure subjects. All in English lacquer treated in 
the Oriental manner. 

Length, 30 inches; width, 22 inches. 
1870—Oup SHERATON Mirror 
Oval frame with inlaid border of mahogany and satinwood, and an. 
elaborate fret-work pattern at top and bottom. Original mirror. 
Height, 321, inches. 


1871—QurEEN ANNE LaceuerR Tray 


Of wood. On a black ground is an elaborate subject of a Chinese pa- 


vilion and trees with seated figures of mandarins and warriors in English 

lacquer treated in the Oriental manner. Bordered with a Chinese 

diapered pattern and scrolls in gold and silver. 
Length, 23 inches; width, 15%, inches. 


1872—Pair or oLp Encriish Wart Licuts 
Of wood carved and gilded in the form of Amorini with one arm raised 
and holding in the other a bunch of vine leaves and grapes forming 
supports for ormolu candle nozzles. The figures have cornucopie ter- 
minations. In original condition. | | 
Height, 2 feet. 
1873—Pair or Grorcian Wari Haneines 
Carved and gilt wood. Carved in a design of classical marks and — 
trophies. 


1874—Manocany CHIPPENDALE Drop Lear Tasie 


Cabriole legs, with claw and ball feet, and with acanthus-scroll cary- 
ings at the knees. Molded fall top with hinged leaves. 
Height, 4 feet 5 inches; length, 4 feet. 


1875—Empire PERIOD CORRESPONDENCE CASE 


Formed as a square revolving case on a circular stand with four claw 
feet and winged leopards’ heads in chased ormolu. At the top is an 
ormolu finial formed as an eagle devouring a serpent. On two of the 
sides are wreaths of flowers and fruits in chased ormolu. The other 
two sides are formed as sliding front doors with glazed panels of needle- 
work. At the top and bottom are two bands of ebony inlay. 

Height, 20 inches. 


Ninth Session, Friday Afternoon 


1876—Georaian Music Sranp 


On tripod support with paw feet carved in a pattern of hawthorn flow- 
ers and leaves. Baluster stem with carved gadroons and bands of egg 
and dart ornamentation. Plain pole which supports double music easels 
carved and pierced in the shape of lyres, having on one side an oc- 


tagonal painted panel of a landscape subject. 
Height, 5 feet 11% inches. 


1877—Par or EicuTrentH Century Dutcnu Lamp Sranps 
On scrolled bracketed bases with octagonal and turned stems. Oc- 
tagonal tops inlaid with bands of a herring-bone pattern in pear-wood 


and. with molded edges. 
aah: Height, 2 feet 114% inches. 


1878—Pair or Orv FrencH Marsie STAtTueTTes 
Figures of Children. One, a girl with a wreath of convolvulus flowers, 
holding a pet dog; the other, a boy, holding in one hand a bird taken 


from a nest beside him. On oval bases. 
Heights, 18 inches. 


1879—OLp Traian MABRLE STATUETTE 


Figure of a dancing girl with tambourine and wreath of grapes and 


vine leaves. On circular base. ‘Signed: “S. Rosa.” 
Height, 29 inches. 


1880—Pair or EiGHTEENTH CENTURY EncusH Marsiet STATUETTES 


Figures of draped Venuses holding flowers. On circular bases. 


-1881—Pair or EicureentH Century Eneuish Dureiiine Pisrors 
Flint-lock pistols mounted in engraved steel with silver name plates. 
Powder flask of shell mounted in engraved silver, mold for making bullets, 
etc. All in a mahogany case lined with green baize. Pistols signed 
with the maker’s name: *‘Ward Warrington.” 


Ninth Session, Friday Afternoon 


1882—Pair or Frencuo Satinwoop Fire ScREENS | 
In the Louis Seize style. Carved and partially gilt savior on four 


curved and voluted feet. These frames enclose glazed panels of modern — ; 
Beauvais tapestries in subjects of Pastoral Galant brea in 1 te 4 


Watteau manner. 


18883—QuvuEEN ANNE WALNUT SECRETAIRE BOOK-CASE 


- Of walnut. The book-case with a molded cornice is closed by two 
hinged doors with scrolled and arched panels of burr walnut with bands _ 
of straight grained walnut. The desk has a fall front in burr walnut _ 
bordered with straight grained walnut. The interior is fitted with — 
pigeon-holes and drawers, and below are two long drawers, the fronts 
paneled with burr walnut, bordered by bands of pearwood. Original Zs 


drop handles and escutcheon plates of engraved brass. 


Height, 6 feet 6 inches; length, 3 feet 3 inches; depth, 2 feet. 


7 


aie 


TENTH SESSION 


FRIDAY EVENING, MARCH 19, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.00 o’cLOCK 


Which includes Catalogue Nos. 1884 to 1983 


INTERESTING PICTURES BY, AND ATTRIBUTED TO, 
MASTERS OF THE XVI, XVII AND XVIII CENTURIES 
SCHOOLS OF PAINTING 


FLEMISH SCHOOL OF THE SEVENTEENTH CENTURY 


1884—Porrtraits or Henprick vAN HeELsvincen Aanp His Wire 
Excellently painted portraits of a man and his wife in seventeenth cen- 


tury Flemish costumes. 
Height, 31% inches; width, 3 inches. 


Painted in oil on panels. 


1885—EIcHTEENTH CENTURY ENncLisH NEEDLEWORK PICTURE 
Subject of a landscape, with buildings, trees and figure subjects. Signed: 


“Ameles, 1785.” Oval shape. 
Height, 4°24 inches; length, 6 inches. 


Worked in blue silk on a white satin ground. 


SCHOOL OF HANS HOLBEIN THE YOUNGER 


1886—Porrrair or A Youne Man 
Half-length portrait of a young man in fur-trimmed robe, with bare 
head and hands folded in the attitude of prayer. 


Height, 614, inches; length, 51 inches. 
Painted in oils on panel. 


Tenth Session, Friday Evening 


1887—-EIGHTEENTH CENTURY ENGLISH Wax PortTRraItT 


Portrait of a man in a black coat, with curling black hair. 

Height, 61% inches; length, 5%, inches. g 

Modeled in relief in wax and painted. 

1888—EIGHTEENTH CENTURY FRENCH GLAss PAINTING 


“La Belle Laveuse.” Subject of a young woman washing a garment — 4 
in a stream. a 
Height, 8%, inches; length, 5% inches. 


ATTRIBUTED TO WATTEAU 
Frencu ScHoou oF THE EIGHTEENTH CENTURY 
1889—Parr or “Féres Gatantes” SuBsEcTS 


Height, 8%4 inches; width, 614 inches. 
Painted in oil on panels. — 


1890—Pair or EIGHTEENTH CENTURY ENGLISH PAINTINGS 


“Silence” and ‘The Guardian Angels.” 
Height, 9 inches; length, 10 inches. — 
Painted in water colors with verses inscribed underneath, 


DUTCH SCHOOL OF THE EIGHTEENTH CENTURY 


1891—F Lower anv Fruir Piece 


A vase filled with flowers and fruits. | 
Height, 9 inches; width, 12 inches. 
Painted in oil on panel. — 


ALBANO 
Irauian ScHoou OF THE EIGHTEENTH CENTURY 
1892—Parr or PANELS 


Playing Children. Each panel consists of two nude children, one pair 
playing with a bear and the other with a deer. Landscape backgrounds. 


Height, 101% inches; width, 7 inches. 


1893—Ser or Four EicuHTreentH Century EncusH StTipptE ENGRAVINGS 


Portraits of the Countess of Carlyle and of the Duchess of Devon- 
shire, and two fancy subjects. Cut close without margins. 


Height, 10 inches; length, 8 inches. 


Tenth Session, Friday Evening 


DUTCH SCHOOL OF THE SEVENTEENTH CENTURY 


1894—DeEPaRTURE FOR THE Hunt 


Cavaliers and Ladies, some on horseback and some preparing to mount 
their horses in front of a chateau with buildings in the background. 


Height, 10 inches; width, 13 inches. 
Painted in oil on panel. 


1895—EIcHTEENTH CENTURY EncLsH STIPPLE ENGRAVING 


“Tom and his Pigeons.” Painted by J. Russell, R.A. Engraved by 
C. Knight. 
Height, 10%, inches; width, 14 inches. 


1896—SIXTEENTH CENTURY GERMAN ALTAR TABLET 


Square shape, in pierced and shaped frame and inlaid with engraved 
mother of pearl and black wood. The center is occupied with a sub- 
ject of the Baptism of Christ by Saint John the Baptist around which 
is a border of panels alternately occupied by floral scrolls and figures 
of Saints. Above is a scrolled and pierced decoration covered with 
plates of engraved mother of pearl and a tablet of mother of pearl 
engraved with the figure of Christ and a crown of thorns. 


Height, 11 inches; length, 714, inches. 


IN THE STYLE OF THE EARLY BYZANTINE SCHOOL 


1897—-Heap or Ovr Saviour 
Profile head with gilt background. An eighteenth century copy of a 
Byzantine picture with the inscription on the back ‘This similitude of 
our Saviour Christ Jesus was found in Ararat and was sent to Pope 


Innocent,” etc., etc. In old oak frame. 
Height, 111% inches; width, 81/, inches. 
Painted in oil on panel 


ENGLISH SCHOOL OF THE EIGHTEENTH CENTURY 


1898—“CuineEsE Lapies” 
Four panels painted with subjects of Chinese ladies, reading, smoking, 
playing a musical instrument and toying with a bird. Painted by a 
European artist in China in the eighteenth century. 
Height, 11 inches; width, 81, inches. 


Painted in oil on panels of Chinese wood and with the names of the subjects written 
at the back in Chinese characters. 


Tenth Session, Friday Evening 


SPANISH SCHOOL OF THE LATE SEVENTEENTH CENTURY 


1899—Srx ParntepD PANnets : 
Framed, to form the two side wings of a triptych, in molded and gilt ’ 
wood frames. The subjects include “The Annunciation,” “The Coro- — 
nation of the Virgin” and ‘The Martyrdoms of Saint Lawrence and 
Saint Agnes.” Signed “Jayme Merguasta, Francisca.” 


Height, 12 inches; width, 9% inches. 
Painted in oil on panels. 


FRENCH SCHOOL OF THE LATE EIGHTEENTH CENTURY | 


1900—Curi anp PsycHE | 
Psyche wreathed with flowers embraces ree who has the wings 


of a butterfly. 
Height, 12 inches; width, 91% inches. 


Painted in oil on canvas. 


1901—SEVENTEENTH CENTURY ITALIAN Portrair PLAQUE 
The half length portrait of a Cardinal in red hood with embroidered 


stole, modeled in plaster. 
Height, 12 inches; eagth 10 inches. 


Painted in natural colors and mounted on a wooden panel. 


MICHAEL VAN COXIEN 


FLEMISH SCHOOL OF THE SIXTEENTH CENTURY 


1902—Porrrair or Lamorat Van Eoemont (1552-1568) 
Portrait head of a man with mustache, slightly parted beard and white 


linen ruff. 
Height, 12 inches; width, 111% inches. 


Painted in oils on copper. 


SPANISH SCHOOL OF THE LATE EIGHTEENTH CENTURY 


1903—Saint Mary Macpaene | 
Figure of the Saint, crowned with thorns, holding a crucifix formed 
of lilies, and reading an open book supported by a skull. 


Height, 1334 inches; width, 9 inches. 
Painted in oils on a cradled panel. 


Tenth Session, Friday Evening 


GIOVANNI BATTISTA CIPRIANI (1727-1785) 


1904—Two PaneEts | 


“Sacred and Profane Love.” Oval panels surrounded by gilt borders 
on black grounds. “Sacred Love” as a young woman in an olive green 
robe with a rose colored mantle holds a cross with one hand with her 
eyes cast upwards while two angels offer ner a Chalice. “Profane 
Love” as Venus wreathed with laurel leaves and in a dark blue robe 
nursing one Cupid while another stands at her side. In the distance 
is a flying eagle. Signed “Cipriani, 1771.” 
Height, 13 inches; width, 171% inches. 
Painted in oils on wood. 


NOTE: Cipriani was an Italian painter who settled in London about 1760 and was one 
of the founders of the Royal Academy. These two panels probably formed a part 
of the decoration of a piece of furniture. 


ATTRIBUTED TO 


HONDECOETER 


1905—Domestic PouLtry 


A duck, a turkey, barnyard fowls, and flying pigeons. In a wooded 


landscape. 
Height, 131% inches; width, 211% inches. 


ENGLISH SCHOOL OF THE EIGHTEENTH CENTURY 


1906—Porrrair oF CHARLOTTE, QUEEN OF ENGLAND 
Three-quarter length portrait of Queen Charlotte standing in a blue 
dress with loose sleeves, jeweled stomacher, hair with aigrette, resting 
her hand upon a marble top table. Architectural background. 
Height, 1414 inches; width, 1014, inches. 


NOTE: Charlotte Caroline of Brandenburg-Anspach was the wife of George the Second of 
England. 


SCHOOL OF SIR GODFREY KNELLER 


1907—Porrrait or WiiiiaMm III or Encriann 


In ermine trimmed robe with collar of the Order of the Garter. In 


old carved and gilt wood frame. 
Height, 1434 inches; length, 11°34 inches. 
Painted in oils on canvas. 


Tenth Session, Friday Evening 


ENGLISH SCHOOL OF THE EIGHTEENTH CENTURY — 


1908—F Lower PIEcE | 
Vase of flowers painted in the manner of Huysum. | 
Height, 144% inches; width, 12¥.2 inches. 


1909—EIcHTEENTH CENTURY GERMAN GLAss PAINTING ; 
“The Vintage.” Peasant in the foreground with an ox cart carrying 
a cask into which men and women are pouring grapes. In the fore- 
ground another peasant treads the grapes into the casks. To the 
spectator’s left two other peasants mending casks and two others are — 
assisting to carry a basket. Landscape background with buildings. 
Height, 14 inches; width, 17 inches. — 


ATTRIBUTED TO LANCRET (1690-1743) 


FrENcCH SCHOOL OF THE Earty EIGHTEENTH CENTURY 


1910—Wanpverine Musicians 4 
Resting on a heap of stones are two wandering musicians, one of whom, __ 
with bare legs and tattered knee breeches, plays a guitar, to which his 
companion, holding a flute, les back and listens. Behind them is a 
wooden gate and the base of a marble column. Against a background 
of trees, a lake view, distant landscape and buildings. On the back 
is a seal with “R. I.” in a double monogram surmounted by a coronet. 
‘From the McCoy Collection. 

Height, 14 inches; width, 1834 inches. 
Painted in oil on canvas. 


STYLE OF JAN HUYSUM 


DutcH ScHOOL OF THE EIGHTEENTH CENTURY 


1911—F Lower Pirce 
A bunch of flowers in a crystal vase. On dark background. 


Height, 15 inches; width 1714 inches. 
Painted in oils on coarse canvas. 


Tenth Session, Friday Evening 


ENGLISH SCHOOL OF THE EARLY NINETEENTH CENTURY 


1912—Parr or Fruir Pieces 
In one, a group of three peaches, melons, figs and other fruits and an 
English chaffinch; in the other a bunch of grapes with a nectarine, 
a peach and other fruits and an English bullfinch. Signed in the lower 
left hand corner, “T. Stranover.” 
Height, 15% inches; width, 19 inches. 
Painted in oils on canvas. 


ATTRIBUTED TO 


-PHILIPS WOUVERMAN (1619-1668) 


1913—Tue Cavatry CHARGE 
Through a body of horsemen two cavaliers are charging their way. One 
on a white horse is firing his pistol, and the other’s gray horse has 
been brought to his knees, unseating his rider. Wooded landscape in 
the distance. 
Height, 15 inches; width, 24 inches. 
Painted in oils on panel. 
1914—Pair or EiguTrentH Century EnciisH StipPpLeE ENnGRraAvINGs 
Two of the “‘Cries of London.” Engraved in stipple after Wheatley. 
Old impressions. Framed. 
Height, 161% inches; width, 121% inches. 
ENGLISH SCHOOL OF THE EARLY NINETEENTH CENTURY 


1915—Fruir Piece 
Still life subject of grapes, peaches, melons and an English chaffinch. 
Height, 16 inches; width, 201% inches. 


1916—E1cHTEENTH. Century Exeusn Guass Parntine 
Subject of Noah and his family sacrificing after the flood. In the back- 
ground on Mount Ararat is the Ark. In gilt wood frame. 


Height, 161%, inches; width, 21 inches. 
ENGLISH SCHOOL OF THE EIGHTEENTH CENTURY 


1917—Porrrait or Witiiam Pirt 
In blue coat and white wig, holding an open roll of manuscript to which 


he points with one finger. 
Height, 17 inches; width, 15 inches. 
Painted in oil on canvas. 


Tenth Session, Friday Evening 


FRENCH SCHOOL OF THE LATE EIGHTEENTH CENTURY | 4 


1918—Curis | 
Two Cupids. One, with a rose colored scarf, seated on the back of a 
ram whose head is held by the other. Landscape background. 


Height, 17 inches; width, 23 inches. 
Painted in oil on canvas. 


DUTCH SCHOOL OF THE SEVENTEENTH CENTURY 
1919—A Frower Piece 


Group of roses, tulips and other flowers in a vase standing upon a stone 
slab. Dark background. ae 
Height, 17%, inches; width, 241, inches. 

Painted in oil on canvas. 


1920—SEVENTEENTH CENTURY PAINTED Woop CARVING 


“The Assumption of the Virgin.” The Virgin, in red robe and green E 


mantle, in clouds, ascending to Heaven. In old frame. 
Height, 18 inches. 
Carved in bas-relief in wood and painted. 


FRENCH SCHOOL OF THE NINETEENTH CENTURY 


1921—Porrrait or A Lapy 


Bust portrait of a lady with flowers in her hair and carrying a basket 
of flowers. 


Height, 18 inches; width, 14 inches. | 


Painted in pastels on canvas. ~ 


JEAN HONORE FRAGONARD (1732-1806) 
FreENcH ScHOOL OF THE EIGHTEENTH CENTURY 
1922—“‘Lz BatsEer’”’ 


Oval shape. A young woman with closed eyes inhales the fragrance 
from a bunch of roses which she holds in one hand as she is embraced 
by her lover, who holds a similar bunch of roses. 
From the Sir John Johnson Collection. . 

Height, 18 inches; width, 14 inches. 


Painted in oil on canvas. 


NOTE : This charming composition has been definitely ascribed to Fragonard by leading 
French and English critics. 
(Illustrated ) 


Tenth Session, Friday Evening 


GERMAN SCHOOL OF THE LATE SEVENTEENTH CENTURY 
1923—Tue Nativity | 


The Virgin dressed in a rose colored robe and Saint J oseph in the back- _ 


ground, presenting the Infant Christ for the adoration of the Shep- 


herds. In the foreground a sheep with tied feet. Background of a 


German village scene. In old carved and gilt wood frame. 


Height, 18 inches; width, 14%, inches. 


Painted in oils on copper. 


FLEMISH SCHOOL OF THE SIXTEENTH CENTURY 


1924—-SaLomME AND HeErop 


Herod in sixteenth century costume with loose hanging sleeves and hold- 


=e 


ing a scepter, presents to Salome, who is clothed in a crimson over- — 


. garment, the head of John the Baptist held by an attendant on a 


silver charger. In the foreground are the Jewish High Priest, soldiers’ B 


and other figures. In the background a figure on horseback. In old 
carved and gilt wooden frame. . 


Painted in oils on panel. 


ENGLISH SCHOOL OF THE EIGHTEENTH CENTURY 


1925—Tue Per Rassit 
A young girl in white muslin dress with blue sash, feeding a pet rabbit. 
Height, 18 inches; width, 23 inches. 


Painted in pastel on canvas. 


1926—E1cHTeeNtuH Century Eneuish CHINESE PAarIntTInG 


Subject of three Chinese ladies on a terrace with vases of flowers and 
with a pool of water in the middle distance and in the background a 


wooded landscape. 
Height, 18 inches; width, 231% inches. 


Painted in the Chinese manner by an English artist in oils on canvas. 


Height, 18 inches; width, 20 inches. 


Tenth Session, Friday Evening 


DUTCH SCHOOL OF THE SEVENTEENTH CENTURY 


1927—Porrrait or a Dutrcu BurcHer 
In red cap with plumed colored feathers, fur trimmed gaberdine and 
crimson undergarment, seated at a table on which are a pack of cards 
and an open backgammon board. On the left stands a bald headed 
man in a red jerkin. Above is an inscription in Gothic characters. 


Height, 181% inches; width, 261% inches. 
Painted in oil on panel. 


1928—Oup Eneuiso Lacquer Taste Top 
Decorated with a subject in raised and gilt colored lacquer of Chinese 


pavilions. 
Height, 18 inches; length, 29 inches. 


ENGLISH SCHOOL OF THE EIGHTEENTH CENTURY 


1929—A Frower Piece 


A bouquet of flowers painted against dark background in the manner 


of Huysum. 
Height, 19 inches; width, 14 inches. 
Painted in oil on panel. 


1930—EicHTEENTH CrentuRY Encuiso Tray Top 
Painted with a subject in the Angelica Kaufmann style of a Classical 


Banquet. Oval shape. 
Height, 21 inches; width, 26 inches. 
Painted in oils on iron. 


1931—Decorative Encuiso PANEL 
“The Vintage.” Nymphs and children bearing baskets of grapes with 
dancing Cupids. Semi-circular shape. In gilt wood frame. 


Height, 21 inches; length, 59 inches. 
Painted in oils on canvas. 


Tenth Session, Friday Evening 


SPANISH SCHOOL OF THE LATE EIGHTEENTH CENTURY 


1932—Series or NINE PANELS | 
Painted by an eighteenth century Spanish artist with subjects, within 
painted rococo borders, depicting the domestic life of Spanish America. 
The figures include natives and half-breeds shown intermingling with 
their Spanish masters. Carefully painted studies of native trees appear 
in a majority of cases with the name of the species in each case painted 
across the tree-trunk. Each panel has the name of the subject, in 


Spanish, painted below it. 3 
Height, 22 inches; width, 14 inches. 
Painted in oil on canvas. 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1933—Porrrait oF a Youne PRINCE 
Half length portrait of a young Bourbon Prince in red coat with the 
blue ribbon and star of the Order of the “Saint Esprit.” 
Height, 22 inches; width, 181% inches. 
In pastels on canvas. 
1934— EIGHTEENTH CENTURY ENcLIsH GuLass PAINTING 
“The Blacksmith.” Genre subject of a Blacksmith and his assistant 
being interrupted in their work by an old man with red night cap and 
blue apron who rushes in to tell some harrowing tale. Has on back 
portion of neatly hand printed verse on the story of the picture. 
Height, 221% inches; width, 20 inches. 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1935—Porrrair or A LApY 


Bust portrait of a lady in eighteenth century costume against a green- 


ish background. Oval frame. 
Height, 23 inches; width, 18 inches. 
Painted in pastels on canvas. 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1936—Portrair oF A Lapy 
Three-quarter view bust portrait of a lady in a blue dress with green 
scarf and with her hair adorned with an aigrette. 


Height, 23%, inches; width, 19 inches. 
Painted in pastels on canvas. 


Tenth Session, Friday Evenng 


ENGLISH OF THE EIGHTEENTH CENTURY 


1937—F Lower Piece 
Group of roses and other flowers in a stone vase, with tripod dolphin 


feet, standing upon a marble slab. 
241, by 19 inches. 
In oil on canvas. 


1938—SEVENTEENTH CENTURY ITALIAN Mosaic 
Portrait of a woman, in the style of Paris Bordone. Formed in mosaic 


of colored tessere of stone and mother-of-pearl. 
Height, 251% inches; length, 191% inches. 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1939— Portrait or Morner anv CuHILp 
Half length portrait of a young woman in dark blue hat with plumes, 
blue overgarment, seated, and with a child in white muslin dress and 


rose colored ribbons standing at her side. 
Height, 25 inches; width, 20% inches. 
Painted in pastel on paper. 


ENGLISH OF THE EIGHTEENTH CENTURY 


1940—Aw Eneouisnu Porirican CaricaTURE 
Painting of the English Coat of Arms in an oval blue panel, inscribed 
“No Jacobins admitted here” and “Church and King.” In the corners 
are portraits of English Admirals and Generals with views of military 


operations and sea fights. 
; Height, 25 inches; width, 21 inches. 
Painted in oils on panel. 


NOTE: This curious picture was probably painted for one of the Church and State Clubs 
which flourished in England in the middle of the Eighteenth Century. 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1941—Porrrair oF a Lapy 
Oval portrait of a lady in curling hair, wreathed with flowers, and purple 


robe. 
Height, 25 inches; width, 21 inches. 
Painted in pastels on canvas. 


Tenth Session, Friday Evening ; 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1942—Parr or Fancy SUBJECTS 
“Te Baiser”’ and “Le Baiser Défendu.”’ 


Heights, 25 inches; widths, 21 inches. — 


Painted in pastels on paper. 


ENGLISH SCHOOL OF THE EIGHTEENTH CENTURY 
1943—A GAME OF SEE-SAW 


In the middle distance two children in eighteenth century costume are 
playing see-saw on a branch of a tree with a tree stump as support. In 


the foreground a shepherd with his dog and surrounded by his sheep is 
piping to his sweetheart. Landscape background with a pool of water. 
Height, 25 inches; width, 32 inches. — 
Painted in oils on canvas. 
AMITONI 
Iravian Scuoou or tHE EicHTEentH CENTURY 


1944—A Gamer or MARBLES 


Figures of three Amorini playing marbles. Landscape background. 


Signed at the bottom right hand corner. é 
Height, 251% inches; width, 42 inches. - 


DUTCH SCHOOL OF THE SEVENTEENTH CENTURY 
1945—-FLower Piece | 


In the center a carved stone pedestal with scrolled escutcheons sur- 


rounded by wreaths of flowers. | 
Height, 27%, inches; width, 20 inches. 
Painted in oils on canvas. 


MRS. EDWARD COLLIER 


ENcuisH SCHOOL OF THE SEVENTEENTH CENTURY 


1946—Stitt Lire Sussecr 


On a table covered with red cloth, is an old-fashioned pewter ink-stand © 
with taper and pouncet box, a watch and fob chain, an open volume 
entitled ‘The Description of the World” and several documents in- 
cluding a broadside headed ‘‘Votes for the House of Commons 24th. 
October 1693.” Signed across one of the documents, “Mrs. Edward 


Collier Painter at London.” 
Height, 27 inches; width, 24 inches. 
Painted in oil on panel. 


Tenth Session, Friday Evening 


1947—SEVENTEENTH CENTURY GERMAN Guass PAINTING 
Christ bearing the Cross. In the center the Christ in blue robe bearing 
the cross over his shoulder and supported by the weeping Madonna 
is urged onwards by Roman soldiers. In old black wood frame. 
Height, 27 inches; width, 25 inches. 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1948—Cupips 


Figures of two Cupids seated, one of them blowing soap bubbles. In 
a rocky landscape. 
Height, 27 inches; width, 36 inches. 


AFTER VAN DYCK 


1949—Porrtrair or CHARLES I or EncLAND 
Half length portrait of Charles I in black coat and with a falling lace 


collar and wearing the star of an Order. Signed, “Portrait of Charles 
I by Jameson. 1830.” 


Height, 28 inches; width, 22. inches. 
Painted in oil on canvas. 


ATTRIBUTED TO CRISTOFORO ALLORI (1577-1621) 


FLORENTINE SCHOOL OF THE SIXTEENTH CENTURY 


1950—Maponna AND THE CHILD 


The Madonna, in rose colored overgarment and greenish skirt, holds 
in her arms the Infant Christ who leans forward to salute the young 
Saint John the Baptist. Behind stands Saint Joseph. Background 
of green drapery with mirror in a gold frame. 

Height, 2814, inches; width, 221/, inches. 


| Painted in oils on panel. 
FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1951—Tue JupGMENT or Paris 


In the center is a nude Venus with Cupid at her knee, extending her 
hand for the apple which is handed to her by Paris, who is dressed in 
a robe of red. On the spectator’s right are Juno and Minerva, and on 


the left Mercury in concealment. 
Height, 28 inches; width, 49 inches. 
Painted in oil on canvas. 


Tenth Session, Friday Evening 


ENGLISH SCHOOL OF THE EIGHTEENTH CENTURY 


1952—Porrrait or A Younc Man 
Full face, half length portrait of a young man in blue velvet coat, with © 


gold froggings, and a white cravat. 
Height, 29 inches; width, 24 inches. 


FRENCH SCHOOL OF THE SEVENTEENTH CENTURY 


1953—Portrait or A MAn 
Oval bust portrait of a man in red crimson cloak lined with blue, and 


In old carved and gilt wood frame. 


white cravat. 
Height, 29 inches; width, 24 inches. — ce 


LEONARD 


FRENCH SCHOOL OF THE Earty NINETEENTH CENTURY 


1954—Portrait oF A Lapy © 
Half length portrait of a lady with black unglaal hair in a dress 


. of rose colored brocade and necklace of pearls. With her neu hand 


she is fitting a ring to the third finger of her left hand. 
Height, 29 inches; Herts y 24 inches. — 
Pastel painted on paper. 


ITALIAN SCHOOL OF THE LATE EIGHTEENTH CENTURY 


1955—Evrora anp THE BULL 
Figure of Europa in rose colored robe and blue mantle seated on a rose 


crowned bull, and surrounded by figures of Nymphs and Cupids 


wreathed with flowers. Landscape background. Oval shape. — 
Height, 29 inches; width, 38 inches. 


N. DRAKE 


EncuisH ScHoou oF THE Late EIGHTEENTH CENTURY 


1956—Porrtrair or A Lapy anp CHILD 
Portrait of a lady in veil and with red and blue cloak, seated and hold- 


ing an infant child on her lap. Signed on back, “N. Drake eS 
1770.” In old carved and gilt wood frame. 


Height, 30 inches; width, 24 inches. 
Painted in oils on canvas. 


Tenth Session, Friday Evening 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1957—Porrrair or a Man 
Full face half length portrait of a man with curly periwig and lace 
cravat, holding in his left hand a fold of his purple mantle. 
Height, 30 inches; width, 241, inches. 
Painted in oil on canvas. 


ATTRIBUTED TO SIR WILLIAM BEECHEY (1753-1839) 


EneuisH ScHoou oF THE Earty NINETEENTH CENTURY 


1958—PortrRAIT OF AN OFFICER 
Full face half length portrait of an English Officer in a red uniform 
frogged with gold and with high standing military collar of blue. 
Height, 30 inches; width, 25 inches. 
Painted in oil on canvas. 


ATTRIBUTED TO 


SIR GODFREY KNELLER 


1959—Porrrair or MorHer anv Son 
Half length portraits of a seated middle aged woman and a standing 
youth. In front of them is a table on which are peaches, grapes and 


other fruits. Landscape background. 
Height, 30 inches; width, 37 inches. 


Painted in oil on canvas. 


FLEMISH SCHOOL OF THE SEVENTEENTH CENTURY 


1960—TuHE Scourcine or CHRIST 
Christ bound to a pillar is being scourged by two attendants while the 
Jewish High Priest stands in the background. In the foreground are 


a Roman Legionary and other figures. 
Height, 34 inches; width, 241%, inches. 


Painted in oils on panel. 


Tenth Session, Friday Evening 


MARINUS VAN REYMERSWALE (1497-1567) 


FLEMIsH SCHOOL OF THE SIXTEENTH CENTURY 


1961—Tue Temprress | 
On the spectator’s left a young woman in red bodice with brown pinned- 
on sleeves and close fitting lace cap, has her arm around the neck of 
a youth in black coat, broad brimmed hat, to whom she offers wine — 
from a roemer glass. They are seated at a table, covered with a white 
cloth, on which are bread, fruits and glasses of wine. In the fore- 
ground, on the right, is a young woman, in red costume with a black 
cap, with a boy at her side. In the background is an old woman in 


white headdress holding in one hand a dish, on which is a roasted fowl, 


and extending the other upwards as though in surprise. ) 
Height, 34 inches; width, 46 inches. 
Painted in oil on panel. 


NOTE: The pictures of van Reymerswale, sometimes called Marinus de Zeen, were for many 
years usually attributed to Quentin Matsys. 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY 


1962—J uDGMENT or Paris 
Paris with a red mantle thrown across his shoulder is handing : an apple 
to Venus, who is partially draped in a blue and white robe. To the 
right is the figure of Juno in a yellow robe carrying a peacock and 
attended by Cupids carrying a bunch of grapes. In the distance is a 
mountainous landscape, and figures in seventeenth century costume. 


Height, 34 inches; width, 48 inches. 
Painted in oils on canvas. 


ATTRIBUTED TO 


F. BOUCHER 


1963—Curip’s Tarcet PRAcTICE 
Group of five Cupids registering the “hits” on a target which has a 


heart as a bull’s eye. 
Height, 35 inches; width, 25 inches. 
Painted in oil on canvas. 


Tenth Session, Friday Evening 


SCHOOL OF SIR PETER LELY 


ENGLISH OF THE SEVENTEENTH CENTURY 


1964—Porrrair or A Youne Boy 
In a yellow coat frogged with silver, and blue mantle, holding in his 
left hand a Shepherd’s Crook and a bunch of cherries in the right which 
rests on a marble table on which are strawberries, peaches and a parrot. 


Height, 35 inches; width, 36 inches. 
Painted in oil on canvas. 


DUTCH SCHOOL OF THE SIXTEENTH CENTURY 


1965—Porrrair oF aN Orp Woman 
Black velvet cap, deep falling collar with loose bordered lace sleeves 
holding in her left hand a white cloth and resting her right hand upon 
a book. Background of dark red drapery. In old carved wood frame. 


Height, 36 inches; width, 26 inches. 
Painted in oils on canvas. 


FRANCISCO CANDIDO 


NEAPOLITAN SCHOOL OF THE EIGHTEENTH CENTURY 


1966—Porrrarr or a Sartor 
Three-quarter length portrait of a man in a green coat with a white 
silk waistcoat standing with his left hand on his hip and his right sup- 
porting a telescope. On a table by his side are a chart and a pair 
of compasses. Signed, “Franciscus Candido, Napoli 1783.” 'Three- 
quarter length on canvas. 


Height, 36 inches; width, 30 inches. 
Painted in oil on canvas. 


ROMAN SCHOOL OF THE EIGHTEENTH CENTURY 


1967—Tue Inrant Baccuus 
The young Bacchus wreathed with vine leaves and with a mantle of 
leopard’s skin presses the juice from a bunch of grapes into a glass 
held by a Puttini on his left. In the background are three other Puttini, 
one of whom drinks from a glass and another plays upon two pipes. 


Landscape background with building. 
Height, 37 inches; width, 48 inches. 
Painted in oil on canvas. 


Tenth Session, Friday Afternoon 


ENGLISH SCHOOL OF THE NINETEENTH CENTURY 


1968—Parr or Frower PIecrEs 


Ornamental vases of flowers in which are groups of flowers. With 


background of clouds. 
Heights, 38 inches; widths, 29 inches. 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY a 


Y) 


1969—“Venus ann Aponis,” anno “THe Birtu or Lucina” 


In the one Venus descends from her car in which Cupid remains, to | 
awaken the sleeping Adonis who is surrounded by Amorini, his two 
hunting dogs and a group of dead game. Landscape background. 
Latona holds in her arms the infant Lucina and shows her to Juno who — 
stands under a tree attended by her maidens. 


Height, 38 inches; width, 30 inches. 


VENETIAN SCHOOL OF THE LATE SEVENTEENTH CENTURY | 


1970—Paim or Stint Lire SuspsEcts 


In one, on a marble pedestal draped with red velvet embroidered with 
gold, stands a bowl of fruits, a gold mounted crystal vase of flowers 
and several decorative bronzes, against an architectural background. 
In the other, upon a classical marble pedestal, sculptured in relief 
with a figure subject, and draped with red velvet, are a violin, a guitar 
and an open book of music; nearby are a bronze vase and bronze 
statuettes. Architectural background. 


Heights, 39 inches; widths, 583 inches. 
Painted in oil on canvas. 


LE SANGUIN 


FrencH ScHOOL OF THE EIGHTEENTH CENTURY 


1971—Porrrair or A MusiIctian 


Half length seated figure of a man with long curling hair dressed in: 
an eighteenth century blue coat with embroidered vest from which de- 
pends a gold and enamel watch. He holds in one hand a double necked — 
lute, while the other rests upon a table. At his side is a sheet of music. 
Landscape background with the head of a ram. Signed “Le Sanguin.” 


Height, 40 inches; width, 49 inches. 


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No. 1975 


Tenth Session, Friday Afternoon 


FRENCH SCHOOL OF THE EIGHTEENTH CENTURY — 


1972—Baccuus anp ARIADNE 
Bacchus, wreathed with vine leaves and draped in a leopard’s skin — 
seated with Ariadne at his feet. In the distance are Amorini regarding | i 

the couple and a sleeping lion and lioness. In the foreground an over- 
turned goblet and vase. In old carved and gilt wood frame. A 

Height, 41 inches; width, 41 inches. 4 : 

Painted in oil on canvas. 


—~- £2 


ITALIAN SCHOOL OF THE LATE EIGHTEENTH CENTURY 


1973—DecoraTivE PANEL oF CuPIDs . a 
Oval panel of three Cupids, with blue and rose-colored draperies and 
crowned with roses, seated on clouds holding aloft a fold of drapery. — 


Height, 41 inches ; width, 51 inches. 
Painted in oil on canvas. 


ROMAN SCHOOL OF THE LATE SEVENTEENTH CENTURY 


DAE t AND THE ELDpERs 
Figure of Susanna, nude save for a slight drapery of white, in the 
grasp of two old men with white hair and beards. On the spectator’s 
left is a stone fountain with the figure of a Triton. Landscape back- 


ground. \ 
Height, 43 inches; width, 59 inches. 


Painted in oil on canvas. © 


ATTRIBUTED TO SEBASTIAN. BOURDON 


FRENCH SCHOOL OF THE SEVENTEENTH CENTURY 


1975—*“CuHarity” 
The figure of a seated woman dressed in a blue robe and having at her 
side a baby in a cradle, while another nurses at her breast and a third 


caresses her. 
Height, 44 inches; width, 36 inches. 


Painted in oil on canvas. 


(Illustrated ) 


No. 1976 


Tenth Session, Friday Afternoon 


FRANCESCO ZUCCHERELLI (1702-1793) 


VENETIAN SCHOOL OF THE EIGHTEENTH CENTURY a 


=. 
ne. 


1976—A Frirower Piece 
Two marble figures of Puttini, one of whom pours wine from a flask 
into a tazza held by the other painted en grisaille. They stand in an 3 
arched niche and are surrounded by wreaths of flowers painted with 
extreme realism and by Way plumaged birds. s 


Height, 46 inches; width, 37 inchene a 
Painted in oil on canvas. 


(Illustrated ) 


SCHOOL OF SIR PETER LELY 


1977—Portrait oF A YOUTH 
Portrait of a boy in loose coat of purple and gray sash, sandals A i 
buskin, holding a shepherd’s crook and with a dog at his side. Land- = 


scape background. | is 
Height, 47 inches; width, 37 ‘ncn 


° 5 ° ’ eZ 
Painted in oil on canvas. : 


ITALIAN SCHOOL OF THE SEVENTEENTH CENTURY 


1978—Fruir anp Fiower Piece | , 
Upon a table covered with a red and black tablecloth and draped with 
a cloth of gold embroidery are a violin, a sheet of music, an overturned 
vase of flowers, and a tray of cakes and confectionery. On a dark 


background. 
Height, 47 inches; length, 521% inches. 


Painted in oils on canvas. 


NOTE: On the stretcher on the back is a seal, under glass, of the Academy of Arts, of Venice, 
with an inscription stating that it was cut from the old stretcher on which the picture 


was originally mounted. 


DUTCH SCHOOL OF THE EIGHTEENTH CENTURY 


1979—F Lower Prece 
On a stone molded pedestal stands a bronze vase holding a large group 


of flowers. 
Height, 50 inches; width, 36 inches. 


Tenth Session, Friday Afternoon 


FRENCH SCHOOL OF THE LATE EIGHTEENTH CENTURY 


1980—Evropa AND THE BULL 
Europa, in a robe of yellow and with a red mantle, is seated on a white 
bull which licks her hands while she wreaths it with flowers. In the 
background are two Cupids with flowers, and above, four Amorini. 


Height, 63 inches; width, 51 inches. 
Painted in oil on canvas. 


DUTCH SCHOOL OF THE SEVENTEENTH CENTURY 


1981—Porrrair oF Grorce I, wHEN Evector or HANOVER 
The soldier, dressed in a full suit of armor, is seated on a brown horse, 
and holds in his right hand a Marshal’s baton. Behind him is a negro 
boy carrying his_helmet. Landscape background with view of military 


operations. 
Painted in oil on canvas. 


FLEMISH SCHOOL OF THE FIFTEENTH CENTURY 


1982—Saint JEROME IN HIS CELL 
Standing figure of the Saint in red robe and with a red cap. In front of 
him is a reading desk on which lies an open volume, and he rests his 
right forefinger upon a skull. In the foreground is a brass candlestick 
with a partly burnt candle. Hanging on the wall at the back is a shelf 
with bound volumes of books, a pair of scissors and a rosary. In the 
upper left hand corner is a hanging clock in an elaborately molded 
brass frame with the hands pointing to the hour of one. In old carved 


and gilt wood frame. 
Painted in oil. 


1983—Two EicureentH Century Scrap Pictures 
Portrait silhouettes, stipple and line engravings arranged in an effec- 
tive manner and pasted down. In contemporary paper covered frames. 


From the Valkenhayne Collection. 


ELEVENTH SESSION 


SATURDAY AFTERNOON, MARCH 20, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.00 0’ CLOCK 


Which includes Catalogue Nos. 1984 to 2189 


See notice on page facing First Session of Sale 


1984—Parr or EIGHTEENTH CENTURY ENGLISH NEEDLE-work PICTURES 
Panels of flowers embroidered in colored silks on a white satin back- 
ground. In oval carved wood frames. 
Height, 15 inches; width, 12 inches. 
1985—Parr or Otp Enciuish EmBroiperies 
Long-tailed birds on trees, embroidered in colored silks on a white silk 
ground. 
Height, 17 inches; width, 13 inches. 
1986—Pair or Oty EnetisH NeepiLe-work Pictrures 
Subject of Horses and Cattle. 
Height, 144, inches; width, 18 inches. 
1987—Oxup EncuisH NEEDLE-work PICTURE 
The Discovery of Moses by Pharoah’s daughter and her attendants. 
Height, 18 inches; width, 1414, inches. 


1988—Oup Encuish NeEpLE-work PIcruReE 
Still life subject of dead game on a table. Very naturalistically treated. 
Height, 23 inches; width, 17 inches. 


1989—EicuTeentH Century Perir Point Pane 
Embroidered in petit point with a shaped panel of mythological figure 


subjects, surrounded by a scroll border. 
Height, 28 inches; width, 231%, inches. 


Eleventh Session, Saturday Afternoon 


1990—EicHTEENTH CENTURY EncLisH EMBROIDERY 
Shield of armorial bearings, surmounted by a crest embroidered in gold, 
silver and colored threads on a white satin ground. “s 
Height, 61, inches ; ‘width, (EVA inches. i 


1991—EIGHTEENTH CENTURY ENGLISH NEEDLE -workK PICTURE a 
Oval shape. Subject in the Wheatley manner of “A Visit to the Old 


Sailor.”’ . 
12 inches. RO 


1992—EI1cGHTEENTH CENTURY NEEDLE-workK PICTURE 
Subject of child after a painting by Adam Buck. ae 
Height, 81% inches; width, vEVA inches. — 


1993—Pair or EicHTEENTH CENTURY ENcxiisH Partntines on SATIN 
Oval panels painted on white satin with sprays of flowers and leaves 
~ naturalistically treated and with subjects of “Jealousy” and “Bonnie 
Prince Charlie.” In black and gold frames. . ee 
. Height, 1514 inches; length, 1814 inches 


1994—SEVENTEENTH CENTURY EMBROIDERED PANEL 
Subject of a crowned eagle holding a shield occupied with a vase of 
flowers and surrounded by branches. of conventionally treated carna- 
tions, arum lilies, roses and other flowers, birds and butterflies. Em- 
broidered in silks on a white silk ground, and enriched with gilt spangles. 
Height, 18 inches; length, 21 inches. 


1995—EIGHTEENTH CENTURY ENGLISH EMBROIDERY 
Subject of a basket of flowers and leaves. In mahogany frame. 
Height, 12 inches; width, 91/, inches. 


1996—Pair or E1GHTEENTH CENTURY NEEDLE-worRkK PICTURES 
Oval shape. Domestic figure subjects after Wheatley. Framed in 


painted glass and gold frames. 
Height, 91, inches. 


Eleventh Session, Saturday Afternoon 


1997-——Parr or Oxtp Spanish NeEDLE-worK Pictures 
Subjects of the Immaculate Conception and the Coronation of the Vir- 
gin above with kneeling nuns and a monk below. Faces, hands and fig- 
ures of cherubim are painted, the remainder worked in colored silks, 
crewels and silver threads. 


Height, 18 inches; length, 1114 inches. 


1998—Frencu Neepie-work Picture 
Subject of a young girl with a basket of flowers. 


Height, 91, inches; width, 8 inches. 


1999—Parr or Frencu Perir Port -Panets 


In old carved pearwood frames. 
Height, 91% inches; width, 12%4 inches. 


2000—Ser or Four Oxip Cuartes II “Srume” Picrures 

“Stump” work figures in high relief with realistic costumes, applied on 
a silk background embroidered in silks and crewels. The subjects are 
“Jacob’s Vision,” “Abraham preparing to Sacrifice Isaac,” “Delilah cut- 
ting the Locks of Samson” and the “Annunciation.” In old black and 
gilt frame. | 
From the G. Duff Collection, Edinburgh. 

Heights, 8% inches; lengths, 91/, inches. 


2001—Cnartes II “Stump Work” Picture 
Subject of a lady carrying a basket and a man with a broad-brimmed 
hat. The background is occupied with a mansion with towers, birds and 
butterflies and a stag. In the foreground is a couchant lion. Worked 
on a silk ground with colored silks in high relief. In old lacquered and 


gilt frames. 
Height, 8°4 inches; length, 13%, inches. 


2002—Cuartes II Beap Picture 
Detached subjects worked in colored beads and applied on a canvas 
ground covered with colored paper. The subjects represent Adam and 
Eve with the Serpent under a tree in the center surrounded by figures of 
birds, lions and other animals, and a man and mermaid. In contempo- 


rary carved wooden frame. 
Height, 121%, inches; length, 18%, inches. 


Eleventh Session, REBAR Afternoon 


2003-—CHartes I] NEEpLE-work Box 
Rectangular shape, covered with colored silk embroidery on a white | 
satin ground in a design of a basket of flowers and floral wreaths. In 
front is the *‘stump-work”’ figure of a lion bordered with silver galloung 4 
Fitted inside as a work box with removable tray. 


Height, 54 inches; length, 81 inches; depth, 9%, inaken i 


2004—-CuHarues II Beapwork Box a 
Square shaped on four paw feet. Paneled on top and on the four sides a 
with beadwork embroideries of scroll and floral pattern. The interior 
is fitted with removable tray divided into compar anes and the Bel - 
with a mirror in gilt frame. ! q ; 

Height, 91%, inches; length, 17 inches; on 13 wall fe.” 


2005—-SEVENTEENTH CENTURY ENGLISH COFFER 7 
Rectangular shape, with domed top. Entirely covered with petit point 
embroidery patterned on a black ground with scrolled .flowers and — 
leaves and panels of animals. Bordered with old star-headed brass nails. 
Interior lined with contemporary gilt and colored paper. 


Height, 10 inches; length, 19 inches; depth, 11 inches. 


2006—Cuartes II Neeptework Correr 
Rectangular shape with domed hinged lid and iron strap lock. Covered 
with a seventeenth century English embroidered design of conventional 
flowers and leaves and ornamental scrollings, in colored silks with re- 
mains of an outlining in gold thread. Studded with brass-headed nails. 


Height, 20 inches; length, 32 inches; depth, 15 inches. 


2009—EicHTEENTH Century Frencu Dow 
Dressed in the costume of a Circassian beauty with turban and long 
plaited hair, velvet jacket, green silk skirt and Turkish trousers. 


Height, 171%, inches. 


Eleventh Session, Saturday Afternoon 


2010—E1cHTEENTH CENTURY FRENCH MANNEQUIN 
Carved wooden doll with powdered hair, in complete costume of silk bro- 
cade with stomacher studded with imitation pearls and jewels. The 
hair is decorated with elaborate ornaments of imitation pearls and 


jewels and with a plume of ostrich feathers. 
Height, 35 inches. 


2011—EicHTEENTH CENTURY FRENCH MaANnNEQIUN 
Carved wooden doll in complete costume of silk brocade, decorated with 
gold galloon. Bracelet, necklace and pearl hair ornament. 
Height, 37 inches. 


2012—Ser or THree EKiGHTEENTH CentTuRY EnciisH STrRAw-work PicTuREs 
Views of “Windsor Castle,” “Edinburgh Castle” and “Whitehall” with 
figures, boats and trees. Worked in inlaid straw, on oak panels, with 
painted backgrounds of sky and foregrounds of water and trees. In 


old wood frames. 
Heights, 14 inches; lengths, 18 and 20 inches. 


9013—Parr or EIGHTEENTH CENTURY EncuisH Guass PAINTINGS 


Oval shape, with subjects of a Lady reading a book under a tree in an 
English park, and a Lady seated in a chair with a writing table at 


her side. In gilt frames. 
Heights, 81%, inches; lengths, 6%, inches. 


9014—Ser or Four E1gHTEENTH CENTURY ENGLISH GLAss PAINTINGS 
Subjects of the “Money Changer,” “A Girl Asleep,” “The Apple Ven- 


dor” and “The Sportsman.” 
Heights, 71% inches; lengths, 11 inches. 


2015—Oup Encuisu Grass Parntine 
Subject of Hebe. In carved and gilt wood frame. 


Height, 111%, inches; width, 91%, inches. 


2016—Pair or orp Enciiso Guiass Paintines 
Portraits of young girls in straw hats. In old carved and gilt wood 


frames. 
Height, 1114 inches; width, 914 inches. 


Eleventh Session, Saturday Afternoon 


2017—O1pv EncuisH Guass PAINTING | | as 
Portrait of Mrs. Siddons. In old pearwood frame. 2 ‘am 
Height, 11 inches; width, 94 inches. 
2018—E1cHTeeNTH CEentTURY EncuisH Guass PaIntTING } ao 
Portrait of Kitty Fisher in a large plumed hat. In old frame. = 

Height, 11 inches; length, 81% inches. ie 


2019—Pair oF oLp Eneruisn Guass PAINTINGS ~ a7 


Portraits of ladies. = 
Height, 14% inches; width, 11 inches. 


2020—Oup Eneiisu Guass PaintTING 
Portrait of George III. In old gilt frame. 
) Height, 12 inches; width, 10 inches. 


9021—-Parir or EIGHTEENTH CENTURY FRENCH GuAss PAINTINGS 


Subjects of “The Sweethearts” (young girl and her lover watching a | 
pair of doves billmg and cooing) and the “Surprise” (young girl in 
a stable with her sweetheart, surprised by her mother). In original — 


frames. ; 
Heights, 1134 inches; lengths, 8 inches. 


2022—Parr oF EIGHTEENTH CENTURY ENcLIsH Guass ParIntTINGs 
“The Devout Family” and **The Happy Family.” Colored mezzotints 
on glass. Engraved by Lowrey after Teniers and Hoppner. | 
Height, 11 inches; length, 15 inches. 


2023—Ei1cHTEENTH CENTURY ENcLIsH CoLorED Guass PAINTING 
“The Father’s Joy.” Old colored mezzotint on glass. 
Height, 101, inches; length, 14 inches. 


2024—SEVENTEENTH CENTURY ITALIAN ParIntTING oN VELLUM 
Subject of Hercules in the Garden of the Hesperides painted in water 
colors on vellum. In old molded tortoise-shell frame. 
From the Dunn-Gardiner Collection. 
Height, 1134 inches; length, 834 inches. 


8606 “ON 


Eleventh Session, Saturday Afternoon 


9025—SEVENTEENTH CENTURY VENETIAN TRIPLE Guass PAINTING 
Subject of “The Adoration of the Magi” admirably painted on thread 
sheets of blown glass so arranged as to form a background, middle — 
distance and a foreground. In old ebony and ormolu frame. 


Height, 61%, inches; length, 10 inches. 


i, 
‘ 


Ba 


2026—Ser or Turee EicuTeentH Century Enerish Mirror Parntincs 


Chinese figure subjects, with landscape backgrounds, painted in a 


ing colors of blue and red. In original carved and lacquered frames. 
Heights, 9 inches; lengths, 6%, inches. 


2027—Ser or Turee Curese Mirror Parntines 


Subjects of Chinese ladies playing with children and smoking. In old 
shaped and lacquered frames which have been painted. 


Heights, 1434, inches; lengths, 10%, inchen 


2027 A—Pair oF CHINESE Guass PAINTINGS 


Long panels with subjects of Chinese ladies painting, playing ganiee 


reading, and playing musical instruments. Two groups in each panel. 
In old molded teakwood frame with shaped and engraved brass loops. 


Height, 3 feet 10 inches; length, 9 inches. 


2027B—Gerorcian Manocany Birp Cace | 
In the manner of Chippendale. Square cage with semi-circular top 
supported by reeded mahogany uprights and cross pieces, top and sides 
of cane. The front has an arcade with spindle balustradings, two doors, 
of spindle and pierced work and fret-work brackets in the angles. 
Height, 1614, inches. 


2028—Pair or Trerra-corra STATUETTES BY RyYSBRACK 


Classically draped figures representing Spring and Summer. Spring — 


with flowers and Summer with a sheaf of wheat. On square bases. 


(Illustrated) Height, 21 inches. e 


2029—Patir or TERRA-COTTA STATUETTES BY RysBRACK 
Classically draped symbolic figures of women. On square bases. 
Signed: Michiel Rysbrack 1744. Height, 28 inchen 


NOTE: Joannes Michiel Rysbrack (1693-1770) was one of the most noted sculptors of the 
Flemish School of the eighteenth century. 


(Illustrated) 


‘ea 


ae 


Eleventh Session, Saturday Afternoon 


20380—Louis Seize Marsre Bust 
School of Houdon. Bust of a child. On 


square marble base. 
Height, 21 inches. 


2080A—Louts Seize Marsie Porrratir Bust 


Bust of Marie Antoinette wearing around 
her neck a portrait medallion of Louis 
Sixteenth. 


Height, 29 inches. 


2081—GerorGIAN GIRANDOLE 


Of carved and gilt wood shaped as a classic 
vase with two voluted handles. In the 
center is a medallion with the head of 
a lion carved in high relief. The body is 
diapered in a checkered pattern with acan- 
thus-leaf scrolls. Above is a large scallop 
shell and a carved ribbon loop terminating 
in a lion’s head medallion. Below are two branched arms ending in 
bronze candle sockets. Original gilding. 


No. 2030 


Height, 2 feet 914 inches. 


2032—Pair or Orv Grorcian Watt Lamp Brackets 
Of carved and gilded wood. Shaped as semi-caryatid winged female 
figures with boldly scrolled acanthus-leaf terminations. They support 


on their heads circular acanthus-leaf lamp stands. 
Height, 36 inches. 


2033—Oxp Grorcian Convex Mirror 
Carved and gilt wood. Circular frame surmounted by a figure of a horse. 
Below is a shell ornamentation with arms of leaf scrollings supporting 


candle sockets. 
Height, 2 feet 7 inches; diameter of mirror, 11 inches. 


2034—QvuEEN ANNE Oak AND Manocany CuiLp’s Hicu-pack Cuair 
Curved arms, shaped frame of oak and vase-shaped center splat of ma- 


hogany. Removable upholstered seat. 
Height, 33 inches, 


Eleventh Session, Saturday Afternoon 


2035—Pair or Manocany CHIPPENDALE CHAIRS | 
Straight molded legs with straight side rails and stretcher, shaped seat 
fronts and backs with vase-shaped splats pierced and carved in a de- 
sign of acanthus scrollings. Curved top rail with acanthus-leaf scrolls 
at the angles. 


2086—SuHERATON Work TABLE 
Of the period and in the manner of Sheraton. Of mahogany inlaid with 
broad bands and lines of satinwood. Tapering legs and crossed stretch- 
ers. Fitted with two drawers. Contemporary brass casters. 
. Height, 27 inches. 


Eleventh Session, Saturday Afternoon 


2037—QuvuEEN Anne Watnur KneenoLe Desk 

Fitted with sliding writing ledge, one long drawer, seven small drawers 
and cupboard with hinged door. Drawers with molded fronts inlaid 
with bands of herring-bone pattern and burr walnut panels. Original 
brass swing loop handles, lock escutcheons and plate hinges. Top inlaid 
with bands of herring-bone pattern and with a large panel of burr 
walnut. On molded base and shaped bracket feet. 

Height, 301, inches; length, 2514 inches; depth, 18 inches. 


2038—-CHIPPENDALE Manocany CELLARETTE 
Octagonal shape with straight sides on four tapering feet and brass 
casters. Inlaid with bands of satinwood, with star-shaped figure of 
scrollings in pear-wood, with a circular medallion and with lines of 


husk pattern. 
Height, 201, inches. 


2039—QuEEN ANNE Watnoet Toiter Gass 
Shaped swinging mirror with deep molded walnut frame, stand with 
long drawer and fall-down front. The interior is fitted with small 
drawers, two of which are missing. Inlaid with bands of pear wood in 
a fishbone pattern. Original brass swinging loop handles and shaped 


lock escutcheon. 
Height, 301%, inches; length, 19 inches; breadth, 131% inches. 


2040—CHIPPENDALE Carp TABLE 
Of the period and in the manner of Chippendale. Front and sides with 
boldly carved borders of egg and dart pattern, straight molded legs, 
with carved moldings at the angles. 


Height, 28°/, inches; length, 24 inches; width, 17 inches. 


2041—Par or SHERATON SATINWOOoD PoLE ScREENS 
Of satinwood inlaid with lines of ebony. Square base in three tiers, 
on four cushion feet, tapering square stem, square pole of satinwood 
supporting octagonal screen, framed in satinwood. Original tassels 


and cords. 
Height, 4 feet 1 inch. 


Eleventh Session, Saturday Afternoon 


2042-—OLp Eneiish Lapy’s Work-Box , “” 
Square shape with outcurving sides and molded hinged lid. Of Thuja a 

wood inlaid with lines of satinwood. Inlaid with an oil painting of ~ 

Mary Stuart and Rizzio. The inside is very elaborately fitted with a — 
removable tray divided into fourteen compartments, boxes with pierced 

rims and lids of Thuja wood and panels of very finely painted flower - 
subjects. The lid is lined with quilled blue satin. ‘ a 

Height, 61% inches; length, 19%, inches; depth, 238 insheel 


2043—SetT oF Six CHIPPENDALE Manocany CHAIRS 
Of the period and in the manner of Chippendale. Shaped backs with 
the edges carved in a gadroon pattern and with pierced splats of plain 
interlacements. Straight molded legs. Straight side rails and stretch- 
ers. Removable seats upholstered in leather. oa 


2044—CuHarwes II Beap-work Framep Mirror | 

Square molded outer frame with an inner broad border surrounding the 

mirror covered with old Stuart bead work in a design of square panels 
occupied wth floral sprays. On the back is an inscription giving the ~ 

_ history of the mirror, which originally belonged to a member of the 


Barnard family in 1662. 
Height, 2 feet 2 inches; length, 1 foot 11 inches. 


2045—QuEEN ANNE Mirror 
Molded walnut frame with shaped fret-work top cut in a design of 


scrollings. 
Height, 36 inches; width, 241% inches. 


2046—Oxp Encuisn “CHrines—E CHIPPENDALE” Wine Bry 
Shaped as a small table on casters with removable top divided into 
twelve rectangular divisions for wine bottles. Straight square legs 
carved in a “Chinese Chippendale” pattern of geometrical interlacements. 
Edges of wine bin carved in a twisted rope pattern. 
Height, 221, inches; length, 231/, inches; breadth, 18 inches. 


NOTE: This unusual piece of furniture was undoubtedly made to order. 


Eleventh Session, Saturday Afternoon 


£047—CuipPpeNDALE Manocany Wtixpow SEAT 


Of the period and in the manner of Chippendale. Cabriole legs with 
acanthus-leaf brackets, carved acanthus-leaf scrollings at the ends, and 
feet formed as volutes with acanthus-leaf carvings. Seat and ends up- 


holstered. On original brass castors. 
Height, 27 inches; width, 39 inches. 


2048—GrorciaAn Convex-Carvep ann Grrr Woop Mirror 
In very elaborate carved and gilt wood frame. Surmounted by an eagle 
with outstretched wings holding in its claws two serpents, and flanked 
by boldly carved acanthus-leaf scrollings. Below are similar acanthus 
scrollings ending with pendants of carved bunches of grapes. Original 
gilding. 


Height, 72 inches; diameter of mirror, 231/, inches. 


2049—SuHeraton Writinc Taste 
Of satinwood inlaid with lines of kingwood. Knee-hole bow front fitted 
with nine drawers with turned ebony knobs. Shaped bracket feet. The 
top 1s covered with the original stamped green morocco leather. 
Height, 30 inches; length, 43 inches; depth, 21 inches. 


2050—Cuiprenpate Manocany Tre Tasie 7 
Of the period and in the manner of Chippendale. Tripod base with 
tapering pedestal and three shaped and molded legs. Plain circular top. 


Diameter, 28 inches. 


2051—Georcian CuHEstnNut TasLe 
Of the period and in the manner of Chippendale. Cabriole legs ending 
in acanthus leaf feet and enriched with rococo carvings of scrolls, shells 
and flowers. The apron on all four sides is pierced and carved with 
a very elaborate pattern of masks, branches of grape leaves and 
flowers. The top has a pierced and carved border of acanthus scrolls 


and floral sprays. 
Height, 301, inches; length, 49 inches; depth, 27 inches. 


NOTE: This table offers a very noteworthy example of the best work of the period and 
was undoubtedly made when Chippendale was at the height of his fame, and derives 
additional interest from the wood of which it is made. 


Eleventh Session, Saturday Afternoon 


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- 

2052—-CHIPPENDALE Manocany Lion Masx Tape a. 
Cabriole legs with claw and ball feet and acanthus scrolled knees. ‘Top + 

with edge carved in a pattern of gadroons and shaped apron carved a 

with a large lion mask in the center flanked by bold acanthus scrollings. - 

Height, 30 inches; length, 56 inches; depth, 27 inches. a 
NOTE: This table is noteworthy for its exceptional yet untouched condition. 4 | 
| 
2053—HEPPELWHITE SipE TABLE : : . 
Probably by Heppelwhite. Of ‘Fiddle-back” maple inlaid with broad 4 


bands of satinwood. Semi-circular top with tapering legs and spread- 
ing feet. The top is inlaid with panels of finely grained “fiddleback” 
maple occupied with shell ornamentation in burnt satinwood and with 
a broad band of satinwood having a meander-pattern of flowers and 
leaves in colored and etched woods. ‘The apron is inlaid with satin- 
wood giving the effect of groups of flutings and with rectangular 
panels of satinwood occupied with oval medallions of amboyna wood. . 
The legs are inlaid with lines of satinwood and with pendants of a 


: ; ‘ mm 
husk pattern in colored and etched woods. The feet are of ebony inlaid 1 
with satinwood. In original condition. a 
=, ' 
Height, 33 inches; length, 51 inches; depth, 2214 inches. os 
a | 


(Illustrated) 


£906 ‘ON 


Eleventh Session, Saturday Afternoon 


2054—SHERATON Manocany Kipnry SHarep Writine Tape 

By Thomas Sheraton. Kidney shaped top on vase shaped turned 
pedestal, and four radiating curved and tapering spreading legs. Plain 
apron with bands of satinwood inlay, fitted with five drawers which 
open in either direction, with a molded Sheffield plated rim and with a 
band of mahogany inlaid with lines of satinwood. The top is covered 
with old crimson baize. Two of the drawers are fitted with compart- 
ments for writing materials. 

From the Collection of Captain C. M. Leslie, Slindon House, Sussex. 


Height, 30 inches; length, 51 inches; breadth, 32 inches. 


NOTE: This characteristic table is known to have been made by Thomas Sheraton to the 
order of one of his noble customers. 


Eleventh Session, Saturday Afternoon 


2055—OLp SHERATON COMMODE 
Of mahogany inlaid with satinwood, tulipwood, kingwood and colored 
woods. Serpentine front and sides. Top inlaid with branches of roses, 
leaves and birds and with a border of etched satinwood and kingwood. 
The drawers are bordered with inlaid bands of tulipwood and are 
decorated with festoons of flowers and leaves inlaid in colored woods. 
The handles, lock escutcheons and mountings are of molded and chased 


ormolu. 
Height, 331%, inches; length, 46 inches; depth, 21 inches. 


NOTE: It is very seldom one finds a piece of English furniture so closely resembling the 
French model. 


Eleventh Session, Saturday Afternoon 


2056—OLp SHERATON SOFA TABLE F 
Of satinwood inlaid with lignum vitae. Curved tapering spreading feet — 
and legs enclosing galleries of turned spindles. The top is of very | 
beautifully grained satinwood inlaid with a border of lignum vitae. — 
The center portion of the top is formed as a hinged lid giving access _ 
to the interior, which is arranged as a combined lady’s dressing table 
and work box, and fitted with six old English cut glass bottles. e 
From the Collection of Captain Leslie of Slindon House, Sussex. ; 

Height, 2 feet 5 inches; length, 5 feet 114 inches; depth, 2 feet 2 inches. 4 4 


2057—OLp CHIPPENDALE MAHOGANY CHAIR 


Cabriole legs with carved and scrolled ball feet, and with finely carved 
masks at the knees, carved aprons in front and at the sides. High back 
with top rail recarved in a design of masks and scrolls. The back 
and seat are upholstered and covered with eighteenth century English 
crewel-work embroidery in a design of bold scrollings, leaves and borders 
on a white linen ground. 


2058—Onup EncuisH CHIPPENDALE Pie-crust TABLE 


Tripod support with oval feet, turned pillar and molded “pie-crust” 
top. 
Height, 2 feet 434 inches; diameter, 1 foot 5 inches. 


2059—SHERATON Work "TABLE 


On tripod support enriched with a band of carved guilloche pattern, 
turned and fluted stem, and turned spindle feet. The top is fitted 
with drawer and with fall down brackets and flaps. Original ormolu 


knobs to drawers. 
Height, 28 inches; length, 21 inches; depth, 14 inches. 


2060—Grorcian Convex Mirror 
Carved and gilt wood frame with ball decoration, surmounted by an 
eagle with outstretched wings flanked by acanthus leaf scrollings. 
Below are bold scrollings of a rococo character with a pendant of 
a bunch of grapes. Original gilding. 


Height, 5 feet 5 inches; diameter of mirror, 2 feet 41%, inches. 


Eleventh Session, Saturday Afternoon 


2061—QuEEN ANNE MaAnocGany AnD Marsie Hari Tassie 


Cabriole legs with carved paw and ball feet with carved fetlocks, and 
bold acanthus scrolls at the knees. Molded apron with a carved lion’s 
mask in the center. Partially gilt with contemporary oil gilding. Mas- 
sive top of an exceptionally decorative piece of grained purple and 
white marble. 
Height, 2 feet 11 inches; length, 4 feet 6 inches; depth, 2 feet 6 inches. 
NOTE: Though this exceptionally fine table was probably made some five or six years 
after the actual death of Queen Anne, it is thoroughly characteristic of the design of 


her period. Evidently it was one of the first important pieces of furniture to be made 
in the newly introduced mahogany. 


Eleventh Session, Saturday Afternoon 


2062—Bronze Bust or W. E. Heniety sy Ropin 
Portrait head, in bronze, on a circular 


pedestal. 
Height, 23 inches. 


NOTE: A very peculiar significance attaches to this por- 
trait by the greatest of French sculptors of a dis- 
tinguished English man of letters. Henley, as 
Editor of the “Magazine of Art,” was among the 
first of his nation to recognize the genius of Rodin 
and to familiarize his countrymen with his work 
and his name. It was, therefore, a labor of love 
for Rodin to put into enduring form the linea- 
ments of his friend. At Henley’s death in 1903 
the bust became as a treasured possession of his 
family by whom a few years later it was lent to 
Rodin himself in order that he might make from 
it a replica in marble. This was presented by him 
to the English nation and took its final place, on 
July 11, 1907, in St. Paul’s Cathedral, where it 
was unveiled by the Earl of Plymouth. 

Of William Ernest Henley himself it is suf- 
ficient to say that, apart from his fame as a poet 
and as a close friend of Robert Louis Stevenson, 
he was for many years one of the most formative 
influences in modern English literature. As Editor 
of the “National Observer” he gathered about him 
that brilliant band known as “Henley’s young 
men,’ many of whom, as in the case for instance 
of H. G. Wells, have taken their place among the 
leading writers of our day. 

Purchased from the Henley family after Mr. 
Henley’s death. 


2062 A—SEVENTEENTH CENTURY Bronze Bust 
oF CHaRLEs I 


By Giovanni Lorenzo Bernini (1598- 
1680). Portrait bust of Charles I of 
England, modeled by Bernini after a 
No. 2062 portrait by Van Dyck, showing the King 
with mustache and pointed beard and 
long curling hair reaching, on the left side, to the shoulder, in armored 
corselet having lions’ head shoulder pieces, and with a falling collar. On 
contemporary shaped marble base. 


From the collection of Mrs. T. G. Arthur of Carrick House, Ayr, 
Scotland. 


NOTE: This is a bust of very extraordinary interest. It is undoubtedly a replica by the 
most eminent Italian sculptor of the seventeenth century of the bronze bust he modeled 
for the King himself in 1635, This bust was consumed in the fire which destroyed 
Whitehall in 1691. An engraving of it by Mazella was published in 1695, as was an- 
other from a drawing made by J. Richardson in 1700. The bust itself, however, has 
always been regarded as one of the world’s first masterpieces of art. Bernini, who was 
considered the leading sculptor of his generation, modeled, besides this bust of Charles 
I, portraits of Cardinal Richelieu and Louis XIV of France. 


Eleventh Session, Saturday Afternoon 


2063—Pair or Louis Seize Bronze STATUETTES 


Figures of a nude boy and girl upon square pedestals. The girl, sym- 
bolizing “Reading,” holds in her lap an open book over which she pores 
meditatively. The boy, symbolizing “Pictorial Art,” holds in one hand 
a sketching tablet on which he draws with a crayon in a holder held 
in his right hand. He follows the course of his pencil with rapt atten- 
tion. On plain rectangular bronze bases. 


Heights, 18 inches and 171% inches. 


NOTE: These figures represent ithe very highest water-mark of the late Eighteenth Century 
School of French Sculpture. Though not signed they were probably modeled by 
Clodion. 


Eleventh Session, Saturday Afternoon 


2064—Louvis Srize Crock wirh Marsie Ficure spy FAaLconer 


Of white marble and ormolu. Circular clock case surmounted by a 
figure in white marble of a Nymph draping a Cupid with a garland 
of flowers. The figures are supported by sculptured clouds of marble, — 
on which are a pair of billing and cooing turtle-doves and a Cupid’s 
Quiver. The molded base of marble is decorated with panels of pierced 
and wrought ormolu exquisitely ciselé in a pattern of acanthus scrollings 
and flowers. This base is supported on six feet of ciselé ormolu. White — 
enamel dial with Roman hour numerals and Arabic minute numerals. 


Height, 27 inches; width, 17 inches. 


NOTE: Though unsigned, as is so often the case with the works of Falconet, this figure 
has received the unqualified endorsement of leading French and English critics 
as being worthy to take its place with such celebrated examples of his decorative 
genius as the “Three Graces” at Windsor Castle. It is somewhat of any irony of fate 
that Etienne Maurice Falconet should in our day be esteemed not so much by his more 
serious works such as the great equestrian Peter the Great at Moscow, which he himself 
deemed his masterpiece, as by what he doubtless considered his more negligible deco- 
rative clock mountings. Such an example, however, as is here considered, is sufficient 
to show how supremely graceful were his conceptions, how prepossessing in their 
delicate simplicity, and how convincing in the surety of their technical execution. — 


(Illustrated) 


2065—Pair or Louis Seize Bronzes 


School of Jean-Baptiste Pigalle. ‘Hunting & Fishing.” Represented 
in the one case as a child holding a deer and blowing a hunting horn 
supported by another child holding a hunting spear, at their feet a 
dead bird; in the other as two female children, one of whom is pre- 
paring to cast a net, the other holding a captured fish in her hand. 


On octagonal molded bronze bases. 
Heights, 13 inches. 
(Illustrated) 


2066—Louis QuatTorzE Crock or Gitt Bronze 


Formed as a trumpeting elephant carrying on his back a houdah on 
' which rests the clock dial which is flanked by branches of flowers and 
leaves in molded and chased ormolu and surmounted by a Chinoiserie 
subject of a Chinaman holding an umbrella. On a rococo base of 
scrollings, rock work, leaves and flowers. Maker’s name, ““Mayer a 


‘Paris’: 
Height, 191%, inches; length, 10 inches. 


(Illustrated ) 


ee oe ee 


No. 2064 


£906 “ON 


Eleventh Session, Saturday Afternoon 


No. 2066 . No. 2067 


2067—Louis SrizE CLock 
Case of white marble surmounted by a sculptured subject of two Cupids 
reading a book and two doves billing and cooing. On shaped and molded 
white marble base, with panels of pierced and chased ormolu. On six 
ormolu feet. White enamel dial with pierced gilt hands. Silk sus- 


pension, striking hours and quarters. 
a Height, 1714 inches. 


Eleventh Session, Saturday Afternoon 


2068—Lovis QuatTorzE Cxiock or Girt Bronze 


Formed as the figure of a lion supporting on his back the dial which 
is flanked by scrollings and surmounted by a classical urn festooned 
with laurel leaves and berries. On an ebony base decorated with. 
branches of oak leaves and acorns and by acanthus leaf medallions of 
wrought and chiseled ormolu. On four circular feet of ormolu with 
lotus leaf ornamentation. Maker’s name, ‘‘Cronier 4 Paris.” 


Height, 221, inches; length, 141% inches. 


Eleventh Session, Saturday Afternoon 


ELEREEREFESEAREHEEEREER ER OAO OR ERA EE EHEERR ECR ERE REE ROE EH Ee 5 


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7X 


2069—-Oxp Louis Seize Crock 
Striking clock, surmounted by two female figures of bronze. One 
represents “Justice” holding a scroll in one hand and a sword in the 
other, the other “Education” writing on a tablet which she supports 
on her knee. At the back is an urn of flowers in ormolu, on a rec- 
tangular base of ormolu molded and chiseled in a pattern of bold. acan- 
thus leaf scrollings. On marble bases with four ball feet of ormolu. 
White enamel dial with Arabic numerals and pierced and chased gold 


hands. 
Height, 171%, inches; length, 16 inches. 


Eleventh Session, Saturday Afternoon 


2070—Louvis Srize “Reaping & Writine’”’ CLock 


Of bronze, ormolu and marble. The clock dial is supported on a 
square ormolu pedestal decorated in a relief subject of two Cupids 
and surmounted by an ormolu figure of an eagle with outstretched 
wings. On either side of the dial are figures in bronze, one of a Nymph 
reading from an open book and the other of a Youth writing on a 
tablet which he holds in his lap. On a shaped marble base decorated 
with panels of ormolu pierced, wrought and chiseled in a design of 
a bearded mask flanked by Cupids with acanthus scrolled terminations, 
and by two sunken medallions of Medusa heads. . On six fluted feet. 
Maker’s name, “‘Faissant.”’ 


Height, 21 inches; length, 27 inches. 


2070A—PaneEL oF SEVENTEENTH CENTURY FLEMisH TAPESTRY 
Subject of Christ entering the Temple. By his side are a Roman 


Legionary and one of the Apostles. 
Height, 8 feet 5 inches; width, 5 feet 5 inches. 


GLOG "ON 


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Eleventh Session, Saturday Afternoon 


2071—SIxTEENTH CENTURY BrusseEts 'T'APESTRY 


“The Battle of the Thundering Legion” after a design by Giulio 
Romano. In the center is a figure of the Emperor Marcus Aurelius 
on horseback surrounded by other mounted warriors on left and right. 
In the lower right hand corner a Roman legionary and a German 
soldier are locked in a hand to hand conflict. The panel is surrounded 
by a broad border in a design of festoons of flowers having at the 
corners panels of parrots and other birds. Below is a shaped tablet — 


inscribed “‘Prelium M. Aurelii.” 
Height, 18 feet 7 inches; width, 7 feet 6 inches. 


2072—-SEVENTEENTH CENTURY FLEMISH TAPESTRY 


On the right is a portico of classic architecture with three figures in 
classic costume. One of these directs the attention of his companion 
to the third, who stands on the topmost step of the portico inscribing 
a stone tablet with the invocation, “‘NIHITL HIC INGREDIATUR MALI” 
(May nothing evil enter here). On the left is a wooded landscape 
with buildings and in the immediate foreground is a conventional 
verdure with broken classical columns. | 

: Height, 6 feet 8 inches; width, 12 feet 8 inches. 

(Illustrated) 


2073—Earzty SEVENTEENTH CENTURY BrussELs TAPESTRY 


A large panel of silk and wool tapestry, woven at Brussels after a design 
by William Van de Velde, the Elder. The subject is that of a view 
of a Flemish harbor having on the spectator’s left an imposing fortress, 
mounted with guns, on whose walls soldiers are seen on sentry duty, 
while in pavilions are parties of ladies. On the right is a rocky land- 
scape with buildings and figures. Between these at the entrance to 
the harbor is a man-of-war saluting and partially hidden by the volume 
of smoke from the firing guns. Between this ship and the foreground 
are small boats, one a rowboat with fishermen casting a net, the other 
a sailboat preparing to land. On the spectator’s left in the immediate 
foreground is a pier on which fishermen are landing from a boat. On 
this pier is a fisherman unloading a catch of fish from a basket and 
a group of citizens conversing. On the right are a barrel-buoy and 
dolphins gamboling in the water and spouting. The tapestry is 
surrounded by a narrow inner border of very delicate execution in 
a design of fruits and flowers, and an outer ribbon and diapered border 
of a guilloche pattern. 
From Lord Portsmouth’s Collection. 

Height, 9 feet 8 inches; width, 16 feet 1 inch. 

(Illustrated) 


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Eleventh Session, Saturday Afternoon 


2074—SrxTeentH Century Frencn Marriage Cuest (Corrrer pE Ma- 
RIAGE ) 


Of applewood, elaborately carved. Rectangular shape, with corniced 
top, hinged lid with molded edge, molded base, and four block feet. 
The front is divided, by pilasters of composite Ionic design standing 
on acanthus leaf bases, into four round-arched paneled recesses with 
arches supported on classical pilasters. ‘These contain symbolic figures 
carved in relief of a woman holding a crucifix (Religion), another 
stabbing herself with a sword held in both hands (Self-negation), 
another freeing a bird from a cage (‘Charity), and a fourth holding 
a chalice in her right hand (Faith). At the ends are smaller panels, 
one with the figures of two dancing women, the other with two women 
in sixteenth century costume, one holding a cup, the other a torch 
and a lantern. In the upper center of the front, blocked out and 
framed by a continuation of the molded top cornice, is a lockplate of 
very elaborately wrought and pierced steel in a fifteenth century design 
having a hinged key-hole cover shaped as a Gothic pinnacle decorated 


Eleventh Session, Saturday Afternoon 


with a crowned fleur-de-lys (suggesting the royal origin of the chest). 
The key has wrought and pierced handle terminating in a fleur-de-lys 
ornamentation. Below the lock plate is a square panel carved with 
figures of the Virgin and Saint Joseph kneeling on either side of the 
new-born Christ. Above the roof of the shed are shepherds, sheep and 
a winged angel. The chest is supported on a base with four carved 
panels of a Renaissance arabesque design of acanthus leaf scrollings, 
vases and grotesque busts. 


From the collection of W. H. Turner Baldwin, at Stede Hill, Kent. 
; Height, 3 feet; length, 5 feet 434 inches; depth, 2 feet 214 inches. 
NOTE: This admirable chest is of interest for its mingling of fifteenth century Gothic 
and sixteenth century Renaissance details. Noteworthy, too, is the very beautiful 


patina, suggesting that on a fine bronze, which age and reverent handling have con- 
ferred upon. it. 


(Illustrated ) 


2075—Oxup Frenco Henri Deux Watnet Casinetr 

Rectangular shape, in two portions. The upper arranged as a cup- 
board with two hinged doors, two drawers, has a molded cornice and 
frieze carved in high relief with cherubim heads at the angles and an 
eagle devouring a snake surrounded by a husk patterned festoon in 
the center. The doors, flanked by twisted turned columns with Ionic 
capitals, the center stile formed as an Ionic pilaster with floral and 
drapery festoons, have panels surrounded by deep moldings and 
decorated with carvings of the Annunciation, the Angel Gabriel in 
one and the Virgin in the other. The under portion is divided into 
two drawers and a cupboard with two hinged doors. The drawers 
have molded fronts flanked and supported by acanthus leaf consoles, 
the doors have turned and twisted columns at the angles and molded 
stiles formed as balusters with a branch and leaf pattern. ‘The molded 
base is supported on four ball feet. The sides are treated with raised 
panels and plain Ionic columns at the rear. In absolutely original 
condition. From the Collection of Sir Charles Knightley, Fawsley 
Park, Northamptonshire. 


Height, 5 feet 6 inches; width, 5 feet; depth, 2 feet 2 inches. 


(Illustrated ) 


Eleventh Session, Saturday Afternoon 


2076—SIXTEENTH CENTURY [ITALIAN MImANESE STEEL CABINET 


Of wrought, carved and cisélé steel damascened in gold with mounts 
of gilt bronze. Rectangular shape with molded cornice base and four ~ 
claw feet of gilt bronze, and surrounded by a peristyle of columns with 
steel shafts damascened in gold in designs of Renaissance scrollings and 
arabesque and with Corinthian capitals and molded bases of gilt bronze. 
The upper surface of the bases on which the columns rest is of steel 
damascened in gold, with an arabesque patterning and an escutcheon 
of the armorial bearings of the Aldobrandini family, surmounted by 
a Cardinal’s Hat. The panel of the central and the door fronts are 
all of wrought carved and ciselé steel damascened in gold and sur- 
rounded by moldings in gilt bronze. The subjects of all these panels 
are of episodes in Torquato Tasso’s great epic poem, “Gerusalemme 
Liberata” (Jerusalem Delivered.) The subject of the large central 
door panel is “The Assault on Jerusalem by the Christians led by Gof- 
fredo.” The subjects of the paneled drawer fronts are as follows: (1) 
The appearance of the Blessed Virgin in a vision to Goffredo. (2) The 
equestrian combat between Tancredi and Argantes over the prostrate 
form of Otho. (3) The combat, on foot, between Rinaldo and Gernando, 
showing the death of the latter. (4) The duel with lances between 
Tancredi and Clorinda in the presence of the Christians and the Sara- 
cens. (5) The Baptism of the dying Clorinda by Tancredi, who carries 
the water in his helmet. (6) Tancredi succored by Erminia and her 
companions. On the sides of the cabinet are large panels of a lower 
relief than the front panels. One has a subject of Tancredi in the 
Enchanted Wood with the vision of Clorinda in the cypress tree “that 
upshot like a green pyramid to Heaven,” the other a subject of Rinaldo 
meeting Armida in the forest. 


Originally from the celebrated Marryat Collection and later from the 
Stewart Collection. 
Height, 1 foot 514 inches; width, 3 feet; depth, 1 foot 2 inches. 


NOTE: This cabinet represents in a most admirable manner the crowning glories of ‘the 
Italian cinquecento period and of that school of decorative metal-work with which 
the name of Benvenuto Cellini is so inseparably connected. When it was fashioned 
Cellini’s tempestuous career must have closed, for Tasso’s poem, which inspired 
these marvelously wrought panels, was not published till 1580 and Cellini died ten 
years earlier. The presence among the patterned damascenings of the Aldobrandini 
arms suggests that the cabinet was made for that Cardinal Aldobrandini, nephew of 
Pope Clement VIII, who was so helpful a patron of Tasso during the last sad years 
of his life. This would put the execution of the work at about the year 1590, a date 
borne out by the style and technical methods it exhibits. 


(Illustrated) 


9p AARNE IN IM Be, Shh I 


ep 


2076 


No. 


o 


Eleventh Session, Saturday Afternoon 


2077—Suir or SrxTEENTH CENTURY GERMAN ARMOR 

Cap-a-pie suit of early sixteenth century Maximilian armor probably 
made at Nuremberg about 1530. The suit is of the fluted type which 
came into fashion during the reign of the Emperor Maximilian (1459- 
1519) and become known by his name. It consists of a bassinet with 
visor and gorget, cuirass with brassards and vambraces to protect 
the arms, laminated gauntlets for the hands, cuissards, or thigh pieces, 
jambs with knee pieces to protect the legs, and sabatons or square toed 
feet coverings. All these pieces are of finely wrought steel with raised 
ribbings or flutings, 
From the Muirhead Moffatt Collection of Glasgow. 

Height, 5 feet 6 inches. 


Eleventh Session, Saturday Afternoon 


2078—FourtH Century Gatito-Roman ScuLPrurE 


Of statuary marble. Scuptured in high relief with a subject of a 
Military Triumph. Standing in a Triumphal Car drawn by two 
Centaurs carrying captured standards, are two Gallic Warriors winged 
in token of victory, supporting between them a shield blazoned with 
an eagle, heraldically displayed, and surmounted by a Crown of Victory. 
The Centaurs are bestridden by winged Amorini, with two others seated 
in front bearing banners and two others behind blowing a triumphant 
fanfare on trumpets. ‘Three other Amorini urge the Car onwards. 
Behind these are seen the figures of two captive Warriors with spears, 
one wearing an eagle-head Casque, the other a woolen head dress. 
Beneath the car is a bearded head of Janus. Alongside the Centaurs 
runs a dog. 


From the Muirhead Moffatt Collection of Glasgow. 


Height, 2 feet; length, 5 feet 3 inches. 


NOTE: This commemorative tablet evidently decorated the interior of a temple or other 
building as it is entirely free from weather stains. It was probably the work of a 
Roman sculptor resident in Gaul in the time of Valerius and was made in commemora- 
tion of a Gallic victory over the Allemans or some other Teutonic tribe. 


Eleventh Session, Saturday Afternoon 


2079—Firtreentu Century Eneiish Muniment CHEst 

Henry VII period Gothic (1456-1509). Of cuir ciselé (tooled ee 
steel and iron. Rectangular shape with hinged domed lid. The sides 
and top are covered with cuir ciselé and strapped with semi-hexagonal 
straps of wrought and chased steel with scallop shell terminations. — 
Two of these are hinged and pierced to fit over hasps looped for the 
reception of the bows of padlocks, while another is also hinged and 
fitted with a hasp which fits into and catches the latch of a projecting 
lock. Flanking the lock plate are two pinnacles of wrought, pierced — 
and chased steel fashionéd in the form of steeple-turrets of late Gothic 
design. The front of the chest, immediately under the lid, is galleried’ 
with a band of double piercings, of Gothic design, over red leather, 
while a band of similar single piercings also over red leather extends 
around the sides. ‘The swinging handle of the lid is of twisted wrought 
and pierced iron and at the sides are drop handles of wrought and 
twisted iron. The chest, with its semi-circular top, is completely 
covered in cuir ciselé elaborately tooled in a pattern of florid Gothic 
scrollings interspersed with coats-of-arms, labels across the lid contain- 
ing Medieval Latin inscriptions in Gothic characters and with figures 
of Saints. The chest was evidently intended for ecclesiastical uses. 
The lock mechanism is missing and the bullet padlock is of later (prob- 
ably sixteenth century) make. 


Height, 141% inches; width, 224%, inches; depth, 131% inches. 
(Illustrated) 


2080—Pair oF SEVENTEENTH CENTURY FLORENTINE Mirrors 
Escutcheon shaped frames of gilt bronze repoussé in a design of rococo 
scrollings, dragons and Amorini, wreathed with flowers whose petals 
and leaves are of cut cristal-de-roche (rock crystal) and surmounted 
by open-work scrollings of gilt bronze studded with large flowers of 
cut cristal-de-roche. 


From the Collection of Madame de Falbes. 
Height, 3 feet 10 inches; width, 2 feet 3 inches. 


NOTE: These mirrors which were probably made in Venice or by Venetian workmen are 
noteworthy in view of their exceptional preservation. They are in absolutely their 
original condition. 


No. 2079 


No. 2081 


Eleventh Session, Saturday Afternoon 


2081—E1cHTEENTH CENTURY EncuiisH ADAM SETTEE, 
Carved and gilt wood frame with straight tapering carved legs, arms 
with fluted supports carved in a husk pattern. Shaped back carved 
in a twisted-ribbon pattern interrupted by scrollings of acanthus leaves, 
having in the center a carved medallion and ribbon knot. Back, seat 
and arms are upholstered. Height, 3 feet 3 inches; length, 8 feet 2 inches. 
(Illustrated) 


No. 2083 


2082—Two Louis Quinze Watnut Armcuairs 
High backs and sides upholstered in very exceptional petit point, with 
a design on a chocolate ground of scroll and leaf forms. 


2083 


Two Louis QuinzE Watnut ARMCHAIRS 


High backs and sides upholstered in exceptional petit point, with the 
subject of ladies in eighteenth century costume. 


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Eleventh Session, Saturday Afternoon 


No. 2085 | No. 2084 


2084—Six Jacopean Watnut Cuairs 
Turned baluster legs, turned feet, molded and carved interlaced 
stretchers with turned finials at the intersections. High backs with 
turned side columns. Splats pierced and carved in a pattern of acan- 
thus leaf scrollings and circular floral medallions. Top rail pierced 
and carved in a design of acanthus leaf scrollings. Seats upholstered 


in green velvet. 
From the Lady Decies Collection. 


Eleventh Session, Saturday Afternoon 


2085—Six JaAcoBEAN Wa.tnut CuHaIrs 


Turned legs with broad pierced and carved front rail and turned side 
rails and stretcher. High backs with turned side columns, and splats 
pierced and carved in a pattern of acanthus 
leaf scrollings and circular floral medallions. 
Seats upholstered in green velvet. 


From Lady Decies Collection. 
(Illustrated) . 


?086—Pair or ApAM TORCHERES 


Of the period and designed by the Brothers 
Adam. Of carved, enameled and gilt ma- 
hogany. Formed as four voluted scrolled 
and shaped supports ending with rams’ 
heads and draped with wreaths of very real- 
istically carved flowers and leaves. The vo-— 
luted ends of these supports stand upon four 
scroll acanthus leaves carved in very high 
relief, which are in turn supported by molded 
and quatrefoil shaped bases of acanthus leaf 
pattern. The rams’ heads support the 
quatrefoiled fluted and beaded lamp stands 
which have finials of carved lotus flowers and 
leaves finished in white enamel and heightened 
with oil gildmg. Mounted with three 
branched candelabra in gilt bronze of later 


date. Height, 57 inches. 


2087—REMARKABLE SHERATON CENTER WRITING 
TABLE 


Of rosewood inlaid with satinwood. Knee 
hole, pedestal table of unusual design. The 
pedestals are fitted with drawers and trays. 
In the center of the top is a rising hinged 
flap which forms a writing desk. At the 
back is a square cupboard for stationery which travels forward on 
runners and has a hinged top to form an inclined desk. At the side 
of this are adjustable candle brackets and in front a projecting 
bracketed shelf on which may be supported a light. When pushed 
back into place this cupboard is flanked by two large consoles which 
are fitted as stationery cabinets. The knee hole opening has arched 
brackets on both sides. 

Height, 3 feet 8 inches; length, 4 feet 61/, inches; depth, 3 feet 3 inches. 


No. 2086 


Eleventh Session, Saturday Afternoon 


2088—Oxp CHIPPENDALE Pir-crust TABLE 


Probably by Thomas Chippendale. Tripod support of claw and ball 
feet, with very delicate acanthus leaf carvings at the knees. The 
pedestal is fluted and carved with acanthus leaves and a band of egg 
and dart pattern. The top of “‘pie-crust” pattern, tipping and revoly- 


ing. 
Height, 28 inches; diameter of top, 27 inches. 


Eleventh Session, Saturday Afternoon 


2089—Oxp CuHipPpENDALE Manocany Arm CHatr 


Of the period and in the manner of Chippendale. Cabriole legs carved 
at the knees and feet with acanthus leaves. Shaped apron carved in a 
husk pattern and with scrolls and shells. Straight arms earved at 
the angles with acanthus leaves on cabriole supports. High back, arms 
and seat upholstered in petit point embroidery of a design on a black 
ground of a Chinoiserie subject of figures of a Prince and his Cour- 
tiers surrounded by leaf forms and scrollings. The seat has a design 
of three game cocks and a vase of flowers, also surrounded by leaf 
forms and scrollings. 


2090—Grorcian Carvep Woop Sipe TasieE 
Of carved wood with marble top. Cabriole legs with scroll and ball 
feet and acanthus and other scrolling at the knees. The apron is carved 
and pierced in a design of a Bacchus mask, acanthus leaf scrollings, 
festoons of vine leaves and bunches of grapes. White marble top. 
Height, 34 inches; length, 60 inches; width, 28 inches. 


—— 


! 


Eleventh Session, Saturday Afternoon 


2091—EicuHrreentH Century Portrucurse CABINET AND STAND 


Cabinet decorated with bands of ivory elaborately engraved in.a pattern 
of flowers and scrollings and enclosing oblong panels of tortoise-shell. 
The interior is fitted with drawers and pigeon holes, decorated with 
bands of engraved ivory and tortoise-shell panels. The stand has 
straight square legs with a shaped shelf decorated with bands of 


engraved ivory. 
Height, 381, inches; length, 22%, inches; depth, 11 inches. 


2092—Oup Anctio-CHINESE SIx-roLtp SCREEN 


Covered with paper and painted in colors by a Chinese artist with an 
elaborate panoramic subject of Chinese pavilions, figures and trees 
and with mountainous landscape background. Surrounded by a triple 
border of interlaced pattern of a European character. The back is 
covered with paper having a block-printed pattern of scrollings and 
horizontal lines in dark green on a light green background. 


NOTE: These screens were made for the European market during the reign of Queen 
Anne, but are often referred to as being painted in England. There is no doubt, 
however, that in most cases, certainly in that of the present, that the paintings were 
the work of Chinese artists. 


90938—EIGHTEENTH CENTURY FRENCH CABINET By RovussEL 


Of rosewood inlaid with tulip and satinwood, and a marquetry of 
colored woods and ivory. ‘Tall rectangular shape with fluted pilasters 
at the angles. Divided into a top drawer, a fall-front cupboard with 
shelves and_a lower cupboard with two hinged doors and shelves. The 
fall front and cupboard doors are decorated with shaped panels of a 
marquetry of colored woods and ivory inlaid in pictorial designs of 
classical ruins, trees with foliage, streams of water, with floating swans 
and crossed by bridges and groups of flowers and leaves. The interior 
of the upper cupboard is fitted with two drawers, the fronts inlaid on 
rosewood in tulip and pearwoods, with a design of classic vases. The 
top is of Carrara marble with an ormolu cresting of open work baluster 
design. The handles and lock escutcheon are of ormolu in designs of 
looped ribbons and laurel festoons. Signed at the back “P. Roussel’’ 
and a monogram “A. E.” 

Height, 3 feet 1114 inches; width, 1 foot 101% inches; depth, 1 foot 11% inches. 


(Illustrated) 


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No. 2093 


Eleventh Session, Saturday Afternoon 


2094—Louis QuryzeE Vernis Martin SepAN CHaiR 
Decorated with rococo scrollings in gilt and with Vernis Martin panels 
on a gold ground painted in with Watteau Pastoral Subjects, and musi- 
cal trophies. Lined with old crimson silk brocade. Hinged door with 
old brass handles. At the sides are iron sockets for the carrying poles. 
Height, 5 feet 3 inches; length, 2 feet 614 inches; width, 3 feet. 


2095—E1cHTEENTH CentTuRY EncuisH LacauEereD MANTELPIECE 
Carved in a rococo design of acanthus leaf scrolls and Chinese heads, 
also with cabrioled pilasters, an oval escutcheon surrounded by rococo 
carvings of acanthus leaf and shell design and with shaped panels of 
English gold lacquered work on a black ground. Shaped mantel shelf. 


Height, 3 feet 11 inches; length, 5 feet 4 inches. 


Eleventh Session, Saturday Afternoon 


2096—TueEe Famous RusHout LaceuER CABINET AND STAND 


Cabinet of rectangular shape decorated in gold lacquer, on a black 
ground. The upper portion enclosed by two hinged doors, and divided 
into drawers and pigeon holes with a central arched compartment sup- 
ported by twisted columns. Below is a draw-out leaf forming a desk 
with drawers below. The stand with a carved and pierced apron, 
cabriole legs and claw and ball feet, is decorated with a scroll pattern — 
in gold lacquer. The Cabinet is of Chinese manufacture of the Ch’ien- 
lung period, the Stand is English of contemporary date. One of the 
drawers in the upper portion has a tablet with this inscription, in gold, 
on a black ground, “This cabinet, which formerly belonged to the Hon. 
Anna Rushout, was at her death given to Elizabeth, Countess of Har- 
rington, by her nieces, the Misses Rushout.” 

Height, 4 feet 61% inches; length, 2 feet 714 inches; depth, 1 foot 8 inches. 


NOTE: The Misses Rushout, called the “Three Graces,” were the daughters of Sir John 
Rushout. This cabinet, known for many years as the “Rushout Cabinet,” came from 
the Collection of Lady Harrington. 

(Illustrated) 


2097—CuIppENDALE Manocany Escriror&e BooxcasE 
Of the period and in the manner of Chippendale. The bookcase por- 
tion with carved cornice and dentilated pediment completely closed 
in by two hinged doors paneled with long quatrefoil shaped mirrors 
bordered by a carved molding of rosette pattern. The fall-front desk 
is divided into drawers and pigeon holes with a central compartment 
having a hinged and paneled door flanked by turned columns. Below are 
four long drawers. Original drop brass handles and pierced lock 
escutcheons. Height, 7 feet; width, 4 feet 7 inches; depth, 1 foot 11 inches 


2098—Parr oF QuEEN ANNE CARVED AND Gitt Woop Mrrrors 
Oblong architectural tablet form with broken scroll pediments and 
shaped aprons. The frames consist of two bands of egg and dart 
moldings and broad bands of interlacement and acanthus leaf pat- 
tern carved in low relief on diapered grounds of stamped roundels. 
Above are carved friezes of shell and acanthus leaf decoration. ‘The 
pediments have carved acanthus leaves in place of the usual volutes and ~ 
in the centers are carved crests of Leopards’ heads erased. At the 
sides are pendants and wreaths of flowers and ribbons. Beveled mirrors. 
Height, 70 inches. 
(Illustrated) 


No. 2096 


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Eleventh Session, Saturday Afternoon 


No. 2098 No. 2099 


2099—-OLp Carvep anp Gitt Woop CHIPPpENDALE Mirror 
Of the period and in the manner of Chippendale. Framed with rococo 
scrolls and shell work and with reeded side columns. The upper portion 
has a molded cornice and shaped panels of pierced gilt diapered pat- 
tern over a white ground and a central heart shaped panel surrounded 


by rococo scrollings. 
Height, 56 inches; length, 28 inches. 


Eleventh Session, Saturday Afternoon 


2100—-SEVENTEENTH CENTURY ITALIAN CABINET AND STAND 


Rectangular shape with molded canopy top and two hinged doors 
of ebonized wood with moldings of Venetian quilled design enclosing 
panels and shaped borders of red tortoise-shell bordered by lines of 
inlaid ivory. The interior is fitted with drawers having paneled fronts 
of tortoise-shell bordered with quilled moldings of ebony, and with 
a central compartment having hinged doors with sunken panels of 
tortoise-shell decorated with three carved pearwood figures of the 
Evangelists standing on pedestals of ebony and ivory. The interior 
of this compartment is fitted with eight drawers and a mirror lined 
recess. Above is a drawer the front of which is formed as a broken 
pediment of ebony with the carved pearwood figure of a fourth Evan- 
gelist. Below is one long drawer and a pull out writing slab. All the 
drawers have turned ivory knobs. ‘The stand is supported on six turned 
legs with square front, back and side rails and turned feet. 

Height, 5 feet 9 inches; length, 3 feet 8 inches; depth, 1 foot 81% inches. 


2101—EIcHTEENTH CENTURY DuTcH WarproBE 
Mahogany formed in two portions, the lower one with break front 
and fluted consoles at angles ending in carved lion masks. ‘The upper 
portion has hinged doors paneled with raised moldings, flanked by 
fluted Corinthian columns on carved acanthus brackets and _ sur- 
mounted by a richly molded cornice and a broken pediment carved 
with festoons and branches of palm leaf and oak leaf. The swing 
handles and lock escutcheons are of gilt bronze in a Louis Seize design 
of rams’ heads and portrait medallions. The upper portion is fitted 
with trays and drawers, the lower portion with three long drawers. 
Height, 8 feet 51%, inches; length, 6 feet; depth, 2 feet. 


2102—Lovis Quarorze Petir Pornr Arm CHAIR 
Original frame of walnut, with turned and twisted legs, front and side 
rails and stretcher, acanthus scrolled arms on turned supports and 
high square back. Upholstered in petit point embroideries. The back, 
with a design, on a black ground, of a Rustic Dance and Celebration 
with a Bonfire and men firing rockets surrounded by flowers, leaves 
and scrolls in bright colors. The seat with a panel of birds, flowers 


and leaves. 


Eleventh Session, Saturday Afternoon 


No. 2103 No. 2104 


2103—-Parr or Louris Quinze Petit Point Coverep Arm CHAIRS 


In the original frames of walnut, with cabriole legs having acanthus 
carved knees, arms carved with a shell and husk pattern and shaped 
backs. The backs and seats are upholstered with eighteenth century 
petit point embroidery having a design, on a chocolate colored ground, 
of trees, birds and animals and panels occupied with classical figure 
subjects. 


2104—OLp Manocany CHIPPENDALE ARM CHAIR 


Mahogany frame with cabriole legs ending in carved voluted and acan-— 
thus leaf feet and elaborately carved in an acanthus leaf and shell 
design at the knees. The sides, seat, arms and high back are uphol- 
stered. In original condition. 


Eleventh Session, Saturday Afternoon 


2105—SEVENTEENTH CENTURY PETIT Pornt Arm Cuair 
Orignal walnut frame with turned and twisted legs, front and side rails 
and stretcher, and straight arms. The seat, back and arms are up- 
holstered with petit point embroideries of figures and floral scrollings 
on a canary yellow ground. The figures on the back represent itinerant 
vendors, those on the seat two men playing a game of nine pins, a dog 
and a mythical animal. 


NOTE: This chair is of exceptional size. 


Eleventh Session, Saturday Afternoon 


No. 2106 No. 2107 


2106—Pair or EIGHTEENTH CENTURY PeETIT Pornt CHAIRS 


Walnut frames, turned legs and front rail, molded side rails and 
stretcher. Backs and seats upholstered in Petit Point embroidery 
in a design, on a bright yellow ground of scrolled panels surrounded 
by a bordering of large flowers and leaves, those on the backs occupied 
with figures of Shepherds and a Woman holding flowers in her apron, 
those on the seats with figures of dogs and sprays of flowers on dark 
blue grounds. 


2107—Set or Srx Louis QuinzE Gros Point Arm CHAIRS 
Original oak frames with cabriole legs, scrolled and shaped arms and 
carved and scrolled backs. Upholstered as to the seats, backs and arms 
in gros-point embroidery of various floral designs and patterns. Bor- 


dered with old brass headed nails. 


601G “ON 


Eleventh Session, Saturday Afternoon 


SELEVH RY EHH 


2108— Louis QuinzE Petit Point SEtTTEE 


Walnut frame of later date. Upholstered in petit point embroidery 
of an exceptional character. The sides have an allover design of floral 
scrolls and birds in various colors on a black ground. The back has 
a design of trees, flowers, birds and animals and a center panel framed 
in festoons of draperies and occupied with a figure of Phoebus, the 
Chariot of the Sun. Embroidered in colors heightened with gold and 
silver threads. Length, 3 feet 11 inches. 


2109—Wiri1aM Anp Mary Oak Day Bep 


On turned and twisted legs with broad rims carved in a design of roses 
and acanthus scrollings. Turned and twisted side rails and stretchers. 
The ends paneled with interwoven cane-work with turned and twisted 
side supports. Top rails carved in a design of roses and acanthus 
leaves and frames of broad bands of floral scroll work. Seat of inter- 
woven cane-work. Signed with the maker’s initials, T. E., in four 
places. 


NOTE: In original condition except for two strengthening braces along the sides added at 
some later period. (Illustrated) 


Eleventh Session, Saturday Afternoon 


2110—Earty Srxreentu Century German CHEST 


Of applewood. ‘The exterior sparsely decorated with bands of scroll 
design carved in low relief on a hatched background. The interior is 
fitted with four compartments with removable lids. The large center 
compartment forms a well with two tiers of pigeon holes having hinged 
fall-down flaps, all completely covered with low relief carvings on a 
hatched background and decorated in so-called “poker work” with 
religious subjects. ‘The lid has a central panel of the Crucifixion sur- 
rounded by smaller panels occupied by a Pieta, Saints and Angels, and 
by a border of fiowers and animals. The lid of the inner compartment 
has a circular medallion of the Annunciation surrounded by smaller 
medallions of the Evangelists: The other lids have figures of Saints 
and ornamental borders. There are two carrying handles of wrought 
iron and pierced iron escutcheon. The chest is supported on four 
bracket feet probably of later date. . 

Height, 1 foot 6 inches; length, 2 feet 9 inches; depth, 1 foot 10 inches. 


&111—Witiiam and Mary Perriop Intarp Watnut CaBiner anp STAND 
The cabinet, of rectangular shape, is divided into fourteen drawers 
and a center compartment. ‘The drawers are bordered with deep bands 
of ebony and ivory inlays, and have centers of burr walnut inlaid with 
sprays of roses, carnations and peonies in colored and burnt woods. 
The central portion with two hinged doors bordered with a broad 
band of ebony and ivory is decorated with a shaped quatrefoil medal- 
lion bordered with lines of ivory and occupied by a cornucopia of 
tulips, roses, lilies and peonies in burnt woods and colored ivory. At 
the four angles are acanthus leaf scrollings in inlaid wood. The in- 
terior surfaces of the doors are veneered with burr walnut and deco- 
rated with oblong panels containing figures of soldiers in semi-classical 
clothing with swords and spears, inlaid in colored and burnt woods. 
The interior of the central compartment is divided into nine drawers 
and a recessed compartment, the sloping roof of which is a mirror. 
The floor inlaid with alternate squares of white and black wood. Sides 
of arched panels occupied by mirrors and the rear with an arched 
panel of burr walnut. A flight of miniature steps leads up to these 
inlaid alternately with light and dark woods, while the sides of the 
compartment are inlaid with arched panels containing figures of peas- 
ants. The stand is supported on twisted and turned legs and contains 
one long drawer, the front of which is inlaid with sprays of flowers in 
colored woods. The handles to the drawers are formed as shaped 
knobs of molded bronze. Height, 6914, inches; length, 52%, inches. 


Eleventh Session, Saturday Afternoon 


9112—-CHIPPENDALE MaAnocGany SToou 


By Thomas Chippendale. On cabriole legs with exquisitely carved claw 
and ball feet, knees carved with lions’ heads holding rings and scroll 
and acanthus leaf-side brackets. Upholstered in contemporary English 
needlework. Height, 81/, inches. 


NOTE: This little stool, doubtless from Chippendale’s own workshop, represents the work 
of the master at his best. The carving is of ithe most delicate description, exhibiting 
the grace so characteristic of Thomas Chippendale. 


2113—Manocany CHIPPENDALE Fovur-post BEDSTEAD 


The posts have spirally turned shafts springmg from acanthus-leaf 
carved and baluster shaped bases which rest on carved cabriole legs 
terminating in claw and ball feet. Above is a deep tester-cornice boldly 
carved and pierced in an acanthus-leaf pattern. Flouncings and hang- 
ings of red silk damask. 


NOTE: This bedstead, probably made by Chippendale himself, came directly to the present 
owner from the house in which it had stood since the eighteenth century. It is there- 
fore absolutely in its original condition. 


(Illustrated) 


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No. 2113 


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Eleventh Session, Saturday Afternoon 


2114—Oup ExizapetHan Oax Court Cupspoarp | 

Rectangular shape. The upper portion supported by plain turned | 

balusters and with molded cornice and frieze carved in a pattern of | 

small medallions. Below are two cupboards, the upper one with two 

hinged doors and divided by a center panel of conventional flower 

and leaf pattern. The doors are paneled with bold scroll and rosette 

pattern. The cupboard below with two doors, having three panels 
divided by molded and carved stiles. 

Height, 5 feet 1 inch; length, 4 feet 9 inches; depth, 2 feet 1 inch. 


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No. 2115 


Eleventh Session, Saturday Afternoon 


2115—Grorcian Manocany Brirp-cacEe 


In Chippendale’s “Gothic taste.” Formed as an octagonal Gothic lan- 
tern with pierced pinnacles at the angles, ending with floriated termina- 
tions. The sides are formed as Gothic arches with carved crockets 
and fleur-de-lys finials. The upper portion is supported by flying 
buttresses and has a Gothic arched clerestory, carved and pierced 
cornice and top formed as a pinnacle with twisted wires. The base 
has a deep band of Gothic carving. The sides and door are of wire- 
work interlaced in a diamond pattern. In the interior is a Gothic 
font which forms a receptacle for food or water. In absolutely orig- — 
inal condition. , 
Height, 301, inches. 


NOTE: This bird-cage exhibits a much closer attention to Gothic detail than Chippendale — 
was wont to use. ; 


(Illustrated) 


9116—SIXTEENTH CENTURY ITALIAN OAK CABINET 


Rectangular shape in two portions. The upper one, with a deep ovolo 
_ shaped cornice elaborately carved with arabesques, masks, Amorini 
and lions’ heads, is divided into two cupboards by three console-like 
pilasters carved with cherubim heads and festoons of fruits and leaves. 
The hinged fall fronts of these cupboards are divided into small panels 
by a pattern of molded interlacements and by egg and dart and beaded 
moldings, into star-shaped medallions, occupied with two bearded heads 
wreathed with laurel leaves. The lower portion forms a cupboard 
with two hinged doors flanked and separated by three caryatid pilasters 
of cherubim heads, festoons of flowers and leaves and acanthus leaf © 
ornamentation. These doors are decorated with a similar pattern of 
molded interlacements to those above but the star shaped medallions 
are occupied with lions’ heads. The sides are divided into six raised 
and molded panels. 
From the Collection of the Earl of Portsmouth, Eggesford House, North 
Devon. 


Height, 4 feet; length, 4 feet 5 inches; depth 2 feet 1 inch. 


2117—JacoBEAN Oak GatE LEccEp TABLE 


Of oak with oval top on turned, carved and twisted legs. ‘Turned and 
twisted gate, and side rails. 
Height, 2 feet 6 inches; length, 4 feet 8 inches; width, 4 feet. 


Eleventh Session, Saturday Afternoon 


2117A—Louis Quinzze Perit Pornt SETTEE 


Walnut frame. Covered with old petit point embroidered subjects of 
Chinoiserie. 


+ 


2118—Oup FremisH Oak CasInet 


Rectangular shape in two portions. The upper one with molded and 
carved cornice and a deep frieze carved with acanthus scrollings pro- 
ceeding from a vase in the center, is divided, by three fluted capitals 
decorated with raised roundels and flutings of ebony, into two cup- 
boards with hinged doors, having carved panels decorated with low 
relief carvings of acanthus scrollings and with raised roundels and 
oblong facetted projections of ebony. The lower portion is divided 
by three pilasters into two cupboards with doors of two panels sur- 
rounded by deep moldings and occupied with carvings exactly re- 
sembling those above. The base is divided by three lion’s-head consoles 
into two drawers with carved and paneled fronts, and is supported on 
four block feet, those in front carved in a pattern of acanthus rosettes. 


Height, 5 feet 81% inches; length, 4 feet 11 inches; depth, 2 feet 21% inches. 


2119—Jacospean Oak Priory Taser 
Six turned baluster legs, with molded, carved and bracketed apron, and 
top formed of four oak boards. Block feet with square foot rails at 
sides and ends, and molded stretcher in center. 


Height, 2 feet 8 inches; length, 10 feet 6 inches; depth, 2 feet 81 inches. 


2120—-SEVENTEENTH CENTURY OAK COFFER 
The front and sides have raised and molded panels occupied with relief 
carvings of figure subjects and separated by grotesque caryatid figures. 
The lid has a central panel, surrounded by a raised molding, of a 
carved scrolled cartouche surrounded by a border of leafage with 
cherubim heads at the angles and the center. The base is carved with 
an acanthus leaf decoration. This coffer has been fitted as a cigar 


container. 
Height, 8 inches; length, 21 inches; depth, 121% inches. 


Eleventh Session, Saturday Afternoon 


2121—Five HepretwuHitre Cuairs AND One Arm CHAIR 


Square tapering feet and square side rails, shield shaped backs, with 
oval pierced splat carved with the Prince of Wales’ feathers and festoons © 


of drapery. (Illustrated) 


2122—Pair or ApAmM GILT ToRCHERES : 
Of the period and style of the Adam Brothers. Carved and gilt wood. 
Formed as fluted Egyptian columns with lotus leaf capitals and bases 
and tripod rams’ heads, legs, feet formed as ram’s hoofs, and decorated 
with carved acanthus leaf and husk patternings. The columns are 
entwined with raised flowers and leaves, while above the capitals are 
bands of a guilloche pattern with three carved lions’ heads supporting 
fluted hemispherical lamp stands with carved acanthus leaf stems. 
These lamp stands, which are undoubtedly of the period as well as 
in the style of the Adam Brothers, are in absolutely original condition 
and have never been regilt. Height, 54 inches. 


(Illustrated) 


2123—QuEEN ANNE LaceuERED Kwnerr-HoLE DeEsk 
Rectangular shape with arched knee-hole on eight turned ball feet, and 
fitted with seven drawers and cupboard. Decorated on a black ground 
in English raised and gilt lacquer with subjects of Chinese figures, birds, 
flowers and landscapes. Original pierced brass handles and lock es- 
cutcheon. In absolutely original condition. 
Height, 31 inches; length, 31%, inches; depth, 1914 inches. 


2124—Louis Quinze Petit Point SETTEE 
Walnut frame. Covered with old petit point embroidered subjects of 
Chinoiserie. : 


2125—Ouxp. Frencu Taste pE TomLrettTe 


Inlaid with satinwood and lines of boxwood, the sides with shaped 
panels of satinwood and lines of boxwood, and the top with a geo- 
metrical pattern in a parquetry of colored woods. Fitted with drawer. 
Top arranged in three divisions, the center one with a hinged mirror 
lid. The sides have hinged lids and compartments lined with watered 
blue silk. Ormolu mounts. | 

a Height, 281% inches; length, 291%, inches; depth, 181% inches. 


IGI@ “ON 


Sth Od EF FIGHTS SS 


Eleventh Session, Saturday Afternoon 


2126—-SetT oF Six EIGHTEENTH CENTURY MAnHocANY CHAIRS 


Cabriole legs with Dutch feet and bracketed seats. Backs with shaped 
and voluted top rails and pierced splats of scrolled interlacements. 
Removable upholstered seats. 


(Illustrated) 


9127—-JacoBEAN OAK CHAIR 


Caned back and seat. Turned and twisted side columns with top ral 


pierced and carved in a design of a crown and bold scrollings. Turned, — 
twisted and carved legs, pierced and carved front rail, turned and 


twisted side rails and stretcher. Carved seat frame. 


2128— JacoBEAN Oak Arm CHAIR 


With scrolled and carved arms on turned and twisted supports, turned 


and twisted legs, carved front rail, and turned and twisted side rails | 
and stretcher. High back with turned and twisted side columns, carved 
and pierced top, side, and bottom rails. Seat and back of interwoven — 


cane-work. 
(Illustrated) 


9129—JacoBEAN -CARVED Oax Arm CHAIR 


Straight turned and twisted legs with carved and pierced hand rail. 


Backs with turned and twisted side columns ending in knob finials, 
with panel of interlaced cane-work, bordered with a carved design of 
roses and leaves. The top rail is carved and pierced in a design of 


a crown and acanthus leaf scrollings. Cane-work seats. Turned and | 


twisted side and back rails and stretcher. 


(Illustrated) 


2130—Eient Manocany CHIPPENDALE CHAIRS 
Of Chippendale’s Gothic period. Straight legs with pierced fleur-de-lys 
scroll brackets, straight side rails and stretcher. Backs formed with 
shaped pierced splats pierced in a Gothic design of arches and inter- 
lacements. Shaped top rail carved in low relief with acanthus leaf 
scrollings and with voluted angles. 


(Illustrated) 


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No. 2129 


No. 21380 


No. 2128 


Eleventh Session, Saturday Afternoon 


2131—-O_p Encuisu Petir Potint Arm CHAIR » 


Original walnut frame with turned legs, front and side rails and 
stretcher. Straight high back. Arms and back upholstered in Petit 
Point on a black ground in a design of architectural scrollings, trees — 
and flowers and a panel occupied with sheep, wolf, a dog and buildings. 


2132—Oup FrencH EscRriToIRE 


Of rosewood, inlaid with satinwood, kingwood and boxwood and mounted 
with acanthus and laurel leaf borders of ciselé ormolu, and with a large 
panel of Sévres porcelain painted with an oval shaped subject of a 
seaport and ruins. The upper part is fitted with a drawer and fall- 
down front forming a leather covered desk, the interior being divided 
into pigeon holes and drawers lined with old crimson colored velvet. 
The lower portion formed as a cupboard with hinged doors, the interior 
being lined with old crimson colored velvet. Molded marble top. 
Height, 52 inches; length, 31 inches; depth, 141% inches. 


2133—CHIPPENDALE Manocany Porte FIire-screen  . 
Columnar pedestal and tripod legs with Dutch feet. ‘The square 
mahogany framed screen contains a panel of flowers on a gold ground 


in contemporary needlework. 
Height, 4 feet 6 inches. 


2134—Oxup Enewisn Four-roLtp ScREEN 

Of stamped and painted leather. The front of gilt and grained leather 
painted in oil colors with subjects of exotic birds, rock forms, peony, 
chrysanthemums, prunus blossoms and butterflies. The back is of 
-dark leather stamped in an allover pattern of branches of roses, leaves 
and arum lilies. The leaves are bordered with gilt leather and brass 
headed nails. The painted panels are of the eighteenth century and the 
stamped leather panels of a later date. 

Height, 6 feet 4 inches; length, 7 feet. 


21385—JacoBEAN Oak CHEST 


The front with two raised panels and molded hinged lid. Old brass 
drop handles and a key escutcheon applied to give the appearance of 
a chest of drawers. 


Eleventh Session, Saturday Afternoon 


2136—SHERATON Satinwoop EscrirorrE Boox-cast 

By Thomas Sheraton. The glazed doors of the book-case are divided 
into sixteen panes by arched moldings with fleur-de-lys terminations, 
the frieze is inlaid with an Adam pattern of oval medallions and festoons 
of laurel leaves, and the dentilated cornice is surmounted by a broken 
- pediment terminating in medallions inlaid with flowers. In the center 
is a raised panel decorated with a classic urn inlaid in dark and light 
woods. ‘The fall-fronted desk is fitted with pigeon holes and drawers. 
The doors below are inlaid with bands of kingwood and ebony as are 

also the book-case doors above. 
Height, 7 feet 9 inches; width, 3 feet 6 inches; depth, 1 foot 11 inches. 


21387—Oxp Inuaip Satinwoop SHERATON EscriITOIRE 

Upper portion consists of glass fronted book-case. The doors divided 
by shaped and arched moldings into sixteen panes with arched mold- 
ing with fleur-de-lys terminations. ‘The frieze is inlaid with an Adams 
pattern of oval medallions and festoons of laurel leaves. ‘The cornice 
is dentilated and surmounted by a broken dentilated pediment terminat- 
ing in shaped medallions inlaid in a pattern of concentric petals. In 
the center is a raised panel occupied by a classic urn inlaid in dark 
and light woods. The lower portion is divided into a desk with fall- 
front fitted with pigeon holes and drawers and into a cupboard with 
two hinged doors. The drawers of the desk front are inlaid with bands 
of kingwood and ebony as are also the book-case doors above. 

Height, 93 inches; length, 42 inches; depth, 23 inches. 


2138—Gornic Oax CupBoARD 
Rectangular shape, with two hinged doors, pierced Gothic cresting and 
molded base. Divided by three detached turned and carved pillarets of 
Gothic design resting on scrolled bracket feet carved with lions. The 
two doors are occupied with carved figures of Knights in Armor under 
arched Gothic canopies with spandrels of Gothic design. 
Height, 2 feet 3 inches; width, 1 foot 91% inches; depth, 1 foot 4 inches. 


2139—SrEVENTEENTH CENTURY ITALIAN ToRCHERE 
Tripod base, with acanthus leaf scrollings. Baluster shaped stem on 
shaped triangular foot decorated with Cherubim heads and scrollings. 
The fluted stem is carved with acanthus leaves and Cherubim heads. 
Height, 261, inches 


Eleventh Session, Saturday Afternoon 


2140—Witu1am ann Mary Watnout CHarR 


Straight turned baluster legs with front rail pierced and carved in a 
scroll and shell pattern. Caned back with turned, fluted and carved 
columns and side pieces pierced and carved in a pattern of shells, 
scrolls and acanthus leaves. Pierced and carved top rail. In abso- 
lutely original condition. 


2141—SEVENTEENTH CENTURY ITALIAN ToRCHERE 


Tripod base, with acanthus leaf scrollings. Baluster shaped stem on 
a shaped triangular foot with Cherubim heads, and panels carved | 
with the head of a bishop and the monograms M.A. R. and §S. lL. 
The stem is elaborately carved with acanthus leaves and Cherubim 
heads. Circular top for the insertion of candle sockets carved in 


a gadroon pattern. 
Height, 261, inches. 


y 


Eleventh Session, Saturday Afternoon 


2142—JacoBEAN Oak Arm CuHair 
Cane back and sides. Carved sides to back with top rail pierced and 
carved in a design of an armorial shield with supporters of rampant 
lions. Shaped arms elaborately carved in an acanthus leaf design. 
Shaped legs carved with lion heads and acanthus scrollings. Front rail 
carved and pierced with a shell design, carved side rails and stretcher. 


Eleventh Session, Saturday Afternoon 


2143—OLp JacopEaAn Oak Courr CupBoarp : 

Rectangular shape in two portions, the upper one with turned baluster 
supports, molded cornice and frieze carved in a fleur-de-lys and strap 
ornamentation surrounding two panels, one with the initials G. M. I. M. 
and the other with the date 1681 in raised letters, and arranged 
as a cupboard with two hinged doors having molded stiles and carved 
panels of diamond shaped ornamentation. 'The lower portion as a 
cupboard with two doors divided by molded stiles into four plain 
panels. Portion of cornice molding missing. 

Height, 4 feet 9 inches; length, 4 feet 6 inches; depth, 2 feet. 


—2144—Fovur-FoLp CHINESE SCREEN 

Each fold is decorated with four panels of Chinese glass-paintings, 
the two larger ones in the center occupied with figures of soldiers on 
horseback and fighting, and the smaller ones, at top and bottom, 
with landscapes, figure subjects and with panels of inscriptions in 
Chinese characters. The frames are of teakwood with two oblong 
pierced and carved panels of light colored wood. 

Height, 581%, inches; width, 74 inches. 


2145---GEoRGIAN CUPBOARD 
Fitted with two hinged doors whose lower portions are glazed. Above 
these is a frieze of carved acanthus scrollings, projecting tablet carved 
with festoons of flowers and fruits and a dentillated and molded cor- 
nice. Molded base with four ball feet. Painted in black, with mold- 
ings and carvings of gilt. : 
Height, 8 feet 4 inches; length, 5 feet 11 inches; depth, 2 feet 4 inches. 


2146—GrorGIAN CARVED AND Gitt Woop Convex Mirror 
In circular molded frame with ball ornamentation. 


Height, 27 inches; diameter of mirror, 19 inches. 


93147—J AacoBEAN CARVED Oax Mrrror 


Frame very elaborately carved in a design of a seated Cupid and bold 
acanthus leaf scrollings. The inner border is carved in an egg and 
dart pattern. School of Grinling Gibbons. 


Height, 3 feet 11 inches; length, 2 feet 114% inches. 


Eleventh Session, Saturday Afternoon 


2148—Louvis QuatorzE Mirror 
In a shield shape frame of carved and gilt wood. Decorated with 
bold rococo scrollings which support female figures draped with floral 
wreaths, and with two dragon forms at the bases. Surmounted by 
a vase of flowers, floral wreaths and scrolls. 
Height, 3 feet 5 inches; width, 2 feet 6 inches. 


2149—EicureentH Century EnciisH Convex Mirror 
In circular frame surrounded by elaborate acanthus leaf scrollings and 
serpents’ heads, and surmounted by a winged monster with dragon 
tail and bird’s claws. On carved rocky base. 


Height, 4 feet 8 inches; diameter of mirror, 1 foot 5 inches. 


2150—O.Lp SEVENTEENTH CENTURY CHEST AND STAND 


School of Du Cerceau. Of walnut with inlaid lines of colored woods. 
The front is divided by three tapering scrolled pilasters, into two 
panels with arched recesses occupied with carved figures of Mercury 
and Pluto. The lid with molded rim carved in an egg and dart pattern 
has two sunken and molded panels in the top and an iron lock plate. 
At the sides are carved acanthus leaf circular medallions and swinging 
loop handles of ciselé iron. The interior of lid is fitted with a large 
lock having engraved trefoiled lock plate and with pierced ‘strap 
hinges rudely engraved in a design of scrolls. This lock and the hinges 
are of iron with contemporary plating of tin. The chest stands upon 
a rectangular base boldly carved in a pattern of curved gadroons. 
In original condition. 

Height, 3 feet 1 inch; length, 5 feet 1 inch; depth, 2 feet 1 inch. 


2151—SEvVENTEENTH CenTuRY FrRENcH WALNUT CaBINET 

Formed as a cupboard with two hinged doors separated by a caryatid 
figure of a woman in a plumed head-dress, flanked by carved figures of 
helmeted soldiers and with panels elaborately carved in a pattern of 
arabesque scrolls and female heads. Above is a band of acanthus 
leaf scrolls and Cherubim heads and a shallow moided cornice. Below 
is a pedestal whose carved panels are separated by three carved rams’ 
heads. Molded base. | 

Height, 2 feet 9 inches; length, 3 feet 61/, inches; depth, 1 foot 6 inches. 


Eleventh Session, Saturday Afternoon 


2152—QurEN ANNE Mirror 


Deep ovolo molded frame of burr walnut. Centers of top, bottom and 
sides inlaid with acanthus scrollings, flowers and leaves in colored 
woods on grounds of pearwood, bordered with lines of pearwood. 
Original beveled mirror. — 

Height, 36 inches; width, 301% inches. 


Eleventh Session, Saturday Afternoon 


2153—Oup JacoBpEAn IntAID Oax Court CuPBOoARD 


Rectangular shape in two portions. The upper portion, supported 
by turned balusters, with molded cornice and frieze inlaid with a 
scroll pattern of flowers and leaves in dark colored woods, forms a 
cupboard with two hinged doors having deeply recessed panels sur- 
rounded by molded stiles and inlaid with a scroll pattern of leaves and 
flowers in colored woods. In the center is a similar panel. The lower 
portion has a carved apron of fluted pattern and two large doors 
with ornamental strap hinges, each of which is divided, by molded 
stiles and rails, into four panels decorated with a double branched pat- 
tern of flowers inlaid in colored woods. ‘Supported on four ball feet. 

Height, 5 feet 31%, inches; width, 4 feet 7 inches; depth, 2 feet. 


2154—OxLp Groraian Four-rotp Patnrep ScREEN 


In four leaves connected with pillar hinges of turned wood and metal. 
Each leaf is divided by two stiles and side rails into three panels bor- 
dered with gilt moldings. ‘The large center panels are occupied with 
_ subjects painted in the Chinese manner, the first with a Chinese lady, 
with attendants carrying fans, listening to musicians and watching a 
dancing girl; the second and third with Chinese ladies holding vases of 
flowers and musical instruments on a balcony over a pool of water 
with lotus flowers, pavilions, a pagoda and a temple; the fourth 
with a Chinese lady and attendant setting off on a visit, also with a 
pool of water, swans and pavilions. The smaller panels above and 
below are painted, in the Oriental manner, with figures of bright 
plumaged birds on trees, and with peony blossoms and other flowers. 
Panels on the back are painted in lacquer on a black ground with sub- 
jects of rock forms, branches of trees, exotic birds and butterflies 
and with large floral sprays. Height, 16 inches; length, 98 inches. 


NOTE: These screens are interesting as representing an unusual variant of the familiar eigh- 
teenth century English “Chinese” lacquered decorations. 


2155—Louvtis QuinzE Petit Pornt SETTEE 
Oak frame. Seat, arms and back covered with eighteenth century 
French petit point embroidery. 


2156—Louis QuinzE Petit Point SETTEE 
Oak frame. Seat, arms and back covered with eighteenth century 
French petit point embroidery. 


Eleventh Session, Saturday Afternoon 


2157—SEVENTEENTH CENTURY FRENCH WaLnut COFFER 


Hinged lid with molded edge carved in an egg and dart pattern, the 
top inlaid with a scrolled ornamentation in etched pearwood. The 
paneled front is decorated with an inlaid pattern in etched pearwood 
and with a shield of armorial bearings having for supporters winged 
dragons with scrolled terminations. The sides are decorated with 
scrolled escutcheons of etched wood and the molded base is carved in 
a bold tongue and leaf design. On the front, sides and top are lines 


of inlaid pearwood. 
Height, 21 inches; length, 251, inches; depth, 14 inches. 


2158—Onxup EncusH Petrir Point CENTER-SETTEE 


In four divisions, with back and four arms. Eighteenth century. 
Petit Point embroidered coverings covered with shaped panels of 
Petit Point embroidery bordered in rose color, yellow and blue and 
occupied, on white grounds, with allover patterns of floral sprays. 


The seats, back and arms have broad borders of similar design. Al- 


together there are eight panels of varying sizes. 
| Height, 3 feet; length, 7 feet 2 inches; width, 4 feet 2 inches. 
2159—SEVENTEENTH CENTURY FRENCH Woop Carvine 


Of oak. Bust portrait of a nun. 
Height, 19 inches. 


2160 


SEVENTEENTH Century Perir Point CHair 


Of the period of the Regency. Original walnut frame with scrolled: 


legs, crossed stretchers, and curved arms ending in volutes and carved 
acanthus leaves. The seat and back are upholstered in Petit Point 
embroidery of exceptional quality in a Chinoiserie design on a yellow 
ground of Chinese Princes with a dancing girl and musician sur- 
rounded by long tailed birds, flowers and scrolls. 


29161—Manocany CHIPPENDALE EscrITOIRE BOOK-CASE 
Height, 6 feet 6 inches; length, 3 feet 6 inches. 


2162—SEVENTEENTH CENTURY DutcH Watunut Hanecine Breap CuPpBoARD 


Oblong form with shaped top and apron with carvings of vases, baskets 


of flowers, and floral sprays in low relief. The front and sides are — 


of open-work formed by turned spindles. In the center is a door 
with a carving of a vase with ears of wheat carved in low relief. 
Pierced steel lock escutcheon of scroll design and projecting cylindri- 
cal hinge with acorn finial. 

Height, 2 feet 8 inches; length, 2 feet 8 inches; depth, 1 foot 4 inches. 


Eleventh Session, Saturday Afternoon 


2163—JacoBEaAn Arm CHAIR 


Oval caned back and caned seat. ‘Turned, twisted and carved side 
columns with top rail pierced and carved in a design of a crown 
and_scrollings. Shaped and voluted arms. Carved side rails and 
stretcher. | 


9164—SHERATON MAHOGANY SIDEBOARD 


Of Sheraton’s period and in the Empire style. Formed of two side 
pedestal cupboards and caryatid figures at the angles having Greek 
sphinx heads and feet of bronze, connected by a straight front with 
rounded ends containing one long drawer, above is a low back with 
slightly curved top. The drawer and cupboard fronts are decorated 
with a lotus leaf ornamentation, voluted scrolls and lines of ebony 
inlay and with mahogany moldings bordered by bands of ebony. The 
handles are formed as lions’ heads with swinging rings in bronze. In 


original condition. 
Height, 3 feet 8 inches; length, 5 feet 8 inches; depth, 1 foot 101% inches. 


Eleventh Session, Saturday Afternoon 


2165—-OLp Carvep AnD GittT Woop CHIPPENDALE Mirror 
Of the period and in the style of Chippendale. Horizontal mirror 
divided into three sections, and framed with a reeded border and with 
pierced acanthus leaf scrollings. Original gilding, and old mirrors. 
Height, 32 inches; length, 56 inches. 


2166—Oxp EizapetHan Oak BUFFET | 
Cupboard with two hinged doors on turned and carved baluster sup- 
ports with under shelf, and surmounted by a shelf with pierced and x 
carved front. The doors have molded panels of a geometrical pat- 
tern surrounding star shaped medallions carved with projecting 
Cherubim heads, separated by a caryatid figure and flanked by two 
full-length symbolic figures. The front to the topmost shelf is pierced — 
and carved in a pattern of acanthus leaf scrollings flanked by semi- 
caryatid pilasters. On turned and carved feet. 
Height, 55 inches; width, 42 inches. 


2167-—-OLp QuEEN ANNE MriRROR 
Upright oblong shape with molded walnut frame and shaped and 
scrolled top. Mirror in two sections with beveled edges. 
Height, 33 inches; length, 181% inches. 


2168—OLp QuEEN ANNE Mirror 
Frame of upright tablet form, with an inner border carved in an 
acanthus leaf pattern with folds of draperies and tassels at the side. 
Shaped apron carved, in low relief, with a shell and acanthus leaf 
scrollings and surmounted by voluted broken pediment of egg and 
dart molding, floral rosettes and acanthus leaves. Original gilding 


and beveled mirror. 
Height, 46 inches; length, 25 inches. 


2169—OLtp Carvep anv Gitt Woop CHriprpENDALE Mirror 
Of the period and in the manner of Chippendale. Framed in rococo 
scrollings and pendants of flowers and leaves, surmounted by an open- 
work basket shaped vase of flowers and leaves. 
Height, 42 inches; length, 21 inches. 


Eleventh Session, Saturday Afternoon 


2170—Ouxp Carvep AND GittT Woop CHIPPENDALE MIRROR 


Of the period and in the manner of Chippendale. Upright oblong 
mirror framed in a rococo rocaille design and surmounted by a figure 
of an eagle with outstretched wings. Original gilding and mirror. 


Height, 55 inches; length, 25 inches. 


2171—QvuEEN ANNE MIRROR 


Shaped and scrolled frame of tortoise-shell. 
Height, 43 inches; width, 23 inches. 


& 


Eleventh Session, Saturday Afternoon 


2172—QvuEEN ANNE CaRvED AND Gitt Woop Mirror 


Oblong carved and gilt wood frame, surmounted by a carving of 
pierced acanthus scrollings with eagle heads and a shell shaped medal- 
lion. The sides are decorated with acanthus leaf volutes and scrollings 
and below is a shaped apron with a carved shell and acanthus leaf scroll- 
ings. 

Height, 5 feet 2 inches; length, 2 feet 9 inches. 


2173—EIcHTEENTH CEenTURY FRENCH GitT Mirror 
Square shape with beveled mirror bordered with a gilt molding of a 
scroll pattern and with raised and pierced ornamentations at the 
angles. Shaped upper portion of a mirror framed in rococo scrollings 
of pierced design, terminating in female masks crowned with feathers. 
Height, 84 inches; width, 47 inches. 


Eleventh Session, Saturday Afternoon 


2174—Oxp Carvep anv Gitt Woop CuippenpALe Mirror 
Of the period and in the manner of Chippendale. Frame of rococo 
scroll and rocaille design with hanging festoons of flowers and leaves. 
Surmounted by bold acanthus leaf scrollings. 
Height, 45 inches; length, 25 inches. 


2175—Oxp Carvep anp Gitr Manocany CHipPpENDALE Mirror 
Upright oblong shape with shaped mahogany frame having an inner 
border of carved acanthus leaf scrollings, carved and gilt side pendants 
of leaves and fruits, and a carved and gilt rococo scroll top. 
Height, 49 inches; length, 27 inches. 


2176—OLp GrorciAn CARVED AND GittT Woop Mrrror 


Upright oblong shape as an architectural mural tablet design with 
outer moldings of an egg and dart pattern and an inner molding of 
curved gadroons. Broken scroll pediment with floral medallions. 


Beveled mirror. 
Height, 671, inches; length, 35 inches. 


2177—QurEN AnNE Watnout Writine Box 
Decorated with large panels bordered with lines of pearwood and ebony. 
The top has fan shaped inlays of ebony at the angles and is occupied 
with an elaborate inlay of boxwood in the so-called “Sea weed” pattern 
of scrollings. The interior is fitted with ink well and pouncet box, 
pen tray and receptacle for paper. 
Height, 4 inches; length, 121% inches; depth, 10% inches. 


2178—Lapy’s Grorcian Worx anv Writine Box 

Of pearwood inlaid with satinwood and other woods and painted. 
Shaped sides and molded hinged lid and bale handle of pearwood. 
The upper part is fitted as a velvet lined box, the lower with a drawer 
fitted for writing purposes, and a hinged writing flap. Decorated 
with bands of satinwood and colored wood inlay. ‘The top is of 
octagonal shape inlaid with a panel of satinwood occupied by an 
oval medallion enclosing a Bartolozzi stipple engraving of the Bar- 
tolozzi School. Painted wreathings and pendants of husk pattern and 
painted festoons of drapery. 

Height, 71/, inches; length, 121% inches; depth, 10 inches 


Eleventh Session, Saturday Afternoon 


2179—MIniaTuRE CHIPPENDALE PiEcrust TaBLe 
On tripod base with Dutch feet. Turned pedestal, and molded and 


carved tip top. 
Height, 11 inches; diameter, 12 inches. 


2180—SEvENTEENTH CeENTURY EncusH MintaturE Oak Arm CHAIR 


Turned baluster legs, molded bottom rails, straight molded arms. 
Back upholstered in stamped leather with molded top, bottom and 


side rails. Seat upholstered in stamped leather. 


(Illustrated) 


Height, 12 inches. 


Eleventh Session, Saturday Afternoon 


No. 2181 No. 2178 No. 2182 


2181—Gerorcian Mintature Manocany Taripoy 
In two portions, with molded cornice, base and shaped bracketed feet. 
Fitted with six drawers with original brass drop handles and shaped 


lock escutcheon. 
Height, 11%, inches; length, 71% inches; depth, 334, inches. 


2182—Miniature QuEEN ANNE Watunvut Desk 
Fall-down front. Interior fitted with drawers and pigeon holes. The 
front with two long drawers and two small drawers. Original brass 
knob handles and keyhole escutcheons. 


Height, 13 inches; length, 10 inches; depth, 7 inches. 


9183—GrorcIAN MAnocany Haneine CABINET 


Of the period and in the manner of Chippendale. Square shape, fitted 
with two shelves. Fretwork sides with carved and molded apron below. 


Height, 17 inches; length, 201, inches; depth, 7 inches. 


Eleventh Session, Saturday Afternoon 


2184—Grorcian Manocany WorkKBASKET 


Shaped as an oval basket with straight sides engircled with horizontal 
bands of whale-bone and brass headed nails. High bale handle of 


whale-bone. Lid decorated with a panel of kingwood. Bottom inlaid oe 


in kingwood, ebony and ivory in a star pattern. 
Height, 151% inches. 


2185—Pair oF QuEEN ANNE Watnut CHairs | 
Walnut frames with cabriole legs, shaped and molded side rails and — 
stretcher, straight backs, shaped and scrolled top rail and straight 
wide splat inlaid with bands of a herring bone pattern. 


2186—-OLp WarterForp Cur Guass “Crystal” CHANDELIER 
Stem of pear-shaped vase design proceeding from a circular bowl 
and cut on the pattern of bold diamond and spiral facettings. Five 
branches fitted with candle sockets. Draped with elaborate festoon- — 


ings of cut glass drops. 
Height of center stem, 30 inches. 


2186A—Same as No. 2186 
2186B—Same as No. 2186 
2186C—Same as No. 2186 


9187—-O_Lp WarTeErForpD Cut Guass “CrystTaL’ CHANDELIER 


Stem of pear-shaped vase design proceeding from a circular bowl, 
and cut with large and small diamond shaped facettings and flutings. 
Fitted with five branches for lights. Draped with elaborate festoon- 


ings of cut glass drops. 
Height of center stem, 30 inches. 


2188—-OL_p Warerrorp Cur Guass “CrystaL” CHANDELIER 
Vase shaped stem cut in bold diamond facettings and heart Be TS con- 
cavities, proceeding from a circular cut glass bowl with eight double 
curved arms fitted with candle sockets and eight smaller curved arms. 
Draped with elaborate festoonings of cut glass drops. 


Height of center stem without pendants 42 inches. 


Eleventh Session, Saturday Afternoon 


2189—QvuEEN ANNE EscritTorrEe Boox-cask 

The book-case with molded cornice, has two hinged doors having 
scrolled and arched panels of burr walnut inlaid with broad bands — 
of straight grained walnut. The fall-front desk has a molded book- 
rest of burr walnut bordered with a broad band of straight grained 
walnut. The interior is fitted with pigeon holes and drawers. Below 
are two long drawers, with fronts paneled in burr walnut bordered 
by bands of pearwood. Original drop handles and escutcheon plates 
of engraved brass. 

Height, 6 feet 6 inches; width, 3 feet 3 inches; depth, 2 feet. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


ee 


. 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


INTELLIGENT APPRAISEMENTS 


OF 


ART AND LITERARY PROPERTY 
Pete PERSONAL EFFECTS OF EVERY 
DESCRIPTION 


IN CASES WHERE 


Pepe poalLho ARE EFFECTED 


MeNOMINAL CHARGE ONLY WILL BE MADE 


THE AMERICAN ART ASSOCIATION 


MADISON SQUARE SOUTH 
NEW YORK 


TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 
AND BINDING BY 


CH INSTITUTE 


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oa 
eae 


“ 


Pe a 


esr. 
a 


